LOUYS, Pierre - [BARBIER, George - LEPAPE, Georges]Livre Rare Book
10.963 risultati
1954rif. 13444Paris, les Bibliophiles de l'Amérique latine, 1954. En feuilles, couvertures illustrées, sous chemise et étui crème.
1923rif. 88930No Location: s. n. 1923. Fine. George Barbier one of the fascinating figures of Art Deco and master of Indian ink Guillaume Garnier s. n. No Location 1923 24.2 x 30.2 cm Une feuille Five compositions in Indian ink signed and dated 1923 by George Barbier on a leaf of thick paper. Traces of paper pasted down at the four corners on the back a few very faint traces of previous pencil inscriptions on the front. An exceptional ink drawing by the eminent fashion illustrator George Barbier for the Elegances section of the newspaper La Vie Parisienne featuring four silhouettes at the height of 1920s fashion with boyish haircuts dressed in flowing low-waisted tube dresses or wrapped in luxurious furs. The silhouette in a headband and high heels in the lower left corner and the beautiful profile dated and signed in the center of the leaf appeared in the January 12 1924 issue of La Vie Parisienne No. 62 Year 2 p. 38 in the Elegances section which Barbier illustrated on numerous occasions. The three other silhouettes were published in the same section January 26 1924 no. 64 year 2 pp. 79-80. Superb fashion portraits with hieratic and elegant postures drawn by Barbier in the Art Deco style that made him famous. Â s. n. unknown
1913rif. 8720First edition in English following the French edition of the same year Barbier's first illustrated book. 148 of 400 copies all on vellum paper. The foreword by Francis De Miomandre was translated by C. W. Beaumont. The bookseller publisher and dance historian Cyril Beaumont was instrumental in promoting and documenting the performances of Nijinsky and the Diaghilev's Ballets Russes in London and here published a suite of Barbier's iconic prints with an introductory text. Large 4to 320 × 270 mm pp. 16 including final blank plus 12 pochoir coloured plates. A couple of the plates with their heavy black backgrounds very lightly rubbed. Original pictorial wraps slightly soiled. preserved in early buckram boards with pictorial onlay. Sometime rebacked rubbed corners worn and soiled. Still a very good copy. C. W. Beaumont & Co,
1917rif. 241881917N?²+ Aquarelle signée et datée au milieu à droite, 1917, complétée du cachet en bas à gauche, 39 x 28.5 cm., cadre.
rif. 19012P., Lucien Vogel, 1921, petit In-4, en feuilles, chemise cartonnée de l'éditeur, premier plat illustré de dessins en noir, papier de gardes illustré de masques en couleurs par G. Barbier, manquent les rubans d'attache..
1923rif. 88930s. n. | s. l. 1923 | 24.2 x 30.2 cm | Une feuille
1927rif. 013578Paris: Camille Bloch & Jules Meynia 1927. First Edition Limited. Soft cover. Near Fine. Limited edition this #129 of 300 numbered copies printed on blue laid paper. Printed covers with illustrated front cover title in green and tissue guards. Includes a mounted etched frontispiece portrait of Barbier by Charles Martin and 25 mounted colored plates depicting theater costumes with gold and silver highlights. The text and illustrations were printed by Frazier-Soye. In original glassine wrapper which is tanned and chipped but lacking slipcase. Internals near fine. George Barbier 1882-1932 was a French illustrator in the early 20th century. He designed theater and ballet costumes illustrated books and produced haute couture fashion illustrations. Barbier led a group from the Ecole des Beaux Arts who were known as "The Knights of the Bracelet. Camille Bloch & Jules Meynia unknown
1927rif. 013578Paris: Camille Bloch & Jules Meynia 1927. First Edition Limited. Soft cover. Near Fine. Limited edition this #129 of 300 numbered copies printed on blue laid paper. Printed covers with illustrated front cover title in green and tissue guards. Includes a mounted etched frontispiece portrait of Barbier by Charles Martin and 25 mounted colored plates depicting theater costumes with gold and silver highlights. The text and illustrations were printed by Frazier-Soye. In original glassine wrapper which is tanned and chipped but lacking slipcase. Internals near fine. George Barbier 1882-1932 was a French illustrator in the early 20th century. He designed theater and ballet costumes illustrated books and produced haute couture fashion illustrations. Barbier led a group from the Ecole des Beaux Arts who were known as "The Knights of the Bracelet. Camille Bloch & Jules Meynia unknown books
2009rif. C87065Institute; Foundation. As New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in Spanish. 787 pages; over 300 illustrations in color. Catalogue Raisonne Catalog Raisonné Complete Works Catalogo Razonado Obra Completa Raisonnee Catálogo -- with a bonus offer-- - May be EITHER: out of print OOP and extremely rare in this pristine condition; signed by author or contributor; or a first or special edition; inquire for details . 2009. 8493726028 . Institute; Foundation hardcover
1921rif. 195413Paris: Lucien Vogel 1921. Barbier at his best First edition of this exquisite collection of Barbier's costume and set designs for Rostand's Casanova. Barbier's hand-coloured and stencilled pochoir prints have come to epitomize the glamour of art deco and 1920s Paris. These designs for Casanova performed at the Bouffes-Parisiens in 1919 strengthened Barbier's reputation as one of the leading theatrical designers of the day. This copy comes from the collection of Rolling Stones drummer Charlie Watts whose posthumous bookplate is included. Barbier also worked as a fashion illustrator. Quarto. 24 pochoir colour plates text in French. Original illustrated boards rebacked preserving original spine illustrated pastedowns text and plates loose as issued. Housed in a custom red quarter morocco folding box. Ink notations to front board a couple of spots of wear marks and soiling to boards; very minor foxing to plates overall bright and colours strong: a very good copy. hardcover
1917rif. 247301917N?²+ Encre signée et datée en haut à gauche, 1918, 27.8 x 20.3 cm. (format à vue), 30.5 x 23.2 cm. (format de la feuille).
