Stahl (Georg Ernst ; 1660-1734) :Livre Rare Book
5371 risultati
1766rif. 21550Paris, Pierre-François Didot, le Jeune, 1766 ; in-12, veau marbré, dos lisse à faux nerfs dorés, décoré et doré, pièce de titre grenat, tranches rouges (reliure de l’époque) ; [8], 392 pp.
rif. elala5617London: Printed For Henri Colburn 1824. Second and Best Edition. Las Cases a French officer accompanied Napoleon into exile at St. Helena in 1815. There he fulfilled the role of secretary recording Napoleon's conversations which he later published in the present work. 8 Parts in 4 Volumes. 8vo. pp. x 395 1; vi 375 1; v 1 378; iv 376; iv 319 1; vi 384; v 1errata 334; iv 318. 2 engraved portraits 3 of 4 hand-coloured aquatints 1 engraved plate 1 folding engraved plan & 3 folding engraved maps 1 in duplicate. contemporary calf neatly rebacked gilt tooled spines all edges gilt some light wear to joints & extremities occasional light foxing. elala5617 London: Printed For Henri Colburn, 1824
1758rif. 1601120066Paris Tilliard 1758-01-01. First Edition. Hardcover. Very Good. 2 volume set. First edition. Collated: 4 xvi 464 pp.; iv 518 pp. with three folding maps and plans. Full contemporary mottled calf bindings. Gilt stamping to spines. Solid bindings some rubbing to covers. Edges red. Marbled end pages. Very good internally. Refs: Ibrahim Hilmy II 17; Gay 2132; Brunet 28372; and Mayer 2075. Atabey 768. Stanley Lane Poole's "Saladin and the Fall of the Kingdom of Jerusalem". speaks very highly of Marin's Historie de Saladin. Paris, Tilliard hardcover
2011rif. 152953Various cities: Art Institute of Chicago / Yale University Press 2011. First Edition. Hardcover. First Edition. Jacket corners lightly bumped else Near Fine in a Near Fine dust jacket. Art Institute of Chicago / Yale University Press unknown
2011rif. 152953Various cities: Art Institute of Chicago / Yale University Press 2011. First Edition. Hardcover. First Edition. Jacket corners lightly bumped else Near Fine in a Near Fine dust jacket. Art Institute of Chicago / Yale University Press unknown books
2001rif. 148816San Francisco: Hardy Marks Publications 2001. First edition early printing of volume one of this iconic collection of flash art curated by Michael “Rollo” Malone Sailor Jerry Collins’s protégé and the inheritor of his Honolulu studio archive. Octavo original pictorial wrappers pictorial endpapers frontispiece of Sailor Jerry illustrated with tattoo flash throughout. In fine condition. Introduction by Donald Edward Hardy. Norman "Sailor Jerry" Collins 1911–1973 was a seminal figure in the history of American tattooing renowned for elevating the craft through technical innovation bold stylistic synthesis and an uncompromising artistic ethos. Operating primarily out of Honolulu Hawaii Collins fused traditional American tattoo motifs—such as eagles ships and pin-up girls—with Asian influences particularly Japanese design principles creating a distinctive and enduring visual language. His contributions to the medium include the development of safer pigments custom needle configurations and a commitment to hygiene standards that helped professionalize tattooing in the mid-20th century. As both craftsman and cultural icon Sailor Jerry played a pivotal role in transforming tattooing from a marginal practice into a respected form of American folk art. Hardy Marks Publications unknown
1822rif. 58284Paris, L'Imprimerie Royale, 1822. Uncut in later hcloth. Bound with the original blue, blank stiff wrappers. Stamp on title-page. 100 pp., 1 large folded engraved map (57 x 90 cm.) ""Carte des Cotes de la Guyane et des Cotes septentrionales du Brésil. Publ. en 1827 par M. Lartique"".
