Paquin, Jill D (Editor)Biblio.com
288 résultats
2020réf. x-0367583771Taylor & Francis 2020. Paperback. New. 134 pages. 9.69x6.85x0.32 inches. Taylor & Francis paperback
2021réf. x-103208698XRoutledge 2021. Paperback. New. 242 pages. 9.21x6.14x0.67 inches. Routledge paperback
réf. A9780367601775Paperback / softback. New. Taking a new approach by examining the impact of the transferability of law on end-users and by focussing on how appropriate norms are applied in specific situations the book documents how contractual disputes arise and are solved and calls for a reconsideration of current law and development theory as well as the role of contract law in business paperback
réf. 17855202-6Oxford University Press Incorporated. Used - Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. Oxford University Press, Incorporated unknown
2006réf. DADAX0367583771Routledge 2020-06-30. 1. paperback. New. 6.86x0.31x9.69. Buy with confidence. Excellent Customer Service & Return policy. Routledge paperback
réf. 5316452-6Industrial Press Incorporated. Used - Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. Industrial Press, Incorporated unknown
réf. A9780774827065Hardback. New. This volume re-examines 9/11's effect on North American security policy and international relations from a trilateral rather than a bilateral perspective. hardcover
2012réf. x-2760307808Univ of Ottawa Pr 2012. Paperback. New. 426 pages. French language. 9.75x6.75x1.00 inches. Univ of Ottawa Pr paperback
2018réf. x-3319610023Palgrave Macmillan 2018. Paperback. New. 359 pages. 8.50x5.75x0.75 inches. Palgrave Macmillan paperback
2012réf. x-3642866174Springer Verlag 2012. Paperback. New. reprint edition. 854 pages. German language. 9.25x6.10x1.81 inches. Springer Verlag paperback
2017réf. x-0998014605Amer Arachnological Society 2017. Paperback. New. 2nd spi rev edition. 431 pages. 11.00x10.00x1.50 inches. Amer Arachnological Society paperback
2009réf. DADAX0415499615Routledge 2009-01-30. 1. paperback. New. 6.15x0.47x9.22. Buy with confidence. Excellent Customer Service & Return policy. Routledge paperback
1977réf. ZB601102Montreal: Stanke 1977. one leaf of text 24 folding enlarged reproductions of the front pages of newspapers from 1917 to 1976 dealing with autonomy and independence for Quebec; all loose in paper covered board folder with pocket; folder rubbed and worn with hinges split reproductions near fine. - If you are reading this this item is actually physically in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties taxes or fees required by recipient's country. Photos available upon request. Montreal: Stanke unknown
2009réf. SKU0593379Council on Social Work Education 2009-08-03. paperback. Good. 5x1x8. Textbook May Have Highlights Notes and/or Underlining BOOK ONLY-NO ACCESS CODE NO CD Ships with Tracking Council on Social Work Education paperback
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1998réf. 173099N.p.: Fine Line Features 1998. Eight vintage satin-finished studio still photographs from the 1998 film. Based on the 1984 play by David Rabe. Follows a group of Hollywood directors and actors who find purpose in their increasingly hedonistic lifestyles. Set in Hollywood shot on location in California. 8 x 10 inches. Fine. Fine Line Features unknown
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2020réf. AME_9783132429673Thieme 2020. 1st. Hardcover. New/New. Thieme hardcover
2019réf. __613951438XÉditions universitaires européennes 2019. Paperback. New. 144 pages. French language. 8.66x5.91x0.33 inches. Éditions universitaires européennes paperback
1913réf. 89500Paris 1913. Fine. Paris Octobre 1913 19 x 24.50 cm une feuille Original colour print heightened in palladium printed on laid paper and signed at the bottom right outside the plate. Original engraving produced for the illustration of La Gazette du Bon Ton one of the most beautiful and influential fashion journals of the 20th century celebrating the talent of French designers and artists at the height of the Art Deco era. A celebrated fashion magazine established in 1912 by Lucien Vogel La Gazette du bon ton appeared until 1925 with a hiatus from 1915 to 1920 due to the war the editor-in-chief having been called up for service. It consisted of 69 issues printed in only 2000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great designers. Right from the start this sumptuous publication was aimed at bibliophiles and fashionable society Françoise Tétart-Vittu La Gazette du bon ton in Dictionnaire de la mode 2016 and was printed on fine vergé paper using a type cut specially for the magazine by Georges Peignot known as Cochin later used in 1946 by Christian Dior. The prints were made using stencils heightened in colors some highlighted in gold or palladium. The story began in 1912 when Lucien Vogel a man of the world involved in fashion he had already been part of the fashion magazine Femina decided with his wife Cosette de Brunhoff the sister of Jean creator of Babar to set up the Gazette du bon ton subtitled at the time: Art fashion frivolities. Georges Charensol noted the reasoning of the editor-in-chief: In 1910 he observed there was no really artistic fashion magazine nothing representative of the spirit of the time. My dream was therefore to make a luxury magazine with truly modern artists I was assured of success because when it comes to fashion no country on earth can compete with France. Un grand éditeur dart. Lucien Vogel in Les Nouvelles littéraires no. 133 May 1925. The magazine was immediately successful not only in France but also in the United States and Latin America. At first Vogel put together a team of seven artists: André-Édouard Marty and Pierre Brissaud followed by Georges Lepape and Dammicourt as well as eventually his friends from school and the School of Fine Arts like George Barbier Bernard Boutet de Monvel and Charles Martin. Other talented people soon came flocking to join the team: Guy Arnoux Léon Bakst Benito Boutet de Monvel Umberto Brunelleschi Chas Laborde Jean-Gabriel Domergue Raoul Dufy Édouard Halouze Alexandre Iacovleff Jean Émile Laboureur Charles Loupot Chalres Martin Maggie Salcedo. These artist mostly unknown when Lucien Vogel sought them out later became emblematic and sought-after artistic figures. It was also they who worked on the advertising drawings for the Gazette. The plates put the spotlight on and celebrate dresses by seven designers of the age: Lanvin Doeuillet Paquin Poiret Worth Vionnet and Doucet. The designers provided exclusive models for each issue. Nonetheless some of the illustrations are not based on real models but simply on the illustrators conception of the fashion of the day. The Gazette du bon ton was an important step in the history of fashion. Combining aesthetic demands with the physical whole it brought together for the first time the great talents of the artistic literary and fashion worlds; and imposed through this alchemy a completely new image of women: slender independent and daring which was shared by the new generation of designers including Coco Chanel Jean Patou Marcel Rochas and so on Taken over in 1920 by Condé Montrose Nast the Gazette du bon ton was an important influence on the new layout and aesthetics of that little dying paper that Nast had bought a few years earlier: Vogue. unknown
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