8 resultados
1961ref. 166274New York: Charles E. Slatkin Gallery 1961. First edition. Softcover. Catalog for a traveling exhibtion. Includes numerous illustrations. A very good plus copy in wrappers with some minor wear. Internally a clean copy. Charles E. Slatkin Gallery unknown books
1968ref. 250205Tokyo: Musee National d'Art Occidental 1968. First. paperback. near fine. Bourdelle Emile-Antoine. With 129 illustrations some in color. Notes and biography in French and Japanese. Slim oblong 8vo pictorial wrappers 3 heart-shaped punch-outs on rear cover otherwise a near fine copy of this unusual exhibition catalogue. Tokyo: Musee National d'Art Occidental 1968. Musee National d'Art Occidental unknown books
1989ref. 216327Bruton: Bruton Gallery 1989. Softcover. VG-: Library sticker on the front cover. Clean body pages and solid binding. Glossy color-illustrated wraps. 46 pages; illustrated with mostly color images. Bruton Gallery paperback books
1945ref. 165440New York: American Studio Books 1945. Hardcover. VG- shelfwear and tears to portfolio; stain to cover sheet remaining pages and plates are very clean. All plates are present. Blue folding cloth portfolio. Cover sheet listing of illustrations 2 pp foreword commentary followed by the 52 prints. The cover sheet is also a print. In portfolio; title from cover./ "The scenes depicted in this volume are authentic. They are scenes that Bourdelle as a volunteer ambulance driver of the American Field Service saw at the North African and Italian fronts."--Foreword. WAR embossed in gold on front board hence the title. American Studio Books hardcover books
1945ref. 12785WAR American Studio Books 1945 first edition some modest soiling to the covers of the blue cloth portfolio else vg with fine contents being 57 loose leaves laid into an off-white folder 53 of which are pictorial monotone and duotone renderings of what the artist witnessed during his WW2 experiences as an ambulance driver in both North Africa and Italy. American Studio Books hardcover books
1945ref. 18521New York: American Studio Books 1945. Hardcover. g. Ex library. Elephant folio. Textured gray-blue cloth portfolio with gold lettering on cover. Small closed tears along head and tail of spine corners and edges rubbed. Library bookplate on inside of front cover. Paper folding flaps of portfolio have been repaired with clear tape. Small library stamp on rear of each plate. 52 reproductions of drawings by Pierre Bourdelle in mono- and duotone of his experiences in W.W. II on the North African and Italian fronts. Bourdelle was a volunteer ambulance driver of the American Field Service. Foreword by Stephen Galatti commentary by Pierre Claudel. Binding in good plates in very good condition. American Studio Books hardcover books
1947ref. 518124Paris: Editions Rombaldi 1947. Unbound. Near Fine. First edition. Text in French by Paul Lorenz. Illustrated with 78 color and black and white plates complete laid into a pictorial portfolio with glassine jacket. Portfolio with short tears at the spine ends and a bit of wear at the corners the text and plates are bright and fine with just a bit of foxing at the edges. Housed in the publisher’s vellum-backed portfolio that is foxed at the edges with one panel only of the publisher’s slipcase included. Limited to 350 numbered copies on Arches paper. Bourdelle was a pupil of and assistant to Rodin for 15 years and worked mostly in bronze and marble. Editions Rombaldi unknown books
1945ref. 22542New York: Printed by the Author 1945. First edition. Hardcover. Contents loose as issued in light blue basket weave cloth portfolio front cover lettered in gilt. Very good. Bourdelle Pierre. Three text leaves are commentary by Pierre Claudel. Folio 44 x 34 cm. Limited edition copy 16 of 250 signed by Bourdelle. Fifty-two fine tinted lithographs printed in a variety of colors printed by Albert Carman on wove paper. The author a volunteer ambulance driver with the American Field Service on the African and Italian fronts traces his experiences not only with American forces but all Allied troops fighting in the previous war zones. The emotional intensity of the images captures a level beyond a camera eye. Portions of front cover rubbed with some fading. Printed by the Author hardcover books
