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553 résultats
[S.l.], [s.n.], [1947], mm. 318x240, 9 (su 12) quartini sciolti contenenti composizioni grafiche di pagine di libro composte manualmente ed impresse al torchio da Artidoro Benedetti e Armando Mazzanti; ciascun quartino è composto da 8 pagine quindi 72 pagine complessive. I quartini sono contenuti entro una cartella editoriale che sulla copertina anteriore reca la data: anno 1947. Mancano 3 quartini. Alla prima pagina di ogni quartino una xilografia di Giovanni Michelucci: quindi un totale di 9 (su 12) xilografie inedite di Michelucci (matrici intagliate nel 1925). Edizione di 150 esemplari dedicati ad personam: esemplare di Serafino Borgiotti. Rarissimo. Qualche fioritura alla cartella.
68 p., 200 fig. n/b et coul. Inv. 41325
np. Printed in red and black. Uncut and unopened. Large bottom margins. 8vo. Original full paper binding with original spine and front cover paper labels. Binding very slightly soiled. Hardbound. One of this press' most interesting books. Nice copy. First Edition. PRESS/W32
Grafica Lucchese,1966. In 4°pp. da 36 a 40n. cop. Edit.
1 Vol. In-8 pag. 64(12) PROG 37063 CATT_ATT 49
Volume in 4°. Cofanetto editoriale contenente una cartella in cartone recante sul dorso l'Autore e il titolo dell'opera. All'interno il volume con 120 pagine legato a mano e numerato 40 ex su 546. Ottimo stato. COMPLETO
2002réf. 25106New York: The Museum of Modern Art/Harry N. Abrams 2002. hardcover with illustrated boards no dust jacket. some may have been issued without one.very slight bump to bottom fore-corner with negligible impact. no other flaws clean tight binding no writing or markings.; 304pp. 594 color illustrations 62 halftones. five essays by various contributors detailed catalogue reference material. handsomely produced catalogue of a unique collection. First Edition. Hardcover. Very Good Plus/No Jacket. 4to - over 9¾" - 12" tall. Exhibition Catalogue. The Museum of Modern Art/Harry N. Abrams Hardcover
1978réf. 11180Wien: Edition Graphischer Zirkel 1978. softcover in dust jacket sewn binding. one page has a printer's crease-line at top edge low impact. minor evidence of handling to small spots of dj top edge negligible. no other flaws clean no writing or marking tight binding.; this copy belonged to scholar/translator harry zohn and is inscribed to him by erich fitzbauer dated 1981 on the front free endpaper. one of the poems in the book is dedicated to professor zohn. this copy is not numbered. german text. 107pp. illustrations by walter becker gunter bohmer ludwig meidner frans masereel axel leskoschek and carry hauser who signed the original frontispiece graphic. Signed by Author. First Edition - Limited. Soft Cover. Near Fine Plus/Near Fine Plus. 4to - over 9¾" - 12" tall. Edition Graphischer Zirkel Paperback
1989réf. 11412Stuttgart: Edition Cantz 1989. wrappers sewn binding. small number of superficial scrathes to back cover. no other flaws - clean no writing or markings tight sturdy binding.; original german text.; 399pp. illustrated throughout in color b/w. a large folded poster of a kokoschka lithograph is laid-in. a detailed work of scholarship on 168 illustrated books from the german expressionist era. First Softcover Edition. Soft Cover. Near Fine Plus. 4to - over 9¾" - 12" tall. Exhibition Catalogue. Edition Cantz Paperback
2000réf. 11583Turnhout Belgium: Brepols 2000. hardcover in dust jacket black cloth with gilt lettering to spine. no flaws - clean no writing/names/text markings. strong binding/hinges. appears unused. heavy item.; english text.; 499pp. 24 color plates 338 b/w illustrations/figures. detailed scholarly examination of the 15th century flemish artists known as the master of the ghent privileges. First Edition. Hardcover. Fine/Fine. 12" 4to. Brepols Hardcover
