209 Ergebnisse
2019Best.-Nr. __3132429678Thieme/Houben-Weyl Series 2019. Hardcover. New. 484 pages. 10.00x6.75x10.00 inches. Thieme/Houben-Weyl Series hardcover
Best.-Nr. 1391756770.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
Best.-Nr. 1396741925.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1985Best.-Nr. G0831110104I5N01Industrial Press Incorporated 1985. Paperback. Acceptable. Disclaimer:A readable copy. All pages are intact and the cover is intact. Pages can include considerable notes-in pen or highlighter-but the notes cannot obscure the text. The dust jacket is missing. At ThriftBooks our motto is: Read More Spend Less. Industrial Press, Incorporated paperback
1999Best.-Nr. RO40017201Ecrits des Hautes Terres. 1999. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 94 pages augmentées de 6 planches de reproductions d'oeuvres en couelurs.. . . . Classification Dewey : 840.091-XX ème siècle
1970Best.-Nr. BN598025Christliche Verlagsanst 1970. 1970. Softcover. Die kleine Reisetasche. Die kleine Reisetasche. Grete Paquin Christliche Verlagsanst paperback
1997Best.-Nr. 66953Los Angeles: The Getty Conservation Institute and the J. Paul Getty Museum 1997. First Edition. Trade paperback. Fine. This book recounts the story of Simon Rodia and his creation as well as the considerable history of the Watts area itself. Other chapters discuss Rodia's building techniques and materials as well as the conservation efforts underway at the site. Signed by the authors on the title page. Quarto. Original pictorial paper wrappers. A fine copy. The Getty Conservation Institute and the J. Paul Getty Museum unknown books
1980Best.-Nr. 12282Les Presses de l'Université de Montréal In-8 à l'italienne Couverture souple Montréal 1980
1913Best.-Nr. 89500Paris 1913. Fine. Paris Octobre 1913 19 x 24.50 cm une feuille Original colour print heightened in palladium printed on laid paper and signed at the bottom right outside the plate. Original engraving produced for the illustration of La Gazette du Bon Ton one of the most beautiful and influential fashion journals of the 20th century celebrating the talent of French designers and artists at the height of the Art Deco era. A celebrated fashion magazine established in 1912 by Lucien Vogel La Gazette du bon ton appeared until 1925 with a hiatus from 1915 to 1920 due to the war the editor-in-chief having been called up for service. It consisted of 69 issues printed in only 2000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great designers. Right from the start this sumptuous publication was aimed at bibliophiles and fashionable society Françoise Tétart-Vittu La Gazette du bon ton in Dictionnaire de la mode 2016 and was printed on fine vergé paper using a type cut specially for the magazine by Georges Peignot known as Cochin later used in 1946 by Christian Dior. The prints were made using stencils heightened in colors some highlighted in gold or palladium. The story began in 1912 when Lucien Vogel a man of the world involved in fashion he had already been part of the fashion magazine Femina decided with his wife Cosette de Brunhoff the sister of Jean creator of Babar to set up the Gazette du bon ton subtitled at the time: Art fashion frivolities. Georges Charensol noted the reasoning of the editor-in-chief: In 1910 he observed there was no really artistic fashion magazine nothing representative of the spirit of the time. My dream was therefore to make a luxury magazine with truly modern artists I was assured of success because when it comes to fashion no country on earth can compete with France. Un grand éditeur dart. Lucien Vogel in Les Nouvelles littéraires no. 133 May 1925. The magazine was immediately successful not only in France but also in the United States and Latin America. At first Vogel put together a team of seven artists: André-Édouard Marty and Pierre Brissaud followed by Georges Lepape and Dammicourt as well as eventually his friends from school and the School of Fine Arts like George Barbier Bernard Boutet de Monvel and Charles Martin. Other talented people soon came flocking to join the team: Guy Arnoux Léon Bakst Benito Boutet de Monvel Umberto Brunelleschi Chas Laborde Jean-Gabriel Domergue Raoul Dufy Édouard Halouze Alexandre Iacovleff