19 544 résultats
Berlin, Edición de J.E. Hitzig, s.a. (1810). 12vo.; 1 h., 98 pp. Cubiertas mudas, de época, en papel azul.
réf. 7232CBo.J. 57 S. Mit Radierungen von Mainssieux. Orig.-Franz.-Broschur mit Pergamin-Schuztumschlag. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, A
Barcelona, Edit. Joaquín Gil - Iberia, 1947. 250 p. 8è. Tela editorial con sobrecubierta ilustrada. Muy buen exemplar.
Madrid, Instituto-Escuela, Junta para Ampliación de Estudios, 1935. 4to.; 263 pp., 1 h. Ilustraciones de Marco. Cubiertas originales.
Madrid, Istmo, 1975. 4to.; 286 pp. Cubiertas originales.
Salamanca, 1991. 4to. mayor; 193 pp., 1 h. Enc. original en tela.
1981réf. 3771960Santiago de Compostela.: Bibliofilos Gallegos. 1981. Paperback. Cubierta deslucida. Good. 24 cm. XXIII 418 p. XVIII p. de lám. Encuadernación en tapa blanda de editorial. Colección 'Biblioteca de Galicia' numero coleccion20. García Oro José 1931-2019. Las casas nobles y sus relaciones estamentales. Subtítulo de la cubierta:. Nobleza. Historia. S. V-XV . Cubierta deslucida. Nobleza 929.7460.11"11/14" Historia de los distintos estados y países 94460.11"04/14" Bibliofilos Gallegos. paperback
Madrid, Aguilar Editor, 1964 [Crisolín]. 32vo.; 583 pp. y 17 láminas fuera de texto. Encuadernación original en piel.
2003Testo Italiano e Inglese. Firenze, 2003; br., pp. 345, ill. b/n, cm 21x29. (Grandi contesti e problemi della protostoria italiana. Diretta di Renato Peroni. 7).
Madrid, 1998. Folio; 213 pp. Ilustraciones en negro y color. Cubiertas originales.
Granada, 1992 - 1995. Dos volúmenes en folio; 424 pp. y 206 pp. Transcripciones musicales. Cubiertas originales.
Barcelona, Ediciones Comtalia, 1948. 4to.; 173 pp., 1 h. Transcripciones musicales entre el texto. Cubiertas originales.
Barcelona, Instituto Español de Musicología, 1965. Dos volúmenes en folio; XVII pp., 1 h., 610 pp. en paginación continuada, 1 h. Cubiertas originales.
Huelva, 1996. 4to. alargado; 254 pp., 1 h. Cubiertas originales.
1779réf. ST19371Madrid: Imprenta Real 1779. FIRST EDITION. 235 x 150 mm. 9 1/4 x 6". 10 p.l. 126 XL pp. 1 leaf errata. EXCELLENT CONTEMPORARY CRIMSON MOROCCO BY DEROME LE JEUNE his ticket with address of Rue St. Jacques on verso of front free endpaper covers framed with thick and thin gilt rules raised bands spine compartments with central floral sprig surrounded by a lozenge of small tools volute cornerpieces gilt titling gilt-rolled turn-ins gilt edges cobalt blue paste-paper endpapers. WITH SIX CHARMING ENGRAVED ALLEGORICAL PLATES after G. Ferre. Front pastedown with morocco bookplate of Mortimer L. Schiff and small book label with a gilt cipher on a red peach. A Large Paper Copy. Palau y Dulcet IV 107; RSIM B VI 429; MGG VI 1403 f.; Gregory-Bartlett I 129. Three minute dents to front board a hint of wear to bands and corners isolated faint foxing blank recto of frontispiece leaf and blank verso of final leaf with faint blue shadown from endpapers but all of these quite trivial and otherwise A BEAUTIFUL COPY--fresh clean and bright internally with very wide margins and strong impressions of the plates and in a lustrous binding showing with few signs of use. This is surely one of the handsomest poetical treatises on music ever produced and it is offered here in a binding done by one of the finest craftsmen working in Europe during the period of the book's publication. The work is written in the "silva" form of poetry used by persons of high rank illustrated with fine engravings and put into elegant morocco by the finest hands among the large Derome family of binders. According to Palau our first edition is "beautiful and printed on fine paper." He says further that although the strongly expressed opinions of the youthful author on contemporary composers caused the work to be "unfairly attacked" it was "appreciated by professors of music and collectors of literature in that genre" especially in Italy and America. A child of the Enlightenment Iriate 1750-91 gained entry to intellectual and artistic circles in Madrid through his uncle who was librarian to the king of Spain. He translated works by Horace and Virgil into Spanish by royal request and wrote criticism poetry and dramas. He is best known for his satirical fables on the contemporary literary scene "Fábulas literarias." There were no fewer than 18 members of the Derome family who made their livings as binders in Paris from the middle of the 17th century until the first quarter of the 19th but by far the most distinguished family member was Nicolas-Denis called "le jeune" 1731-88. Known for the gracefulness of his bindings and for being capable of "amazing delicacy" in Hobson's words Derome le jeune was simply the leading binder of the day and his work was much in demand. Because he refused to turn away customers Derome was forced to hire a number of assistants whose work he could not always supervise closely. However Thoinan says that the binder's best work is indicated by the presence of his ticket as here. The volume's provenance adds to its luster: it was in the distinguished library of American bibliophile Mortimer Schiff 1877-1931. In Dickinson's words Schiff a financier and philanthropist Schiff "brought together an unrivaled collection of decorative bindings." His library included works by great printers important illustrated books and works printed on vellum but chiefly fine and historic bindings. The "Reliures" database of the Bibliothèque Nationale de France commends Schiff for assembling "one of the most important inter-war libraries" noting that his collection was "renowned for its collection of French bindings.". Imprenta Real unknown books