1954réf. 9601Lyon: Presses Academiques 1954. softcover original rebound in navy blue buckram covered boards with gilt lettering to spine. top edge gilt. covers including color front cover bound in at back. evidence of slight bump to some early pages at lower fore-corner. low impact. no other flaws clean strong binding/hinges no writing or markings.; this copy is from unnumbered first edition of 500 examples. original french text. 194pp. 198 b/w plates. preface by jean porcher. detailed study of 15th century french painter and illuminator. First Edition - Limited. Hard Cover. Very Good Plus/No Jacket as Issued. 4to - over 9¾" - 12" tall. Presses Academiques Hardcover
1893réf. 000444Paris: Charles Mendel 1893. First Edition. . Hardcover. See Description. Tall 4to. pp. XI 1 398 2. With frontispiece and 300 illustrations reproductions de miniatures bordures et lettres ornees with the text. Bound in quarter black morocco with marbled boards and end papers; head and tail caps as well as hinges are neatly restored; some rubbing and wear present to extremities. Original wraps are included. The outer edge of the front blank fly-leaf is chipped with a small tear repaired. Interior pages are clean; a short crease along with two small marginal tears neatly sealed are present on the outer edge of p. 375. A tiny marginal tear is also carefully sealed on p. 377. Contains a history and discussion of ornamentation and decoration in medieval manuscripts. Charles Mendel hardcover
1930réf. 0009107New York: Random House 1930. Second edition. Hardcover. very good . ROCKWELL KENT. Quarto 111 pages violet cloth some sunning tender front hinge; ex libris Chicagoan Louis Edward Tilden with a bookplate designed by Ralph Fletcher Seymour. Signed by Rockwell Kent on the free endpaper Rare thus ! . This was the first book published by Random House whose logo was designed by Kent. This edition has an additional 3-page Bibliographical Note by Charles Edmund Merrill Jr. in 1929 explaining that this reprint edition has all of Kent's illustrations in the RH edition with some minor changes in the translation from the French. "For the optimistic innocent Candide and his equally guileless if more worldly-wise mentor Dr. Pangloss and their delicious adventures still command our attention. The folly of philosophic and religious optimism is displayed with a vigour and wit that carries the reader away. Irony without exaggeration a perfect restraint in its admirable humour a gift for the 'throwaway line' 'pour encourager les autres' is a classic example; all these show Voltaire's style and originality at their incomparable best --PRINTING AND THE MIND OF MAN 204." Random House hardcover
1978réf. 0007014Boston & Lexington KY: D. R. Godine 1978. First Limited edition. Hardcover. Fine/issued without. Quartos 57 213 pages quarter brown morocco brown cloth covered boards in matching cloth slipcase. These are copies XXXII of 50 deluxe copies of printings of 500 and 550 copies. The second title carries the imprint of The Anvil Press 1981. Both volumes were designed by Martino Mardersteig and printed at his Stamperia Valdonega Verona Italy. These two companion volumes were later joined by VICTOR HAMMER: AN ARTIST'S TESTAMENT. Sir John Rothenstein was the Director of London's Tate Gallery. His volume includes 19 color plates. Hammer''s volume includes bibliographies of Victor Hammer and his four presses. D. R. Godine hardcover
1983réf. 0005866New York: Purgatory Pie Press 1983. First Limited edition. Wrappers. Fine. Octavo bright yellow wrappers Copy no. 107 of only 180 copies signed with colored pencils by the author its designer and printers Esther K. Smith and Dikko Faust. Printed on their handpress with 22 impressions for all of the colors used in its making. Im-pressive and provocative. Scarce Purgatory Pie Press unknown
