285 Ergebnisse
1997Best.-Nr. Q-0892364912Getty Conservation Institute 1997-12-04. paperback. New. In shrink wrap. Looks like an interesting title! Getty Conservation Institute paperback
1980Best.-Nr. 12282Les Presses de l'Université de Montréal In-8 à l'italienne Couverture souple Montréal 1980
1990Best.-Nr. 236556Québécor 1990 201 pages in8. 1990. Broché. 201 pages. Un guide pratique qui explique tout du phénomène: consommateurs drogues et leurs effets trafic suggestions aux parents aide aux toxicomanes
1913Best.-Nr. 89500Paris Octobre 1913 | 19 x 24.50 cm | une feuille
1913Best.-Nr. 89500Paris 1913. Fine. Paris Octobre 1913 19 x 24.50 cm une feuille Original colour print heightened in palladium printed on laid paper and signed at the bottom right outside the plate. Original engraving produced for the illustration of La Gazette du Bon Ton one of the most beautiful and influential fashion journals of the 20th century celebrating the talent of French designers and artists at the height of the Art Deco era. A celebrated fashion magazine established in 1912 by Lucien Vogel La Gazette du bon ton appeared until 1925 with a hiatus from 1915 to 1920 due to the war the editor-in-chief having been called up for service. It consisted of 69 issues printed in only 2000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great designers. Right from the start this sumptuous publication was aimed at bibliophiles and fashionable society Françoise Tétart-Vittu La Gazette du bon ton in Dictionnaire de la mode 2016 and was printed on fine vergé paper using a type cut specially for the magazine by Georges Peignot known as Cochin later used in 1946 by Christian Dior. The prints were made using stencils heightened in colors some highlighted in gold or palladium. The story began in 1912 when Lucien Vogel a man of the world involved in fashion he had already been part of the fashion magazine Femina decided with his wife Cosette de Brunhoff the sister of Jean creator of Babar to set up the Gazette du bon ton subtitled at the time: Art fashion frivolities. Georges Charensol noted the reasoning of the editor-in-chief: In 1910 he observed there was no really artistic fashion magazine nothing representative of the spirit of the time. My dream was therefore to make a luxury magazine with truly modern artists I was assured of success because when it comes to fashion no country on earth can compete with France. Un grand éditeur dart. Lucien Vogel in Les Nouvelles littéraires no. 133 May 1925. The magazine was immediately successful not only in France but also in the United States and Latin America. At first Vogel put together a team of seven artists: André-Édouard Marty and Pierre Brissaud followed by Georges Lepape and Dammicourt as well as eventually his friends from school and the School of Fine Arts like George Barbier Bernard Boutet de Monvel and Charles Martin. Other talented people soon came flocking to join the team: Guy Arnoux Léon Bakst Benito Boutet de Monvel Umberto Brunelleschi Chas Laborde Jean-Gabriel Domergue Raoul Dufy Édouard Halouze Alexandre Iacovleff Jean Émile Laboureur Charles Loupot Chalres Martin Maggie Salcedo. These artist mostly unknown when Lucien Vogel sought them out later became emblematic and sought-after artistic figures. It was also they who worked on the advertising drawings for the Gazette. The plates put the spotlight on and celebrate dresses by seven designers of the age: Lanvin Doeuillet Paquin Poiret Worth Vionnet and Doucet. The designers provided exclusive models for each issue. Nonetheless some of the illustrations are not based on real models but simply on the illustrators conception of the fashion of the day. The Gazette du bon ton was an important step in the history of fashion. Combining aesthetic demands with the physical whole it brought together for the first time the great talents of the artistic literary and fashion worlds; and imposed through this alchemy a completely new image of women: slender independent and daring which was shared by the new generation of designers including Coco Chanel Jean Patou Marcel Rochas and so on Taken over in 1920 by Condé Montrose Nast the Gazette du bon ton was an important influence on the new layout and aesthetics of that little dying paper that Nast had bought a few years earlier: Vogue. unknown
1914Best.-Nr. 84687Paris: Lucien Vogel éditeur 1914. Fine. Lucien Vogel éditeur Paris Janvier 1914 19 x 24.50 cm une feuille Original color print heightened with gold printed on laid paper signed at bottom right of the plate. Original engraving created for the illustration of La Gazette du bon ton one of the most beautiful and influential fashion magazines of the 20th century celebrating the talent of French creators and artists in the full bloom of Art Deco. Famous fashion magazine founded in 1912 by Lucien Vogel La Gazette du bon ton was published until 1925 with an interruption during the War from 1915 to 1920 due to the mobilization of its editor-in-chief. It consists of 69 issues printed in only 2000 copies and is illustrated notably with 573 color plates and 148 sketches representing models by great couturiers. From their publication these luxurious publications ""addressed bibliophiles and worldly aesthetes"" Françoise Tétart-Vittu ""La Gazette du bon ton"" in Dictionnaire de la mode 2016. Printed on fine laid paper they use a typeface specially created for the magazine by Georges Peignot the Cochin character adopted in 1946 by Christian Dior. The prints are created using the metal stencil technique heightened in colors and for some highlighted with gold or palladium. The adventure begins in 1912 when Lucien Vogel man of the world and fashion - he had already participated in the magazine Femina - decides to found with his wife Cosette de Brunhoff sister of Jean father