17.480 risultati
1925Very Good French Paperback. Samll 4to. (27 x 18 cm). In French. 16 p. La littérature Samaritaine (Supplement -Encyclopedie de l'Islam- a l'art Samaritains, Tome IV, Livrasion C). Samaritan literature. Gaster was a Romanian, later British scholar, the Hakham of the Spanish and Portuguese Jewish congregation, London, and a Hebrew and Romanian linguist. Moses Gaster was an active Zionist in Romania as well as in England, where in 1899 he helped establish the English Zionist Federation. He was the father of Jack and Theodor Gaster and the grandfather of Marghanita Laski. He was also son-in-law to Michael Friedländer and father-in-law to Neville Laski.
Barcelona, Editorial Lorenzana, 1965. 4to. menor; 350 pp. Encuadernación original en piel estampada. Cabecera dorada y punto de lectura.
Valladolid, 1995. 4to. mayor; 292 pp., 1 h. Encuadernación original en tela.
2012Salani Editore, maggio 2012. Traduzione di Raffaella Belletti. Rilegato con copertina rigida e sovraccoperta. Prima edizione. Spedizioni tracciabili con raccomandata entro 24 ore dall'ordine. First edition. Hardback cover with dust jacket in fine conditions, no price clipped, no inscriptions or markings inside. Worldwide delivery.
Paris, L'Édition d'Art H. Piazza, 1924. 4to.; 5 hs., 184 pp., 5 hs. Diseño y ornamentación de Pierre Courtois. Cubiertas originales.
Madrid, 2004. 4to. alargado; 689 pp. Cubiertas originales.
1971Feltrinelli, ottobre 1971. Spedizioni tracciabili con raccomandata entro 24 ore dall'ordine. Soft cover in fine conditions, no inscriptions or markings inside. Worldwide delivery.
2018Roma, 2018; br., pp. 134, ill. col., cm 15x21.
León, 2005. 4to. alargado; 756 pp. Cubiertas originales.
1992Torre del Greco, Palazzo Vallelonga, 23 dicembre 1992 - 10 gennaio 1993. Torre del Greco, 1992; pp. 16, ill., cm 10x21. italiano
2006Vol.in 8°bross.edit.Nuovo
2026rif. LRB51016154Paris: Editions Recreasoft 2026 Langue : Français. Environ 778 pages. Français : Réimpression à la demande. Édition originale : 1608. Ouvrage en français. Cette édition rare rassemble les Métamorphoses d'Ovide traduites en français suivies de la "Description du Chaos" de Guillaume de Salluste Du Bartas. L'ouvrage est illustré de 178 bois gravés inspirés des travaux de Bernard Salomon. Ce texte fondateur de la littérature mythologique offre une vision poétique de la transformation des êtres et des éléments tandis que la "Description du Chaos" explore les forces primordiales de l'univers. Images du livre non contractuelles English: Print-on-demand reprint. Original edition : 1608. Text in French. This rare edition combines Ovid's Metamorphoses translated into French with Guillaume de Salluste Du Bartas' "Description du Chaos". The work features 178 woodcuts inspired by Bernard Salomon's designs. This foundational text of mythological literature presents a poetic vision of transformation while "Description du Chaos" delves into primordial cosmic forces. Book images are non-contractual. Editions Recreasoft. Softcover. New. Editions Recreasoft paperback
Pamplona, 2006. 4to.; 332 pp. Cubiertas originales.
Small 4to, 26.5cm. Pp. 29, 12 photos of views etc. on 6 pls., 10 microphotos of ore samples on 5 pls., 5 (1 fold.) sections, 1 fold. map. Orig. printed wrs.
2005Con una Premessa di Dora Liscia Bemporad e una Prefazione di Lamberto Crociani. Firenze, 2005; br., pp. 104, ill. b/n e col., cm 17x24. (Arte Orafa. Arte Tessile).
rif. ria9798504496290_inpPaperback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; Breve estudio sobre la historia de la democracia parlamentaria y sus variables. paperback
Alcalá, 2000. 4to.; 495 pp. Cubiertas originales.
Madrid, Silez, 2005. 4to. mayor; 684 pp. Cubiertas originales.
Madrid, Libreria y Casa Editorial Hernando, 1926 [Biblioteca Universal]. 16vo; 170 pp. Cubiertas originales.
Madrid, La Novela Teatral, 1921. 4to; 24 pp. sin numerar, impresas a doble columna. Cubierta original.
Madrid, El Teatro Moderno, 1930. 4to menor; 72 pp. Cubiertas originales de Gago.
Madrid, Ediciones José Porrua Turanzas, 1967 ["Biblioteca Tenanitla"] 4to. menor; 2 hs., 189 pp., (de pp. 195 a 384), 1 h. Cubiertas originales.
