243 risultati
1926rif. 46531926 Paris, André Delpeuch, 1926, 15x26. Broché, non coupé et sous couverture rempliée. Ouvrage tiré à 850 exemplaires, celui-ci l'un des 100 exemlaires de présent. Bien illustré des 4 dessins et d'un fac-similé. Exemplaire dédicacé par l'auteur à Eugène Montfort. Avec le feuillet de souscription. Bon exemplaire. Envoi de photographies sur demande.
1902rif. 83491902. Paris Albin Michel 1902. Un vol. au format gd in-8 212 x 138 mm de viii - 626 pp. Reliure de l'poque de demi-chagrin glac vert-empire filet vertical gras froid ornant les plats dos lisse orn de filets gras et maigres froid fleurons dors titre dor. Edition originale collective du premier ouvrage publi par Albin Michel qui rencontra dÂs parution un vif succÂs. Il s'agrmente de 12 charmantes compositions en couleurs et pleine-page par Bourdelle Abel Faivre Landre Maurice de Lambert Robaudi Paul Sain et Steinlen. ''En janvier 1902 l'auteur quitte Flammarion et dite son premier livre : L'Arriviste. Pour lancer le roman de Champsaur qui a publi naguÂre des ouvrages sulfureux et que la presse Ç snobe È depuis lors Albin Michel imagine d'utiliser des rclames payantes : le contrat qu'il propose l'auteur prvoit que Ç les droits sur le premier tirage dix mille exemplaires sont abandonns par M. Flicien Champsaur condition qu'une somme de dix mille francs soit mise sa disposition pour la publicit de cet ouvrage. È C'tait dit-on la premiÂre fois qu'un livre tait promotionn de cette maniÂre - et aux frais de l'auteur. Henru Thyssens. Coiffes limes. Dos insol. Quelques rares feuillets pourvus de rousseurs. Nonobstant bonne condition. b42961 unknown
rif. 76627Les éditions G. Crès & cie 1930 livre biographie 19*14,5 45 pages les artistes nouveaux
rif. 118Un volume in 8 demi-cuir vert, titre et filets dorés, faux-titre,frontispice (portrait de l'auteur),titre, VII,623 pages,illusrations en couleurs de Bourdelle, abel Faivre, Charles Léandre, Maurice de Lambert, Robaudi, Steinlen Albin Michel 1902.Ouvrage complet en un volume.
1902rif. 8349Paris, Albin Michel, 1902. Un vol. au format gd in-8 (212 x 138 mm) de viii - 626 pp. Reliure de l'époque de demi-chagrin glacé vert-empire, filet vertical gras à froid ornant les plats, dos lisse orné de filets gras et maigres à froid, fleurons dorés, titre doré.
rif. 25172<meta charset="utf-8">Autodidacte née en Californie, pionnière de la "danse libre", Isadora Duncan (1877-1927) défia les conventions en plaçant son art au coeur d'un projet de société plus démocratique. Cet ouvrage, le premier consacré aux années qu'Isadora passa en France, s'attache à restituer le contexte intellectuel et artistique d'une époque, et retrace le parcours de la danseuse, de ses débuts dans les salons parisiens aux succès sur des scènes prestigieuses - Gaîté-Lyrique, théâtre du Châtelet ou des Champs-Élysées - en évoquant également le rayonnement de ses écoles de danse, déterminantes pour la transmission de son art. Séduits par l'expressivité de sa danse, nourrie de sa fascination pour la Grèce antique, de nombreux artistes - Antoine Bourdelle, José Clara, Jules Grandjouan, André Dunoyer de Segonzac, Abraham Walkowitz, Rik Wouters... - ont cherché à en saisir l'élan vital, par la légèreté du trait ou la gravité du matériau. D'autres ont magnifiquement représenté cette femme audacieuse et moderne, comme en témoignent le portrait peint d'Eugène Carrière ou les clichés d'époque d'Albert Harlingue, Arnold Genthe ou Edward Steichen. Personnalité d'exception, femme libre, Isadora Duncan révolutionna l'art de la danse: "Je n'ai pas inventé la danse, elle existait avant moi ; mais elle dormait et je l'ai réveillée." Paris, 2009 Paris Musées. 335 pages, très nombreuses illustrations couleur, broché. 22 x 27
rif. 22498De 1861 à 1902, le sculpteur danois Niels Hansen Jacobsen (1861-1941) s'établit à Paris, une des capitales du premier symbolisme nourri des échanges et des amitiés entre écrivains, musiciens et artistes venus de l'Europe entière. L'atelier du sculpteur à la Cité fleurie, au 65, boulevard Arago, est le rendez-vous d'un groupe de symbolistes nordiques et francophiles, notamment les peintres Jens Lund et Henriette Hahn-Brinckmann. L'émulation est d'autant plus vive que Hansen Jacobsen a pour voisins d'atelier le céramiste et collectionneur Paul Jeanneney, le sculpteur et céramiste Jean Carriès, l'illustrateur et affichiste Eugène Grasset. L'ouvrage, à travers des oeuvres singulières, révèle la vivacité créatrice de ces artistes qui se «battent avec la flamme« et affrontent leurs démons pour donner corps à l'Indicible. Paris, 2020 Paris Musées 224 p., relié. 21 x 29
