KOLBE (Pierre).Livre Rare Book
2.811 resultados
ref. PHO-693Amsterdam,chez Jean Catuffe, 1742 , 3 vol. in-12(170x100mm), 2ffnch , xiii-5ffnch(table) 428pp -1ffnch ,8ffnch – 262pp, 10ffnch-320pp , relié plein veau époque, dos à nerfs ornés avec pièce de titre et tomaison,tranches rouges , défauts d’usages .Seconde édition de la traduction française illustrée de 29 cartes et planches hors-texte
ref. c5082A Londres et se trouve à Paris, chez Regnault, 1786 ; plein veau fauve de l'époque, dos lisse orné filets fleurons et petits fers dorés, 2 étiquettes de titre et tomaison de maroquin vert, trnaches marbrées de bleu et rose. XXIVpp.,486pp.,1f.nch( errata); VIIIpp.,414pp.,1f.nch (errata) et 2 cartes hors texte, dont 1 à contours coloriés, tirées sur papier bleuté.
1909ref. K304067London: Obach & Co. 1909. 1st edition. Very Good. large octavo. 1/2 leather 162pp. b/w frontis. index Limited Edition 228/275. Some wear to boards & leather spine o/w VG copy Obach & Co. hardcover
1951ref. 763A18London: Longmans Green and Co. 1951. First edition. Paperback. Near Fine. 7" by 9". Muirhead Bone . A fantastic first edition copy signed by both Stephen and Muirhead Bone of this charming illustrated ode to England its towns and its people. The first edition of this uncommon work by Stephen Bone.A charmingly illustrated ode to England its towns and its people. With chapters on the countryside London and the people. A truly charming volume. With many lovely illustrations in monochrome throughout by Muirhead Bone. In the original publisher's illustrated paper wraps. Externally very smart with minor shelfwear only. Signed by Stephen and Muirhead Bone to title page inscribed "To Luis with love Oct 29 1951." Internally firmly bound. Pages are bright and clean throughout. Profusely and charmingly illustrated by Muirhead Bone. Near Fine Longmans, Green and Co. paperback
1917ref. 182236London: Country Life Limited 1917. Drawings by Muirhead Bone. With an Introduction by General Sir Douglas Haig. In two volumes. Volume I: Pp. 224 illustrated throughout in colour sepia and black & white index to plates; Volume II: Text by C. E. Montague. Pp. 232 illustrated throughout in colour sepia and black & white index to plates; med. 4to; qr. light brown buckram with gilt lettered leather title labels on spines brown papered boards slightly scuffed edges slightly faded and rubbed bottom fore-corners bruised Volume II; book label of David Levine Sydney above the earlier armorial bookplate of B. Hall Blyth on upper pastedowns the free endpapers offset Volume I with 2 small surface grazes one to page headed The Upper Hand affecting one word of text occasional slight soiling; published by authority of the War Office Country Life Volume I & George Newnes Volume II London 1917. Originally issued in parts. Country Life Limited unknown
1804ref. PHO-1535Paris, Levraut, Schoell, 1804. 3 volumes in-8 , reliure d’attente de xliv-320pp./xiv-429pp./382pp.-vi, et 1 Atlas in-4 relié demi cuir comprenant 7 pp., 1 portrait gravé ,26 planches gravée sur cuivre et une carte , texte : reliure avec défauts, manques au dos ,manque la page de titre tome 1 ,inversion des étiquettes (tome 2 et 3) , réparation au titre , tome 2 ,petites rousseurs tome 3, non rogné , Atlas , manque au dos , dos cassé , mouillure en fin d’ouvrage ,tâches et réparation à la carte
1798ref. 0051301798 Paris, Desray, An VI [1798]. Deux volumes in-8 (203 X 133 mm) basane brune granitée, encadrement de roulette dorée sur les plats, dos lisse cloisonné et orné or, pièce de titre maroquin rouge, coupes et coiffes filetées or (Reliure de l'époque). Tome I : XXXII-383 pages, 11 planches - Tome II : (2) ff. de faux-titre et titre, 403 pages, 9 planches, (1) page de table et errata. Ex-libris. Habile restauration à une coiffe.
ref. 49973Jansen.An 3.3 vols.in-8 en veau marbré d'époque.Complet des 18 planches.Tranches marbrées.Dos ornés avec pièces de titre et de tomaison en maroquin rouge.Plats soulignés de 3 filets dorés.Bel état.
