4566 risultati
1993rif. 185959Bogotá: Arte dos Gráfico 1993. First edition. Paperback. Fine. 6 prints wrps. Myths of creation by Matilde Marín is an edition of the Alvaro Castagnino gallery in Buenos Aires and Arte Dos Gráfico in Bogota Colombia. This work a limited edition numbered 30 out of 100 consists of six original prints in etching and aquatint as well as five original silk screens. Both the zinc and copper plates and the silk screen matrixes were made entirely by the artist. The work also contains a metal frontispiece and a series of original vignettes. The texts were composed manually in Bodoni typography; the papers used are BFK Rives from Arjomari of France as well as paper handmade by Fabripapel of Bogota Colombia. The design is by Luis Angel Parra and Matilde Marín and the English translation by Andrew Reid. The myths from different cultures were selected by the artist; the prologue is by Nelly Perazzo member of the Academia Nacional de Bellas Artes of Argentina. Alina Molinari and Ãlvaro Navarro oversaw a number of aspects of the project. The printing was carried out in the studios of Arte Dos Gráfico in Bogota Colombia; it was completed on the night of September 22 1993 under a waxing moon. Rare only four holdings on WorldCat. Arte dos Gráfico paperback
1777rif. 115583Paris: Nyon and Stoupe 1777. The invention of ball bearings making possible one of the great engineering feats of the 18th century First edition of this account of this remarkable feat the first practical use of ball bearings in engineering. Charged with designing the bronze equestrian statue of the Russian emperor Peter the Great that remains a celebrated landmark of St Petersburg the French sculptor Etienne Falconet decided that the traditional pedestal for equestrian statues would be too mundane. Only a massive rock would suffice. Eventually an enormous piece of granite was located in a marsh near the Gulf of Finland. The Thunder Stone as it was dubbed was estimated to be 40 feet long 25 feet side and 21 feet tall and weighed some 1800 tons: about 1300 tons more than any of the obelisks moved by the ancient Egyptians or Romans. Most engineers declared its removal impossible but Catherine the Great turned to Carburi a Greek of dubious moral reputation who had banished himself from his native island of Cephalonia and had come to Russia where he found favour with the empress. To move the giant rock Carburi devised a gigantic sled moving on a system of rails and six-inch bronze ball bearings. Although ball bearings had been shown in earlier sketches by both Leonardo da Vinci and Agostino Ramelli Carburi's feat was the first practical demonstration of their use. It predated the first modern recorded patent on ball bearings that awarded to Philip Vaughan a British inventor and ironmaster who created a design for a ball bearing in Carmarthen in 1794 by more than two decades. The project invited comparison to the moving of the Vatican obelisk by Fontana in the 16th century which Carburi here argues must have been easier because it was a shorter distance. Folio 423 x 280 mm. With 12 folding engraved plates most double-page by Sellier and d'Elvaux after Blarenberg. Contemporary mottled calf red morocco label spine gilt in compartments marbled endpapers red edges. Armorial bookplate of Henry Tronchin. Skilful and unobtrusive repairs to joints and tips final two plates with a couple of very light red paint marks occasional variable light browning and offsetting overall a pleasing copy of this handsome folio. Berlin Kat. 1794. unknown
1648rif. 262348Paris: Pierre Rocolet 1648. First. hardcover. near fine. Printer's device on title and some other decorative woodcut initials and headpieces throughout. 8 30 10 390 pages. Short 4to full contemporary calf with gilt spine. Paris: Chez Pierre Rocolet; Jacques Langlois Imprimeur du Roy 1648. First edition. Scarce. A near fine copy with clean pages and wide margins. An uncommon title on animal psychology. The author a doctor from Le Mans who was the personal physician of the Chancelier Seguier and founding member of the Academie Francaise examines the likely relationships of animals and classifies them under the broad categories of love and hate. In terms of intelligence he concludes that animals indeed have feelings and are able to express them. OCLC lists 21 copies including those at Harvard Cambridge National Library of Medicine & Bibliotheque Nationale de France. Pierre Rocolet unknown
1648rif. 262348Paris: Pierre Rocolet 1648. First. hardcover. near fine. Printer's device on title and some other decorative woodcut initials and headpieces throughout. 8 30 10 390 pages. Short 4to full contemporary calf with gilt spine. Paris: Chez Pierre Rocolet; Jacques Langlois Imprimeur du Roy 1648. First edition. Scarce. A near fine copy with clean pages and wide margins. An uncommon title on animal psychology. The author a doctor from Le Mans who was the personal physician of the Chancelier Seguier and founding member of the Academie Francaise examines the likely relationships of animals and classifies them under the broad categories of love and hate. In terms of intelligence he concludes that animals indeed have feelings and are able to express them. OCLC lists 21 copies including those at Harvard Cambridge National Library of Medicine & Bibliotheque Nationale de France. Pierre Rocolet unknown books
