Béresniak DanielLivre Rare Book
19.040 risultati
1998rif. 100136843Du Rocher éditions 1998 309 pages 14x2 2x22 4cm. 1998. Broché. 309 pages.
rif. 20724Paris, Editions Sociales Internationales, "Horizons", 1932 1 volume In-8° (11,7 x 18,7cm) Broché sous couverture orangée. 307p., 2 feuillets. Couverture défraîchie, à la charnière supérieure apparemment recollée; petite découpe à 2 feuilles: à la page de titre, sans atteinte aux mentions imprimées, et à la 1ère feuille de préface, entraînant des petits manques de texte (de 3,5 cm sur 6 lignes).
1989rif. 66771München : Heyne 1989. 272 S. : 330 Abb. ; 29 cm, mit Schutzumschlag Gewebe, gebundene Ausgabe, Leinen, Exemplar in gutem Erhaltungszustand
rif. 10509, Brussel, 1977., De Smet Robert., softcover originele geillustreerde uitgeversomslag in kleur, 21x29,5cm, 317pp, geillustreerd in kleur en z/w, beknopte bibliografie. tekst NL.
2019rif. 14619ROBERT LAFFONT 2019 312 pages 13 2x21 4x3cm. 2019. Broché. 312 pages.
1928rif. 9114Haymarket Press London Handset in Goudy Type & Printed by Morton Burt & Sons 1928. HB NODJ 1928 1st Limited numbered edition #472/875 Publisher Creme Covered Boards with Gold Gilt Decorations & Lettering Cover minor Wear & slight darkening to Extremities small spine Tear Base Interior Nice Tight Clean 10 X 7 1/2 inches NF/VG NODJ Spine slightly Darkened . First Edition. Hard Cover. Haymarket Press London Handset in Goudy Type & Printed by Morton, Burt & Sons hardcover
rif. 0428696007.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1933rif. 19997Madrid: Editorial Fenix 1933. Second Spanish Edition. Octavo. Original pictorial wrappers lightly worn at extremities; faint vertical crease to front cover; Very Good. Spanish-language edition of Gold's classic portrayal of Jewish life in Manhattan's Lower East Side. First published in the US in 1929; the first Spanish edition followed in 1930 Madrid: Cenit; the current edition is uncommon with fewer than 5 holdings in North America according to WorldCat. Editorial Fenix unknown books
1933rif. 19997Madrid: Editorial Fenix 1933. Second Spanish Edition. Octavo. Original pictorial wrappers lightly worn at extremities; faint vertical crease to front cover; Very Good. Spanish-language edition of Gold's classic portrayal of Jewish life in Manhattan's Lower East Side. First published in the US in 1929; the first Spanish edition followed in 1930 Madrid: Cenit; the current edition is uncommon with fewer than 5 holdings in North America according to WorldCat. Editorial Fenix unknown
rif. 48397381like new. unknown
rif. 48397381-nnew. unknown
1883rif. 28015Gottingae Gottingen: Prostant in Aedibus Dieterichianis Arnoldi Hoyer 1883. First edition. Hardcover. g. Quarto. IV 204pp. Green cloth with gold lettering on spine. Fascinating work being Alharizi's "Tahkemoni" composed between 1218 and 1220 in the Arabic form known as maqama Macamae. This is written in Hebrew in unmetrical rhymes in what is commonly termed rhymed prose. It is a series of humorous episodes witty verses and quaint applications of Scriptural texts. The episodes are bound together by the presence of the hero and of the narrator who is also the author. Some age-wear on binding with corners bumped not affecting pages and head and tail of spine partly chipped. Sticker with Hebrew lettering at head of spine. Pages slightly age-toned throughout. Introduction in Latin text in Hebrew. Binding in overall good- interior in good to good condition. Prostant in Aedibus Dieterichianis Arnoldi Hoyer hardcover books
1883rif. 28015Gottingae Gottingen: Prostant in Aedibus Dieterichianis Arnoldi Hoyer 1883. First edition. Hardcover. g. Quarto. IV 204pp. Green cloth with gold lettering on spine. Fascinating work being Alharizi's "Tahkemoni" composed between 1218 and 1220 in the Arabic form known as maqama Macamae. This is written in Hebrew in unmetrical rhymes in what is commonly termed rhymed prose. It is a series of humorous episodes witty verses and quaint applications of Scriptural texts. The episodes are bound together by the presence of the hero and of the narrator who is also the author. Some age-wear on binding with corners bumped not affecting pages and head and tail of spine partly chipped. Sticker with Hebrew lettering at head of spine. Pages slightly age-toned throughout. Introduction in Latin text in Hebrew. Binding in overall good- interior in good to good condition. Prostant in Aedibus Dieterichianis Arnoldi Hoyer hardcover
Madrid, Espasa Calpe, 1936. 4to.; 189 pp. Cubiertas originales.