1749ref. 23232Paris Didot 1749 In-12 ( 4 Volumes ) Du tome IX au tome XII, 478 pp et 2 cartes , 486 pp , 3 gravures et 5 cartes , 429 pp 1 carte et 5 gravures et 508 4 cartes et 3 gravures
1787ref. PHO-2223Paris, Buisson, 1787. Trois volumes in-8 (203x130mm), xxxii-388pp.-2 pl., 2ff.-366pp.- 8 pl., 2ff.-363pp.- 6pl.. Basane porphyre époque, dos lisse orné avec tomaison et pièce de titre, frises aux plats, tranches dorées, coins usés dont 1 émoussé, accroc à la coiffe tome 3, frottements, épidermures au tome 1 avec petites pertes de matière, charnières fendillées tome 1, petite mouillure marginale sur quelques feuillets, légères rousseurs et brunissures, carte détachée avec trace de renforcement, réparation sur 1 planche.
2017ref. Adhya-9781305502826CENGAGE 2017. PB. New. CENGAGE paperback
2017ref. Adhya-9781305502826CENGAGE 2017. PB. New. CENGAGE paperback
1917ref. 398817Glasgow Scotland 1917. Fine. Original lithograph printed in black approximately 18" x 14" on wove paper with full margins 24" x 16". Fine. Signed by Muirhead Bone in the bottom margin. A distinguished Scottish artist Bone was nicknamed the "London Piranesi" for his ability to depict vast and complex construction sites cathedrals and shipyards. On the outbreak of the World War the War Propaganda Bureau recruited him in May 1916 as Britain's first official war artist. After completing a series of drawings on the Western Front including the Battle of the Somme Bone returned to London to document the war effort. A fine example from his World War I scenes of shipbuilding yards. unknown
1917ref. 398817Glasgow Scotland 1917. Fine. Original lithograph printed in black approximately 18" x 14" on wove paper with full margins 24" x 16". Fine. Signed by Muirhead Bone in the bottom margin. A distinguished Scottish artist Bone was nicknamed the "London Piranesi" for his ability to depict vast and complex construction sites cathedrals and shipyards. On the outbreak of the World War the War Propaganda Bureau recruited him in May 1916 as Britain's first official war artist. After completing a series of drawings on the Western Front including the Battle of the Somme Bone returned to London to document the war effort. A fine example from his World War I scenes of shipbuilding yards. unknown books
1904ref. 18971904. Very good. Drypoint printed in brownish black ink on fibrous laid Japon paper 3 3/8 x 6 5/16 inches 85 x 161 mm full margins. Signed in pencil lower right. Light age tone and minor cockling. A lovely impression of this rare image with excellent burr. During the First World War the British War Propaganda Bureau appointed Bone as the first official British war artist in May 1916. Bone had lobbied hard for the establishment of an Official War Artists scheme and in June 1916 he was sent to France with an honorary rank and a salary. Although thirty-eight years old at the outbreak of war Bone was spared from certain enlistment by his appointment. Bone's small black and white images and their realistic intensity reproduced well in the government-funded publications of the day. Where some artists might have demurred at the challenge of drawing ocean liners in a drydock or tens of thousands of shells in a munitions factory Bone delighted in them; he was rarely intimidated by complex subjects and whatever the challenge those who commissioned his work could always be sure that out of superficial chaos there emerged a beautiful and ordered design. Commissioned as an honorary second lieutenant Bone served as a war artist with the Allied forces on the Western Front and also with the Royal Navy for a time. He arrived in France on 16 August 1916 during the Battle of the Somme and produced 150 drawings of the war before returning to England in October 1916. Over the next few months Bone returned to his earlier subject matter producing six lithographs of shipyards on the Clyde for the War Propaganda Bureau's Britain's Efforts and Ideals portfolio of images which were exhibited in Britain and abroad and were also sold as prints to raise money for the war effort. unknown
ref. 14963Bone Muirhead Scottish 1896-1953. SOMERSET HOUSE Drypoint 1905. Dodgson 185. Edition was 40 plus 15 trial proofs. Signed in pencil lower right. This is identified as a first state on the Frederick Keppel labek on the frame. 12 × 11 5/16 inches plate 15 1/2 x 14 3/8 inches sheet. In very good condition. In a Frederick Keppel frame with their label. unknown