rif. 51-1807San Francisco: 1971. Gouache pastel and colored pencil on board in a special cut-out mat framed11 x 7.5 inches. Signed in pencil lower left. Annotated on tthe verso with the title and "An S Marin '71 proverb 'on a thumbnail format.' "A California painter and poet affiliated with San Francisco's North Beach and the San Francisco Beat Movement. His small paintings were in an exuberant figurative or abstract style. He was an instructor at the San Francisco Art Institute and at the San Francisco Creative Art Center which he co-founded. Often collaborating with Beat poet Ruth Weiss he illustrated her book of poetry Gallery of Women and was immortalized in one of her poems.From the collection of the late San Francisco artist Vesta Kirby 1936-2016 who was a designer at SOM and the studio and restoration assistant and to Gordon Onslow Ford 1981-1992. San Francisco: 1971 unknown
rif. 51-1806San Francisco: 1971. 14 x 18 inches. Oil on board. Framed. Signed lower right. Titled signed and dated on paper the verso. A California painter and poet affiliated with San Francisco's North Beach and the San Francisco Beat Movement. His small paintings were in an exuberant figurative or abstract style. He was an instructor at the San Francisco Art Institute and at the San Francisco Creative Art Center which he co-founded. Often collaborating with Beat poet Ruth Weiss he illustrated her book of poetry Gallery of Women and was immortalized in one of her poems.From the collection of the late San Francisco artist Vesta Kirby 1936-2016 who was a designer at SOM and the studio and restoration assistant and to Gordon Onslow Ford 1981-1992. San Francisco: 1971 unknown
rif. 51806Paris. Bertier.1644.In-8 relié contenant ces 2 textes en latin.140 et 95 pages.Bois gravés.Pour le second texte,Mechanicorum, manque de page de titre.Rare.Marin Mersenne (1588-1648),était un religieux,ami des Descartes,mathématicien, astronome, philosophe,traducteur de Galilée.Reliure à la Dusseuil au dos orné à 5 nerfs.Bel exemplaire malgré des coins émoussés, de petits manques de cuir aux coiffes,et les mors légèrement ouverts. (lois de Mersenne.Lois sur la chute des corps.)
1665rif. 41178Paris: Jacques Dallin 1665. The Blackmer copy First edition of this scarce treatise concerning the causes of the flooding of the Nile for the first time published separately previously included in his Pensées of 1634 and 1662; from the celebrated library of Henry M. Blackmer II with his bookplate. This could perhaps be a presentation copy as in addition to the gilt supralibros there is an inked inscription "Pour les Capucins de St. Honoré" to the title page. The Capuchin convent adjoined the Tuileries gardens. Cureau was Louis XIV's doctor the monarch apparently having been impressed by his ability to judge character from outward appearance. A precursor of Lavater Cureau was indeed best known for his work in the area of physiognomy but he also published on physics - the nature of light on rainbows - the occult and philosophy the final paper here being a study of the divine in Platonic philosophy. The critic Jean Chapelain his contemporary said of him: "C'est un excellent philosophe et dont les écrits sont purs dans le langage justes dans le dessein soutenus dans les ornements et subtils dans les raisonnements". Quarto 252 x 183 mm. Engraved map of the topography of the Nile to the text title page vignette historiated initials engraved head and tailpieces. Contemporary calf raised bands to spine compartments gilt with floral lozenges within double ruled panels presentation gilt stamp to front cover "Aux Capuchins de St. Honoré". Covers a little rubbed joints lightly chafed light browning. A very good copy. Blackmer 171; Ibrahim-Hilmy p. 351; just 6 copies on WorldCat three of them in the US. hardcover
rif. 51-1804San Francico: 1955. Oil on canvas. Hand made frame. 26 x 40 inches. Signed and dated lower right.A California painter and poet affiliated with San Francisco's North Beach and the San Francisco Beat Movement. His small paintings were in an exuberant figurative or abstract style. He was an instructor at the San Francisco Art Institute and at the San Francisco Creative Art Center which he co-founded. Often collaborating with Beat poet Ruth Weiss he illustrated her book of poetry Gallery of Women and was immortalized in one of her poems.From the collection of the late San Francisco artist Vesta Kirby 1936-2016 who was a designer at SOM and the studio and restoration assistant and to Gordon Onslow Ford 1981-1992. San Francico: 1955 unknown
