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1994ref. 751Boston: Bulfinch Press 1994. First English-language edition. Hardcover. Fine/Fine. This first English edition copy of "Paintings in the Uffizi & Pitti Galleries" in fine condition is so much more than the typical museum catalogue. For one thing it is massive when typical catalogues tend toward the slender: Taking such things as forewords indices and credits into account this book is 648 pages long. It is also highly comprehensive and not limited to a single exhibition or subcategory of a collection. The editors only say the book collects a "large selection" of the most famous works in the Uffizi and Pitti galleries but with 818 full-color images expertly reproduced on these pages this is far more than a mere sampling. Mina Gregori author of most of the text accompanying the images and the editor who selected and arranged them was at the time of publication the chair of Medieval and Modern Art at the University of Florence and across her career published hundreds of articles and monographs and curated hundreds of exhibits. And further at the time of writing this book description was 102 years old! She says in her forward to "Paintings in the Uffizi & Pitti Galleries" that she tried to respect the vision of the original Medici collectors in their organization of their works which anticipated the later idea of "schools" of art which became the dominating organizing principle of the galleries in the 18th century. Besides that she followed a chronological progression to order the images of the paintings in this book. That means that the first chapter is titled "Tuscan Painting in the Thirteenth Century" beginning with painted two-dimensional crucifixes proceeding to subsequent chapters on "Italian Painting in the Fifteenth Century" with subheadings by more specific locations and by page 504 "Painting in Europe in the Seventeenth and Eighteenth Centuries" with subheadings by country. Such flow make sense out of the wealth of riches presented here. The last two chapters break with the trend. One is only a brief mention of the collection of miniatures and small portraits at the Uffizi but the other is a full chapter drawing from the Uffizi's collection of artist self-portraits the largest in the world. Though the images in the rest of the book concentrate on the Uffizi and Pitti's strengths and come from the Middle Ages through the 18thCentury these self-portraits are not so limited. Curator Silvia Meloni says in her introduction that the true self-portrait came into its own in the Renaissance which is where this series begins with Raphael but it finishes in last half of the 20th Century with a painting Marc Chagall made of himself when he was over 90 years old. "Paintings in the Uffizi & Pitti Galleries" was originally published in Italy in 1994 by Magnus Edizioni Udine but was translated the same year by Caroline Hufton Murphy and Henry Dietrich Fernandez and immediately published by Bulfinch Press a division of Little Brown and Company. This copy is from that first edition and is apparently from the first printing-there is no indication otherwise on the copyright page as there is no numberline or other mention of printing numbers. It is bound in royal blue cloth with the title stamped in gold on the front cover and on the spine with the authors' and publisher's names added at the top and bottom of the spine. The only signs of previous use are patches of very light soiling-as in dust-on the covers. There is no wear on the edges no bumping etc. The dustjacket is in similar fine condition with only some slight rubbing on the back panel. A detail from Botticelli's painting "Primavera" is reproduced on the front panel of the dust jacket and Rubens' painting "The Four Philosophers" is reproduced on the back. The textblock is tight and square and there are no flaws to any of the pages. This is an excellent reference book not only to the collections of the given museums but to the paintings of the periods they specialize in in general. Photographs are forthcoming or available on request. . Bulfinch Press hardcover
