PUTTEMANS Pierre.Livre Rare Book
MareMagnum
Umili splendori. Suggestioni in carta e paglia dal Seicento all'Ottocento, Firenze, Polistampa, 2012
2012A cura di S. Bertini e Nocentini S. Firenze, 2012; br., pp. 136, ill., tavv. col., cm 17x24.
15 698 résultats
réf. 3589Bruxelles. Phantomas. Collection "Des Types en Or". 1979. Grand in-8° broché. 165 pages. E.O.
1969réf. 255911969 Paris, éditions G.P ,1969, in huit, 187 pp, cartonnage d'éditeur ,
2012A cura di S. Bertini e Nocentini S. Firenze, 2012; br., pp. 136, ill., tavv. col., cm 17x24.
1974Roma, Galleria Nazionale D'Arte Moderna, 12 giugno - 29 settembre 1974. Presentazione di Palma Bucarelli. Roma, 1974; br., pp. 296, tavv. b/n e col., cm 21x24. italiano
1992In 4 (32x24,5) hardcover telata con immagine riportata; titoli oro, 125 pp, EDIZIONE NUMERATA 64/2500, Testi italiano - inglese, illustrazioni splendide a colori, libro in condizioni pari al nuovo. Ed. 1992
1906réf. MISS021Echo OR: UMATILLA RIVER WATER USERS' ASSOCIATION 1906. First Edition. Soft cover. Near Fine. Original printing. Stapled printed wraps. Very very scarce booklet describing the Hermiston Water Rights Association. Tall light green wrappers. 59pp. Contains a few ads. For some context beginning of page 44 reads Hermiston is the central point of the Umatilla Irrigation Project by the United States Government." Printed inside the front cover is list of seven U. S. Reclamation engineers. On verso of front leaf is list of officers of the association. Facing page list of "What Irrigation Does." After several pages of the description of the area are the by-laws of the association and articles of incorporation pps 17-35 and following that various promotional material of local communities. Near fine condition. Front cover slightly pulled from spine of text block. Rare with only 2 copies appearing on World Cat. UMATILLA RIVER WATER USERS' ASSOCIATION unknown
2003Mondadori, Urania n. 1462, marzo 2003. Introduzione di David G. Hartwell. Traduzione di Roberto Marini. Spedizioni tracciabili con raccomandata entro 24 ore dall'ordine. Soft cover in good conditions, no inscriptions or markings inside. Worldwide delivery.
1920réf. 15558Stuttgart Verlag von Levy & Müller, ca. 1920. 266 S. 8° Oktav Ln.
1905(Codice CH/0275) Excerpt in 8° (27 cm) 48 pp. Natural & artificial lapis lazuli. Text in german, double columns, blackletter, 23 engravings. Paper binding. Fine. ~~~ SPEDIZIONE IN ITALIA SEMPRE TRACCIATA
1975Unpaginated. Sally's walk with Great-Uncle Magnus brings pleasure to both, but horrifies fastidious Aunt Anne. Lovely colour illustrations. Above average wear. Usual library markings. Binding intact. Book
réf. 11587By Tanekiyo Ryūsuitei 柳水亭種清. Two title-pages four pages of Preface one port. of Lady Murasaki and eleven double-page & 17 single-page woodcut color illus. 23.5; 16.5; 15 folding leaves. Three vols. 8vo orig. patterned semi-stiff wrappers decorated with Genji mon emblems wrappers a bit soiled orig. block-printed vignette labels pasted on upper covers new stitching. Japan: n.d. but WorldCat suggests 1861-64. This is apparently the only known complete set of the first series of two of this superbly illustrated shunga parody of The Tale of Genji. We can trace only two sets of the complete three-volume second series at the Royal Ontario Museum and the International Resource Center for Japanese Studies. Our set contains Chapters 1-27 while the second series consists of Chapters 28-54. This is a very late shunga and one of the last before the end of the Edo period. Almost all of the techniques that make Japanese illustrated books so remarkable are utilized here. Each illustration has in the upper right- or left-hand corner a picture scroll that shows the original scene from a chapter in The Tale of Genji with a label stating which chapter it is from. Our set is finely illustrated richly colored and employs bokashi the delicate variation of shading of pigment within the image; blind-embossing even tiny noses are in relief; and the very ample use of gold and silver. The depicted garments are a mixture of extremely complex textures colors and patterns all accentuated by blind-embossing and multiple woodblock impressions. There are two kinds of black flat black and shiny burnished black and the gold has been painted over with black pigment giving a most unusual appearance. Each of the woodcut illustrations has a border with the Genji mon symbols. Koikawa 1821-1907 was a prolific artist. He illustrated as well as wrote numerous books in using various pen names. The Preface in Vol. I is written by "Insuitei" a pen name for Koikawa. Very fine set. The title-page in Vol. I has a 90 mm. tear in the lower outer corner. This is occasionally catalogued under Utagawa Kunimori II. Colin Franklin attributes the illustrations to Kunisada. ⧠See Colin Franklin Exploring Japanese Books and Scrolls p. 74-"one of Kunisada's wittily erotic interpretations of Genji's courtly love all stops pulled out for an organ-blast of color printing" & see plates 49 & 50. unknown books