1822rif. 58284Paris L'Imprimerie Royale 1822. Uncut in later hcloth. Bound with the original blue blank stiff wrappers. Stamp on title-page. 100 pp. 1 large folded engraved map 57 x 90 cm. "Carte des Cotes de la Guyane et des Cotes septentrionales du Brésil. Publ. en 1827 par M. Lartique". hardcover
1683rif. 001262Paris: A. Soubron 1683. Full Calf. Very Good. 14 412 pp. 100 emblem plates all full page. 12mo. 6 by 4 inches. Decorative devices head and foot pieces throughout in the form of bouquets friezes vases baskets as well as decorated letter at the beginning of each section 100 in all. Plates are wonderful baroque woodcuts each illustrating a moral. This would appear to be a second or third edition the first being in 1646. Brunet II 1658 who describes the work as "now a bit rare" mentions a 1684 edition without citing this earlier one and clearly meaning a different edition. Graesse III 114 mentions a 1681 edition without detail and thus this might essentially be. Tight. With some light scattered soilage but overall impression is clean other than on some of the plates a prior owner wrote Latin translations of the maxims beneath the printed captions -- never affecting the pictorial image. Also old handwritten cursive notes on title and blank verso. Attractively rebound in full modern calf with green and red spine labels. A. Soubron unknown
1683rif. 001262Paris: A. Soubron 1683. Full Calf. Very Good. 14 412 pp. 100 emblem plates all full page. 12mo. 6 by 4 inches. Decorative devices head and foot pieces throughout in the form of bouquets friezes vases baskets as well as decorated letter at the beginning of each section 100 in all. Plates are wonderful baroque woodcuts each illustrating a moral. This would appear to be a second or third edition the first being in 1646. Brunet II 1658 who describes the work as "now a bit rare" mentions a 1684 edition without citing this earlier one and clearly meaning a different edition. Graesse III 114 mentions a 1681 edition without detail and thus this might essentially be. Tight. With some light scattered soilage but overall impression is clean other than on some of the plates a prior owner wrote Latin translations of the maxims beneath the printed captions -- never affecting the pictorial image. Also old handwritten cursive notes on title and blank verso. Attractively rebound in full modern calf with green and red spine labels. A. Soubron unknown books
rif. 15275Paris: Calmann-Levy n.d. Émile Colin- Imprimerie de lagny. 10 vols. Sm 8vo. Handsomely bound in three quarters red morocco gilt panelled spine t.e.g. others uncut some joints a little rubbed else fine and attractive. Émile Colin- Imprimerie de lagny. 10 vols. Sm 8vo. Some admirers have considered Labiche the equal of Molière; his plays are more complex and less coarse than many other examples of French farce. Calmann-Levy unknown
rif. 15275Paris: Calmann-Levy n.d. Émile Colin- Imprimerie de lagny. 10 vols. Sm 8vo. Handsomely bound in three quarters red morocco gilt panelled spine t.e.g. others uncut some joints a little rubbed else fine and attractive. Émile Colin- Imprimerie de lagny. 10 vols. Sm 8vo. Some admirers have considered Labiche the equal of Molière; his plays are more complex and less coarse than many other examples of French farce. Calmann-Levy unknown books
1665rif. 909Paris Chez Jacques Dallin 1665 In-4 - 24,5x18,5cm. Reliure en plein veau brun, dos à 5 nerfs orné de caissons et fleurons dorés, tranches mouchetées. 16ff, 272pp.
rif. 35561Rome - Imprimerie de la Chambre apostolique - 1715 - [puis] - A Liège - Chez Daniel Moumal - 1700 - [puis] - sn - 1702 - [puis] - Paris - 1702 - ensemble de 6 ouvrages ou plaquettes réunies en un volume in12 - Reliure pleine basane d'époque - dos cinq nerfs orné de fleurons - Bon état intérieur mais reliure usagée, solide cependant -
rif. 20356Paris, Pierre Rocolet, 1647 [1648]. In-4, [8]-30-[10]-390 pp., parchemin souple ivoire, tranchefile à passe, dos long, titre manuscrit au dos (une déchirure au dos, petit manque angulaire à la première doublure, quelques taches et rousseurs, pâles mouillures).
