10.925 resultados
1992ref. 005794London UK: The Folio Society Ltd./Oxford University Press 1992. Hardcover. As New/As New Slipcase. 4to - over 9¾ - 12" tall. M. S. Bodley. Blue cloth covered spine has gilt text on spine only three miniature facsimile reproductions on each of the front and rear yellow paper covered panels. Bookseller's Inventory # 225794. The Folio Society Ltd./Oxford University Press hardcover
2009ref. __1572304847Guilford Pubn 2009. Hardcover. New. 3rd edition. 653 pages. 9.25x6.50x1.25 inches. Guilford Pubn hardcover
2023ref. x-0192843567Oxford Univ Pr 2023. Hardcover. New. 352 pages. 9.45x6.46x1.18 inches. Oxford Univ Pr hardcover
2008ref. mon0000225591Berg 3PL 2008-02-01. Hardcover. New. 2.3982 in x 23.5821 in x 16.1877 in. Berg 3PL hardcover
ref. 5763348Good. No Hassle 30 Day Returns Ships Daily Underlining/Highlighting: NONE Writing: None unknown
1865ref. 32548F.A. Howe. Good. 1865. Full-Leather. Good full leather edition about a half inch of the leather is missing at the top of the spine. Wear to corners and some light foxing to text. ; 8vo 8" - 9" tall; 764 pages . F.A. Howe hardcover
ref. SKU0462291Oxford University Press 2019-07-01. Paperback. Good. Textbook May Have Highlights Notes and/or Underlining BOOK ONLYNO ACCESS CODE NO CD Ships with Emailed Tracking Oxford University Press paperback
1913ref. 57771Paris: S. n. 1913. Fine. S. n. Paris 1913 14 x 22.50 cm une feuille original print in color printed on laid paper signed on the top left of the board. One of the first French fashion magazines published a few days before the famous Gazette fashionable and bringing together the greatest French artists of the Art Deco movement. The Journal ladies and modes is a trimensuelle illustrated French fashion magazine created in 1797. Its publication was stopped in 1839 before being taken in June 1912 under the leadership of Tommaso Antongini secretary friend and biographer of Gabriele 'Annunzio. It will disappear in August 1914 on the eve of the First World War. The review was drawn in 1279 copies making it for the time a relatively confidential publication. The 186 plates with great finesse are engraved on strong paper and colored stencil. They represent the majority of the time women but also men and children. The models are not unlike those of the Gazette fashionable whose publication will be launched a few months later those renowned couturiers but are the fruit of the imagination of the illustrators themselves. The stencils are mostly executed by George Barbier but other artists collaborating on the magazine: Léon Bakst B. Berty Bernard Boutet de Monvel Roger Broders Jan van Brock Umberto Brunelleschi H. Robert Dammy Etienne Drian Abel Faivre Marie-Madeleine Franc-Nohain Xavier Gosé Paul Iribe Kriegck Victor Lhuer Pierre Legrain Charles Martin Fernand Simeon Ismael Smith Armand Vallee and Gerda Wegener. Many of these illustrators will also be involved in The Gazette fashionable. Their work emblematic of the Art Deco movement emphasize the influence of Orientalism and costumes of the Ballets Russes while registering in the daily activities of affluent French of the time. From the preface of the first issue of 1912 Anatole France said: ""After seventy-five years he is reborn. He is reborn through the efforts of a few ingenious minds and artists. He is reborn for the curious if there is that do not simply modes newspaper fired several thousand and illustrated by photography. And if publishers make us very exactly in its format with its paper printing its processes of etching and coloring the old classic patterns of the past is that they intend to continue the pleasantly and become charming classic fashion of today and tomorrow. "" S. n. unknown
ref. A9780761909439Paperback / softback. New. Barber delineates three stages of recruitment - generating applicants maintaining applicant status & influencing job choice - and discusses relevant existing knowledge and important unanswered questions. For professionals and students. paperback
