Or

Or — marelibri

Very fine large scroll on high quality paper with 14 extremely beautiful paintings of plants and animals

réf. 6952Scroll 420 x 12000 mm. with elaborate silk brocade endpaper at beginning. Japan: 1880-86. This beautifully rendered scroll of natural history paintings was executed with one exception by Akio or Keigu Yamamoto 1827-1903 Confucian scholar doctor botanist and highly gifted artist. He was born in Kyoto the son of the prominent doctor and botanist Boyo Yamamoto 1778-1859 the direct disciple of Ono Ranzan 1729-1810 the famous professor of botany who wrote a series of classic botanical books. Keigu “continued his father’s work in his private school in Osaka and spent his time organizing meetings that were regularly attended by both honzogaku amateurs and Japanese biologists.”â€“Federico Marcon The Knowledge of Nature and the Nature of Knowledge in Early Modern Japan p. 301. Keigu travelled widely throughout Japan drawing plants and animals. He gave botanical instruction to the Meiji emperor and other members of the royal family. Keigu also wrote several standard works on materia medica and left many sketch books and scrolls which entered the Kyoto rare book trade in 1932; some of these were published only in the 1980s. All of his sketch books and scrolls offered valuable and unique information regarding native plants and animals as well as those that had been introduced into Japan. Our scroll contains 14 very finely executed color paintings of plants birds and animals. The paintings are quite unique in their remarkable spaciousness. For instance the image of the octopus is 1410 mm. long. The images include a most unusual morning glory three joined sheets and 1190 mm. long; an edible yellow lily two joined sheets 800 mm.; an ungei flower two joined sheets 795 mm.; a magnificent red toki a now-endangered crane species three joined sheets 765 mm.; a large akowa tsuru another species of crane three joined sheets 815 mm.; a young white crane three joined sheets 935 mm.; a sea lion umiuso painted in many shades of delicate black two joined sheets 545 mm.; a carp two joined sheets 597 mm.; an octopus four joined sheets; a chameleon three joined sheets 844 mm. dated “1880”; a deer antler two sheets 545 mm.; a “Dutch” dog two sheets 545 mm.; a lion seen at exhibitions in Tokyo and Kyoto two sheets 640 mm. with a seal and note stating this was the work of “Ariyoshi” dated “1886“; and two camels two sheets 545 mm. long. Four of the paintings have the signature and seal of Yamamoto and another painting — the final — has the seal only. Three of the paintings have additional text by Yamamoto regarding where seen and painted alternative regional names date etc. Very fine condition preserved in a new wooden box. All but the penultimate painting are the work of Yamamoto. unknown

Jonathan A. Hill, Bookseller, Inc. · États-Unis13 500,00 $US≈ 12 037,45 €

YAMAMOTO Akio or KeiguABAA

Very fine large scroll on high quality paper with 14 extremely beautiful paintings of plants and animals

réf. 6952Scroll 420 x 12000 mm. with elaborate silk brocade endpaper at beginning. Japan: 1880-86. This beautifully rendered scroll of natural history paintings was executed with one exception by Akio or Keigu Yamamoto 1827-1903 Confucian scholar doctor botanist and highly gifted artist. He was born in Kyoto the son of the prominent doctor and botanist Boyo Yamamoto 1778-1859 the direct disciple of Ono Ranzan 1729-1810 the famous professor of botany who wrote a series of classic botanical books. Keigu "continued his father's work in his private school in Osaka and spent his time organizing meetings that were regularly attended by both honzogaku amateurs and Japanese biologists."-Federico Marcon The Knowledge of Nature and the Nature of Knowledge in Early Modern Japan p. 301. Keigu travelled widely throughout Japan drawing plants and animals. He gave botanical instruction to the Meiji emperor and other members of the royal family. Keigu also wrote several standard works on materia medica and left many sketch books and scrolls which entered the Kyoto rare book trade in 1932; some of these were published only in the 1980s. All of his sketch books and scrolls offered valuable and unique information regarding native plants and animals as well as those that had been introduced into Japan. Our scroll contains 14 very finely executed color paintings of plants birds and animals. The paintings are quite unique in their remarkable spaciousness. For instance the image of the octopus is 1410 mm. long. The images include a most unusual morning glory three joined sheets and 1190 mm. long; an edible yellow lily two joined sheets 800 mm.; an ungei flower two joined sheets 795 mm.; a magnificent red toki a now-endangered crane species three joined sheets 765 mm.; a large akowa tsuru another species of crane three joined sheets 815 mm.; a young white crane three joined sheets 935 mm.; a sea lion umiuso painted in many shades of delicate black two joined sheets 545 mm.; a carp two joined sheets 597 mm.; an octopus four joined sheets; a chameleon three joined sheets 844 mm. dated "1880"; a deer antler two sheets 545 mm.; a "Dutch" dog two sheets 545 mm.; a lion seen at exhibitions in Tokyo and Kyoto two sheets 640 mm. with a seal and note stating this was the work of "Ariyoshi" dated "1886"; and two camels two sheets 545 mm. long. Four of the paintings have the signature and seal of Yamamoto and another painting - the final - has the seal only. Three of the paintings have additional text by Yamamoto regarding where seen and painted alternative regional names date etc. Very fine condition preserved in a new wooden box. All but the penultimate painting are the work of Yamamoto. unknown books

