NEUE SACHLICHKEIT AND AVANT-GARDE -Biblio.com
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Best.-Nr. 19477796like new. unknown
Best.-Nr. DADAX0292747748New unknown
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Best.-Nr. DADAX0199593876New unknown
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1819Best.-Nr. 46939Tbilisi.: 'Feniks'. December 1918 - 1919 February / March. Stapled as issued in original publisher's printed paper wrappers with titles to front covers in black issue no. 2 in red and black issues 2 and 3 /4 with publisher's vignettes issue 1 with advertisements to rear cover; repair to spine of issue 1 front cover of issue 2 detached. 4 issues in 3. 4to. c.220 x 190 mm. Printed text and verse in Russian throughout no. 1 with 3 mounted monochrome zincograph illustrations by A. N. Geevski no. 2 with monochrome illustrations by Terent'ev and P. Iashvili issue 3 with monochrome illustrations by Goncharova and Kruchenykh. An excellent complete set of the very scarce avant garde periodical 'Kuranty'.The short-lived literary and artistic periodical 'Kuranty' produced in Tbilisi during the Russian Civil War features contributions from many of the most important Russian and Georgian avant garde figures of the time: Alexei Kruchenykh and Igor Terent'ev contributed a large body of material but the contributions of Kyril Zdanevich the editor Boris Korneev Nikolai Sudeikin Tatiana Vechorka Rafalovich and others cannot be overlooked. Natalia Goncharova's 'Portrait of A. Kruchenykh' is reproduced in the final issue together with portraits by Kruchenykh himself.This Tbilisi-produced 'Kuranty' is not to be confused with the review 'Kuranty' published in Kiev in the same year and also of considerable rarity.'Kuranty' is extremely scarce and we can locate no complete sets in libraries although a facsimile is held and Johns Hopkins holds a copy of issue 1; auction records feature one complete copy only that sold at Christie's in 2014 as well asone other incomplete set also Christie's in 2007. 'Feniks'. unknown
1923Best.-Nr. 10080Moscow Petrograd: Gosudarstvennoe Izdatel'stvo State Publishing House 1923. First edition. 4to 222 2pp. In Cyrillic. Illustrated with color lithographs and vignettes by Nivinsky along with photographic plates. Musical notation at rear. Illustrated wrappers in good condition with chipping and tears to edges and spine. Page block somewhat toned owner's inscription to ffep faint damp staining to upper edge of the music section extending to the rear cover. Commemorative publication from Yevgeny Vakhtangov's legendary 1922 production of Carlo Gozzi's Princess Turandot widely regarded as one of the defining achievements of twentieth-century Russian theatre. This extensive photographic record of the production shows the innovative scenery and costumes by Ignaty Nivinsky one of the leading artists of the Russian avant-garde. Scarce. Gosudarstvennoe Izdatel'stvo (State Publishing House) unknown
Best.-Nr. Strzeminski, Wladylaw, KaIn Pristine Condition. unknown
1926Best.-Nr. 9071Prague: Prokop Laichter 1926. First edition. 4to 81 1pp. Illustrated initials and full page illustrations by Laichter Prokop. Publisher's cloth backed purple paper boards with large paste on illustration on front cover. Boards somewhat toned and faded around edges internally clean and bright. A near fine copy. A stunning production from the Czech painter illustrator set designer and actor Laichter Prokop 1898-1975 who was also son of the influential publisher Jan Laichter. In 1924 Prokop's first wife the author of this book Annuše died prematurely of tuberculosis and Laichter printed this book as a remembrance two years later. The introduction translates as "A few words spoken over the grave of a prematurely deceased fairy-teller." Likely printed in a very small number for friends and family we find 3 copies only in OCLC: Princeton and 2 in the Czech Republic. Prokop Laichter unknown
