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La fucina di Vulcano. I metalli nel mondo antico: storia, tecnologia, conservazione, Roma, Libreria Editrice Viella, 2014
2014Roma, 2014; br., pp. 170, cm 15x21. (I Libri di Viella. Arte).
15 799 résultats
2001réf. 1336796PN. New. 2001. Soft Cover. Date is original print. This is a reprint edition . PN paperback
2001réf. 1335978PN. New. 2001. Soft Cover. Date is original print. This is a reprint edition . PN paperback
1997réf. 299542PN. New. 1997. . Soft Cover. Date is original print. This is a reprint edition . PN paperback
1996réf. 292949PN. New. 1996. Soft Cover. Date is original print. This is a reprint edition . PN paperback
1997réf. 299564PN. New. 1997. . Soft Cover. Date is original print. This is a reprint edition . PN paperback
1996réf. 292945PN. New. 1996. Soft Cover. Date is original print. This is a reprint edition . PN paperback
2014Roma, 2014; br., pp. 170, cm 15x21. (I Libri di Viella. Arte).
Madrid, Imprenta de A. Pérez Dubrull, 1882. 4to. menor; 3 hs., 175 pp., 1 h. Cubiertas originales.
Madrid, Calpe, 1922 (Col. Universal). 4to. menor; 232 pp., 1 h. Encuadernación en media tela.
Madrid, Editora Nacional, 1978. 4to. menor; 661 pp. Impresión en papel biblia. Cubiertas originales.
Madrid, Signo, 1936 ("Primavera y Flor"). 4to. menor; 184 pp., 1 h. Encuadernación original en tela estampada.
Pamplona, 2005. 4to. mayor; 635 pp. Cubiertas originales.
Valencia, Prometeo, s.a. (hacia 1915). 4to.; 210 pp., 1 h. Cubiertas originales, con alguna pérdida de papel.
Madrid, 2002. 4to.; 167 pp. Cubiertas originales.
1793(Codice NU/0474) In 4° (31,5x21 cm) 4 pp. Su carta a mano, grande decorativo stemma, capolettera figurato, pieni margini con barbe. Antica nota in ultima pagina, qualche ingiallitura. Ottimo stato. Astuccio protettivo in cartoncino moderno. ~~~ SPEDIZIONE IN ITALIA SEMPRE TRACCIATA
1610réf. 62508Florence In officina Iuntaru Barnardi Filiorum 1560. Small folio. 18th century full vellum with gilt labels to spine. Wear to capitals and small worm tracts towrad opper hinges. Corners a bit bumped. A very nice and sturdy binding. Marbled edges. Some browspotting throughout. Small wormholes to blank margin of final leaf far from affecting imprint. Woodcut vignette to title-page and to verso of colophon-leaf. 10 308 12 ff. The rare first edition of Vittore's main work his great edition translation and commentary on Aristotle's Poetics which is arguably the most important and influential commentary on the work ever published profoundly shaping our understanding and interpretation of Aristotelian literary theory. Petrus Victorius or Piero/ Pietro Vittore/Vettore 1499-1584 is not only the “first great editor of the Poetics” McMahon he is also considered "the greatest Greek scholar of Italy" Whibley “the leading Italian scholar of his time” Encycl. Britt. “the last great figure from that period in the domain of Greek studies” Willamowitz and “the foremost representative of classical scholarship in Italy during the sixteenth century which for Italy at least may well be called the “saeculum Victorianum”.” Sandys. His magnum opus and without doubt most influential work is his edition with commentary of Aristotle’s Poetics which is of seminal importance in several respects. It is crucial to our understanding of Aristotle’s great work shaping the way that all later scholars have read it. The understanding of Aristotle’s work on poetry came to define the way that we have understood literature and fiction ever since the Renaissance and Victorius is the leading interpreter. ““From the sixteenth century to Romanticism European literary theory used the term marvel or wonder It. meraviglia ammirabile Fr. merveille Sp. maravilla to designate everything that was on the conceptual margins of the poetics of probability and imitation. The discovery and complete reception of Aristotle’s Poetics between the fifteenth and sixteenth centuries resulted in the dissemination of an idea of poetry as the imitation of the actions of men whose main part was the plot or the structuring of actions ordered according to the laws of necessity credibility and probability. This formed the basis of Neo-Aristotelian poetics which determined the ways of thinking about literature and fiction for more than four centuries.” Vega p. 280. Especially the idea of “wonder” in Aristotle’s Poetics came to be one of the founding ideas of modern literary theory. And especially here Victurius’ reading is groundbreaking playing a central part in the reception and understanding of the work over the centuries to come. “A single editorial decision in just one passage and what is more in a complex fragmentary unfinished text like the Poetics affects the entire