Jonathan A. Hill, Bookseller, Inc. · États-Unis13 500,00 $US≈ 12 037,45 €

Wyatt, Matthew or JohnBiblio.com

A Comparative Review of the Opinions of Mr. James Boaden Editor of the Oracle in February March and April 1795; and of James Boaden Esq. Author of Fontainville Forest and of a Letter to George Steevens Esq. in February 1796 Relative to The Shakespeare MSS. By a Friend to Consistency BOUND WITH 7 SCARCE PAMPHLETS & EPHEMERA

1796réf. 54848London: Printed for G. Sael 1796. Hardcover. Poor to very good condition. Octavo bound in three quarter calf over marbled boards containing eight pamphlets and ephemera. Binding with front cover and spine detached but present wear along edges with leather at corners missing. Illustrated book plate of Joseph Swift Whistler on inside front cover. Signature of three free endpapers title page and leaf with pages 1-2 loosely laid in. Short New York Times article on Shakespeare dispute from the 1940s laid in. Some sporadic offsetting and light foxing. 1. A Comparative Review of the Opinions of Mr. James Boaden Editor of the Oracle. .2 59 1pp. Original cream wraps with black lettering on cover authors and publishing date entered by hand. "It is not because the style or the matter of Mr. Boaden's Critical Examination of the Shakespeare MSS. appears to possess any intrinsic merit that it is made the subject of consideration in the following pages. Much less is this slight attempt dictated by any apprehension that the authenticity of those MSS. will be materially affected either by the arguments of such an examiner or the detection of his sophistry. But when an individual pretends to direct the taste of the public when relying on the fancied ingenuity and importance of his criticism he attempts to depreciate real merit it becomes at least necessary to examine the purity of his motives and the consistency of his conduct. The authenticity of the MSS. in the hands of Mr. Ireland must ultimately be refereed to a higher tribunal" First paragraph. "The "Shakespeare MSS." are the Ireland forgeries. Sometimes ascribed to Matthew Wyatt." Folger Shakespeare Library 2. An Historical Account of the Monumental Bust of William Shakespeare in the Chancel of the Church at Stratford-Upon-Avon Warwickshire. With critical remarks on the authors who have written on it by Abraham Wivell Portrait Painter. London. Published by the author. 1827. iv 28pp. Original tan wraps with black lettering and ruling on cover. Frontispiece engraving. With preface to the author's pamphlet of 1825. "The following remarks on the Monumental Bust of Shakespeare in the Church of the Holy Trinity Stratford-upon-Avon in Warwickshire is printed from my Pamphlet 1825 with additions." Page 5. 3. Traditionary Anecdotes of Shakespeare. Collected in Warwickshire in the Year MDCXCIII. Now first published from the original manuscript. London. Thomas Rodd. 1838. 19 1pp. Original cream wraps with black lettering on cover. Contains four page advertisement and the letter addressed to Mr. Edward Southwell signed "John at Stiles." The last page contains the printed text "10. April 1693 - From Mr. Dowdall Description of Severall places in Warwickshire" at top and "These for Mr. Southwell p' Sent." 4. Observations on an Autograph of Shakespeare and the Orthography of his Name. Communicated to the Society of Antiquaries by Sir Frederic Madden in a letter to John Gage. London Thomas Rodd. MDCCCXXXIII. 16 2pp. Light brown wraps with black lettering and triple framing on cover. Title page with facsimile of Shakespeare signature. Reprinted from the Archaeologia vol. xxvii pp. 113-123 with some corrections. 5. For Private Circulation Was Lord Bacon the Author of Shakespeare's Plays A Letter to Lord Ellesmere by William Henry Smith. London: Printed for the Author by Woodfall and Kinder. 1856. 15 pages. 6. Shakespeare No Deerstealer or A Short Account of Fulbroke Park Near Stratford-On-Avon. By C. Holte Bracebridge Sometime Hon. Sec. to the Shakespeare House Committee. London: Printed by Harrison and Sons. 1862. 4 original watercolor. 32pp. Extensive appendix notes A through F. 7. The Stratford Portrait of Shakespeare. Copies of communications to The Times made subsequent to that which appeared April 5th. The recently discovered portrait of Shakespeare. To the Editor of The Times. Two 1861 letter by Charles Weight with commentary. 4 pages. 8. The Stratford Portrait of Shakespeare and The Athenaeum; Also Ben Jonson; and the Macaulay-Penn Controversy; in Connexion with That periodical-or its Editor. "Jones is immortal until he is found out; and then down comes the extinguisher and the immortal is dead and burried." Roundabout Papers NO XII. Text by Charles Weight. 307 Regent Street W. May 31st 1861. 19 pages. "The "New Facts" of the Athenaeum in reference to Ben Jonson Examined. And some facts of real importance in relation to the Macaulay and Penn Controversy Displayed. Printed for G. Sael hardcover

Eric Chaim Kline - Bookseller · États-Unis600,00 $US≈ 535,00 €

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