Max ERNST & Kurt SCHWITTERSLivre Rare Book
985 résultats
réf. 2758Paris, Jean Hugues, 1967, in-8°, broché, frontispice de Max Ernst sur vignette contrecollée ("Avec un portrait de l'héroïne par Max Ernst".), 60 pp. Édition originale de la traduction française par Robert Valançay (1ère parution en 1923 dans la revue berlinoise Der Sturm). 1/940 du tirage de base, numéroté et monogrammé par l'éditeur.
2008réf. 1268952008 Editions Dilecta, Paris - 2008 - In-8 broché, couverture illustrée à rabats - 307 pages - Illustrations en N&B, in et hors texte, dans l'ouvrage
1966Gutes Exemplar; der illustr. Einband berieben u. gering nachgedunkelt; minimale Gebrauchs- und Lagerspuren. - Englisch. - Erstes Blatt mit hs. Besitzvermerk von (Oskar) Wiener. - Oskar Wiener (* 4. März 1873 in Prag; † 20. April 1944 im KZ Theresienstadt) war ein deutsch-tschechoslowakischer Autor. ... (wiki) // INHALT : Dadaism and Today's Avantgarde / Raoul Hausmann ------ Poetry and Theatre / John Arden Who ------ Are the Situationists? / Jorgen Nash ------ The Concrete Poets of Brazil / Decio Pignatari ------ Advance Through Obscenity? / Maurice Girodias ------ Programmed Art / Bruno Munari ------ Back to the Wall / Allen Ginsberg ------ Letters as Picture and Language / Franz Mon ------ Culture and Technology / Marshall McLuhan ------ Theory and Practice of Text / Max Bense ------ From a letter / Diter Rot ------ The Development of Group Zero / Otto Piene ------ The Literary Techniques of Lady Sutton-Smith / W S Burroughs ------ Paradada / Dom Sylvester Houedard ------ The Vienna Group / Konrad Bayer ------ The Use of Computers to Make Semantic Toy Models of Language / Margaret Masterman ------ In the Event / R Watts ------ Poems & 1 Filmscript. --- ... The Franco-Belgian situationists base themselves on the same principles as Pascal, Descartes, Croce and Gide. Action precedes emotion. You only begin to feel religious after you have muttered your prayers. According to Scandinavian situationist philosophy action is the result of emotion and arises out of emotion. Emotion is a primary, non-reflective intelligence; passionate thought/thinking passion. We are not saying that the French method is wrong or that it cannot be used successfully. We merely say that our two outlooks are incompatible, but they can be made to supplement one another. The second Situationist International is a freely organised movement. It is a voluntary association of autonomous work groups. At the moment there exist four such groups on the Hallandsasen in the southern part of Sweden, and two more in Denmark and Finland. It also works together with the German avant-garde group SPUR in Munich, whose books have partly been published at Draka-bygget. The latest, SPUR im Exil, caused a pornography and blasphemy case to be brought against the group in the court of Munich. A periodical against popes, politicians and atomic bombs called Drakabygget has been edited since 1962, with the journalist and painter Katarina Lindell as editor. … (Seite 6; aus d. Text von Jörgen Nash: "Who are the Situationists")
réf. 833788Exposition Présentée Au Centre D Action Culturelle De Saint-Brieuc Saint-Brieuc 1989 In-4 carré ( 300 X 215 mm ) de 24 pages, broché sous couverture illustrée. Illustrations dans et hors-texte. Très bel exemplaire.
réf. 5647Galerie Jeanne Bucher, Paris, 1970. In-8, broché sous couverture rempliée et illustrée en couleurs, 28 pp. La luxure de l'esthésie, par Guy Marester - Planches.
réf. 5648Galerie Jeanne Bucher, Paris, 1969. In-12, broché sous couverture illustrée en couleurs, 54 pp. Acte I. Dans le palais de Mnémosyne. - Acte II. Au pied du mur. - Acte III. En plein mur, par Asger Jorn, Noël Arnaud et François Dufrêne.
réf. 5650Librairie Mouvements, Paris, s.d. [après 1986]. In-12, plaquette sous couverture illustrée, non paginée [6 pp.]. La colère de Jorn, par René Bertelé - Eaux-fortes. - Bois gravés. - Revues livres et catalogues [58 n°].
réf. 15754Paris, Arts et Métiers Graphiques, 1936. In-4 broché, 65 pp. et 4 pl. (couverture légèrement salie).