1663rif. 1752Paris: Jean du Puis/Widow of Langlois 1663. Scarce edition of this important treatise on perspective by the most scientifically rigorous of 17th-century French theorists of particular interest for its contention that the illustrations to earlier treatises were often defective Millard thus making it the first work on the subject to treat the problem of didactic illustration in a deliberate and self-conscious manner. A comprehensive textbook Book I gives basic geometrical definitions and an introduction to perspective construction; Book II treats simple and deformed perspectivenamely the curved or irregular surfaces found in vaulted ceilings niches etc. and examines the necessary surface distortion anamorphosis to bring a picture painted on such a surface into perspective; Book III deals with more complex cases of anamorphosis such as reflections on flat cylindrical and conical surfaces; and Book IV covers the use of dioptrics for placing figures on flat surfaces. The sections of books II and III dealing with anamorphosis were particularly important whether in Nicerons own practice as a painter or for later artists or theorists see the chapter on Niceron in Baltruaitis and according to Mahoney DSB the discussion of refraction in Book IV possibly contains the first published reference to Descartes derivation of the law of refraction X.104. The work first appeared in French in 1638; reprinted in 1646 and 1651 in the latter with the first appearance of Mersennes treatise. This edition is a second edition of that reprint. Millard French 124 1663; Wiebenson III.b.18; Kemp The Science of Art pp. 129ff.; Baltruaitis Anamorphosis 51ff. Folio 35 x 22.5 cm engraved frontispiece signed Daret 6 ff. including half-title and title engraved portrait of Niceron signed M. Lasne 191 1 pp. with 7 woodcut diagrams in text and 50 numbered plates 49 full-page 1 double page; 6 ff. 134 pp. Note: plates bound at back. Bound in contemporary calf covers ruled spine with raised bands elaborately gilt; covers abraded and some small chips to spine on bands; former ownership stamp on verso of title; spotting and even toning or light browning on scattered leaves often seen in this work; wormhole in margin of plates 27 and following repaired extending into printed surface generally only printed border. Otherwise very good. Jean du Puis/Widow of Langlois hardcover
1663rif. 1752Paris: Jean du Puis/Widow of Langlois 1663. Scarce edition of this important treatise on perspective by the most scientifically rigorous of 17th-century French theorists of particular interest for its contention that the illustrations to earlier treatises were often defective Millard thus making it the first work on the subject to treat the problem of didactic illustration in a deliberate and self-conscious manner. A comprehensive textbook Book I gives basic geometrical definitions and an introduction to perspective construction; Book II treats simple and deformed perspectivenamely the curved or irregular surfaces found in vaulted ceilings niches etc. and examines the necessary surface distortion anamorphosis to bring a picture painted on such a surface into perspective; Book III deals with more complex cases of anamorphosis such as reflections on flat cylindrical and conical surfaces; and Book IV covers the use of dioptrics for placing figures on flat surfaces. The sections of books II and III dealing with anamorphosis were particularly important whether in Nicerons own practice as a painter or for later artists or theorists see the chapter on Niceron in Baltruaitis and according to Mahoney DSB the discussion of refraction in Book IV possibly contains the first published reference to Descartes derivation of the law of refraction X.104. The work first appeared in French in 1638; reprinted in 1646 and 1651 in the latter with the first appearance of Mersennes treatise. This edition is a second edition of that reprint. Millard French 124 1663; Wiebenson III.b.18; Kemp The Science of Art pp. 129ff.; Baltruaitis Anamorphosis 51ff. Folio 35 x 22.5 cm engraved frontispiece signed Daret 6 ff. including half-title and title engraved portrait of Niceron signed M. Lasne 191 1 pp. with 7 woodcut diagrams in text and 50 numbered plates 49 full-page 1 double page; 6 ff. 134 pp. Note: plates bound at back. Bound in contemporary calf covers ruled spine with raised bands elaborately gilt; covers abraded and some small chips to spine on bands; former ownership stamp on verso of title; spotting and even toning or light browning on scattered leaves often seen in this work; wormhole in margin of plates 27 and following repaired extending into printed surface generally only printed border. Otherwise very good. Jean du Puis/Widow of Langlois hardcover books
1780rif. 342628En Madrid : Por Don Joaquin Ibarra 1780. New edition. Hardcover. Full contemporary gilt-bordered aniline calf worn. Hinges starting gutters worn. Crudely re-cased with the original boards retained. Inner gilt dentelles. Prelim plates detached. All edges gilt. Wide margins with the text remaining in uncommonly good condition; scans and additional bibliographic detail on request. Physical description plates : ill. ; fol.Notes; Added title-page engraved; engraved head- and tail-pieces; initials; vignettes. Preliminary matter v. 1 p. i-ccii includes; Prólogo de la Academia; Vida de . Cervántes Saavedra y anälisis del Quixote por Vicente de los Ríos; Plan cronológico del Quixote; Pruebas y documentos que justifican la Vida de Cervántes. Plates by Antonio Carnicero José del Castillo José Brunete Bernardo Barranco Pedro Arnal Gerónimo Gil and Gregorio Ferro; engraved by Fernando Selma Manuel Salvador y Carmona Gerónimo A. Gil Pedro Pasqual Males J. Joaquín Fabregat Joaquín Ballester Juan de la Cruz Francisco Muntaner and Juan Barceló. Referenced by: Palau y Dulcet 2nd ed. 52024. Language; Spanish. En Madrid : Por Don Joaquin Ibarra hardcover
