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2000111 pages. Includes some pieces from the Barbara Hutton estate and a gift from Queen Elena of Italy to her personal doctor. Clean, bright and unmarked with light wear. Book
Best.-Nr. 0365668567.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
2002Fine Fine English Original bdg. Dust wrapper. 4to. (28 x 22 cm). In Turkish. 139 p., numerous color and b/w ills. Anadolu antik takilari. Ancient jewellery of Anatolia.
2005Fine Fine English Original bdg. Dust wrapper. 4to. (28 x 22 cm). In Turkish. 158 p., numerous color and b/w ills. Takinin öyküsü. (Dünya kuyumculuk tarihi 1). World history of jewellery 1: Story of jewel.
1999New English Paperback. Roy. 8vo. (24 x 17 cm). Edition in Turkish. 472 p., b/w plates, 1 large folding plan. Birecik, Halfeti, Suruç, Bozova ilçeleri ile Rumkale'deki tasinmaz kültür varliklari. The cultural heritage in the towns of Birecik, Halfeti, Suruç, Bozova and Rumkale. First Edition.
2013New English Paperback. Pbo. Oblong 4to. (26 x 28 cm). In English and Turkish. 283 p., color ills. Sadberk Hanim Museum opened on 14 October 1980 as Turkey's first private museum and this year celebrates its thirty-third anniversary. The collection of Turkish and Islamic artefacts gathered by Sadberk Koç formed the original nucleus of the museum collection, which has since been greatly expanded by donations and purchases. With the purchase of the Hüseyin Kocabas collection in 1983 the museum branched out into the field of antiquities. The Archaeological Section of Sadberk Hanim Museum is celebrating its 25th anniversary this year. The collection consisting of nearly 7000 objects ranges from the Late Neolithic Age to the Byzantine Period, making it possible to trace the course of successive Anatolian civilizations through their material culture. Archaeological Section of the museum has steadily grown over the years, with the purchase of rare items from overseas auctions and the acquisition of registered collections. Sadberk Hanim Museum Archaeological Section will have been open for 25 years in 2013 and it was decided to celebrate this anniversary with an exhibition entitled Traces of Ancient Ages, presenting 150 works that throw light on the periods to which they belong.
2009New Turkish Original bdg. HC. 4to. (29 x 20 cm). In Turkish. [ix], [1], 197 p., color and b/w ills. and plans. Kültür varliklariyla Kemah.
New English Paperback. Large 8vo. (25 x 22 cm). In English and Turkish. 72 p., fully color ills. Ottoman diamonds.= Osmanli elmaslari: Osmanli saray elmaslari. "The rose-cut diamond jewellery, which had been the favorites of Ottoman sultans and their Harem for more than 700 years, are still alive, thanks to the endless hard works of Mr. Abdurrahman and Evren Sapçi, the father and son. Diamonds because of their endless brightly shine had been the source of attraction for centuries, and thus, become the favorite jewelery adornment of Ottoman sultans and their combines. Thanks to the excellent craftmanship of Mr. Abdurrahman and Evren Sapçi, the nearly ending classical style processed hand-made rose-cut diamonds, are still a luxurious way of adornment of contemporary women.".
1920Browning to wraps. Small strip off top of spine torn (1 cm). Scholar's name to ffep (Cedric Boulter). Some edgewear to wraps. ; An edition of 1,000 copies, with 88 b/w plates and 412 smaller illustrations in the text and covers intaglios and cameos from the Minoan period to the post-classical period; 232 pages
2005Best.-Nr. 17668S.l., Editions Cercle d'art, (2005). Un fort vol. au format in-4 carré (338 x 292 mm) de 207 pp. Reliure d'édition de pleine percaline satinée lie-de-vin, sous jaquette illustrée par la photographie.
Best.-Nr. 120567Paris et Fribourg, Payot et Office du Livre 1986, 285x255mm, 239pages, reliure d'éditeur. Reliure pleine toile noir sous jaquette. Très bel exemplaire.