réf. 102099Nice, octobre 1971-septembre 1972, 9 numéros en 8 volumes 400x287mm, de 20 à 28 pages, chaque numéro incluant un «poster détachable central» en double format.Rédaction: François Pluchard, Dominique Pilliard, Georges Berthier, Jean Moulier, Michel Burckel.Collaboration de Guido le Noci, Michel Journiac, Ben, Henry Chapier, Alain Kirili, Vito Acconci, Gina Pane.Revue éditée par les fondateurs de l’Ecole de Nice et consacrée aux arts d’attitude: Art Sociologique, Art Corporel, Fluxus, Happening, Poésie Visuelle.Bon état, plis central un peu jauni. Marcel Alocco: L’Ecole de Nice, Nice, Demaistre 1995 p.17-18. Destribats 771.(102099)
réf. 9121Musées de Strasbourg, 2005. In-12, broché sous couverture illustrée et rempliée, 110 pp. Arthur Cravan, par Emmanuel Guigon - Maintenant - Boxe - Le neveu d'Oscar Wilde, par Georges Sebbag - Edouard Archinard. Peintures - Autobiographie. Arthur Cravan - Manuscrits, lettres & dessins - Chronologie - Bibliographie.
1994réf. 33792ABSan Francisco. New York., Artforum., 1994 / 1995. 4°. Jeweils ca. 110 - 220 S. OBroschur. 7 Hefte. Ordentliches Exemplar.
1974réf. 8405Aemeppi Grand in-4 Couverture souple Milano 1974
1995A clean, unmarked book with a tight binding. Full red cloth boards. 8 3/4"w x 11 1/4"h. 496 pages.
2005réf. 46766ABNew York. München/ Murnau. Berlin., Solomon R. Guggnheim Museum New Yorg. Museum Villa Stuck München/ Schloßmuseum Murnau. Deuche Guggenheim, Berlin., 2005. 28 x 21,5 cm. 256 S. Illustrierter OKarton., 46766AB 1. Auflage. Umschlagkanten mit kleinen Bereibungen. Sonst gutes bis sehr gutes Exemplar.
2004Brand new book in excellent condition in every respect. Binding is solid and square, covers have sharp corners, exterior shows no blemishes, text/interior is clean and free of marking of any kind. 174 pages with a great many b&w photos, color maps at rear, institutional stickers at top spine and inside front cover. Text is in English.
réf. 81750Moscow. Gos. Izd-vo. Thirty weekly numbers issued from 1924-1926. Issues from 1924-25 tall quarto 30.5cm x 23cm; issues for 1926 in slightly smaller format 26cm x 18cm; all in stapled pictorial wrappers with inset portraits of prominent actors musicians and artists within a graphical border printed in red and black; most issues 32pp. Illustrated from photographs. A few with mild edge-staining to wrappers; text lightly tanned or covers tenuously attached on some issues; the majority Very Good overall complete and Good or better. Text in Russian cyrillic. Includes: 1924: No. 2 Dec. 9-16; no.3 Dec. 16-21 1925: No. 6 Jan 6-11; no. 7; 91822-2732-4144-485556 Dec 22 1926: No.16 Apr 20 17-18 double issue-and final issue-Apr 27 Together thirty of the seventy-five numbers issued between December 1924 and April 1926 when publication ceased. Iskusstvo Trudiaschimsia was a weekly review of revolutionary art and performance produced under the auspices of the Science and Art Section of the State Academic Council under the directorship of the important revolutionary apparatchik theorist and avant-garde playwright Anatoly Lunacharsky whose important theoretical essay "Is it Not Time to Organize the Glaviskusstvo" appears in the magazine's third issue. Perhaps not surprisingly given the Lunacharsky connection content is heavily focused on the performing arts including theater music and cinema: Lunacharsky believed that of all forms of artistic expression theater had the greatest potential for the education and radicalization of the proletariat. The plastic arts are considered as well but far less frequently. A good idea of the overall focus of Iskusstvo trudiaschimsia can be gotten by scanning the contents of the third issue: in addition to the aforementioned Lunacharsky essay on the establishment of a state arts directorate Glaviskusstvo would eventually be established in 1928 there appears a theoretical essay "Against Aestheticism" by Anatoly Glebov; a discussion by director Ivan Platon of the staging of Turgenev's "Fortune's Fool" at the Maly Theater; a review of V. Nikiforov's play "Airplane" at the State Children's Theatre; an illustrated article on traditional music of the Crimea by the noted musicologist Arkady Konchevsky; and numerous short articles and reviews some signed with initials or pseudonyms others by such figures as A.M. Granovsky Aleksei Rodionov Viktor Krasyn David Shterenberg and others. There are in addition extensive listings for theatrical and orchestral performances film screenings and art exhibitions in Moscow and environs. A significant if short-lived arts journal from the Proletkult period offering valuable insight to the development of revolutionary theatre in the years immediately following the Revolution. Somewhat uncommon in the West with scattered issues appearing on the market infrequently; cohesive runs are rarely offered outside of Russia. OCLC notes only four American institutions with physical holdings all incomplete. unknown books