réf. 11587By Tanekiyo Ryūsuitei 柳水亭種清. Two title-pages four pages of Preface one port. of Lady Murasaki and eleven double-page & 17 single-page woodcut color illus. 23.5; 16.5; 15 folding leaves. Three vols. 8vo orig. patterned semi-stiff wrappers decorated with Genji mon emblems wrappers a bit soiled orig. block-printed vignette labels pasted on upper covers new stitching. Japan: n.d. but WorldCat suggests 1861-64. This is apparently the only known complete set of the first series of two of this superbly illustrated shunga parody of The Tale of Genji. We can trace only two sets of the complete three-volume second series at the Royal Ontario Museum and the International Resource Center for Japanese Studies. Our set contains Chapters 1-27 while the second series consists of Chapters 28-54. This is a very late shunga and one of the last before the end of the Edo period. Almost all of the techniques that make Japanese illustrated books so remarkable are utilized here. Each illustration has in the upper right- or left-hand corner a picture scroll that shows the original scene from a chapter in The Tale of Genji with a label stating which chapter it is from. Our set is finely illustrated richly colored and employs bokashi the delicate variation of shading of pigment within the image; blind-embossing even tiny noses are in relief; and the very ample use of gold and silver. The depicted garments are a mixture of extremely complex textures colors and patterns all accentuated by blind-embossing and multiple woodblock impressions. There are two kinds of black flat black and shiny burnished black and the gold has been painted over with black pigment giving a most unusual appearance. Each of the woodcut illustrations has a border with the Genji mon symbols. Koikawa 1821-1907 was a prolific artist. He illustrated as well as wrote numerous books in using various pen names. The Preface in Vol. I is written by "Insuitei" a pen name for Koikawa. Very fine set. The title-page in Vol. I has a 90 mm. tear in the lower outer corner. This is occasionally catalogued under Utagawa Kunimori II. Colin Franklin attributes the illustrations to Kunisada. ⧠See Colin Franklin Exploring Japanese Books and Scrolls p. 74-"one of Kunisada's wittily erotic interpretations of Genji's courtly love all stops pulled out for an organ-blast of color printing" & see plates 49 & 50. unknown
1974réf. 2091202133202629Rinsen Bookstore 1974. Soft Cover. Fine. Volume: 1 Rinsen Bookstore paperback
1974réf. 2091502133700955Rinsen Bookstore 1974. Soft Cover. Fine. Number of books: 1 Rinsen Bookstore paperback
1938réf. 2091502135404171Kogai-sha 1938. Soft Cover. Fine. Number of books: 1 Kogai-sha paperback
1974réf. 2092902141300771Rinsen Bookstore 1974. Soft Cover. Fine. Number of books: 1 Rinsen Bookstore paperback
softcover , geillustreerde kartonomslag, 205 x 295mm., 160pp., zeer uitgebreid geillutreerd in kleur. De koninklijke juwelen in deze tentoonstellingscatalogus geven het publiek een boeiende kijk op het rijke diamantverleden, en een exclusieve introductie tot de fascinerende diamantwereld van " Antwerp, a diamond's best friend ". In goede staat.
1984German Text. Zurigo, 1984; clothbound, pp. 169, 69 b/w plates, cm 17x23. deutsch 3-906500-1 clothbound
1980(Codice OR/0283) In 8° 186-44 pp. Catalogo, testo in tedesco, con 248 fotografie a colori e in nero. Brossura editoriale, ottimo stato. ~~~ SPEDIZIONE IN ITALIA SEMPRE TRACCIATA
1961(Codice OR/0221) In 8° (24x17 cm) X-518 pages. German text, more than 700 b/w illustrations & 20 colour plates. Otiginal cloth, gilted title, tape-mended dust jacket. Very good. ~~~ SPEDIZIONE IN ITALIA SEMPRE TRACCIATA
1987(Codice OR/0162) Quarto (274 mm) 106 pages. Profusely illustrated with b/w & color photos & illustrations. Softcover/Paperback. Fine. ~~~ SPEDIZIONE IN ITALIA SEMPRE TRACCIATA
1968réf. 60824Western Publishing Company. Good. 1968. Paperback. Original edition 1968. Card covers are chipped and creased with previous owner's taped repairs small areas of loss to upper spine and outer edges; binding is fragile; pages are age-toned taped repairs to small tears to upper edges previous owner's name label on verso of front cover alongside small dated annotation. Colour illustrations. ; 7 x 0.25 x 10.25 inches; Unpaginated pages . Western Publishing Company paperback
réf. 760491Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Ycba. Created in the 16th century between 1546 and 1590. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
réf. 760490Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Ycba. Created in the 16th century between 1546 and 1590. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
réf. 760489Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Ycba. Created in the 16th century between 1546 and 1590. Professionally printed on premium fine-art paper Photo Matt Fibre in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