1779réf. ST19371Madrid: Imprenta Real 1779. FIRST EDITION. 235 x 150 mm. 9 1/4 x 6". 10 p.l. 126 XL pp. 1 leaf errata. EXCELLENT CONTEMPORARY CRIMSON MOROCCO BY DEROME LE JEUNE his ticket with address of Rue St. Jacques on verso of front free endpaper covers framed with thick and thin gilt rules raised bands spine compartments with central floral sprig surrounded by a lozenge of small tools volute cornerpieces gilt titling gilt-rolled turn-ins gilt edges cobalt blue paste-paper endpapers. WITH SIX CHARMING ENGRAVED ALLEGORICAL PLATES after G. Ferre. Front pastedown with morocco bookplate of Mortimer L. Schiff and small book label with a gilt cipher on a red peach. A Large Paper Copy. Palau y Dulcet IV 107; RSIM B VI 429; MGG VI 1403 f.; Gregory-Bartlett I 129. Three minute dents to front board a hint of wear to bands and corners isolated faint foxing blank recto of frontispiece leaf and blank verso of final leaf with faint blue shadown from endpapers but all of these quite trivial and otherwise A BEAUTIFUL COPY--fresh clean and bright internally with very wide margins and strong impressions of the plates and in a lustrous binding showing with few signs of use. This is surely one of the handsomest poetical treatises on music ever produced and it is offered here in a binding done by one of the finest craftsmen working in Europe during the period of the book's publication. The work is written in the "silva" form of poetry used by persons of high rank illustrated with fine engravings and put into elegant morocco by the finest hands among the large Derome family of binders. According to Palau our first edition is "beautiful and printed on fine paper." He says further that although the strongly expressed opinions of the youthful author on contemporary composers caused the work to be "unfairly attacked" it was "appreciated by professors of music and collectors of literature in that genre" especially in Italy and America. A child of the Enlightenment Iriate 1750-91 gained entry to intellectual and artistic circles in Madrid through his uncle who was librarian to the king of Spain. He translated works by Horace and Virgil into Spanish by royal request and wrote criticism poetry and dramas. He is best known for his satirical fables on the contemporary literary scene "Fábulas literarias." There were no fewer than 18 members of the Derome family who made their livings as binders in Paris from the middle of the 17th century until the first quarter of the 19th but by far the most distinguished family member was Nicolas-Denis called "le jeune" 1731-88. Known for the gracefulness of his bindings and for being capable of "amazing delicacy" in Hobson's words Derome le jeune was simply the leading binder of the day and his work was much in demand. Because he refused to turn away customers Derome was forced to hire a number of assistants whose work he could not always supervise closely. However Thoinan says that the binder's best work is indicated by the presence of his ticket as here. The volume's provenance adds to its luster: it was in the distinguished library of American bibliophile Mortimer Schiff 1877-1931. In Dickinson's words Schiff a financier and philanthropist Schiff "brought together an unrivaled collection of decorative bindings." His library included works by great printers important illustrated books and works printed on vellum but chiefly fine and historic bindings. The "Reliures" database of the Bibliothèque Nationale de France commends Schiff for assembling "one of the most important inter-war libraries" noting that his collection was "renowned for its collection of French bindings.". Imprenta Real unknown
réf. 65-1558Paris: Le Charivari mid-19th cent. Lithograph. 23 x 30 cm. From magazine publication "Le Charivari"; printed text on verso. Signed A. D. and Lith. de Benard in the plate. VG. Paris: Le Charivari, mid-19th cent. unknown
Madrid, Ediciones José Porrua Turanzas, 1967 ["Biblioteca Tenanitla"] 4to. menor; 2 hs., 189 pp., (de pp. 195 a 384), 1 h. Cubiertas originales.
Madrid, El Teatro Moderno, 1930. 4to menor; 72 pp. Cubiertas originales de Gago.
Madrid, La Novela Teatral, 1921. 4to; 24 pp. sin numerar, impresas a doble columna. Cubierta original.
Madrid, Libreria y Casa Editorial Hernando, 1926 [Biblioteca Universal]. 16vo; 170 pp. Cubiertas originales.
Madrid, Silez, 2005. 4to. mayor; 684 pp. Cubiertas originales.
Alcalá, 2000. 4to.; 495 pp. Cubiertas originales.
réf. ria9798504496290_inpPaperback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; Breve estudio sobre la historia de la democracia parlamentaria y sus variables. paperback
2005Con una Premessa di Dora Liscia Bemporad e una Prefazione di Lamberto Crociani. Firenze, 2005; br., pp. 104, ill. b/n e col., cm 17x24. (Arte Orafa. Arte Tessile).