réf. 81750Moscow. Gos. Izd-vo. Thirty weekly numbers issued from 1924-1926. Issues from 1924-25 tall quarto 30.5cm x 23cm; issues for 1926 in slightly smaller format 26cm x 18cm; all in stapled pictorial wrappers with inset portraits of prominent actors musicians and artists within a graphical border printed in red and black; most issues 32pp. Illustrated from photographs. A few with mild edge-staining to wrappers; text lightly tanned or covers tenuously attached on some issues; the majority Very Good overall complete and Good or better. Text in Russian cyrillic. Includes: 1924: No. 2 Dec. 9-16; no.3 Dec. 16-21 1925: No. 6 Jan 6-11; no. 7; 91822-2732-4144-485556 Dec 22 1926: No.16 Apr 20 17-18 double issue-and final issue-Apr 27 Together thirty of the seventy-five numbers issued between December 1924 and April 1926 when publication ceased. Iskusstvo Trudiaschimsia was a weekly review of revolutionary art and performance produced under the auspices of the Science and Art Section of the State Academic Council under the directorship of the important revolutionary apparatchik theorist and avant-garde playwright Anatoly Lunacharsky whose important theoretical essay "Is it Not Time to Organize the Glaviskusstvo" appears in the magazine's third issue. Perhaps not surprisingly given the Lunacharsky connection content is heavily focused on the performing arts including theater music and cinema: Lunacharsky believed that of all forms of artistic expression theater had the greatest potential for the education and radicalization of the proletariat. The plastic arts are considered as well but far less frequently. A good idea of the overall focus of Iskusstvo trudiaschimsia can be gotten by scanning the contents of the third issue: in addition to the aforementioned Lunacharsky essay on the establishment of a state arts directorate Glaviskusstvo would eventually be established in 1928 there appears a theoretical essay "Against Aestheticism" by Anatoly Glebov; a discussion by director Ivan Platon of the staging of Turgenev's "Fortune's Fool" at the Maly Theater; a review of V. Nikiforov's play "Airplane" at the State Children's Theatre; an illustrated article on traditional music of the Crimea by the noted musicologist Arkady Konchevsky; and numerous short articles and reviews some signed with initials or pseudonyms others by such figures as A.M. Granovsky Aleksei Rodionov Viktor Krasyn David Shterenberg and others. There are in addition extensive listings for theatrical and orchestral performances film screenings and art exhibitions in Moscow and environs. A significant if short-lived arts journal from the Proletkult period offering valuable insight to the development of revolutionary theatre in the years immediately following the Revolution. Somewhat uncommon in the West with scattered issues appearing on the market infrequently; cohesive runs are rarely offered outside of Russia. OCLC notes only four American institutions with physical holdings all incomplete. unknown
réf. 103823Berlin, Daadgalerie, 28 novembre au 9 décembre 1984, 262x215mm, 188p., broché sous couverture illustrée, étui original en carton noir avec lettrage jaune.Tirage de 750 exemplaires
1956réf. 2092902137302568Bijutsu shubbansha 1956. Soft Cover. Fine. The book is in fine condition. Bijutsu shubbansha paperback
2002réf. 5902Galerie Denise René In-4 carré Couverture souple Paris 2002
réf. 25390Eric Losfeld, 1969. In-8 broché, couverture imprimée, défraîchie comme souvent hélas (mais rien de bien grave !).
réf. 10075Eric Losfeld, "Le terrain vague", 1968. In-4 broché de [18] pages, couverture couleurs. Infimes traces de plis, le catalogue a été stocké en classeur et comporte 2 trous de classement.
réf. 18232Jean-Jacques Pauvert, 1971. In-8 broché, couverture à rabats, très légèrement défraîchie.
1972Edge wear to cover. Text in French and English. 80 pages. 10 1/4"w x 13"h.
1999réf. 2206EBHeino / Wihje / Rolandseck., Hannema- de Stuers Fundatie / Stiftung Hans Arp und Sophie Taeuber-Arp e.V., 1999. 30 x 23 cm. 176 S. OKarton., 2206E Erste Auflage. Kanten minimal berieben, mit kaum merklichen Flecken auf der Rückseite. Sonst sehr gutes Exemplar.