1987ref. 63511Milano : Electa Spa 1987. broché. BRIGANTI Giuliano. CHIAPPINI Rudy. GREGORI Mina. SPEZZAFERRO Luigi.Serodine. La pittura oltre Caravaggio.Locarno Pinacoteca di Casa Rusca 14 marzo-17 maggio 1987.Roma Musei Capitolini 26 maggio-19 Iuglio 1987. Milano Electa Spa1987 280x250mm 149 pagine fotografie a colori e b/n in brossura. Bello stato. No hidden customs fees for orders shipped to the U.S.A with a value of up to 800 USD PDDP shipping we pay the VAT in advance Electa Spa unknown
1990ref. 338150Quasar 1990-01-01. First Edition. Paperback. Very Good. 0x0x0. Text in Italian with Latin and Greek. 299 pages. Very good paperback copy NOT ex-library. Spine is uncreased binding tight and sturdy; text also very good. Shelfwear is very minor. Ships same or next business day from Dinkytown in Minneapolis Minnesota. Due to the size/weight of this book extra charges may be requested for international shipping. Quasar paperback
1989ref. 338151Rome: Quasar 1989. First Edition. Paperback. Very Good. 5x0x7. Text in Italian and Latin with illustrations/photos. Very good paperback copy NOT ex-library. Spine is uncreased binding tight and sturdy; text appears unmarked and clean. Shelfwear is very minor. Ships same or next business day from Dinkytown in Minneapolis Minnesota. Due to the size/weight of this book extra charges may be requested for international shipping. Quasar paperback
ref. 1802542-nnew. unknown
ref. 1802542like new. unknown
1985ref. 26032722Belo Horizonte: Editora Italiaia Limitada nd 1985. Colecao Buriti #23. TEXT IN PORTUGUESE; TEXTO EN PORTUGUESE. SIGNED Presentation copy. Trade paperback Wrappers rustica broche brossura. Covers lightly soiled else clean tight copy: Very Good. 8vo. Editora Italiaia Limitada paperback
ref. 600102Milan: Electa 1985. 485 pages. Paperback 29.5 x 25cms. Text in Italian. Milan: Electa, 1985. paperback
ref. EEZZ2988bWien Brandstätter 2018. 4°. 398 S. mit zahlr. u. teils farbigen Abb. farbig ill. OLnBd. mit montiertem Deckelschild umlauf. Farbschnitt. Neuwertiger Zustand noch in der aufgeissenen Originalverpackung. ISBN: 9783710601095 Warum wurde ausgerechnet Wien zwischen 1897 und 1918 zu einem 'Kristallisationspunkt der Moderne' Warum entstanden so viele Ideen die für das 20. Jahrhundert maßgebend wurden in dieser Stadt Wien war der melting pot des Alten Europa der magnetische Anziehungspunkt für die alten und kommenden Eliten Und gerade Wiens Vielfalt war Voraussetzung für die außergewöhnlichen kulturellen Leistungen. In Wien existierten gegensätzliche Kulturen neben- mit- und gegeneinander: der Ringstraßenstil neben 'Gesamtkunstwerk-Gedanken' um Secession und Wiener Werkstätte Klimt Hoffmann und Moser und deren Gegnern und Überwindern Kokoschka Schönberg Loos. Dieses Coffetable-Buch entfaltet die Zusammenschau einer Zeitenwende. Zahlreiche Ikonen sowie bislang unveröffentlichte Photographien zeigen die Höhepunkte in Malerei und Graphik Kunsthandwerk und Architektur. Wien, Brandstätter 2018. unknown
2002ref. SONG3540441778Springer 2002-09-09. 2002. paperback. Used: Good. 6.10x0.85x9.25. Buy with confidence. Excellent Customer Service & Return policy. Springer paperback
1966ref. 584133São Paulo: Museu de Arte de São Paulo 1966. Hardcover. Very Good. First edition. Preface by P. M. Bardi. Quarto. 277pp. Heavily illustrated in black and white and with a facsimile of a 1930 pamphlet titled "Exposicao de uma casa modernista por Gregori Warchavchik" tipped-in as issued. Majority of the text is in Portuguese; a few facsimiles of letters are in different languages mostly French; and an overview of Warchavchik's introduction of Modernist architecture to Brazil is printed in both French and English. Binding cocked boards with some edgewear including a few nicks and one corner worn through binding with some tanning and soil very good and sound lacking the presumed dust jacket. Inscribed by Ferraz to a longtime U.S. foreign service worker on the title page. Publisher's complimentary copy with a slip which appears to be Signed by director P. M. Bardi laid in as well as one of Warchavchik's calling cards with his name only printed on coated card stock. Warchavchik was an important Jewish-Brazilian Modernist architect. The author also known as Benedito Geraldo Ferraz Gonçalves was a Brazilian Modernist author journalist and literary critic. Uncommon. Museu de Arte de São Paulo hardcover