work…” Vega p. 284. “The text of the Poetics that can be read in the editions and translations of the sixteenth century and a large part of the seventeenth with one exception as we shall see NB. This exception is Victorius does not include the term alogon in the passage that deals with wonder. It does not appear in the first Greek edition the famous Aldine princeps of 1508 or in the Latin translations of the end of the fifteenth century; it is not in the edition and translation by Alexander Paccius or Pazzi the one most widely read in the sixteenth century neither does it appear in the edition with commentary by Francesco Robortello nor in Vincenzo Maggi’s Enarrationes nor in the vernacular commentaries of Ludovico Castelvetro and Alessandro Piccolomini. What is more a detailed revision of the history of the text reveals that no manuscript of the Poetics and no direct or indirect testimonies not even in the Arabic branch of its transmission have ever included the term alogon.” Vega p. 282. It is Victorius who is solely responsible for the reading that is generally accepted today as well. “The moment when the idea of irrationality alogon appears for the first time in Aristotle’s text can be identified without hesitation as 1560 which is the date when the edition translation and commentary on the Poetics by the philologist and Hellenist Pier Vettori or Victorius was printed on the presses of Giunti in Florence. Vettori is the one who first edits alogon even though no testimony provides him with this reading and he does so fully aware of his choice and its implications” Vega pp. 287-89. “The success of Victorius’ reading while not immediate was extraordinary.” Vega p. 287 Antonio Viperano accepts the reading “alogon” with all it involves De poetica libri tres Ricciboni adapts it in his edition of Aristotle’s Poetics Tasso embraces it Discorsi dell’arte poetica Discorsi del poema eroico and it is implicit in Alonso López Pinciano’s Philosophia Antigua Poetica. Vossius in 17th century Germany makes abundant glosses on alogon in his books on poetics and the commentators and translators of the “Poetics” in France preferred Victorius’ reading in every case. “Victorius’ conjecture seems to have convinced all editors and commentators who reproduce it without question in every case.” Vega p. 289. The influence of Victorius’ interpretation of Aristotelian literary theory that he presented in his magnum opus i.e. the present work was not limited to the use of specific words that changed the reception history of Aristotle’s Poetics. His entire view of poetry through an interpretation of Aristotle was highly original and came to define the way we understand literature in general. Victorius was one of the first to put forth the belief that heroic poetry should present a Platonic idea of perfect virtue contributing to the centuries long doctrine of the perfect hero as perfect exemplar and he was one of the first to revive Aristotle’s idea of purgation from tragedy still widespread today and to also understand the existence of a purgation from poetry. “He viewed poetry as a moderator of minds “By reading poetry men “become moderate in temper and their turbid motions are extinguished.” Poems “purge our minds of blemish and spot”. Vettori realized that Aristotle’s reference to catharsis should be applied to tragedy alone but he added that similar purgations could be achieved by other kinds of poetry effective however on other passions than pity and fear and with the aid of other instruments.” Hathaway pp. 292-93. Apart from his overall interpretation of Aristotle’s literary theory and his groundbreaking reading of the most central passages of the Poetics Victorius was also the first to determine that the Aristotelian text that has come down to us is not complete. “Victorius was the first to see that the treatise now known as the Poetics is only the surviving portion of a larger work.” Bywater p. XX. “during his lifetime five medals were struck in his i.e. Victorius’ honour and his portrait was painted by Titian… His fame was not limited to his own land or his own time. His scrupulous care and unwearied industry are lauded by Turnebus who declines to be compared with him even for a moment; the epiteths doctissiums optimus and fidelissimus are applied to him by the younger and the greater of the two Scaligers while Muretus calls him eruditorum coryphaeus; and similar eulogies might be quoted from Justus Lipsius. Dacius … and Graevius. He is described as having climbed the “hill of virtue” and taken his place on its summit between Cicero and Aristotle. In his funeral oration Salviati says of him in the personification of Italia: “Now no more shall distant peoples cross the snows of the Alps to