2000ref. X495London: The Folio Society 2000. Deluxe binding . Hardback. Fine/Slipcase. 8vo. Roman Pisarev. 726pp. 3 volumes set in a matching slipcase. 1st printing. Quarter black leather bindings with illus. boards. Green illus. slipcase near fine. No inscriptions or fading. The Holy Grail Tristan and Arthur. Small rubbig mark to the slipcase cover. The Folio Society hardcover
ref. 699169512Other. New. pp. xii 172 unknown
ref. A9781843766018Hardback. New. Through in-depth case studies of local communities in four distinct coastal areas in Southern Thailand the authors are able to assess objectively the underlying economic causes and consequences of mangrove deforestation due to the expansion of shrimp farms. hardcover
1831ref. 19129New Haven CT.: J. W Barber 1831. First edition. leather spine over marbeled paper. . Very good. Small thin volume. Rebound in red quarter calf with marbeled boards v ery good. Interior good with foxing and spots on pages with some pages having weat at edges. Colored map frontis and 6 other plates 1 missing. Plates included are S. view of New Haven Public Square of New Haven Yale East Rock West Rock City Plan of New Haven. 106 p. w/ a few b&w illus. with text. Barber d. 1885 was an engraver who wrote illustrated and published a number of local history books about Connecticut. J. W Barber hardcover
2008ref. 321944The Folio Society 2008. Hard Covers -- 3 Volume Set with Sipcase in Original Shrinkwrap -- As New -- SHIPPING ONLY IN U.S. AND BY MEDIA RATE ONLY -- Chronicles of the Dark Ages -- 3 Volume Set with Sipcase in Original Shrinkwrap. -- Vol. 1 The Coming of the Anglo-Saxons / Vol. 2 Anglo-Saxon Lore and Learning / Vol. 3 The Fall of the Anglo-Saxon Kingdoms. Hard Covers. As New/Slipcase. The Folio Society Hardcover
ref. 22880This original lithograph with hand applied color pochoir from the Gazette du Bon Ton 1921 plate 28. It is by George Barbier. A beautiful lithograph in Excellent shape with light age toning along the edges see scansMedium: Lithograph with hand -applied color. pochoirGeorge Barbier 1882-1932 was one of the great French illustrators of the early part of the 20th century. He mounted his first exhibition in 1911 and was subsequently swept to the forefront of his profession with commissions to design theatre and ballet costumes to illustrate books and to produce haute couture fashion illustrations. His prints for the Gazette du Bon Ton are amongst the most desirable produced by that fashion periodical.La Gazette du Bon Ton was a leading fashion magazine published in France from November 1912 to 1925 with a hiatus taken during the war years. Founded by Lucien Vogel the magazine covered the latest developments in fashion lifestyle and beauty. It was available by subscription only published on fine paper and meant to appeal to the upper echelon of Parisian society. The centerpiece of the Gazette were ten full-page fashion plates included with each issue with many featuring pochoir coloring which is accomplished by adding color to a lithograph by means of a stencil. The results are stunningly beautiful works of art by many of the leading fashion designers and artist of that time including George Barbier Andre Marty Charles Martin Brissaud Lepape Thayaht and Benito.Le Bon Ton d'apres-guerre. Art-Modes-Frivolites. Collection de 200 Planches en Couleurs de George Barbier et al. ; extraites des annees 1920 a 1922 De La Gazette du Bon Ton 2 serie 100 Planches Is the title of the work these prints came from. Basically it is a collection of these original plates assembled in book form attached to the binding by a thin tissue like paper see scans.The prints in the scans is the item you shall receive so please examine closely. unknown
ref. 3573Paris: Dumoulin 1877. ONE OF THE EARLIEST AND MOST IMPORTANT MEDIEVAL FRENCH DRAMATIC WORKS 12th century here printed with the "Quinze signes du jugement" a contemporary poem about the signs of the coming Apocalypse. 3 XII 188 pp. EDITION LIMITED TO 220 COPIES ALL PRINTED ON FINE LAID PAPER. A presentation copy from the editor to Xavier Barbier de Montault 1830-1901 scholar of all things Christian with his bookplate and signed inscription. 4to. Attractively bound in quarter calf and marbled boards. Original wraps bound in. Vicaire VI 316. Very scarce. Paris: Dumoulin, 1877 paperback