ref. 8491423486.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
ref. 76958Milano Leonardo Arte 1997 Auflage: 1. Leinen gebunden; schwarzer Einband weiss geprägter Rücken mit farbig illustriertem Schutzumschlag / Anz. Seiten: 239 / 25 x 313 cm / mit zahlreichen teils farbigen Illustrationen auf Tafeln und im Text; Fotos von Luigi Ciminaghi und Gérard Uféras / Zustand: sehr gut geringe Gebrauchsspuren; Schutzumschlag leicht am Hinterdeckel stärker berieben und an der Oberkante etwas angerändert Milano, Leonardo Arte, 1997, Auflage: 1. unknown
1994ref. 292374Italy: Silvana Editoriale 1994. Hardcover. Fine/Near Fine. First edition. Fine in a near fine dustwrapper. Silvana Editoriale hardcover
2016ref. 2-8898970463Vite Inattese 2016. Paperback. New. Italian language. 8.98x5.98x1.26 inches. Vite Inattese paperback
1994ref. AW102Boston: Bulfinch Press Book 1994. 1st English Language Edition . Hardback. Fine/Fine. large 4to. 648 pp. First English language edition in mint condition. 31 cm. No inscriptions clipping fading wear or marks. Heavy item. Bulfinch Press Book hardcover
2002ref. DADAX3540001654Springer 2002-11-13. 2002. paperback. New. 6.10x0.47x9.25. Buy with confidence. Excellent Customer Service & Return policy. Springer paperback
2002ref. DADAX3540441778Springer 2002-09-09. 2002. paperback. New. 6.10x0.85x9.25. Buy with confidence. Excellent Customer Service & Return policy. Springer paperback
ref. 63140413Springer . Hardback. Used. pp. xii 433 1st Edition Springer hardcover
2014ref. a005.014Rome: L'Erma Di Bretschneider 2014. Exhibition Palazzo Barberini Rome 2014/2015. Pictorial card covers with flaps. In excellent condition BUT top and bottom text edges slightly marked. Some same colour shaded marks to spine. SPECIAL POSTAGE RATES APPLY Packed weight 1600g. 1st Edition. Paperback. VG. L'Erma Di Bretschneider Paperback
ref. 3034343035.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1925ref. 20059PRIMERA EDICION.- Abadia de Montserrat Imprenta Subirana 1925.- IX409 p.: Con láminas e ilustraciones intercaladas entre el texto y 5 láminas plegadas al final fuera del texto con un mapa de Europa y 4 de simbología musical; 4º mayor 26 x 185 cm; Buena impresión sobre excelente papel ahuesado intonso; TEXTO EN CATALAN; Tela Ed.- OBRA FUNDAMENTAL PARA LA HISTORIA DE LA MUSICA SACRA MEDIEVAL. El lomo tiene algunas arrugas posiblemente por acción de la humedad pero no a afectado para nada al interior del libro que se encuentra en un estado perfecto. MÚSICA DANZA INSTRUMENTOS MUSICALES Y DISCOGRAFÃA Llibre en català / valencià Abadia de Montserrat hardcover
ref. 43681625 Small 4to nearer to 8vo in actual size 4pp dedication frontispiece 4pp ad autorem epigrammata 584pp. Portrait frontispiece a few woodcuts in text. Full brown calf raised bands to spine spine unlettered. Small chip to head of spine a little chipping to inner margins of preliminary pages binding rubbed but generally a good plus copy overall. Lacks the title page but the dedication is dated 1625 and this looks about right for the book. The first half of the book is the Observationum medicarum singularium which is made up of four parts; de Febribus de morbis capitisis de morbis pectoris de morbis viscerum concoctionis. The second half of the book is the de re medica varia which is made up of 20 sections and an appendix. An index at the back of the book covers both works together. [1625] hardcover
1992ref. 25595PALMA DE MALLORCA: Imatge 70 1992. Primera edición.- 4º menor.- Rústica cubiertas originales.- 2 tomos.- I: 296 páginas.- II: 4 hojas.- De la página 305 a la 757.- 1 hoja. . Imatge 70 paperback
1993ref. 21644PALMA DE MALLORCA: Imagen/70 1993. 4º.- Símil piel conserva sobrecubiertas.- 757 páginas.- Lámina frontis más numerosas láminas fuera de texto. Miquel Font Editor. Imagen/70 unknown