1945rif. ZB300381Zurich: 1945. 73 pp. roughly half in English and half in German with the articles not translated; library markings damp stained at margins throughout spine trimmed with no loss later side sewing softcover. - If you are reading this this item is actually physically in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties taxes or fees required by recipient's country. Photos available upon request. Zurich: paperback
rif. 0282733361.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
Madrid, Hijos de Reus Editores, 1912. 4to.; 376 pp., 1 h. Cubiertas originales.
Madrid, 2014. 4to. menor; 325 pp. Cubiertas originales.
Zaragoza, Institución Fernando el Católico, 1982. 4to. mayor; 303 pp. Cubiertas originales.
Lleida, 2001. 4to. mayor; 539 pp. Cubiertas originales.
rif. 8663Trans. by Xuanzang 玄奘 in 650 CE. 70 pages six columns per page 30 columns per sheet 17 characters per column. 14 sheets average sheet length: 570 mm. five pages per sheet. Accordion format 305 x 7980 mm. print surface from top border to bottom border: 245–250 mm. Single woodcut borders at top & bottom of text. Orig. sutra binding of semi-stiff paper wrappers. Woodblocks carved by Ge Fang & Ma Qing & others in Sixi present day Huzhou printed between 1110s/40s–1276. This fascicle in its original sutra binding was printed in the 12th or 13th century in northern Zhejiang China as part of an extremely rare edition of the Buddhist canon variously known as the Yuanjue Canon Zifu Canon or Sixi Canon. Examples very rarely appear on the market. This edition of the Buddhist canon was for a long time largely unknown in China until the famous Chinese book collector and scholar Yang Shoujing 1839-1915 brought a set back from Japan in the late 19th century. Now in a Chinese library this is the only near-complete set as far as we know the rest being single sutras. Yuanjue Zifu or Sixi Canon: The three names refer to some or all of the imprints of the Chinese Tripitaka made from a set of blocks that were carved in a place called Sixi present-day Huzhou in what was then Songting township Guian county Hu prefecture part of the Circuit of the eastern and western Zhe of the Southern Song. Sixi one of the names retrospectively used for this edition was the location of Yuanjue Meditation Hall founded in 1119-25 where the printing blocks were housed and perhaps carved. Sometime after 1239 the hall’s name may have changed to Fabao Zifu lit. “Dharma jewel supplying happiness” Meditation Temple whence Zifu Canon. Bibliographic scholarship has dated certain imprints of this canon to either the period of Yuanjue Meditation Hall or that of Fabao Zifu Meditation Temple calling imprints dating from the earlier period Yuanjue Canon or “first Sixi canon” qian Sixi jing and imprints from the later period Zifu Canon or “second Sixi canon” hou Sixi jing. On the basis of a comparison of two catalogues of the canon — one claiming to be of the Yuanjue Canon and one of the Zifu Canon — it was believed that a substantial amount of re-carving had taken place between the Yuanjue and Zifu canons. However the catalogue purportedly of the Zifu Canon has been shown in fact to have been based not on an inventory of a set of the Zifu Canon but on another unrelated catalogue. Thus there is no reason to assume that a substantial amount of re-carving of the blocks took place after the temple changed its name and ipso facto there is no reason to posit the existence of two Sixi canons. Printings ascribed to the Yuanjue and Zifu canons belong to the same edition of the Chinese Tripitaka printed at various times during a period that stretched over a century. Blocks were repaired and replaced during this period but not to the extent that would justify calling them two editions. The Timing of Carving and Printing: The sources are ambiguous as to when carving of the blocks began. Li Fuhua and He Mei state that the carving began in 1126 whereas Wang Chonglong says it began before 1110 and thus not at the Yuanjue Hall which had not yet been founded and agrees with others that it likely had finished in 1132. It has also been proposed however that carving only began in 1132. Finally 1140 has been proposed as another completion date. Therefore we can say with confidence that the initial set of blocks was carved sometime between the 1110s and 1140s. Once the blocks were carved they were used for printing for a long time. Some printings can be dated because they contain colophons. Liu Yuantang has documented three instances of blocks being mended buban: in 1238 1248 and 1250. The blocks