see Victorius or men of mark arrive from every land to hear him; or princes hold converse with him. Now no more shall the works of scholars in all parts of the world be sent here for his approval; or youth learn wisdom from his lips.” Sandys pp. 139-40. “No one said a contemporary of his in a funerary laudatio ‘left Aristotle in a cleaner state purgatior’.” Baldi. _____________________________________________ Adams: 1905; Brunet V: 1179; Graesse I: 213 ”édition excellente quant à la critique” and noting that some copies bear the dates 1563 and 1564. Sandys: A History of Classical Scholarship Vol. II 2003 pp. 135-140. Hathaway Baxter: The Age of Criticism: The Late Renaissance in Italy. Cornell University Press 1962. A.Philip McMahon: On the Second Book of Aristotle's Poetics and the Source of Theophrastus' Definition of Tragedy Authors. In: Harvard Studies in Classical Philology 1917 Vol. 28 1917 pp. 1-46. Christopher Rowe: Petrus Victorius and Aristotle’s Eudemian Ethics Cambridge University Press online 2025. Vega Maria José: Wonder and the Irrational. The Invention of Aristotle’s Poetics in the Sixteenth Century. In: Nous Polis Nomos. Berlin Academia Verlag 2016. Baldi: Il greco a Firenze e Pier Vettori 1499–1585 Alessandria 2014 117. hardcover
réf. 53954Lugduni apud Joan. Tornaesium 1552. TITLE CONTINUED: Accesserunt Gulielmi Philandri Castilionii civis Romani annotationes castigatiores & plus tertia parte locupletiores. Adiecta est Epitome in omnes Georgii Agricolae de mensuris & ponderibus libros eodem autoter cum Graeco pariter & Latino indice lucupletissimo. FIRST JEAN DE TOURNES EDITION OF VITRUVIUS 1552 Latin text. 4to approximately 235 x 155 mm 9¼ x 6¼ inches printer's device of vipers on title page a different De Tournes device on verso final page 83 woodcut illustrations 1 folding plate of an inscription portrait of Philandrier the editor on final page of prelims arabesque headpieces to the 10 books and historiated initials throughout pages: 16 447 57 - including index errata and Extrait du Privilege with last line: Achevé d'imprimer le huitieme février 1552 the last leaf with printer's device on verso bound in modern full blind panelled calf raised bands blind rules and gilt lettered morocco label to spine all edges red new endpapers. Small repair to inner edge of title page plus 2 ink names pages lightly age-browned tiny chip to fore-edge of 1 prelim page small closed tear to 1 margin repaired neatly some early mostly neat ink marginal notes some small corrections to text and a little neat underlining a couple of small ink stains and smudges text still easily legible very light foxing to a few margins. A good tight copy. This edition published in Lyon by Jean de Tournes was the second edited by Guillaume Philandrier the first was published in Strasbourg in 1550 as a 16mo. As the secretary to the bishop of Rodez the French humanist Philandrier friend of Rabelais had spent 10 years in Italy in Venice and Rome many of them studying Vitruvius and in 1544 he published his illustrated annotations separately in Rome. See: Laurence Hall Fowler The Fowler Architectural Collection of the Johns Hopkins University pages 318-319; Adams Books Printed in Europe 1501-1600 Volume II V908; Harvard French 16th Century Books Volume II No. 550. MORE IMAGES ATTACHED TO THIS LISTING ALL ZOOMABLE FURTHER IMAGES ON REQUEST. Postage at cost and all parcels sent fully tracked and fully insured. . Lugduni, apud Joan. Tornaesium, 1552. hardcover
Madrid, en la Imprenta de Juan de Ariztia, 1737. 4to.; 3 hs., 679 pp., 4 hs. Portada reforzada. Encuadernación del siglo XIX en piel.
Pamplona, 2006. 4to.; 326 pp. Cubiertas originales.
Madrid, 2008. 4to.; 542 pp. Cubiertas originales.
Barcelona, en la Imprenta de Juan Pablo Marti, 1722. 4to.; 4 hs., 679 pp., 4 hs. Ligerísimo rastro de polilla en margen inferior de las primeras veinte páginas. Encuadernación en pergamino de la época.
Un cuaderno de tres hojas en folio, en apretada caligrafía, manuscritas por ambas caras. Cubiertas mudas en cartulina.
1989(Codice OR/0306) In 8° XVI-705 pp. Con 31 tabelle, 451 figure in nero e 16 tavole a colori. Brossura editoriale a risvolti, ottimo stato: COME NUOVO.. ~~~ SPEDIZIONE IN ITALIA SEMPRE TRACCIATA
2009Lo straordinario sistema hawaiano per gioire di una vita meravigliosa in cui tutto è davvero possibile.
1962réf. 30233HBDJ1962 Early Issue ReprintVG/VG AS-IS WITH WOMAN ON FRONT OF DJ LARGER FORMAT Reprint as No 949 in the Dent Everyman series the larger format 12mo 242pp introduction D M Hoare VG Copy in sound lilac DJ LITELY frayed and nicked at head of spine and somewhat sun-faded COPPER TITLES ON spine COVER. Size: 12mo BACK OF DJ SAYS FEW 500 AUTHORS EVERYMAN’S LIBRARY DENT LONDON hardcover