rif. 65-1558Paris: Le Charivari mid-19th cent. Lithograph. 23 x 30 cm. From magazine publication "Le Charivari"; printed text on verso. Signed A. D. and Lith. de Benard in the plate. VG. Paris: Le Charivari, mid-19th cent. unknown
1779rif. ST19371Madrid: Imprenta Real 1779. FIRST EDITION. 235 x 150 mm. 9 1/4 x 6". 10 p.l. 126 XL pp. 1 leaf errata. EXCELLENT CONTEMPORARY CRIMSON MOROCCO BY DEROME LE JEUNE his ticket with address of Rue St. Jacques on verso of front free endpaper covers framed with thick and thin gilt rules raised bands spine compartments with central floral sprig surrounded by a lozenge of small tools volute cornerpieces gilt titling gilt-rolled turn-ins gilt edges cobalt blue paste-paper endpapers. WITH SIX CHARMING ENGRAVED ALLEGORICAL PLATES after G. Ferre. Front pastedown with morocco bookplate of Mortimer L. Schiff and small book label with a gilt cipher on a red peach. A Large Paper Copy. Palau y Dulcet IV 107; RSIM B VI 429; MGG VI 1403 f.; Gregory-Bartlett I 129. Three minute dents to front board a hint of wear to bands and corners isolated faint foxing blank recto of frontispiece leaf and blank verso of final leaf with faint blue shadown from endpapers but all of these quite trivial and otherwise A BEAUTIFUL COPY--fresh clean and bright internally with very wide margins and strong impressions of the plates and in a lustrous binding showing with few signs of use. This is surely one of the handsomest poetical treatises on music ever produced and it is offered here in a binding done by one of the finest craftsmen working in Europe during the period of the book's publication. The work is written in the "silva" form of poetry used by persons of high rank illustrated with fine engravings and put into elegant morocco by the finest hands among the large Derome family of binders. According to Palau our first edition is "beautiful and printed on fine paper." He says further that although the strongly expressed opinions of the youthful author on contemporary composers caused the work to be "unfairly attacked" it was "appreciated by professors of music and collectors of literature in that genre" especially in Italy and America. A child of the Enlightenment Iriate 1750-91 gained entry to intellectual and artistic circles in Madrid through his uncle who was librarian to the king of Spain. He translated works by Horace and Virgil into Spanish by royal request and wrote criticism poetry and dramas. He is best known for his satirical fables on the contemporary literary scene "Fábulas literarias." There were no fewer than 18 members of the Derome family who made their livings as binders in Paris from the middle of the 17th century until the first quarter of the 19th but by far the most distinguished family member was Nicolas-Denis called "le jeune" 1731-88. Known for the gracefulness of his bindings and for being capable of "amazing delicacy" in Hobson's words Derome le jeune was simply the leading binder of the day and his work was much in demand. Because he refused to turn away customers Derome was forced to hire a number of assistants whose work he could not always supervise closely. However Thoinan says that the binder's best work is indicated by the presence of his ticket as here. The volume's provenance adds to its luster: it was in the distinguished library of American bibliophile Mortimer Schiff 1877-1931. In Dickinson's words Schiff a financier and philanthropist Schiff "brought together an unrivaled collection of decorative bindings." His library included works by great printers important illustrated books and works printed on vellum but chiefly fine and historic bindings. The "Reliures" database of the Bibliothèque Nationale de France commends Schiff for assembling "one of the most important inter-war libraries" noting that his collection was "renowned for its collection of French bindings.". Imprenta Real unknown
1779rif. ST19371Madrid: Imprenta Real 1779. FIRST EDITION. 235 x 150 mm. 9 1/4 x 6". 10 p.l. 126 XL pp. 1 leaf errata. EXCELLENT CONTEMPORARY CRIMSON MOROCCO BY DEROME LE JEUNE his ticket with address of Rue St. Jacques on verso of front free endpaper covers framed with thick and thin gilt rules raised bands spine compartments with central floral sprig surrounded by a lozenge of small tools volute cornerpieces gilt titling gilt-rolled turn-ins gilt edges cobalt blue paste-paper endpapers. WITH SIX CHARMING ENGRAVED ALLEGORICAL PLATES after G. Ferre. Front pastedown with morocco bookplate of Mortimer L. Schiff and small book label with a gilt cipher on a red peach. A Large Paper Copy. Palau y Dulcet IV 107; RSIM B VI 429; MGG VI 1403 f.; Gregory-Bartlett I 129. Three minute dents to front board a hint of wear to bands and corners isolated faint foxing blank recto of frontispiece leaf and blank verso of final leaf with faint blue shadown from endpapers but all of these quite trivial and otherwise A BEAUTIFUL COPY--fresh clean and bright internally with very wide margins and strong impressions of the plates and in a lustrous binding showing with few signs of use. This is surely one of the handsomest poetical treatises on music ever produced and it is offered here in a binding done by one of the finest craftsmen working in Europe during the period of the book's publication. The work is written in the "silva" form of poetry used by persons of high rank illustrated with fine engravings and put into elegant morocco by the finest hands among the large Derome family of binders. According to Palau our first edition is "beautiful and printed on fine paper." He says further that although the strongly expressed opinions of the youthful author on contemporary composers caused the work to be "unfairly attacked" it was "appreciated by professors of music and collectors of literature in that genre" especially in Italy and America. A child of the Enlightenment Iriate 1750-91 gained entry to intellectual and artistic circles in Madrid through his uncle who was librarian to the king of Spain. He translated works by Horace and Virgil into Spanish by royal request and wrote criticism poetry and dramas. He is best known for his satirical fables on the contemporary literary scene "Fábulas literarias." There were no fewer than 18 members of the Derome family who made their livings as binders in Paris from the middle of the 17th century until the first quarter of the 19th but by far the most distinguished family member was Nicolas-Denis called "le jeune" 1731-88. Known for the gracefulness of his bindings and for being capable of "amazing delicacy" in Hobson's words Derome le jeune was simply the leading binder of the day and his work was much in demand. Because he refused to turn away customers Derome was forced to hire a number of assistants whose work he could not always supervise closely. However Thoinan says that the binder's best work is indicated by the presence of his ticket as here. The volume's provenance adds to its luster: it was in the distinguished library of American bibliophile Mortimer Schiff 1877-1931. In Dickinson's words Schiff a financier and philanthropist Schiff "brought together an unrivaled collection of decorative bindings." His library included works by great printers important illustrated books and works printed on vellum but chiefly fine and historic bindings. The "Reliures" database of the Bibliothèque Nationale de France commends Schiff for assembling "one of the most important inter-war libraries" noting that his collection was "renowned for its collection of French bindings.". Imprenta Real unknown books