rif. 6992New York Privately Printed for An American Place 1931. 8vo 9.875” x 6.5” gray cloth gilt title at spine. Facsimile of an autograph letter bound in. Laid in photograph and newsprint portrait. First edition limited to 400 copies this copy number 343. Inscribed by Marin on the half-title: “To Stanley Clifford write some more John Marin.” A volume of letters written to Alfred Stieglitz between 1910 and 1930 reflecting the close relationship between the artist and the gallerist. Stieglitz was a crucial figure early in Marin’s career giving him his first one-man exhibition in 1909 at gallery 291 and providing him with financial support. Many of the letters included here were written from Stonington and West Point Maine. A photograph of Marin’s cottage at Cape Split Maine taken by Stanley Clifford in the fall of 1950 and so inscribed on the verso is laid in. Clifford was a Deer Isle Maine antiquarian bookseller and a friend of Marin. CONDITION: Near fine. New York Privately Printed for An American Place, 1931 unknown
rif. 6992New York Privately Printed for An American Place 1931. 8vo 9.875” x 6.5” gray cloth gilt title at spine. Facsimile of an autograph letter bound in. Laid in photograph and newsprint portrait. First edition limited to 400 copies this copy number 343. Inscribed by Marin on the half-title: “To Stanley Clifford write some more John Marin.” A volume of letters written to Alfred Stieglitz between 1910 and 1930 reflecting the close relationship between the artist and the gallerist. Stieglitz was a crucial figure early in Marin’s career giving him his first one-man exhibition in 1909 at gallery 291 and providing him with financial support. Many of the letters included here were written from Stonington and West Point Maine. A photograph of Marin’s cottage at Cape Split Maine taken by Stanley Clifford in the fall of 1950 and so inscribed on the verso is laid in. Clifford was a Deer Isle Maine antiquarian bookseller and a friend of Marin. CONDITION: Near fine. New York Privately Printed for An American Place, 1931 unknown books
2001rif. 001581Los Angeles: Greybull Press 2001. 1st Edition . Cloth. Near Fine/Near Fine. Folio - over 12 - 15" tall. First edition of this large book Folio- about 10" by 14" of photographs by Dennis Hopper and edited by his daughter Marin. Unpaginated. White cloth with red titles to the front board and spine. One of here 5000 copies. There were another 100 copies that were signed and boxed. This copy is inscribed by Marin Hopper the daughter of Dennis and Brooke Hayward to the photographer William Claxton and his wife the actress and model Peggy Moffitt. A fine book in a near fine jacket with a small closed tear to the top right corner and a little crimping to the top of the spine. Nice association. Greybull Press hardcover
2005rif. SBBIH-H2DNYZAIZHQJEdizioni Edilingua srlu 2005. paperback. Good. Our good condition books are generally good for reading but not for gifting or collecting. They could have imperfections such as creasing fanning inscriptions margin notes yellowing staining on edge or cover or pages bumps scuffs etc etc sometimes multiple of these. It's a wide category that encompasses anything that isn't almost-new down to anything that is slightly better than poor. We would NOT recommend gifting Good books - these should be considered reading copies. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order at least not without checking with us first although we don't always have time to check. We aim to dispatch prompty the service used will depend on order value and book size. We can ship to most countries see our shipping policies. Payment is via Abe only. Edizioni Edilingua srlu paperback
2015rif. SBBIH-SFZ2ZSOM6A6QFLAMMARION 2015. hardcover. Acceptable. Please see the condition note after this for details if this is missing please consider Acceptable to mean poor quality that could include major staining water damage writing missing dustjacket etc etc. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order at least not without checking with us first although we don't always have time to check. We aim to dispatch prompty the service used will depend on order value and book size. We can ship to most countries see our shipping policies. Payment is via Abe only. FLAMMARION hardcover
