[dans le goût de George Barbier] Alexandre Celier.Livre Rare Book
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ref. 011556[dans le goût de George Barbier] Alexandre Celier. Dessin original, encre de chine et aquarelle, représentant une femme devant un lit de repos et un perroquet. Il est signé A.P.C. et une note indique Alex. Celier. Environ 19*12cm, traces de colle au dos. [83-2]
ref. 0521034310.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2008ref. DADAX0521034310Cambridge University Press 2008-01-12. paperback. New. 6.00x0.48x9.00. Buy with confidence. Excellent Customer Service & Return policy. Cambridge University Press paperback
1996ref. 006417Cambridge University Press 1996. Hardcover. Fine. Dust jacket is protected with a mylar cover . Cambridge University Press hardcover
ref. 68145013-6Cambridge University Press. Used - Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. Cambridge University Press unknown
ref. GRP88959665Cambridge University Press. Used - Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. Cambridge University Press unknown
ref. ria9780521560788_inpHardcover. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; Franklin D. Roosevelt drew heavily on the thinking of economists as he sought to combat the Great Depression to mobilize the American economy for war and to chart a new order for the post-war world. This 1996 book explains how diverge hardcover
ref. ria9780521034319_inpPaperback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; Franklin D. Roosevelt drew heavily on the thinking of economists as he sought to combat the Great Depression to mobilize the American economy for war and to chart a new order for the post-war world. This 1996 book explains how diverge paperback
ref. 844271-nnew. unknown
ref. 844271like new. unknown
2006ref. 387729Cambridge ; New York : Cambridge University Press 2006. First Edition. Hardcover. Fine cloth copy in an equally fine dust-wrapper. Particularly well-preserved overall; tight bright clean and especially sharp-cornered. Physical description: ix 178 p. ; 23 cm. Subject: Roosevelt Franklin D. Cambridge ; New York : Cambridge University Press hardcover
2008ref. Q-0521034310Cambridge University Press 2008-01-12. paperback. New. In shrink wrap. Looks like an interesting title! Cambridge University Press paperback
1996ref. Q-0521560780Cambridge University Press 1996-06-28. Hardcover. New. In shrink wrap. Looks like an interesting title! Cambridge University Press hardcover
1996ref. DADAX0521560780Cambridge University Press 1996-06-28. First Edition. hardcover. New. 6.25x0.50x9.50. Buy with confidence. Excellent Customer Service & Return policy. Cambridge University Press hardcover
ref. A9780521560788Hardback. New. Franklin D. Roosevelt drew heavily on the thinking of economists as he sought to combat the Great Depression to mobilize the American economy for war and to chart a new order for the post-war world. This 1996 book explains how divergent analytic perspectives competed for official favour and the manner in which Roosevelt opted to pick and choose among them when formulating economic policies. hardcover
ref. B9780521034319Paperback / softback. New. Franklin D. Roosevelt drew heavily on the thinking of economists as he sought to combat the Great Depression to mobilize the American economy for war and to chart a new order for the post-war world. This 1996 book explains how divergent analytic perspectives competed for official favour and the manner in which Roosevelt opted to pick and choose among them when formulating economic policies. paperback
ref. 6249326Cambridge University Press CUP . Hardback. New. pp. 192 Index Cambridge University Press CUP hardcover
ref. 6391087Cambridge University Press CUP . Papeback. New. pp. 192 Cambridge University Press CUP unknown
1913ref. 8720First edition in English following the French edition of the same year Barbier's first illustrated book. 148 of 400 copies all on vellum paper. The foreword by Francis De Miomandre was translated by C. W. Beaumont. The bookseller publisher and dance historian Cyril Beaumont was instrumental in promoting and documenting the performances of Nijinsky and the Diaghilev's Ballets Russes in London and here published a suite of Barbier's iconic prints with an introductory text. Large 4to 320 × 270 mm pp. 16 including final blank plus 12 pochoir coloured plates. A couple of the plates with their heavy black backgrounds very lightly rubbed. Original pictorial wraps slightly soiled. preserved in early buckram boards with pictorial onlay. Sometime rebacked rubbed corners worn and soiled. Still a very good copy. C. W. Beaumont & Co,
1913ref. 195319London: C. W. Beaumont & Co. 1913. Of Nijinsky it is impossible to speak as of other artists First edition in English number 158 of 400 copies on vellum paper only. Inspired by the first season of the Ballets Russes in Paris and particularly their male lead Nijinsky Barbier moved on from his career as a costume and set designer to publish this his first book. An edition in French was published earlier the same year. Nijinsky was one of the most famous dancers of his time and his virtuosity renewed public interest in ballet. He was not only known for his talent as a dancer but also as an actor able to "expand a simple choreographic design into a rich dramatic portrait" Cohen p. 646. The plates depict scenes including Nijinsky's most famous characters. The pochoir technique involves hand-stencilling the design and is complex and labour-intensive. The manual element of the process means that no two impressions are the same producing results that lie between prints and original paintings. Consequently pochoir plates are often released in a limited run as here. The use of gouache allows the colours to remain remarkably strong and vibrant. This copy comes from the collection of Rolling Stones drummer Charlie Watts whose posthumous bookplate is included. Quarto. With 12 coloured pochoir plates line drawings in the text. Original pictorial wrappers front wrapper lettered in blue and illustrated in black and yellow edges untrimmed leaves unopened. Housed in custom blue quarter morocco solander box. Wrappers soiled and rubbed skinning to foot of rear wrapper inner hinges repaired occasional faint foxing to contents. A very good copy. Selma Jeanne Cohen ed. The International Encyclopedia of Dance IV 2004. hardcover
ref. EXE-766London, C. W. Beaumont & Cº, 1913. In-4° broché, couverture beige imprimée et illustrée. Illustré de 12 grandes compositions rehaussées au pochoir par George Barbier. Tirage à 400 exemplaires sur vélin, celui-ci le numéro 117.
ref. 220168Melbourne Inkata 1986. 4to. viii212pp. B/w illustrations and diagrams. Original boards in slightly faded dustwrapper. A very good copy. Includes 27 plans by Barber and Freeman. First edition. Melbourne, Inkata, 1986. hardcover
ref. 68518651-20Hachette UK. Used - Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. Hachette UK unknown
2009ref. 2-2296101925Editions L'Harmattan 2009. Paperback. New. 284 pages. French language. 9.29x6.14x1.02 inches. Editions L'Harmattan paperback
ref. R150015843BELFOND.. 1991.. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 463 pages. 1ère de couverture illustrée en couleurs.. . . . Classification Dewey : 820-Littératures anglaise et anglo-saxonne