Jean Émile Laboureur Charles Loupot Chalres Martin Maggie Salcedo. These artist mostly unknown when Lucien Vogel sought them out later became emblematic and sought-after artistic figures. It was also they who worked on the advertising drawings for the Gazette. The plates put the spotlight on and celebrate dresses by seven designers of the age: Lanvin Doeuillet Paquin Poiret Worth Vionnet and Doucet. The designers provided exclusive models for each issue. Nonetheless some of the illustrations are not based on real models but simply on the illustrators conception of the fashion of the day. The Gazette du bon ton was an important step in the history of fashion. Combining aesthetic demands with the physical whole it brought together for the first time the great talents of the artistic literary and fashion worlds; and imposed through this alchemy a completely new image of women: slender independent and daring which was shared by the new generation of designers including Coco Chanel Jean Patou Marcel Rochas and so on Taken over in 1920 by Condé Montrose Nast the Gazette du bon ton was an important influence on the new layout and aesthetics of that little dying paper that Nast had bought a few years earlier: Vogue. unknown
1913Best.-Nr. 89500Paris Octobre 1913 | 19 x 24.50 cm | une feuille
Best.-Nr. 20983950-nnew. unknown
Best.-Nr. 49733498like new. unknown
2025Best.-Nr. x-303176112XPalgrave Macmillan 2025. Hardcover. New. 375 pages. 8.26x5.82x8.28 inches. Palgrave Macmillan hardcover
1980Best.-Nr. BN451804Les Presses de L´Universite Laval Toronto 1980. 1980. Dictionnaire Biographique du Canada Volume IV. 1771 1800 Hors-Collection Dictionnaire Biographique du Canada Volume IV. 1771 1800 Hors-Collection Filteau Huguette und Michel et al Paquin Les Presses de L´Universite Laval Toronto unknown
Best.-Nr. Bloomsbury-9780810877597Scarecrow Press. Hardback. New. 288 pages Scarecrow Press hardcover
Best.-Nr. Bloomsbury-9780810877597Scarecrow Press. Hardback. New. 288 pages Scarecrow Press hardcover
Best.-Nr. 1396366997.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
Best.-Nr. 139098009X.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1973Best.-Nr. 4396Gallimard 1973 212 pages collection blanche. in8. 1973. broché. 212 pages.
1979Best.-Nr. RO20027334Editions de la Différence. 1979. In-8. Relié. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 119 pages. Couverture en plié. Reliure éditeur. Jacquette Abimée.. . . . Classification Dewey : 152.4-L'amour
Best.-Nr. 61299738IWA Publishing . Papeback. New. pp. 104 IWA Publishing unknown
2008Best.-Nr. __184339796XWERF 2008. Paperback. New. 90 pages. 10.90x8.10x0.30 inches. WERF paperback
2005Best.-Nr. 109733Montreal: Galerie de Bellefeuille 2005. Softcover. VG As new. Color illus. wraps; 24 pp.; 19 color plates. Parallel text French and English; From the exhibition held February 2 - 13 2006. Galerie de Bellefeuille unknown books
Best.-Nr. 119437A Paris, Aux bureaux du Journal des Dames, de 1912 à 1914, 4 tomes in-8, contiennent les 79 numéros parus, complets des 186 planches gravées coloriées au pochoir (184 +2), menu illustré par Boscher au numéro du mois de décembre 1913, tirage à 1279 exemplaires numérotés, un des 1250 exemplaires numérotés sur papier de Hollande (n°1009). 79 fascicules aux cahiers non coupés, non cousus, sous leur couverture de livraison titrée bleue, bleu-vert, ou grise, regroupés sous 4 chemises éditeur papier bleues titrées (par année pour 1912, par semestre pour 1913 et 1914). Chaque numéro contient : 4 pages publicitaires en supplément, 8 pages de chroniques littéraires ou poèmes, 1 ou plusieurs planches hors-texte rehaussées au pochoir; le premier numéro contient en plus une préface de 8 pages et 1 feuillet fac-similé de la première page du Journal de mai 1812. Menus défauts aux chemises I et II (légères taches, petites déchirures), un numéro avec des traces de mouillures (n°73), de très rares rousseurs (pl.17 et 26), sinon intérieur en très bon état, les planches et les couleurs sont magnifiques, bon état général.
With 16 illustrations. xxi; 246 pages; 31 pages of publishers list. Dark red covers, gilt title on spine. Front pastedown hinge cracked; spine faded, light soiling to covers; light foxing on free endpapers.