1777rif. 10110London: F. Vivares in great Newport Street 1777. Colour-printed mixed method engraving. Printed on laid paper. In excellent condition with the exception of being trimmed within the platemark. Small tear in lower left corner and another small tear on bottom margin. Image size: 10 9/16 x 8 1/4 inches. A lovely impression of this famous print by Louis-Marin Bonnet one of the most celebrated masters of French colour-printing. The son of a Parisian stocking manufacturer Louis-Marin Bonnet 1736-1793 trained with the engravers Louis-Claude LeGrand and Jean-Charles François the latter the inventor of the chalk-manner technique of printmaking. Throughout his career Bonnet developed Francois's printing technique producing some of the most beautiful prints of the period. Bonnet's chalk-manner prints became immensely popular with collectors seeking images that imitated the subtle effects of drawing but he also experimented with various forms of colour printing as seen in this charming print of a young lady playing the guitar. During the late 1770s and 1780s Bonnet's success as a color printmaker was unrivaled and hence he counted among his patrons the wealthiest Parisian collectors of the time. This spectacular print exemplifies the single plate colour printing technique developed in England but quickly adopted by French engravers. The effect is achieved by inking a single plate with several different colours by using a rag stump this process is known as a la poupée. These English colour prints became very popular in Paris and threatened to affect the market for French prints. In an effort to capitalize on this vogue for English prints a few clever French engravers printed their own colour prints with London addresses. This charming image is just such a print; Bonnet published it with F. Vivares's address in London although it was probably published in Paris. He also uses a different variation on his name and lists himself as L. Marin instead of Louis-Marin Bonnet. This is not only an exquisite image from one of the most renowned French engravers but a fascinating glimpse at the practices of the print market in France. Le Blanc Manuel de L'Amateur D'Estampes No. 386. F. Vivares in great Newport Street unknown
1777rif. 10110London: F. Vivares in great Newport Street 1777. Colour-printed mixed method engraving. Printed on laid paper. In excellent condition with the exception of being trimmed within the platemark. Small tear in lower left corner and another small tear on bottom margin. Image size: 10 9/16 x 8 1/4 inches. A lovely impression of this famous print by Louis-Marin Bonnet one of the most celebrated masters of French colour-printing. The son of a Parisian stocking manufacturer Louis-Marin Bonnet 1736-1793 trained with the engravers Louis-Claude LeGrand and Jean-Charles François the latter the inventor of the chalk-manner technique of printmaking. Throughout his career Bonnet developed Francois's printing technique producing some of the most beautiful prints of the period. Bonnet's chalk-manner prints became immensely popular with collectors seeking images that imitated the subtle effects of drawing but he also experimented with various forms of colour printing as seen in this charming print of a young lady playing the guitar. During the late 1770s and 1780s Bonnet's success as a color printmaker was unrivaled and hence he counted among his patrons the wealthiest Parisian collectors of the time. This spectacular print exemplifies the single plate colour printing technique developed in England but quickly adopted by French engravers. The effect is achieved by inking a single plate with several different colours by using a rag stump this process is known as a la poupée. These English colour prints became very popular in Paris and threatened to affect the market for French prints. In an effort to capitalize on this vogue for English prints a few clever French engravers printed their own colour prints with London addresses. This charming image is just such a print; Bonnet published it with F. Vivares's address in London although it was probably published in Paris. He also uses a different variation on his name and lists himself as L. Marin instead of Louis-Marin Bonnet. This is not only an exquisite image from one of the most renowned French engravers but a fascinating glimpse at the practices of the print market in France. Le Blanc Manuel de L'Amateur D'Estampes No. 386. F. Vivares in great Newport Street unknown books
1907rif. 000013bHong Kong China Southeast Asia Phillippines. Good. 1907. This is an early diary thin leather covers measuring approx. 4 1/4" x 6 1/2". It is written in very easy to read period brown ink. There are a total of 66 pages filled out. The diary was kept by a U.S. sailor who made entries from his departure date in San Fransisco on July 1 1907 to Nov. 10 1907 when he arrived in Hong Kong. The first page reads "DIARY OF MY TOUR AROUND THE WORLD". The sailor first writes "JULY 1 1907 - SIGNED ON U.S. ARMY TRANSPORT SHERMAN AS AN OILER". The following pages are headed "AT SEA - HONOLULU - MIDWAY ISLAND - GUAM - MANILA - CAVITTE - HONG KONG". His voyage continues ending in Hong Kong. His descriptions of the voyage other sailors experiences native people sights points of interest etc. are very interersting and quite descriptive. Much of the diary is concerned with his time in Manila. Once there he takes a job as a stock clerk with Castle Bros. He then goes to work for the government and describes bossing approx. 