1636rif. 39451Paris: Guillelmi Baudry 1636. Two parts bound in one. Folio. Early full dark brown panelled leather. With 21 fine engraved illustrations and more than 100 woodcut illustrations mainly of musical instruments; numerous musical examples some in lute tablature and diagrams throughout; occasional woodcut head- and tailpieces ornaments and decorative initials. Typeset. Text in Latin. Part I 1f. recto title verso blank 1f. dedication 4ff. preface 184 pp. Bound with: Part II. Harmonicorum Instrumentorum. 168 pp. Provenance From the collection of Sir Frederick A. Gore Ouseley 1825-1889 English church musician composer professor of Music at Oxford University and collector of music and music theory books with his signature in pencil to free front endpaper. Some early notation in pencil to Vol. I most likely in Ouseley's hand. Binding slightly worn rubbed and bumped; restored and rebacked; endpapers slightly browned at margins. Slightly worn and browned; light to moderate dampstaining throughout; title slightly trimmed soiled and with small holes to blank areas minor chips to margins laid down to backing sheet; Part II with small hole to pp. 67/68 just touching illustration to p. 67 and affecting several letters of text to p. 68; lower outer corner of pp. 159/160 lacking just touching lower outer corner of illustrative plate; occasional minor defects. Part I lacking signatures R and X4 pp. 125-132 and 153-160 as is often the case in early issues; lacking pp. 163-166; pages 43-46 mispaginated. Part II lacking pp. 35-38; pages 148 149 and 167 mispaginated. First Edition. Charbon The Hague Gemeentemuseum I p. 95. Cortot p. 135. Gregory-Bartlett pp. 178-79 with pp. 126-31 and 154-59 lacking in Vol. I. Hirsch I 405. Wolffheim I 836. Wood Harvard 988. RISM Écrits Imprimés p. 572. Part I contains the earliest examples of music engraving in France. Part II is an important study of musical instruments of the late Renaissance and early Baroque. Mersenne was a "French mathematician philosopher music theorist and savant. He was one of the leading French thinkers of the 17th century and his work is central to the academic and scientific movements of the second quarter of the century; an important part of it is devoted to the science theory and practice of music. He was a transitional figure at a crucial confluence of Renaissance and Baroque ideas in France summing up the accomplishments of the past and posing the difficult questions for the future inherent in the new attitudes of his own time." Albert Cohen in Grove Music Online "An examination of the Harmonicorum will at once show how much it was in advance of anything published up to that time and it is the first in which the science of acoustics is applied practically to the study of Music. Perhaps to us in the present day the greatest interest is in the last four Books treating of the various instruments known at that time divided into stringed and wind instruments the organ having a book to itself and instruments of percussion as bells and drums. These are illustrated profusely with woodcuts as well as with engravings on copper both printed in the text. It is worthy of notice that in treating of the organ several schemes are given for dividing the octave into more than twelve semi-tones so as to be able to use it in the keys impossible with unequal temperament." Matthew: The Literature of Music p. 53. Mersenne also authored an early and influential work on music theory Harmonie Universelle published in Paris 1636-37 addressing the relationship between music and mathematics and containing the earliest presentation of what have become known as "Mersenne's Laws" describing the harmonics of vibrating strings; he is thus often referred to as the "father of acoustics." A cornerstone of the literature. Guillelmi Baudry unknown books
1970rif. 86612University of Arizona Press. As New. 1970. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - Corresponds to ASIN: B000P97Y28. TWO 2 VOLUME SET. 891 pages with many illustrations. Catalogue Raisonné Catalogue Raisonne Catalog Raisonnee Complete Works University of Arizona Press hardcover
1970rif. 86611University of Arizona Press. As New. 1970. Hardcover. 0816502668 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - Corresponds to ASIN: B002L487QC and ISBN: 0816502668. TWO 2 VOLUME SET. 891 pages with many illustrations. Catalogue Raisonné Catalogue Raisonne Catalog Raisonnee Complete Works University of Arizona Press hardcover
rif. MAR511MPublication trimestrielle de la Société Française d'Histoire Maritime, issue de la fusion du Comité de Documentation Historique de la Marine et de la Commission Française d'Histoire Maritime. Placée sous le patronage de l'UNESCO, du Conseil international de la Philosophie et des Sciences humaine, du Comité international des Sciences historiques et de la Commission Internationale d'Histoire Maritime.