1917ref. 174570Authority of the War Office 1917. First Edition. Hardcover. Very Good. First Editions First Printings. Published by Authority of the War Office 1917. Folios. 2 Volumes. Books are very good with shelf wear edgewear to boards and spotting to page ends. Book placed in custom acetate protector. A very scarce set of books on the Western Front with early World War I sketches. 100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. Please email with any questions or if you would like a photo. All books packed carefully and ship with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Sag Harbor New York. Authority of the War Office hardcover
ref. 60244New York: Munro's Publishing House. First printing. Good. 48pp. Text double column. Large wood engraving to front cover p. 1 "Old Cap. Collier Gripstick in Hand Watched the Mormon Elder and His Five Fair Victims". 10 5/8 x 7 1/4". Printed wrappers stapled. Age-toning with some chipping to the extremities and covers beginning to detach. Title page lacking piece to fore-edge text not affected. Two stamps one to top margin of p. 1 & bookseller stamp to p. 47 lower margin. This detective series numbered 822 issues published by Munro from 9 April 1883 to 9 September 1899 starting at 10 cents an issue though later dropping to 5 cents as here. Cf. The Dime Novel Companion p. 199. "In this volume the disguise-master detective Munroe sic Publishing House's most popular character in the 1890s is assigned by the U.S. government to investigate a global human trafficking network that provides Mormons with new wives for their supposedly defunct harems. "As Old Cap Collier infiltrates the Mormon cabal and exposes the human trafficking scheme he discovers a much broader conspiracy that involves massacre and political domination." - from "Danites Damsels and World Domination: Mormons in the Dime Novels" by Michael Austin Sunstone Rare Mormon fiction title. Not in Flake. Munro's Publishing House unknown
ref. 60244New York: Munro's Publishing House. First printing. Good. 48pp. Text double column. Large wood engraving to front cover p. 1 "Old Cap. Collier Gripstick in Hand Watched the Mormon Elder and His Five Fair Victims". 10 5/8 x 7 1/4". Printed wrappers stapled. Age-toning with some chipping to the extremities and covers beginning to detach. Title page lacking piece to fore-edge text not affected. Two stamps one to top margin of p. 1 & bookseller stamp to p. 47 lower margin. This detective series numbered 822 issues published by Munro from 9 April 1883 to 9 September 1899 starting at 10 cents an issue though later dropping to 5 cents as here. Cf. The Dime Novel Companion p. 199. "In this volume the disguise-master detective Munroe sic Publishing House's most popular character in the 1890s is assigned by the U.S. government to investigate a global human trafficking network that provides Mormons with new wives for their supposedly defunct harems. "As Old Cap Collier infiltrates the Mormon cabal and exposes the human trafficking scheme he discovers a much broader conspiracy that involves massacre and political domination." - from "Danites Damsels and World Domination: Mormons in the Dime Novels" by Michael Austin Sunstone Rare Mormon fiction title. Not in Flake. Munro's Publishing House unknown books
1941ix, (3), 263 pp. Index. Complete with eight black and white photographic plates. "No one who wants to understand England as it is today can afford not to read this book. It is the story of what happened to one-half of the British people - the half that now, generally speaking, votes Labour - in the long, dark tunnel between the rather confused half-light into which it is emerging today and the green land far away inhabited by our eighteenth- and seventeenth-century ancestors." - Arthur Bryant (in 1947). Heavily-worn with usual library markings. Reading copy only. Book
1768ref. 82TÃTULO: Tratado del origen y arte de escribir bien: ilustrado con veinte y cinco láminas. Obra utilísima para que así maestros como discípulos y quantos se hallaren estudiosos de escribir bien puedan con facilidad aprender todas las formas de Letras que usamos en España así modernas como antiguas: Griegas Hebreas Syriacas Caldeas Samaritanas Ãrabes &. Dedícase al Rey nuestro señor don Carlos III que Dios guarde / su autor el R. P. Fr. Luis de Olod Bibliotecario del Real Convento de Santa Madrona de PP. Capuchinos de Barcelona. Barcelona: en la imprenta de Carlos Sapera. : a costa de Francisco Basols y Bastons. 1768. 