200 men. After working in Manila for a month or two he then sails to Hong Kong. During his trip he describes: EVERYBODY BEING EXTREMELY HOT HOMESICK AND SEASICK - DESCRIBES RELIGIOUS FESTIVAL IN MANILA - HAVING A JAPANESE MASSAGE THAT HE WILL NEVER FORGET - GETTING A TATTOO - STAYING ON A STEAMER AND BOSSING 200 MEN REPAIRING BARGES - SNEAKING INTO AN INVITATION ONLY HIGH LEVEL MEETING WITH WILLIAM HOWARD TAFT SETTING UP THE PARLIAMENT OF MANILA AFTER THE SPANISH AMERICAN WAR HE DESCRIBES THE SPEECH AND DECORATIONS - TELLS OF ENTERING AN ATHLETIC RACE DURING A LARGE CELEBRATION FOR TAFT - FAKING A FEVER TO BE ABLE TO STAY IN SICK BAY ONLY TO BE FOUND OUT BY THE DOCTOR AND BEING KICKED OUT OF THE INFIRMARY PERMENANTLY - DESCRIBES GUAM - DESCRIBES MANILA HARBOR PEOPLE SIGHTS - MUCH MORE ABOUT MANILA: PARTYING DANCING ENGLISH CHINESE AMERICAN RESIDENTS SIGHTSEEING - DETAILED AND GRAPHIC DESCRIPTION OF A COCK FIGHT - MEETS MANY 1898 AND 1899 SPANISH AMERICAN WAR VETERANS LIVING IN MANILA AFTER THE WAR - DESCRIBES HONG KONG AND IT'S PEOPLE - etc. There are too many stories descriptions and anecdotes to list! He peppers some of his descriptions with racial slurs n----r c---k. Some of his exact entries include "TROOPS HAVE ARRIVED 30TH INFANTRY MUCH EXCITEMENT AND CONFUSION description of leaving on his voyage - BIG CROWD FAREWELL BAND PLAYING LARGE CROWD - PARTNER OILER SMASHED TWO FINGERS - PHILIPPINO STUDENTS AMERICAN EDUCATED ON BOARD FOR MANILA - HONOLULU KANKA BOYS SWAM TO MEET US DIVING FOR COINS - ROYAL HAWAIIAN BAND PLAYING FAREWELL MANY SOLDIERS WEEPING - MIDWAY ISLAND LONG NARROW SANDY REEF WITH NO POINT HIGHER THAN 10 FEET ABOVE THE OCEAN ONLY GOVT. OFFICIALS ARE THE INHABITANTS - COMPLETED 1ST. MONTH IN GOVT. EMPLOY HARDEST WORK IS HOLLERING "SIGI" AT ANY N-----R WHOM I SEE SOLDERING - FOUND MYSELF IN A "C---K Chinese" THEATER TONIGHT - THOUSANDS OF CHINESE SAMPANS HAVE SURROUNDED THE BOAT - etc. Overall very nice condition. Very clean with no damage. The writing is colorful and very easy to read. The covers are well attached and the interior pages are tight. The edge of the spine is covered with a piece of cloth tape. ; Manuscript; 16mo - over 5¾" - 6¾" tall; KEYWORDS: HISTORY OF Pre World War I Travel Navy Naval Seafaring Orient Phillippines China Japan Handwritten hand written autograph autographs signed letters document documents manuscript manuscripts writers writer author holograph personal Americana antiquité contrat vélin document manuscrit papier Antike Brief Pergament Dokument Manuskript Papier oggetto d'antiquariato atto velina documento manoscritto carta antigüedad hecho vitela documento manuscrito Papel . hardcover
1665rif. AQ31353London: Printed by T.R. for Thomas Dring at the George in Fleetstreet neer Cliffords-Inn 1665. 32 330pp 14. With extra-engraved title A1v included in the pagination. Contemporary gilt-tooled calf. Rubbed cracking to joints lacking lettering-piece and chipped to spine with neat repair to upper board at foot. Small paper flaw to D1 with loss of catchword to recto and two words of text to verso. Philip Bliss' copy with one line of manuscript notes identifying the author of 'Address to the translator' to a blank-fly leaf and his usual ownership marks the addition of a manuscript initial 'P.' before the printer's register B to leaf B1 followed by '35' indicating his year of acquisition. Earlier inscription 'M. Cowper. Fellow of A: S: Coll. Oxon' to head of title with partially erased note regarding ownership by his grandfather; later inscriptions of Robert and May Montagu to blank fly. With a manuscript note in an early hand to margin and foot of V7r with repaired paper excision/cuts to margins of V7-8. An interesting copy with double Oxford provenance and a curious eighteenth- century manuscript note of John Davies of Kidwelly's 1625-1693 English translation of L'art de connoistre les hommes Paris 1659 by French physician and philosopher Marin Cureau de la Chambre 1594-1669. A vaguely philosophical work on human character with diversions into astrology chiromancy metroscopy and physiognomy the extra-engraved title depicts scholarly study of human heads with both European and African examples displayed on a shelf. Evidently acquired by Oxford University Registrar antiquary and book collector Philip Bliss' 1787-1857 in 1835 this volume also bears the earlier inscription of 'M. Cowper' Fellow of All Souls Oxford. The curious inscription to the foot of pp.235 apparently in the same hand relates at a point of the text referring to weaknesses at times of eclipse the annotators experience of being seized with a 'death like coldness' at the time of 'a great Eclipse of the Sun in the year 1753.or 54' which could not be cured until the said eclipse had passed. ESTC R5716. Wing L128. First English edition. 8vo. Printed by T.R. for Thomas Dring at the George in Fleetstreet, neer Cliffords-Inn unknown
rif. 246908La Haye Nicolas van Daalen 1758. 4 XX 355; 2 440 pp. 24 pp. advertisments. Two title-pages printed in red and black with engraved title-vignette 3 folding engraved maps. Finely bound in contemporary full calf. Spine richly gilt. . unknown
