Stephane PaquinBiblio.com
209 resultados
ref. 62114146Taylor & Francis Group . Papeback. New. pp. 208 Taylor & Francis Group unknown
1977ref. ZB601102Montreal: Stanke 1977. one leaf of text 24 folding enlarged reproductions of the front pages of newspapers from 1917 to 1976 dealing with autonomy and independence for Quebec; all loose in paper covered board folder with pocket; folder rubbed and worn with hinges split reproductions near fine. - If you are reading this this item is actually physically in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties taxes or fees required by recipient's country. Photos available upon request. Montreal: Stanke unknown
2013ref. DADAX1409444880Routledge 2013-02-11. 1. hardcover. New. 6.25x0.75x9.25. Buy with confidence. Excellent Customer Service & Return policy. Routledge hardcover
2016ref. 2-2760636658PU Montréal 2016. Paperback. New. French language. 9.13x6.06x1.18 inches. PU Montréal paperback
ref. DADAX0199018960Oxford University Press 2016-04-01. 1. paperback. New. 8.90x6.00x0.60. Buy with confidence. Excellent Customer Service & Return policy. Oxford University Press paperback
ref. A9781032670409Paperback / softback. New. This book uses the Russian invasion of Ukraine as a compelling and dramatic case study to engage with ten key concepts of International Relations. paperback
ref. 1558441921.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
ref. 51531252-nnew. unknown
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2016ref. BN130343Glossika 2016. 2016. French Fluency 1. Complete Fluency Course French Fluency 1. Complete Fluency Course Campbell Michael Paquin Maxime Glossika unknown
ref. 41475853-nnew. unknown
2000ref. BN279923Duncker & Humblot Gmbh Duncker & Humblot 2000. 2000. Softcover. Internationale Joint Venture als Organisationsform des Technologietransfers. Internationale Joint Venture als Organisationsform des Technologietransfers. Ralf Paquin Duncker & Humblot Gmbh, Duncker & Humblot paperback
1980ref. BN451804Les Presses de L´Universite Laval Toronto 1980. 1980. Dictionnaire Biographique du Canada Volume IV. 1771 1800 Hors-Collection Dictionnaire Biographique du Canada Volume IV. 1771 1800 Hors-Collection Filteau Huguette und Michel et al Paquin Les Presses de L´Universite Laval Toronto unknown
2001ref. BN511993Editions du Chêne 2001. 2001. Hardcover. Rêves d'épices poivres et piments. Les recettes Fauchon Rêves d'épices poivres et piments. Les recettes Fauchon Marie Abadie Jean-Pierre Dieterlen et Marianne Paquin Editions du Chêne hardcover
1970ref. BN598025Christliche Verlagsanst 1970. 1970. Softcover. Die kleine Reisetasche. Die kleine Reisetasche. Grete Paquin Christliche Verlagsanst paperback
2021ref. BN672308Kennes Editions 2021. 2021. Softcover. L'Asile du Nord : Camille - offre découverte L'Asile du Nord : Camille - offre découverte Carine Paquin Kennes Editions paperback
2005ref. BN704871Denoël 2005. 2005. Softcover. Vingt ans sans dormir Vingt ans sans dormir Paquita Paquin Denoël paperback
ref. 51825321like new. unknown
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ref. 20983950-nnew. unknown
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ref. 11518306-nnew. unknown
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ref. 41477568-nnew. unknown
1913ref. 89500Paris 1913. Fine. Paris Octobre 1913 19 x 24.50 cm une feuille Original colour print heightened in palladium printed on laid paper and signed at the bottom right outside the plate. Original engraving produced for the illustration of La Gazette du Bon Ton one of the most beautiful and influential fashion journals of the 20th century celebrating the talent of French designers and artists at the height of the Art Deco era. A celebrated fashion magazine established in 1912 by Lucien Vogel La Gazette du bon ton appeared until 1925 with a hiatus from 1915 to 1920 due to the war the editor-in-chief having been called up for service. It consisted of 69 issues printed in only 2000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great designers. Right from the start this sumptuous publication was aimed at bibliophiles and fashionable society Françoise Tétart-Vittu La Gazette du bon ton in Dictionnaire de la mode 2016 and was printed on fine vergé paper using a type cut specially for the magazine by Georges Peignot known as Cochin later used in 1946 by Christian Dior. The prints were made using stencils heightened in colors some highlighted in gold or palladium. The story began in 1912 when Lucien Vogel a man of the world involved in fashion he had already been part of the fashion magazine Femina decided with his wife Cosette de Brunhoff the sister of Jean creator of Babar to set up the Gazette du bon ton subtitled at the time: Art fashion frivolities. Georges Charensol noted the reasoning of the editor-in-chief: In 1910 he observed there was no really artistic fashion magazine nothing representative of the spirit of the time. My dream was therefore to make a luxury magazine with truly modern artists I was assured of success because when it comes to fashion no country on earth can compete with France. Un grand éditeur dart. Lucien Vogel in Les Nouvelles littéraires no. 133 May 1925. The magazine was immediately successful not only in France but also in the United States and Latin America. At first Vogel put together a team of seven artists: André-Édouard Marty and Pierre Brissaud followed by Georges Lepape and Dammicourt as well as eventually his friends from school and the School of Fine Arts like George Barbier Bernard Boutet de Monvel and Charles Martin. Other talented people soon came flocking to join the team: Guy Arnoux Léon Bakst Benito Boutet de Monvel Umberto Brunelleschi Chas Laborde Jean-Gabriel Domergue Raoul Dufy Édouard Halouze Alexandre Iacovleff Jean Émile Laboureur Charles Loupot Chalres Martin Maggie Salcedo. These artist mostly unknown when Lucien Vogel sought them out later became emblematic and sought-after artistic figures. It was also they who worked on the advertising drawings for the Gazette. The plates put the spotlight on and celebrate dresses by seven designers of the age: Lanvin Doeuillet Paquin Poiret Worth Vionnet and Doucet. The designers provided exclusive models for each issue. Nonetheless some of the illustrations are not based on real models but simply on the illustrators conception of the fashion of the day. The Gazette du bon ton was an important step in the history of fashion. Combining aesthetic demands with the physical whole it brought together for the first time the great talents of the artistic literary and fashion worlds; and imposed through this alchemy a completely new image of women: slender independent and daring which was shared by the new generation of designers including Coco Chanel Jean Patou Marcel Rochas and so on Taken over in 1920 by Condé Montrose Nast the Gazette du bon ton was an important influence on the new layout and aesthetics of that little dying paper that Nast had bought a few years earlier: Vogue. unknown