of Babar the Gazette du bon ton whose subtitle was then ""Art modes et frivolités"". Georges Charensol reports the words of the editor-in-chief: ""In 1910 he observes there existed no fashion journal truly artistic and representative of the spirit of its time. I therefore thought of making a luxury magazine with truly modern artists . I was certain of success because for fashion no country can rival France."" ""Un grand éditeur d'art. Lucien Vogel"" in Les Nouvelles littéraires n°133 May 1925. The magazine's success is immediate not only in France but also in the United States and South America. Originally Vogel thus brings together a group of seven artists: André-Édouard Marty and Pierre Brissaud followed by Georges Lepape and Dammicourt; and finally his friends from the École des beaux-arts who are George Barbier Bernard Boutet de Monvel or Charles Martin. Other talents quickly come to join the team: Guy Arnoux Léon Bakst Benito Boutet de Monvel Umberto Brunelleschi Chas Laborde Jean-Gabriel Domergue Raoul Dufy Édouard Halouze Alexandre Iacovleff Jean Émile Laboureur Charles Loupot Charles Martin Maggie Salcedo. These artists mostly unknown when Lucien Vogel calls upon them will subsequently become emblematic and sought-after artistic figures. These same illustrators create the drawings for the Gazette's advertisements. The plates highlight and sublimate the dresses of seven creators of the era: Lanvin Doeuillet Paquin Poiret Worth Vionnet and Doucet. The couturiers provide exclusive models for each issue. Nevertheless some of the illustrations feature no real model but only the idea that the illustrator has of the fashion of the day. La Gazette du bon ton is a decisive step in fashion history. Combining aesthetic demands and plastic unity it brings together for the first time the great talents of the world of arts letters and fashion and imposes through this alchemy a completely new image of woman slender independent and audacious also carried by the new generation of couturiers Coco Chanel Jean Patou Marcel Rochas. Taken over in 1920 by Condé Montrose Nast La Gazette du bon ton will largely inspire the new composition and aesthetic choices of the ""small dying journal"" that Nast had bought a few years earlier: Vogue magazine. Lucien Vogel éditeur unknown
2009Best.-Nr. SKU0593379Council on Social Work Education 2009-08-03. paperback. Good. 5x1x8. Textbook May Have Highlights Notes and/or Underlining BOOK ONLY-NO ACCESS CODE NO CD Ships with Tracking Council on Social Work Education paperback
2007Best.-Nr. 1-0872931293Council on Social Work Education 2007. Paperback. New. 1st edition. 380 pages. 9.00x5.90x1.00 inches. Council on Social Work Education paperback
Best.-Nr. 49733498like new. unknown
2025Best.-Nr. x-303176112XPalgrave Macmillan 2025. Hardcover. New. 375 pages. 8.26x5.82x8.28 inches. Palgrave Macmillan hardcover
1980Best.-Nr. BN451804Les Presses de L´Universite Laval Toronto 1980. 1980. Dictionnaire Biographique du Canada Volume IV. 1771 1800 Hors-Collection Dictionnaire Biographique du Canada Volume IV. 1771 1800 Hors-Collection Filteau Huguette und Michel et al Paquin Les Presses de L´Universite Laval Toronto unknown
Best.-Nr. Bloomsbury-9780810877597Scarecrow Press. Hardback. New. 288 pages Scarecrow Press hardcover
Best.-Nr. Bloomsbury-9780810877597Scarecrow Press. Hardback. New. 288 pages Scarecrow Press hardcover
Best.-Nr. ria9780810877597_inpHardcover. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; Johana Harris: A Biography brings to light the life of an unheralded musical genius as well as providing new information on her husband composer Roy Harris about whom very little is known. This revealing look at the lives of two impo hardcover
Best.-Nr. 0266472826.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
Best.-Nr. 0428592767.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
Best.-Nr. 139098009X.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
Best.-Nr. 1396366997.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
Best.-Nr. 0282713530.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
Best.-Nr. 0428293026.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1973Best.-Nr. 4396Gallimard 1973 212 pages collection blanche. in8. 1973. broché. 212 pages.
1979Best.-Nr. RO20027334Editions de la Différence. 1979. In-8. Relié. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 119 pages. Couverture en plié. Reliure éditeur. Jacquette Abimée.. . . . Classification Dewey : 152.4-L'amour
Best.-Nr. 61299738IWA Publishing . Papeback. New. pp. 104 IWA Publishing unknown
2008Best.-Nr. __184339796XWERF 2008. Paperback. New. 90 pages. 10.90x8.10x0.30 inches. WERF paperback
Best.-Nr. 119437A Paris, Aux bureaux du Journal des Dames, de 1912 à 1914, 4 tomes in-8, contiennent les 79 numéros parus, complets des 186 planches gravées coloriées au pochoir (184 +2), menu illustré par Boscher au numéro du mois de décembre 1913, tirage à 1279 exemplaires numérotés, un des 1250 exemplaires numérotés sur papier de Hollande (n°1009). 79 fascicules aux cahiers non coupés, non cousus, sous leur couverture de livraison titrée bleue, bleu-vert, ou grise, regroupés sous 4 chemises éditeur papier bleues titrées (par année pour 1912, par semestre pour 1913 et 1914). Chaque numéro contient : 4 pages publicitaires en supplément, 8 pages de chroniques littéraires ou poèmes, 1 ou plusieurs planches hors-texte rehaussées au pochoir; le premier numéro contient en plus une préface de 8 pages et 1 feuillet fac-similé de la première page du Journal de mai 1812. Menus défauts aux chemises I et II (légères taches, petites déchirures), un numéro avec des traces de mouillures (n°73), de très rares rousseurs (pl.17 et 26), sinon intérieur en très bon état, les planches et les couleurs sont magnifiques, bon état général.