were burned by the invading Mongols in 1276 which is thus the terminus ante quem for prints from the Yuanjue Canon. Our Copy and the Yuanjue / Zifu Canon: Benshi jing is marked with the ordinal character shen 甚 in five editions of the Chinese Tripitaka. Of these five only the Yuanjue Canon also known as the Zifu or Sixi Canon is a possible candidate. More precisely our copy appears to be from a late printing of the Zifu Canon dating from sometime in the latter portion of the period 1110s/1140s-1276. The vast majority of extant sutras from this edition of the canon are late printings. They have the following characteristics: 1. Sheets folded into five pages with six columns per page 30 per sheet and 17 characters per column. 2. Glosses appended to the end of the volume. 3. Single woodcut borders at top and bottom of text. For earlier printings of this edition one source specifies that the borders go around on all four sides but for the later printings the same source simply says “single-lined margin frame” danxian biankuang 單線邊框. This would appear to suggest borders also at the beginning and the end of each sheet. 4. No empty column before the beginning of the text on the first page. 5. Small-script numerals marking the number of the sheet are printed at the beginning of every sheet as opposed to in the crease between pages for example except for the first sheet. 6. Printed area of roughly 570 mm. long and 250 mm. wide. The sutra has a total of seven fascicles juan of which we have fascicle six. The upper cover and the first line of the first page both have the character shen in manuscript on the cover which is here used as an ordinal drawn from Qianzi wen åƒå—æ–‡ The Thousand Character Essay to arrange the sutras of the Chinese Tripitaka. Layout and Appearance of Our Copy: Unsurprisingly for a very large printing project that took many years not all the sutras of the Yuanjue Canon have the same appearance. Yet the dimensions of our copy agree with other known copies: five pages per woodblock six columns per page 17 characters per column. Other non-official Song editions of the Buddhist canon Chongning and Pilu have six pages per block but the same number of columns per page and characters per column. The measurements of our copy accord with copies of other sutras from the same edition of the canon held by the Gansu Provincial Library in Lanzhou the National Palace Museum in Taipei and the Gotoh Museum outside of Tokyo. The layout of our copy accords with that of a different sutra from the same canon that has been reprinted in facsimile in unknown books
rif. 8663Trans. by Xuanzang 玄奘 in 650 CE. 70 pages six columns per page 30 columns per sheet 17 characters per column. 14 sheets average sheet length: 570 mm. five pages per sheet. Accordion format 305 x 7980 mm. print surface from top border to bottom border: 245–250 mm. Single woodcut borders at top & bottom of text. Orig. sutra binding of semi-stiff paper wrappers. Woodblocks carved by Ge Fang & Ma Qing & others in Sixi present day Huzhou printed between 1110s/40s–1276. This fascicle in its original sutra binding was printed in the 12th or 13th century in northern Zhejiang China as part of an extremely rare edition of the Buddhist canon variously known as the Yuanjue Canon Zifu Canon or Sixi Canon. Examples very rarely appear on the market. This edition of the Buddhist canon was for a long time largely unknown in China until the famous Chinese book collector and scholar Yang Shoujing 1839-1915 brought a set back from Japan in the late 19th century. Now in a Chinese library this is the only near-complete set as far as we know the rest being single sutras. Yuanjue Zifu or Sixi Canon: The three names refer to some or all of the imprints of the Chinese Tripitaka made from a set of blocks that were carved in a place called Sixi present-day Huzhou in what was then Songting township Guian county Hu prefecture part of the Circuit of the eastern and western Zhe of the Southern Song. Sixi one of the names retrospectively used for this edition was the location of Yuanjue Meditation Hall founded in 1119-25 where the printing blocks were housed and perhaps carved. Sometime after 1239 the hall’s name may have changed to Fabao Zifu lit. “Dharma jewel supplying happiness” Meditation Temple whence Zifu Canon. Bibliographic scholarship has dated certain imprints of this canon to either the period of Yuanjue Meditation Hall or that of Fabao Zifu Meditation Temple calling imprints dating from the earlier period Yuanjue Canon or “first Sixi canon” qian Sixi jing and imprints