2018New English Paperback. Demy 8vo. (21 x 14 cm). In English. 256 p. The dynamic process of identification of action and interpretation consists in interdependence between the social world and its mental model with its intellectual and emotional context. People do not relate to nature directly but do so through symbolic interpretations where symbols represent and stand for nature or any object of perception. Thus, the main issue seems to be the relation between symbols and that which is symbolized, what symbols stand for and how this relation is established. Whatever other function sign and symbol may fulfill, it is clear that they make it possible for human individuals to send and receive messages, and therefore to establish relations between each other and consequently make all kinds of human groupings and cultural constructions possible. Establishing identities of objects through acts of identification composes one dimension of this process of creating the world of culture. The question of the origin of Islamic art and the nature of the forces and principles which brought this art into being must be related to the worldview of Islam itself, to the Islamic revelation, one of whose radiations is directly the sacred art of Islam and indirectly the whole of Islamic art through jewellery. This work offers a comprehensive yet complex study on the matter.
Best.-Nr. Boite24Besançon Sarda 0 catalogue format oblong ( 27 x 21 cm ) - 54 pages dont une en couleur - sans date ( vers 1930)
Best.-Nr. Boite24Besançon Sarda 0 catalogue format oblong ( 27 x 21 cm ) - 54 pages dont une en couleur - sans date ( vers 1930)
Best.-Nr. 164264Lyon, Valfray, 1760 in-4, 7 pp.
Best.-Nr. 48882Paris Hachette 1965 in 4 (24,5x22) 1 volume reliure demi percaline noire, plats recouverts de très beau tissu doré, dos lisse titré en long, pièce de titre de maroquin rouge, couverture conservée, 111 pages, avec de nombreuses illustrations en noir et blanc et des planches hors texte en couleurs. Reliure signée de Royer, relieur à Paris (1 rue du Mail). Collection ''L'aventure de la vie''. Bel exemplaire, reliure rutilante ( Photographies sur demande / We can send pictures of this book on simple request )
Best.-Nr. 3615P., Vuibert et Nony, 1906 ; grand in-8. 373pp.-1f. Pleine percaline brune d'éditeur, dos lisse, titre et fleuron dorés, titre doré sur le plat sup. Couverture couleurs conservée.
Best.-Nr. ART9005M2001, Hazan. In-4, relié, cartonnage éditeur sous jaquette illustrée 256 pages. Très bon exemplaire
1981Best.-Nr. 81247Canberra, The Australian National University 1981. Mit zahlr. Abbildungen. 180 S. Kl.-4to. OBrosch.
1992Flammarion 1992, In-folio relié cartonnage éditeur sous jaquette illustrée, 199 pages, nombreuses photos. Très bon état.
1991Best.-Nr. S109206Freiburg i.Br., 1991 187pp., 21cm., softcover, text in German, Doctoral dissertation (Inaugural-Dissertation zur Erlangung der Doktorwürde der Philosophischen Fakultäten der Albert-Ludwigs-Universität zu Freiburg im Breisgau), stamp at verso of title page, text is clean and bright, good condition, S109206
1991187pp., 21cm., softcover, text in German, Doctoral dissertation (Inaugural-Dissertation zur Erlangung der Doktorwürde der Philosophischen Fakultäten der Albert-Ludwigs-Universität zu Freiburg im Breisgau), stamp at verso of title page, text is clean and bright, good condition, S109206
Best.-Nr. 17340Paris Solar 1990 in 4 (31x23,5) 1 volume reliure cartonnée de l'éditeur sous jaquette en couleurs, 160 pages. Nombreuses photographies en couleurs. Pour parer sa nudité; Amulettes magiques; Dites-le avec des fleurs; Un Zoo fabuleux; Le rêve de l'Orient; A la Belle Epoque; Au temps de la garçonne; Des arcs de triomphe; Du new-look aux jeans; L'âme des pierres, bibliographie. (colis: 1,500 kg).
1987Best.-Nr. 15516Paris Arthaud 1987 Grand In-8 Ecu 257 pp, nombreuses photos en couleurs, plats muets, reliure à la Bradel ; jaquette en couleurs avec légers frottis en coins.
1881Best.-Nr. GITh625Paris Ernest Leroux 1881. Fort in-4 broché couverture illustrée 4 feuillets non chiffrés XV 531pp. Orné de 400 illustrations dont 4 hors texte repliées (les autres dans le texte ou à pleine page). Papier du dos fendillé avec petit manque en tête (brochage solide), restauration sur la pliure au verso d'une planche, quelques rousseurs marginales.