29 x 21 cm. Colación: 8 116 p. 24 h. de grab. ; Fol. Buen estado solo algunas manchas de diferente naturaleza tinta óxido etc. incluida una en portada y un pequeño corte en la hoja 115/6 por lo demás todo correcto buen papel firme al tacto hojas limpias. Bellas cabeceras y cul-de-lamp grabados. Bonitas letras capitales. Láminas calcográficas en buen estado. Encuadernación en pergamino fuerte sobre cartón y tejuelo en lomo. CCPB000223847-0 Luis Basols y Bastons en religión fray Luis de Olod o de Olot Olot 1720-8 de mayo de 1794 fue un fraile capuchino y calígrafo español. Hijo de un tintorero fue bautizado en la parroquia de San Esteban de Olot el 1 de febrero de 1720.1 En abril de 1735 tomó el hábito capuchino con el nombre de Luis de Olod.2 Tenía un hermano de nombre Francisco Basols y Bastons que corrió con la financiación de la dos ediciones de su Tratado del origen y arte de escribir bien en el que también aparecen en los preliminares un Valentín de Olod predicador en el convento de capuchinos de Barcelona firmante de una de las aprobaciones y Esteban de Olod provincial de la Orden en Cataluña y quien otorga la licencia para su impresión que Cotarelo creyó que podría tratarse de otro hermano o de un pariente.3 Según se desprende de los datos biográficos que él mismo facilitó en su obra y por los lugares donde van fechadas las láminas se sabe que en 1760 y 1761 residía en el convento de capuchinos de Figueras del que pasó al de Gerona y más adelante al de Barcelona en el que se encontraba al salir la primera edición de su libro en 1766 desempeñando el cargo de bibliotecario. Para abrir los grabados de las láminas quejándose de la escasez de grabadores en España y recordando que José de Casanova reprochó a los grabadores haber deslucido las suyas recurrió al italiano Giovanni Petroschi 1715-1766 de quien tenía buenas referencias y le envío veinte muestras de las veinticinco que finalmente salieron publicadas pero tampoco quedó satisfecho con el resultado pues se las devolvió decía "tan desfiguradas imperfectas y ajenas del original que á no conocerlas por la materia las desconociera en la forma". De las restantes una lleva la firma del grabador catalán Francisco Boix.3 En cuanto a la calidad de su escritura Manuel Rico recoge un testimonio muy negativo que le atribuye gran responsabilidad en la decadencia del arte de escribir con su "desordenada y ridícula letra pseudo-redonda".4 Cotarelo le reprocha falta de originalidad encontrando únicamente de interés las explicaciones sobre el origen y formación de la letra bastarda moderna o pseudorredonda que para Olod era la más perfecta5 y si como calígrafo no demuestra gran habilidad según Cotarelo mejora como adornista "al menos sus ángeles y pájaros están hechos con mayor gracia y aun los lazos y giros que rodean su retrato no desagradan á la vista".6 Para Galende por último el mayor interés se encuentra en el capítulo final en el que se ocupó de la criptografía escritura secreta o idiografía con la descripción teórica y práctica del sistema de sustitución simple.2 Las ideas pedagógicas que se pueden espigar en el tratado aun no siendo un tratado de pedagogía han sido estudiadas por Sabaté que las tacha de conservadoras: el primer fin del maestro ha de ser la enseñanza del temor de Dios para que sus alumnos salgan aprovechados en virtud letras y urbanidad.7 Padre y director espiritual el maestro ha de basar su trato con los alumnos en el amor al modo como el párroco con sus feligreses lo que implica también suavidad y paciencia antes de aplicar los castigos no dejándose llevar por la cólera y valiéndose como estímulo de los premios mejor que de la vara que tiene por acción servil que en nada aprovecha aunque no descarta otros castigos físicos como poner al alumno de rodillas con los brazos en cruz.8 1 "Tres-cents anys del naixement de fra Lluís d'Olot" El Cartipas Edició: Institut de Cultura de la Ciutat d'Olot i Arxiu Comarcal de la Garrotxa n.º 126 febrero de 2020. 2 Galende Diccionario biográfico español. 3 Cotarelo 1913 p. 115. 4 Rico 1903 p. 128. 5 Cotarelo 1913 p. 116. 6 Cotarelo 1913 p. 118. 7 Sabaté 1985 p. 221. 8 Sabaté 1985 pp. 222-223.
2008ref. CBS-9781934115558Sp Springer 2008. New. Sp Springer unknown
2008ref. CBS-9781934115558Sp Springer 2008. New. Sp Springer unknown
2021ref. __0049200925Taylor & Francis 2021. Hardcover. New. 1136 pages. 9.50x6.25x2.50 inches. Taylor & Francis hardcover
1796ref. 0038431796 A Paris, chez Benoît Dandré, Garnery & Obré, An IV [1796]. Un volume (sur 2) in-quarto (208 X 260) basane fauve granitée, encadrement de roulette dorée sur les plats, dos lisse orné de roulettes dorées en place des nerfs, chainettes et fleurons dorés, pièces de titre et de tomaison maroquin havane foncé, coupes et coiffes filetées (reliure d'époque) ; (2) ff. de faux-titre et titre, portrait-frontispice, XLIV pages de préface du rédacteur, préface de l'auteur, table des chapitres et explication des planches, 510 pages, 16 planches hors-texte. Petites galeries de ver aux 20 premiers feuillets, sans atteinte au texte ; puis deux trous de vers, en fond de cahier et de la grosseur d'une tête d'épingle, jusqu'à la page 104 pour le premier trou, et jusqu'à la fin du volume pour le second.
