987 résultats
réf. 6515Editions Galerie Eric Touchaleaume, Paris, 1992. In-4, broché sous couverture rempliée et illustrée, 80 pp. Robert Malaval par lui-même, entretien avec Michel Braudeau - Gilbert Lascault : Premières peintures et reliefs (1956-1961). - L'Aliment blanc (1961-1965). - Projet d'aménagement du parc de Saint-Cloud (1964-1965). - Rose, blanc, mauve (1965-1969). - Editions (1964-1976). - Biographie - ...
1974réf. 8833UGE 10/18 Format poche Couverture souple Paris 1974
réf. QWA-21315Artcurial Centre d’art plastique contemporain) 1983, in-4 br. (21 x 27,5), 64 p., illustrations photos, reproduction en coul., couverture à rabats, bon état.
réf. L10831Paris. Artcurial, 1983. In-4 br. Catalogue de l'exposition qui a eu lieu de mai à juillet 1983. Textes de J.-C. & Valentine Marcadé. Artistes présentés : Sofranova, Popova, Rozanova, Exter, Stépaova, Gontcharova, etc. Importante iconographie en couleurs et en noir & blanc. Biographies des artistes, bibliographies. E.O.
1969réf. 114311Christian Bourgois 1969 Christian Bourgois, 1969 (dépôt légal), 89 p., broché, bon état.
1984réf. 92405Galerie Franka Berndt 1984 Textes de Krisztina Passuth. In-12 carré broché 19 cm sur 21. 27 reproductions de tableaux en noir et blanc. Bon état d’occasion.
1982réf. ARTTHEM695620320Paris, Des femmes, 1982, 20 x 25, 314 pages cousues sous couverture souple illustrée. Iconographie noir et blanc (quelques reproductions en couleurs). Traduit de l'italien par Mireille Zanuttini.
1976réf. RO90012527EDITION ET PUBLICATIONS PREMIERS. 1976. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 217 Pages.. . . . Classification Dewey : 704.948-Erotisme
1992réf. 0176501992 Credit Communal Soft cover
1926réf. 912451926. AVANT-GARDE MURAYAMA Tomoyoshi. KOSEIHA KENKYU. Research on Constructivism. Tokyo Taisho 15 1926. First Printing. 1081pp. 31 plates finals and ads. Decorated wrappers with cover design by Murayama printed in red and black. The plates cover works by European and Japanese proponents of Constructivism. An unusual and fragile work here in its original edition - with the wonderful dinosaur on the cover. There is soiling to the covers and ownership notes to the rear endpaper. About good overall and important. unknown
1926réf. 912451926. AVANT-GARDE MURAYAMA Tomoyoshi. KOSEIHA KENKYU. Research on Constructivism. Tokyo Taisho 15 1926. First Printing. 1081pp. 31 plates finals and ads. Decorated wrappers with cover design by Murayama printed in red and black. The plates cover works by European and Japanese proponents of Constructivism. An unusual and fragile work here in its original edition - with the wonderful dinosaur on the cover. There is soiling to the covers and ownership notes to the rear endpaper. About good overall and important. unknown books
1819réf. 46939Tbilisi.: 'Feniks'. December 1918 - 1919 February / March. Stapled as issued in original publisher's printed paper wrappers with titles to front covers in black issue no. 2 in red and black issues 2 and 3 /4 with publisher's vignettes issue 1 with advertisements to rear cover; repair to spine of issue 1 front cover of issue 2 detached. 4 issues in 3. 4to. c.220 x 190 mm. Printed text and verse in Russian throughout no. 1 with 3 mounted monochrome zincograph illustrations by A. N. Geevski no. 2 with monochrome illustrations by Terent'ev and P. Iashvili issue 3 with monochrome illustrations by Goncharova and Kruchenykh. An excellent complete set of the very scarce avant garde periodical 'Kuranty'.The short-lived literary and artistic periodical 'Kuranty' produced in Tbilisi during the Russian Civil War features contributions from many of the most important Russian and Georgian avant garde figures of the time: Alexei Kruchenykh and Igor Terent'ev contributed a large body of material but the contributions of Kyril Zdanevich the editor Boris Korneev Nikolai Sudeikin Tatiana Vechorka Rafalovich and others cannot be overlooked. Natalia Goncharova's 'Portrait of A. Kruchenykh' is reproduced in the final issue together with portraits by Kruchenykh himself.This Tbilisi-produced 'Kuranty' is not to be confused with the review 'Kuranty' published in Kiev in the same year and also of considerable rarity.'Kuranty' is extremely scarce and we can locate no complete sets in libraries although a facsimile is held and Johns Hopkins holds a copy of issue 1; auction records feature one complete copy only that sold at Christie's in 2014 as well asone other incomplete set also Christie's in 2007. 'Feniks'. unknown
1981réf. 63316ABDodenburg., Selbstverlag Ferdinand Kriwet., 1981. 30 x 21 cm. 56 unpaginierte S. OKarton., 63316AB 1. Auflage. Adresse Kriwets auf dem Titel korrigiert. Gutes bis sehr gutes Exemplar.
1981réf. 38483ABDodenburg., Selbstverlag Ferdinand Kriwet., 1981. 30 x 21 cm. 56 unpaginierte S. OKarton., 38483AB 1. Auflage. Titelblatt mit Ausschnitt im unteren Rand, sonst gutes Exemplar.
