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Piranesi, Giovanni Battista, main artist & engraver; Piranesi, Francesco, engraver; Vesterhout or Westerhout, Arnold van, engravBiblio.com

IOANNIS // BAPTISTAE // PIRANESII // ANTIQVARIORVM // REGIAE SOCIETATIS // LONDINENSIS // SOCII // CAMPVS MARTIVS // ANTIQVAE // VRBIS // ROMAE. MDCCLXII // ROBERTO // ADAM // BRITANNO // ARCHITECTO // CELEBERRIMO // Veneunt apud Auctorem in aedibus Comitis Thomati via Felici prope templum SS. Trinitatis in Monte Pincio. // Piranesi F. Ioannis Baptistae Piranesii Antiquariorum Regiae Societatis Londinensis socii Campus Martius antiquae vrbis = Il Campo Marzio dell'antica Roma : opera / di G.B. Piranesi.

1762ref. B6600Romae: Veneunt apud Auctorem in ædibus Comitis Thomati via Felice prope templum SS. Trinitatis in Monte Pincio; c.1762. Fine thick laid 18th century Italian paper with wide margined paper watermarked engravings; spine and corners worn – A handsome and attractive example plates are clean and crisp. Binding: Contemporary half calf; double gilt fillets bordering marbled boards; spine with five 5 matching gilt fillets on raised bands embossed gilt lettered title on two and four; pasted and free endpapers marbled; all edges marbled. Notes: Text in Latin and Italian. This work was dedicated by Piranesi to one of his highly esteemed co-workers during the 1750’s Robert Adam. Concerning this Rome 1762 edition Luigi Ficacci states: “Edition Rome 1762. Engraved title on the title page: The Campus Martius of Ancient Rome the Work of G. B. Piranesi Fellow of the Royal Society of Antiquaries London. The Latin title page bears the title the date of the edition and the dedication to Robert Adam. The address is: “Veneunt apud Auctorem in aedibus Comitis Thomati via Felice prope Templum SS. Trinitatis in Monte Pincio”. The volume is composed of 2 title pages Latin and Italian whose sequence varies according to the copy 2 ornamented letters 4 vignettes 42 plates by Piranesi 5 of these plates are composed of several copperplates and 1 engraved by Vesterhout 68 pages of text in Italian and Latin preceded by 6 pages of dedication to Robert Adam and followed by 29 pages of indices. … The genesis of the work goes back to the second half of the 1750s: its publication is announced as imminent in the first volume of Antichita Romane 1756. The large Plan of Campo Marzio and 6 copperplates “Ichnographia” or plan of the Campus Martius ill. 493 executed in collaboration with Robert Adam and dedicated to him is dated 1757 on the plate. The approbatio is dated 1761. The plate by Vesterhout plate XXXI … reproduces the technical solution adopted by Carlo and Francesco Fontana for restoration of the Column of Antonius Pius in 1705.” Plate XXXI depicting the excavation of the Antonine column in 1705 was signed by both its engraver Arnold Van Westerhout or Vesterhout and by its designer and artist Franciscus Fontana. The second illustrated title or title in Italian reads: 'Il Campo Marzio Dell'Antica Roma'. Size: Folio 542 x 406mm. Illustration: Copper engravings with illustrated title in Latin illustrated title in Italian two half-page head-piece vignettes opening dedication at a1v-2r; two engraved decorative copper initials opening the text at A1v and A2r; two large end-piece vignettes at R2v and R3r; moreover Tab. I-XLVIII with fifty-two 52 copper engraved plates; these include: a double-page plate numbered XXXII two triple or oversized folding plates numbered II and XXXI; a larger oversized engraving 1500x1500mm encompassing plates V-X forming the plan of the Campus Martius; a single page numbered XLVIII depicting three copper plates entitled “Elevazione de’ Teatriâ€¦” “Elevazione del Pantheonâ€¦” and “Elevazione dell’ Anfiteatro”; single pages two half-page copper plates each - numbered XII entitled “Hypsographiaâ€¦” and “Sectioâ€¦” and XLVI entitled “A Reliquiaeâ€¦” and “Orthographiaâ€¦” respectively; the remaining copper plates full or single page sized. Provenance: Upper marginal corner of upper pasted endpaper with sticker reading “C.E.Rappaport // Libri Rari // Roma”- References: Luigi Ficacci pp. 394-431; Focillon 1964: 428-479; Hind 1978: 85; Millard iv 2000: 91; RIBA Early Pr. iii 1999: 2551; Wilton-Ely 1994: 559-612. Pages: Ll: Bl. 2 Illustrated title in Latin illustrated title in Italian a1-b2 with dedication A1-Q2 R1-3 with approbation and explanatory texts; a1-c2 with Index ; 1-2 1-3 with catalogues; illustrations: Tab.I-XLVIII; bl. 2. Category: Book Art Architecture & Design; Book Europe Italy; Book Plate Books General; Book Antiquities; Veneunt apud Auctorem in ædibus Comitis Thomati via Felice prope templum SS. Trinitatis in Monte Pincio; hardcover

Alexandre Antique Prints, Maps & Books · Canadá40.000,00 US$≈ 35.736,64 €

Piranesi, Giovanni Battista, main artist & engraver; Piranesi, Francesco, engraver; Vesterhout or Westerhout, Arnold van, engravBiblio.com

IOANNIS // BAPTISTAE // PIRANESII // ANTIQVARIORVM // REGIAE SOCIETATIS // LONDINENSIS // SOCII // CAMPVS MARTIVS // ANTIQVAE // VRBIS // ROMAE < MDCCLXII // ROBERTO // ADAM // BRITANNO // ARCHITECTO // CELEBERRIMO // Veneunt apud Auctorem in aedibus Comitis Thomati via Felici prope templum SS. Trinitatis in Monte Pincio. // Piranesi F.