from the later period Zifu Canon or “second Sixi canon” hou Sixi jing. On the basis of a comparison of two catalogues of the canon — one claiming to be of the Yuanjue Canon and one of the Zifu Canon — it was believed that a substantial amount of re-carving had taken place between the Yuanjue and Zifu canons. However the catalogue purportedly of the Zifu Canon has been shown in fact to have been based not on an inventory of a set of the Zifu Canon but on another unrelated catalogue. Thus there is no reason to assume that a substantial amount of re-carving of the blocks took place after the temple changed its name and ipso facto there is no reason to posit the existence of two Sixi canons. Printings ascribed to the Yuanjue and Zifu canons belong to the same edition of the Chinese Tripitaka printed at various times during a period that stretched over a century. Blocks were repaired and replaced during this period but not to the extent that would justify calling them two editions. The Timing of Carving and Printing: The sources are ambiguous as to when carving of the blocks began. Li Fuhua and He Mei state that the carving began in 1126 whereas Wang Chonglong says it began before 1110 and thus not at the Yuanjue Hall which had not yet been founded and agrees with others that it likely had finished in 1132. It has also been proposed however that carving only began in 1132. Finally 1140 has been proposed as another completion date. Therefore we can say with confidence that the initial set of blocks was carved sometime between the 1110s and 1140s. Once the blocks were carved they were used for printing for a long time. Some printings can be dated because they contain colophons. Liu Yuantang has documented three instances of blocks being mended buban: in 1238 1248 and 1250. The blocks were burned by the invading Mongols in 1276 which is thus the terminus ante quem for prints from the Yuanjue Canon. Our Copy and the Yuanjue / Zifu Canon: Benshi jing is marked with the ordinal character shen 甚 in five editions of the Chinese Tripitaka. Of these five only the Yuanjue Canon also known as the Zifu or Sixi Canon is a possible candidate. More precisely our copy appears to be from a late printing of the Zifu Canon dating from sometime in the latter portion of the period 1110s/1140s-1276. The vast majority of extant sutras from this edition of the canon are late printings. They have the following characteristics: 1. Sheets folded into five pages with six columns per page 30 per sheet and 17 characters per column. 2. Glosses appended to the end of the volume. 3. Single woodcut borders at top and bottom of text. For earlier printings of this edition one source specifies that the borders go around on all four sides but for the later printings the same source simply says “single-lined margin frame” danxian biankuang 單線邊框. This would appear to suggest borders also at the beginning and the end of each sheet. 4. No empty column before the beginning of the text on the first page. 5. Small-script numerals marking the number of the sheet are printed at the beginning of every sheet as opposed to in the crease between pages for example except for the first sheet. 6. Printed area of roughly 570 mm. long and 250 mm. wide. The sutra has a total of seven fascicles juan of which we have fascicle six. The upper cover and the first line of the first page both have the character shen in manuscript on the cover which is here used as an ordinal drawn from Qianzi wen åƒå—æ–‡ The Thousand Character Essay to arrange the sutras of the Chinese Tripitaka. Layout and Appearance of Our Copy: Unsurprisingly for a very large printing project that took many years not all the sutras of the Yuanjue Canon have the same appearance. Yet the dimensions of our copy agree with other known copies: five pages per woodblock six columns per page 17 characters per column. Other non-official Song editions of the Buddhist canon Chongning and Pilu have six pages per block but the same number of columns per page and characters per column. The measurements of our copy accord with copies of other sutras from the same edition of the canon held by the Gansu Provincial Library in Lanzhou the National Palace Museum in Taipei and the Gotoh Museum outside of Tokyo. The layout of our copy accords with that of a different sutra from the same canon that has been reprinted in facsimile in unknown
Madrid, Fondo de Cultura Económica, 1979. 4to.; 658 pp., 1 h. Cubiertas originales, ligeramente fatigadas.
Madrid, Razón y Fé, 1918. 4to. menor; 275 pp., 2 hs. Encuadernación en media tela.