1962This is an about very good softcover copy with some wear. Completely clean inside and very clean outside, just light toning. Spine not creased, binding firm. Pages a little stiff, very soft curve to lower right corner. Text in French. 193 works in the exhibition. Many illustrated in black & white (about 80). Also illustrations in the ads at the end. Also tipped-in is the fold-out brochure for the Italian pavilion or section of the exhibition which featured Manzu. Texts by Jean Bouret and Denys Chevalier.10.5" high X 8" wide, 16 text and list pages + ads. This book will be securely packed and shipped with tracking.
1945rif. 22542New York: Printed by the Author 1945. First edition. Hardcover. Contents loose as issued in light blue basket weave cloth portfolio front cover lettered in gilt. Very good. Bourdelle Pierre. Three text leaves are commentary by Pierre Claudel. Folio 44 x 34 cm. Limited edition copy 16 of 250 signed by Bourdelle. Fifty-two fine tinted lithographs printed in a variety of colors printed by Albert Carman on wove paper. The author a volunteer ambulance driver with the American Field Service on the African and Italian fronts traces his experiences not only with American forces but all Allied troops fighting in the previous war zones. The emotional intensity of the images captures a level beyond a camera eye. Portions of front cover rubbed with some fading. Printed by the Author hardcover books
1945rif. 165440New York: American Studio Books 1945. Hardcover. VG- shelfwear and tears to portfolio; stain to cover sheet remaining pages and plates are very clean. All plates are present. Blue folding cloth portfolio. Cover sheet listing of illustrations 2 pp foreword commentary followed by the 52 prints. The cover sheet is also a print. In portfolio; title from cover./ "The scenes depicted in this volume are authentic. They are scenes that Bourdelle as a volunteer ambulance driver of the American Field Service saw at the North African and Italian fronts."--Foreword. WAR embossed in gold on front board hence the title. American Studio Books hardcover books
1945rif. 12785WAR American Studio Books 1945 first edition some modest soiling to the covers of the blue cloth portfolio else vg with fine contents being 57 loose leaves laid into an off-white folder 53 of which are pictorial monotone and duotone renderings of what the artist witnessed during his WW2 experiences as an ambulance driver in both North Africa and Italy. American Studio Books hardcover books
1945rif. 18521New York: American Studio Books 1945. Hardcover. g. Ex library. Elephant folio. Textured gray-blue cloth portfolio with gold lettering on cover. Small closed tears along head and tail of spine corners and edges rubbed. Library bookplate on inside of front cover. Paper folding flaps of portfolio have been repaired with clear tape. Small library stamp on rear of each plate. 52 reproductions of drawings by Pierre Bourdelle in mono- and duotone of his experiences in W.W. II on the North African and Italian fronts. Bourdelle was a volunteer ambulance driver of the American Field Service. Foreword by Stephen Galatti commentary by Pierre Claudel. Binding in good plates in very good condition. American Studio Books hardcover books
1947rif. 518124Paris: Editions Rombaldi 1947. Unbound. Near Fine. First edition. Text in French by Paul Lorenz. Illustrated with 78 color and black and white plates complete laid into a pictorial portfolio with glassine jacket. Portfolio with short tears at the spine ends and a bit of wear at the corners the text and plates are bright and fine with just a bit of foxing at the edges. Housed in the publisher’s vellum-backed portfolio that is foxed at the edges with one panel only of the publisher’s slipcase included. Limited to 350 numbered copies on Arches paper. Bourdelle was a pupil of and assistant to Rodin for 15 years and worked mostly in bronze and marble. Editions Rombaldi unknown books