1926Best.-Nr. 912451926. AVANT-GARDE MURAYAMA Tomoyoshi. KOSEIHA KENKYU. Research on Constructivism. Tokyo Taisho 15 1926. First Printing. 1081pp. 31 plates finals and ads. Decorated wrappers with cover design by Murayama printed in red and black. The plates cover works by European and Japanese proponents of Constructivism. An unusual and fragile work here in its original edition - with the wonderful dinosaur on the cover. There is soiling to the covers and ownership notes to the rear endpaper. About good overall and important. unknown
1937Best.-Nr. 904421937. Avant Garde Kindai Bijutsu ShichÅ KÅza L'Idee et L'Esprit de L'Art Moderne　近代美術æ€æ½®è¬›åº§Â Atelier-sha. Tokyo. Shôwa 12 13 1937 1938. Six volumes in printed publisher's slipcases. 22.5 x 16.3 cm. Cloth bound western-style. A fascinating series of volumes. The critics Sagara Tokuzô and Araki Sueo wrote REALISME and FAUVISME respectively. The artists Ihara Usaburo Fukuzawa Ichiro Kanbara Tai & Hasegawa Saburô wrote CUBISME; SURREALISME; FUTURISME EXPRESSIONISME DADAISME; and ABSTRACT ART. The product of a time when Japan justly felt itself to be firmly in the vanguard of world art. The spines are a bit darkened one has a small gouge and the slipcases a bit soiled but overall a very good copy of this very unusual and important set. Some folded promotional sheets laid in. Not merely painting and printmaking but also the plastic arts and a bit of architecture etc. are addressed in these wide-ranging and well-illustrated volumes. Complete as issued. unknown
Best.-Nr. 11998. . Regalo de la Vanguardia á sus suscriptores. Barcelona. s/f. 1898 14x22 cm. apaisado s/p. 90 h. 187 figs. Cuba flota española personajes implicados mapas planos Manila su flota personajes ect. holandesa piel tejuelo.conserva las cubiertas. unknown
Best.-Nr. 24860TLS: 17 July 1974; on letterhead of Calder and Boyars Ltd 18 Brewer Street London. All three ACS on his letterhead 6 Dalmeny House 9 Thurloe Place London SW7; one dated 15 January 1975 the others undated. See his entry in the Oxford DNB. The recipient Philip Dosse was proprietor of Hansom Books publisher of a stable of seven arts magazines including Books and Bookmen and Plays and Players. See ‘Death of a Bookman’ by the novelist Sally Emerson editor of ‘Books and Bookmen’ at the time of Dosse’s suicide in Standpoint magazine October 2018. The typed letter is in fair condition aged and worn; the three cards are in very good condition. The signature on the four items is little more than a squiggle. Of the three cards only Item Four below is addressed. ONE: TLS 17 July 1974 on Calder and Boyars Ltd letterhead ‘Directors: John Calder . Marion Boyars . Michael Hayes . Chris Davidson’. 1p 4to. Addressed to ‘Dear Philip’. Suggests a meeting offering to send a new photo thanking him for generosity regarding an ‘Ad.’ Ends: ‘Hope to get the Kafka review to you by this week.’ TWO: ACS undated but following on from Item One. ‘Hope this will do! Review of Kafka next week.’ The following two sentences are not entirely legible. THREE: ACS 15 January 1975. ‘Dear Philip / A year ago I asked if I could do some reviews because the collapse of Better Books left me with guarantees to pay off at a time of other financial troubles tempting enough to do a Stonehouse. I have done at least five reviews but never seen a cheque and the is worse. Could you jog your accountant please.’ The reference is to the Labour MP John Stonehouse whose plan to faked his own death to avoid his creditors had just been reported. FOUR: ACS undated but following on from Item Three. In green ink. He thanks him for ‘the cheque and kind words’ stating that he knows ‘how difficult things are for you too’. He would be ‘happy to do more reviews although the price is as you know low’. TLS: 17 July 1974; on letterhead of Calder and Boyars Ltd, 18 Brewer Street, London. All three ACS on his letterhead, 6 Dalmeny unknown
