Fischer, JürgenAntiquariat.de
16 450 résultats
2001réf. 53146Heilbronn, Selbstverlag 2001. 237 Seiten, Mit zahleichen teils farbigen Abbildungen der Objekte. 16x22cm, gebundene Ausgabe, Hardcover/Pappeinband, Exemplar in gutem Erhaltungszustand
2007réf. Q-1401303110Voice 2007-04-25. Hardcover. New. In shrink wrap. Looks like an interesting title! Voice hardcover
réf. Miguel Mujica Gallo, AlvaIn Pristine Condition. unknown
1998Bastia Umbria/Assisi, 18 aprile - 3 maggio 1998. Perugia, 1998; cartonato, pp. 207, 86 ill. col., cm 22x30. italiano cartonato
réf. C000023285First edition. Hardcover. Very Good/very good. Three books by the author Herbert Gold all very fondly inscribed to a dear friend named 'Mort'. The Optimist c.1959 blue cloth 8vo 395pp.; Very Good heavy sunning to spine tanning to contents. Love & Like c.1960 cloth 8vo. 307pp.; Very Good in Fair dustjacket light shelfwear rubbing at edges heavy wear to dj with some loss chipping abrasions and creasing. My Last Two Thousand Years c.1972 cloth spine 8vo. 246pp.; Very Good in Very Good dustjacket light general shelfwear some edgewear and soiling to dj. hardcover
2014réf. 500373602COURRIER LIVRE 2014 160 pages 18 2x2x23 2cm. 2014. Broché. 160 pages. Ce livre de la collection '3 minutes pour comprendre' retrace l'histoire des découvertes sur l'Univers des origines de l'humanité à aujourd'hui en se concentrant sur la théorie du Big Bang. Richement illustré et accompagné d'un CD audio lu par les auteurs il permet de comprendre en peu de temps les mystères de la création de l'Univers et les travaux des scientifiques qui ont cherché à percer ce mystère
2014réf. 500054642COURRIER LIVRE 2014 160 pages 18 2x2x23 2cm. 2014. Broché. 160 pages.
1954réf. 2091502135401525David company 1954. Soft Cover. Fine. Number of books: 1 David company paperback
réf. Mårten Snickare and UlfNot in perfect condition. unknown
2017réf. 500098939Béliveau 2017 200 pages 15 2x22 8x1 4cm. 2017. Broché. 200 pages.
2022réf. x-365834363XSpringer VS 2022. Paperback. New. 223 pages. German language. 8.26x5.82x0.55 inches. Springer VS paperback
1991pagg. 398, con illustrazioni.
réf. Nordquist, Per EricIn Pristine Condition. unknown
1993réf. 2242Actes Sud 1993 206 pages 19x1 8x9 4cm. 1993. broché. 206 pages.
1921réf. 76728Paris: Different editors 1921-1925. 4 musical scores songs with piano. Small size 275x175 cm. Each item 4 pp.: 2 pages annotated music 1 p. illustrated frontcover and 1 p. advertisement. - 1 Telly. Frontcover in colour designed by name illegible. Paris Telly & Halet éditeur 1921. - 2 Aubin. Cover printed in blue designed by Tick. Paris Éd. L. Maillochon 1922 - 3 Valdy. Cover printed in red designed by L. R. Deléage. 1924. Paris Raoul Breton & Cie 1924. - 4 Gold. cover printed in red designed by no signature. Paris Montmartre Édition 1925. Different editors unknown
1965122 pages. Index. Black and white photographic plates. "Author was for 40 years a lineman and telegrapher on the famous Yukon Telegraph Line. This is the story of those years. Explains how he came with his artist father from London to Canada to take part in the great gold stampede of ninety-eight to the Northland." - dust jacket. Book clean and unmarked with light wear. Dust jacket now preserved in glossy new archival-grade Brodart. A sound copy. Book
réf. 63-4026Cambridge England: Heffers Booksellers ca. 1995 - 1996. 41 Receipts for Books Letter-sized and smaller mostly folded CC printing. Very Good. Joseph Gold was a scholar in public international law known most prominently as a long-time official of the International Monetary Fund often characterized as a leading authority on international monetary law and an architect of the IMF. Cambridge, England: Heffers Booksellers, [ca. 1995 - 1996]. unknown
réf. Jørgensen, Lars and PeteIn Pristine Condition. unknown
2008réf. 001185Calgary AB: Practitioner's Press Inc. 2008. First Edition . Hardcover. Near Fine/No Jacket as Issued. 8vo - over 7¾" - 9¾" tall. Preface and Acknowledgements by Allan Gold. Book contains the '45 Plus Life Handbook' and the accompanying CD. FlatSIGNED by author in blue ink. All forms are blank with no notations. Book has light edge/shelf wear 'Local Author' sticker on front panel. Bookseller's Inventory # 261185. Practitioner's Press Inc. hardcover
2003German Text. Vienna, 2003; paperback, pp. 150, col. ill., cm 21x30. deutsch paperback
réf. Church, Mike & TerriIn Pristine Condition. unknown
1977réf. 27779Montreal: The Word 1977. 1st Edition. 1st Edition. Signed by Authors. First Edition. #138 of 200 copies. A fine single sheet printed on both sides and folded twice in a fine accompanying printed envelope. Each poem typed and printed in the shape of a jockey on a horse. Numbered and signed by Gold one of Montreal's Vehicule Poets. The Word unknown
2011réf. 500076798Editions Luc Pire 2011 250 pages 1x21x17cm. 2011. Broché. 250 pages.