1989rif. 216327Bruton: Bruton Gallery 1989. Softcover. VG-: Library sticker on the front cover. Clean body pages and solid binding. Glossy color-illustrated wraps. 46 pages; illustrated with mostly color images. Bruton Gallery paperback books
1961rif. 166274New York: Charles E. Slatkin Gallery 1961. First edition. Softcover. Catalog for a traveling exhibtion. Includes numerous illustrations. A very good plus copy in wrappers with some minor wear. Internally a clean copy. Charles E. Slatkin Gallery unknown books
rif. 73-5314New York: Charles E. Slatkin Galleries 1962. 4to. 95 pp. Cardstock cover cover. Very Good. Black and white plates.From the collection of Peter Selz Art History Professor at UC Berkeley. New York: Charles E. Slatkin Galleries, 1962 unknown
1962rif. 58459New York: Charles E. Slatkin Galleries. As New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request – – IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - 96 pp. With 73 ills. 28 x 22 cm. -- with a bonus offer-- . 1962. Charles E. Slatkin Galleries paperback
1972rif. 62477Museum. As New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request – – IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - Text in Japanese. 186 pp. With 184 ills. 8 col. . 24 x 26 cm. -- with a bonus offer-- . 1972. Museum paperback
1947rif. 023365Editions Rombaldi. Very Good- with no dust jacket. 1947. Limited Edition. Hardcover. Hardcover; Hardcover: Limited edition of 350 copies of which this is #317. Hardcover portfolio in slipcase. Portfolio covers and interior are foxed and soiled. Emile Antoine Bourdelle is imprinted on the spine in green. Inside the portfolio covers is an illustrated softcover with a line drawing and Bourdelle written on the cover. This softcover is encased in onion skin. The softcover and onion skin are chipped at corners and spine ends with some foxing. 24 page text is laid in and has some foxing as well. The plate index lists 78 plates. The laid in plates are numbered 1 through 79 however numbered plates 11 and 78 are missing but there is an additional unnumbered color plate laid in as well. The total comes to 78 plates present. The plates are clean and crisp. This portfolio is encased in a tired slipcase that is worn soiled split frayed and foxed. Always carefully wrapped and shipped in cardboard boxes to protect your purchase. ; B/w Illus; FOLIO; 78 pages . Editions Rombaldi hardcover
1947rif. 518124Paris: Editions Rombaldi 1947. Unbound. Near Fine. First edition. Text in French by Paul Lorenz. Illustrated with 78 color and black and white plates complete laid into a pictorial portfolio with glassine jacket. Portfolio with short tears at the spine ends and a bit of wear at the corners the text and plates are bright and fine with just a bit of foxing at the edges. Housed in the publisher’s vellum-backed portfolio that is foxed at the edges with one panel only of the publisher’s slipcase included. Limited to 350 numbered copies on Arches paper. Bourdelle was a pupil of and assistant to Rodin for 15 years and worked mostly in bronze and marble. Editions Rombaldi unknown
rif. 16-6424Circa late 19th Century. Proof on wide margined rag paper 23 x 20cm. sheet size.Saint reconnu en Sologne et en Berry pour posséder des propriétés fertilisantes.Les dames en mal d'enfant lui rendaient hommage nuitamment venant gratter en douce le membre viril de la statue en bois du bon saint. Elles réalisaient ensuite une décoction des copeaux obtenus dans l'espoir de donner rapidement naissance à un bam Circa late 19th Century. unknown
rif. 16-6425Circa late 19th Century. Proofs on wide margined rag paper 31 x 22.5cm. sheet size. First and second states without engrvaed text. Final state with an engraved text. Circa late 19th Century. unknown
rif. 045743London: Peter Owen 1964. Book. Fine. Hardcover. First Thus. 8vo - over 7¾" - 9¾" tall. Dark gray cloth-effect paper covered boards spine panel lettered in gold foil. As issued. Dust jacket slightly soiled/toned with only slight shelf wear now in mylar. xii105 pp. 30 b&w plates. Peter Owen Hardcover
rif. 42730973-nnew. unknown
rif. 42730973like new. unknown