1970réf. 8620Communication Arts Books / American Photographic Book Publishing / Amphoto 1970. Hardcover. SIGNED. First edition. Very Good hardcover with light soiling and spots of rub-off at the spine on the endpapers with a bookplate: "From the library of Harvey V. Fondiller / International Center of Photography Library" stamped Withdrawn. No other library indications. Slipcase is Very Good with wear at the corners and a short split at the bottom of the spine. No dj as issued. BOOKS SHIP THE NEXT BUSINESS DAY WRAPPED IN PADDING IN A BOX. 218 pages; profusely illustrated with b&w photographs plus 8 full-page color images at the rear; 10 x 13 inches. SIGNED BY KEPPLER. Out of Print. Keppler 1904-1987 was one of the best and most famous of the photographic advertising illustrators. This book contains many stories about life in the "pressure cooker" of the advertising business as well as examples of "how-I-did-it." Many full-page examples of his work exquisitely printed. Fondiller 1921-1986 was a photographer who shot for Life and later edited and wrote of books on photography. Communication Arts Books / American Photographic Book Publishing / Amphoto hardcover
1992réf. 0008703Washington DC: Smithsonian 1992. First edition. Hardcover. Fine/very good. 350 photos many in color. 4to 319 pages red cloth; short tear in dj Celebrates the world of books in human culture illustrated with 350 photos many in color. Smithsonian hardcover
1959réf. 4604New York / Basel SW: Hastings House / Teufen Ar. A. Niggli 1959 . First edition. Hardcover. Very Good/issued without. Square octavo 248 pages clothbacked boards rear joint repaired in publisher's worn slipcase. Scarce. "This international pictorial survey takes modern graphic art from its origins through the present-day achievements and concludes with a look into the future. Although 'graphic art' is limited here to art in the service of advertising there is no limit to the artistic value of the means employed - this is a selection of the best work in the field past and present. Contemporary graphic art - work done since the end of the World War II - is presented in the second and more comprehensive part of the book. It includes a wide range of media and techniques among which are: Newspaper advertisements leaflets catalogues posters displays lettering packages business stationery trade markes and devices." Trilingual text in Englilsh German and French. 432 illustrations of which 12 are in full colour. Printed in Switzerland. "Gerstner is one of the most important innovators in typography commercial art and corporate design - Swiss National Library." Includes treatments of trade marks book jackets posters magazines etc. Hastings House / Teufen, Ar., A. Niggli hardcover
2004réf. 69666ABNew York., Ursus Rare Books, Ltd., o. J. [ca. 2004]. 21,7 x 13,9 cm. [38] unpaginierte Blätter. Illustrierte OBroschur mit Klammerheftung., 69666A Erste Auflage. Minimalst berieben, sonst noch sehr gutes Exemplar.
1972réf. 69589ABBasel., Kunsthalle., 1972. 100 x 70 cm. [1] unpaginierte S., 69589A Erste Auflage. Gutes bis sehr gutes Exemplar.
1972réf. THEO0194Biblioteca Apostolica Vaticana 1972. gr.-8°, XIV, 147 S., mit 59, tls. farb. Bidls. im Katalogteil, flex., engl. OBr. m. farb. Deckelbild, nur geringe Gebrauchsspuren am Einbd.
1989réf. FAKS0240Graz, Akadem.Druck- u.Verlagsanst., (1989). 19x27 cm, 155 S., mit 32 farb. Faksimiletafeln mit Miniaturen in Originalgröße sowie einigen sw. Textabb., OLn.m.OU. Seit dem Jahr 1988 liegen sämtliche acht Bände der "Wenzelsbibel" in Faksimiledruck vor. Die ersten vier Bände sind in unserem Antiquariat erhältlich (siehe unser Eintrag). [2 Warenabbildungen]
2015réf. 69352ABWien / Köln., Salon für Kunstbuch / Verlag der Buchhandlung Walther König., 2015. 18,7 x 12 cm. 506 S. OKarton mit illustriertem OKlappenumschlag., 69352A Erste Auflage. Sehr gutes Exemplar.
1984réf. 69255ABBerlin., Deutsche Oper., 1984. 21,4 x 12 cm. 16 S. Illustrierter OKartonband mit Klammerheftung und Prägedruck., 69255A Erste Auflage. Einband papierbedingt minimalst lichtspurig, sonst gutes Exemplar.
2015réf. 69124ABParis., Bibliothèque nationale de France / Éditions du Regard., 2015. 27,4 x 22,8 cm. 255 S. OKarton mit illustriertem OKlappenumschlag., 69124A Erste Auflage. Rücken etwas lesespurig, sonst noch sehr gutes Exemplar.