1981réf. 65589ABDodenburg., Selbstverlag Ferdinand Kriwet., 1981. 30 x 21 cm. 56 unpaginierte S. OKarton., 38483AB 1. Auflage. Umschlagkanten etwas berieben, vom Rücken her etwas knickspurig. Ordentliches Exemplar.
réf. 9124Wallraf-Richartz Museum, Köln, 1970. Fort in-4, dos en pexiglas fixé par des vis, plats transparents et gaufrés, 169 pp.
1926réf. 9071Prague: Prokop Laichter 1926. First edition. 4to 81 1pp. Illustrated initials and full page illustrations by Laichter Prokop. Publisher's cloth backed purple paper boards with large paste on illustration on front cover. Boards somewhat toned and faded around edges internally clean and bright. A near fine copy. A stunning production from the Czech painter illustrator set designer and actor Laichter Prokop 1898-1975 who was also son of the influential publisher Jan Laichter. In 1924 Prokop's first wife the author of this book Annuše died prematurely of tuberculosis and Laichter printed this book as a remembrance two years later. The introduction translates as "A few words spoken over the grave of a prematurely deceased fairy-teller." Likely printed in a very small number for friends and family we find 3 copies only in OCLC: Princeton and 2 in the Czech Republic. Prokop Laichter unknown
1931159 + [4] pp., 1e druk, beperkte en genummerde oplage van 525 exemplaren, dit is nr.255, 27cm., originele omslag (licht verkleurd, rug bovenaan wat hersteld, fraai beschermd door extra kristalpapieren omslag), verder in goede staat, T102405
1931réf. T102405Antwerpen, De Sikkel 1931 159 + [4] pp., 1e druk, beperkte en genummerde oplage van 525 exemplaren, dit is nr.255, 27cm., originele omslag (licht verkleurd, rug bovenaan wat hersteld, fraai beschermd door extra kristalpapieren omslag), verder in goede staat, T102405
1994réf. 17229DBBerlin., Galerie Stolz., 1994. 22 x 20 cm. 96 S. Illustrierter OKarton., 17229D.jpg Erste Auflage. Einbandkanten mit kleinen Bereibungen, oberer Rücken minimal beschabt. Sonst gutes bis sehr gutes Exemplar.
1920Library rebound, but front cover preserved. Wear to cover edges; age spotting to paper cover; library stamp and library plate on front inside cover; former owner's name erased at top of back title page; yellowing to pages; pencil marks and underlining throughout the text; otherwise text tight and bright. Russian imazhinist poet, cycle of Mayakovskii and Balmont. Poet’s neologism "Koevangelieran" is meant to acknowledge the two sources of his inspiration, the Gospels and the Koran, which he would like to integrate. Ex - Library
réf. 47938Paris Centre Georges Pompidou - Musée national d'Art Moderne 1985 in 4 (30x21) 1 volume broché, couverture illustrée, 198 pages [1], avec 154 illustrations en noir et en couleurs, et 10 figures dans le texte. Texte imprimé sur papier bleu. Ouvrage publié à l'oocasion de l'exposition présentée au Centre Georges Pompidou, Musée national d'art moderne, du 10 octobre 1985 au 1er janvier 1986. Très bel exemplaire ( Photographies sur demande / We can send pictures of this book on simple request )
réf. 2720Galleri Riis, Wang Kunsthandel, Oslo, 1986. In-4, broché sous couverture en couleur, s.p. [4 pp. - pl.]. Det Gjennomtenkte Landskapet, Paal-Helge Haugen - Dissolving -
1937réf. 904421937. Avant Garde Kindai Bijutsu ShichÅ KÅza L'Idee et L'Esprit de L'Art Moderne　近代美術æ€æ½®è¬›åº§Â Atelier-sha. Tokyo. Shôwa 12 13 1937 1938. Six volumes in printed publisher's slipcases. 22.5 x 16.3 cm. Cloth bound western-style. A fascinating series of volumes. The critics Sagara Tokuzô and Araki Sueo wrote REALISME and FAUVISME respectively. The artists Ihara Usaburo Fukuzawa Ichiro Kanbara Tai & Hasegawa Saburô wrote CUBISME; SURREALISME; FUTURISME EXPRESSIONISME DADAISME; and ABSTRACT ART. The product of a time when Japan justly felt itself to be firmly in the vanguard of world art. The spines are a bit darkened one has a small gouge and the slipcases a bit soiled but overall a very good copy of this very unusual and important set. Some folded promotional sheets laid in. Not merely painting and printmaking but also the plastic arts and a bit of architecture etc. are addressed in these wide-ranging and well-illustrated volumes. Complete as issued. unknown books
1937réf. 904421937. Avant Garde Kindai Bijutsu ShichÅ KÅza L'Idee et L'Esprit de L'Art Moderne　近代美術æ€æ½®è¬›åº§Â Atelier-sha. Tokyo. Shôwa 12 13 1937 1938. Six volumes in printed publisher's slipcases. 22.5 x 16.3 cm. Cloth bound western-style. A fascinating series of volumes. The critics Sagara Tokuzô and Araki Sueo wrote REALISME and FAUVISME respectively. The artists Ihara Usaburo Fukuzawa Ichiro Kanbara Tai & Hasegawa Saburô wrote CUBISME; SURREALISME; FUTURISME EXPRESSIONISME DADAISME; and ABSTRACT ART. The product of a time when Japan justly felt itself to be firmly in the vanguard of world art. The spines are a bit darkened one has a small gouge and the slipcases a bit soiled but overall a very good copy of this very unusual and important set. Some folded promotional sheets laid in. Not merely painting and printmaking but also the plastic arts and a bit of architecture etc. are addressed in these wide-ranging and well-illustrated volumes. Complete as issued. unknown