1770ref. B6607Romae/Rome: Veneunt apud Auctorem in ædibus Comitis Thomati via Felice prope templum SS. Trinitatis in Monte Pincio; watermarks indicate: c.1770’s-1790’s. Plates and text crisp and clean near fine. Thick wide margined paper. Binding: Contemporary half calf with marbled boards; spine with five 5 blind raised bands flanked by gilt tooling; gilt lettered title on Morocco label on two; contemporary pasted and free endpapers; all edges speckled red. Notes: Text in Italian; captions in Latin. This work was dedicated by Piranesi to one of his highly esteemed co-workers during the 1750’s Robert Adam. Concerning the Rome 1762 edition Luigi Ficacci states: “Edition Rome 1762. Engraved title on the title page: The Campus Martius of Ancient Rome the Work of G. B. Piranesi Fellow of the Royal Society of Antiquaries London. The Latin title page bears the title the date of the edition and the dedication to Robert Adam. The address is: “Veneunt apud Auctorem in aedibus Comitis Thomati via Felice prope Templum SS. Trinitatis in Monte Pincio”. The genesis of the work goes back to the second half of the 1750s: its publication is announced as imminent in the first volume of Antichita Romane 1756. The large Plan of Campo Marzio and 6 copperplates “Ichnographia” or plan of the Campus Martius ill. 493 executed in collaboration with Robert Adam and dedicated to him is dated 1757 on the plate. The approbatio is dated 1761. The plate by Vesterhout plate XXXI … reproduces the technical solution adopted by Carlo and Francesco Fontana for restoration of the Column of Antonius Pius in 1705.” Size: Folio 542x406mm. Illustration: Etched copper engravings with illustrated title in Latin illustrated title in Italian ornamental head-piece and engraved decorative copper initial at A1r; the initial opens the text. Tab. I-XLVIII plus three full page engravings entitled “Sepulchrum Mariae Honorij Imp. Uxoris â€¦” “Labrum aegyptiacum porphyreticumâ€¦” and Nonnulla monumenta sepulcralia quae recensenturâ€¦”; these 51etchings include double-page plates numbered V-X forming the plan of the Campus Martius and one double page plate # XXXII; two triple or oversized folding plates numbered II and XXXI; a single page numbered XLVIII depicting three copper plates entitled “Elevazione de’ Teatriâ€¦” “Elevazione del Pantheonâ€¦” and “Elevazione dell’ Anfiteatro”; single pages two half-page copper plates each - numbered XII entitled “Hypsographiaâ€¦” and “Sectioâ€¦” and XLVI entitled “A Reliquiaeâ€¦” and “Orthographiaâ€¦” respectively; the remaining copper plates are full page in size. Plate XXXI was engraved by Vesterhout after Fontana. Thick wide margined paper; many watermarks pointing this Roman edition to the time frame of 1770’s -1790’s. Examples of watermarks: an unlisted on both free endpapers with an inner fleur de lis design within a circle; #19 1790’s at plate 43; #68 probably 1790’s at plate 35; #59 mid 1770’s -1790’s at plates 31 and 32; #64 1790’s also on plate 31; # 12 late 1780’s -1790’s at plate 30; #14 mid 1761 or #16 1790’s at plate 29; #59 mid 1770’s -1790’s and 64 1790’s at insert plate 21 entitled Scenographia Machinae qua Clemente XI. Pont. Max. An. D. MDCCV; #74 1790’s on unnumbered plate entitled “Sepulchrum Mariae Honorij Imp. Uxoris” generally featured as headpiece vignette of the Latin text.; #12 late 1780’s -1790’s on unnumbered plate entitled “Labrum aegyptiacum porphyreticumâ€¦” here as full plate otherwise a headpiece of the Latin text. Plate XXXI depicting the excavation of the Antonine column in 1705 was signed by both its engraver Arnold Van Westerhout or Vesterhout and by its designer and artist Franciscus Fontana. The second illustrated title or title in Italian reads: 'Il Campo Marzio Dell'Antica Roma'. References: Luigi Ficacci pp. 394-431; Focillon 1964: 428-479; Hind 1978: 85; Millard iv 2000: 91; RIBA Early Pr. iii 1999: 2551; Wilton-Ely 1994: plates 559-612. Pages: Ll: Bl. Illustrated title in Latin A1-H2 a1-c2 with catalogue and indices; illustrated title in Italian; Tab.I-XLVIII plus three full-leaf unnumbered plates bl. Category: Book Art Architecture & Design; Book Europe Italy; Book Antiquities; Book Plate Books General; Veneunt apud Auctorem in ædibus Comitis Thomati via Felice prope templum SS. Trinitatis in Monte Pincio; [ watermarks indicate: hardcover

Alexandre Antique Prints, Maps & Books · Canadá40.000,00 US$≈ 35.736,64 €

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