1991ref. B5674Mondi 1991-01-01. Hardcover. Very Good. 1991 - Glossy Pictorial boards Book is in very nice condition text is unmarked and pages are tight. Rear cover has 2 scratches. Mondi hardcover
ref. 16-6047Madrid: Fundación Arte Hispánico 2009. Wittenborn Art Books distribution. 4to. 24 x 30cm. 519 pp. Cloth in dust-jacket Fully illustrated in color and black and white Text in Spanish. Heavy book = 8 pounds 2 volume set also available.The chronological catalogue raisonné lists 286 authentic paintings. Each work is accompanied by technical details related historical documents and critical commentary.The first volume is divided into three parts. Part 1 deals with 22 sets of paintings executed by Zurbarán and his assistants. The second part contains a catalogue of works by prominent members of the artist's studio including his son Juan de Zurbarán Francisco and Miguel Polanco and Ignacio de Ries. Part 3 contains a catalogue of works by other members of the artist's studio and followers.Volume 2 includes an Addenda of 7 authentic works by Zurbarán not included in Volume 1 and a discussion of many other related works and people.The Spanish painter Francisco de Zurbarán 1598–1664 worked on the decoration of the royal palace Buen Retiro in Madrid under the direction of Velázquez where he first realized mythological paintings. Back in Sevilla he painted large cycles in local monasteries and other religious figures or portraits of apostles. Zurbarán is one of the greatest painter of the Spanish Golden Age remembered for the austere dignity of his compositions the intensity of his religious depictions the rigorous organization of his still-lifes and his attention to everyday objects represented with a moving simplicity. Madrid: Fundación Arte Hispánico, 2009. (Wittenborn Art Books distribution) hardcover
1982ref. DADAX0859910954D.S. Brewer 1982-11-25. hardcover. New. 6.14x0.50x9.21. Buy with confidence. Excellent Customer Service & Return policy. D.S. Brewer hardcover
1981ref. DADAX0859910814D.S. Brewer 1981-01-01. hardcover. New. 6.14x0.50x9.21. Buy with confidence. Excellent Customer Service & Return policy. D.S. Brewer hardcover
1989ref. DADAX0859912833D.S. Brewer 1989-04-13. First Edition. hardcover. New. 6.25x0.75x9.25. Buy with confidence. Excellent Customer Service & Return policy. D.S. Brewer hardcover
1872ref. 61449Paris: Paul Daffis 1872 - 1879. troisieme edition. Cloth binding 25 cm 1102 / 1339 / 1165 / 1410 pp. Suite de la seconde édition des Supercheries littéraires dévoilées par J.-M. Quérard Avec une table générale des noms réels In 4 vol. complete. Rebound in contemporary cloth. Cond.: goed / good. . Paul Daffis hardcover
1876ref. 71633Edition traduite sur la troisième édition anglaise par Ed. Barbier. Suivie d'une conférence sur les troglodytes de la Vézère Par M. P. Broca. Avec 256 figures intercalées dans le texte, 1 vol. in-8 reliure éditeur pleine percaline brune, toutes tranches dorées, Librairie Germer Baillière, Paris, 1876, VI-639 pp. Rappel du titre complet L'Homme Préhistorique. Étudié d'après les monuments retrouvés dans les différentes parties du monde suivi d'une description comparée des moeurs des sauvages modernes Par Sir John Lubbock M. P., Vice-président de la Société royale, Vice-président de l'Association britannique pour l'avancement des sciences, Président de l'Institut anthropologique.
1904ref. 55048Dressé, dessiné et gravé par MM. Desbuissons, Lorsignol, Lacoste, Fillatreau, Lecocq, Smith, Bizet, Fontaine, Barbier, Soudain, etc., Texte par M. A. Martineau, 1 vol. in-folio reliure éditeur demi-chagrin rouge, Direction et Administration, Paris, 1904, 3 ff et 64 cartes doubles en couleurs avec le texte correspondant en feuillet intercalaire
1924ref. 70965Illustrations de George Barbier, Tirage à 1000 exemplaires, un des 877 exemplaires numérotés sur papier de Rives (n° 805), 1 vol. in-8 cartonnage bradel marbré, couvertures et dos conservés, collection « Les Beaux Livres », Chez A. & G. Mornay, Éditeurs, Paris, 1924, 343 pp.