1931Best.-Nr. 2222Prague 1931-1949. Czech Avant-Garde Photography Editor: Augustin Skarda et al. . CESKOSLOVENSKA FOTOGRAFIE. Complete in 12 volumes. Prague 1931-1949 first editions of the complete set in 12 volumes; 10.75 x 8.5 inches over 800 full page photo-engraved plates; short texts all volumes in Czech some with English German and French. Early years with covers of avant-garde typographic designs by Karel Teige .Photographers include: Josef Sudek Jaroslav Krupka Jindrich Styrsky Frantisek Drtikol Alois Zych Karel Plicka Jaroslav Seifert R. Sima K. Muller J. Tutsch and many others. All 12 volumes are uniformly bound in the original publisher's boards; the 1949 volume with the original dust jacket. Overall this set is in excellent condition. Publisher: Svaz Ceskoslovenskych Klubu Svaz Ceskoslovenskych Klubu hardcover
1968Best.-Nr. 2110502150410016Naniwashobo 1968. Soft Cover. Fine. Volume: 1 Naniwashobo paperback
1973Best.-Nr. 2092902137305598Toki no bijutsusha 1973. Soft Cover. Fine. The book is in fine condition. Toki no bijutsusha paperback
1962Best.-Nr. 2092902137305936National Museum of Modern Art 1962. Soft Cover. Fine. The book is in fine condition. National Museum of Modern Art paperback
1956Best.-Nr. 2092902137302568Bijutsu shubbansha 1956. Soft Cover. Fine. The book is in fine condition. Bijutsu shubbansha paperback
1988Best.-Nr. 2090502113716313Not Available 1988. Soft Cover. Fine. The book is in fine condition. Not Available paperback
1996This is a fine softcover copy with no wear at all. Completely clean. Text in Czech and English translation at the rear. This catalog was prepared to accompany an exhibition held at the Moravska galerie in Brno, from October 24 to November 24, 1996. Illustrated in black & white with Jaromir Funke's abstract modernist photographs. Bibliography. 12" high X 8" wide, 205 pages. This book will be securely packed and shipped with tracking.
1922[8] pages Broché, feuillets réunis par une agrafe, couverture rose illustrée, chemise demi-chagrin noir moderne avril 1922, avril 1922, in-8, [8] pages, Broché, feuillets réunis par une agrafe, couverture rose illustrée, chemise demi-chagrin noir moderne, "Aucun de nos collaborateurs n'engage son prochain aux propos qu'il tient ici. Quelques affirmations de certains sont la preuve que notre autobus n'est qu'un journal sans pare-boue". Unique numéro de cette célèbre revue dadaïste, publiée par Tristan Tzara en réponse aux attaques dirigées contre lui par André Breton dans le Comoedia du 2 mars 1922 ; elle est intégralement imprimée sur papier rose, y compris la couverture emblématique de l'esthétique Dada. Outre Tzara, les collaborateurs de ce journal éphémère sont Georges Ribemont-Dessaignes, Paul Éluard, Th. Fraenkel, Vincent Huidobro, Mathew Josephson, Benjamin Péret, Erik Satie, Serner, Rrose Sélavy (Marcel Duchamp) et Philippe Soupault. Annonce importante à la dernière page de la publication de « Champs délicieux » de Man Ray. Le 6 juillet 1923, Tzara organise la fameuse "Soirée du Coeur à barbe" au théâtre Michel, qui marque la rupture entre dadaïstes et surréalistes. Exemplaire en bel état
1990Paris, Le catalogue d'art contemporain, 1990. N°6. In-4 broché de 78 pages. Nombreuses reproductions en couleurs. A propos du groupe Gutaï. Autour de l'exposition "arte Nuova" Turin 1959. Hors une marque de pliure angulaire, très bon état