2011réf. 500094935Editions Luc Pire 2011 250 pages 1x21x17cm. 2011. Broché. 250 pages.
1897réf. 526A collection of 50 albumen prints from the British Museum Series numerous manuscript captions slight age-related toning photographs mounted to album occasional light marginal foxing not affecting image original maroon cloth with quarter morocco spine retaining studs title gilt to spine slightly rubbed folio London: W.A. Mansell c.1897 The 50 photographs of antiquities in the British Museum covering Greek Roman and Etruscan Statues and Vases including 24 of the Parthenon Frieze. Many of the images are accompanied by manuscript captions. Other photographs include: Horse of Selene Ilissos "Colossal Lion" The Piranesi Vase "Marble Vase found in the Villa of Hadrian at Tivoli" "Mercury" "Venus de Medici" "The "Townley" Venus" "Venus Entering Bath" "Apollo as a Player of the Lyre from Cyrene" "Hercules" Hercules found in Hadrian's villa at Tivoli Drum of Sculptured Column from Temple of Diana Artemision Ephesus "Casts from Balustrade of Temple of Wingless Victory - Athens -" Etruscan Sepulchral Monument in terracotta "Thalia" T. Aurelius Fulvius Antonius Pius Aurelius Antoni Satyr Apollo Demeter Ceres and Sepulchral Rites at the Tomb of a Hero. The Elgin Marbles are a collection of statues and architectural decoration acquired by the Earl of Elgin during his time as Ambassador to the Ottoman Empire. He successfully petitioned the authorities to be able to measure draw and remove figures in various ruins. The most extensive work was on the Parthenon or Temple of Athena but he also received permission to remove sculptural and architectural elements from a number of other ruins including the Acropolis and the Temple of Nike Athena. The most famous of the Elgin Marbles are the Parthenon Sculptures a collection of different types of marble architectural decoration on the Parthenon. The Parthenon Frieze 75 metres in length depicts various scenes including the battle between the Lapitas and the Centaurs at the marriage feast of Peirithoos. Elgin originally intended on using the Frieze as decoration in his private home but due to the collapse of his marriage he sold them to the British Museum. There have been debates over the legitimacy of Elgin's excavation. After an investigation from a Parliamentary Select Committee in 1816 Elgin's actions were found to be entirely legal. Since 1983 Greece has formally requested the British Museum to return all the Parthenon Sculptures in the Museum's collection the British Museum states there are no current discussions with the Greek Government on this issue. Roger Fenton is one of the most celebrated figures in the history of photography. He was a creative and highly influential photographer in the mediums "golden age" of the 1850s. In his role as the British Museum's first official photographer Fenton demonstrated his sure sense as a 'photo artist'. He was initially engaged to photograph cuneiform tablets but that soon developed into taking pictures of other antiquities. As early as 1852 Fenton received permission from the Trustees to photograph antiquities within the museum establishing a small studio inside the museum the following year. He left in 1854 to serve as a photographer in the Crimean War for which he is most widely known but he was re-appointed on his return in 1856 until the termination of his contract in July 1859. The Trustees decided that photography was not cost effective and after they failed to negotiate the South Kensington Museum now the V&A as an alternative Fenton terminated his association with the British Museum. References: The British Museum The Metropolitan Museum of Art Luminous-Lint. W.A. Mansell