1921rif. 007075Paris: Éditions de la Guirlande. Printer: L'Imprimerie Studium 1921. First Edition Thus. Stiff Wraps. Very Good. 4to. 29 by 20 cm. Unpaginated 136 pp. 8 color pochoir plates by Barbier with many smaller color illustrations interspersed in the text. Unnumbered copy to match the 225 on Verge d'Arches from a total edition of 300. Condition: light soiling to the wraps. A few tears and one dangling piece of the spine with minor loss of the paper on the spine. Light age toning to the leaves within. Éditions de la Guirlande. Printer: L'Imprimerie Studium unknown
1921rif. 007075Paris: Éditions de la Guirlande. Printer: L'Imprimerie Studium 1921. First Edition Thus. Stiff Wraps. Very Good. 4to. 29 by 20 cm. Unpaginated 136 pp. 8 color pochoir plates by Barbier with many smaller color illustrations interspersed in the text. Unnumbered copy to match the 225 on Verge d'Arches from a total edition of 300. Condition: light soiling to the wraps. A few tears and one dangling piece of the spine with minor loss of the paper on the spine. Light age toning to the leaves within. Éditions de la Guirlande. Printer: L'Imprimerie Studium unknown books
1946rif. 880Éditions Georges Guillot, Paris 1946. In-4 (325 x 255 mm)en feuilles sous couverture rempliée imprimée, étui-chemise de l'éditeur. 25 eaux-fortes originales en couleurs par Louis Icart dont 5 refusées. 1 des 100 exemplaires réimposés sur vélin de Rives (2ème papier, n° 68)) accompagné d' une suite complèteen sanguine et UNE AQUARELLE ORIGINALE DE GRANDE QUALITÉ SIGNÉE PAR LOUIS ICART (325 x 255 mm). Notre exemplaire est enrichi d'une SECONDE TRÈS BELLE AQUARELLE ORIGINALE SIGNÉE SUR UN FEUILLET LIBRE, AU FORMAT DU LIVRE. - English description : Éditions Georges Guillot, Paris 1946. 1 vol. 4° (325 x 255 mm) in sheets under printed folded cover, publisher's slipcase. 25 ORIGINAL ETCHINGS IN COLOR by Louis Icart, 5 of which were refused. 1 of the 100 copies in large size sheets on Rives vellum (2nd paper) with an extra a suite in sanguine and A BEAUTIFUL ORIGINAL WATERCOLOR SIGNED BY LOUIS ICART. This copy is enriched with a SECOND SUPERB ORIGINAL WATERCOLOR SIGNED ON A LOOSE SHEET (each 325 x 255 mm).
1949rif. 1524Éditions de la Cité, Paris 1949. 1 fort volume in-4 (33 x 25 cm), en feuilles, couv. rempliée,chemise et étui recouvert de papier végétal rose de l’éditeur. 22 GRAVURES ORIGINALES EN COULEURS PAR LOUIS ICART EN HORS-TEXTE, 2 gravures en couleurs dans le texte. Celui-ci l' 1 des 30 numérotés sur vélin d'Arches avec LA SUITE COMPLÈTE DES GRAVURES EN DEUXIÈME ÉTAT TIRÉES EN SÉPIA sur papier de Rives. Détail du tirage : 165 exemplaires (20 Arches avec 2 suites + 30 Arches avec 1 suite + 100 Rives + 15 Lana h.c.).
rif. 8719First edition. Barbier designed the sets and costumes for the Bouffes-Parisiens production of Maurice Rostand's Casanova in February 1919. The 24 fine costume plates here are coloured by Jacomet et compagnie. The commission for Casanova was an important moment in Barbier's artistic career leading to commissions with theatres the Ballet Russes and the Folies Bergère. Other successes followed and for a time he was the most sought-after costume designer in Paris recognized as the theatrical artist 'who better than any other had captured the mood of the age' Gordon Ray. 4to 245 × 190 mm pp. 4 iv 2. 24 pochoir coloured plates some with gold and silver. Loose as issued in original decorative portfolio. Slightly soiled wants ties but still a very good copy. Lucien Vogel.
1930rif. 2091202133212977A. & G. Mornay 1930. Soft Cover. Fine. Volume: 1 A. & G. Mornay paperback
rif. 2020LCaceres Spain: Javier Martin Santos 2020. reprint of the 1929 'uncensored' edition no. 9 of 69 copies. Leatherbound Hardcover. Fine/no dj as issued. George Barbier. The rarest and most erotic work by George Barbier: Scarce reprint of the 1929 'uncensored' edition: LES CHANSONS DE BILITIS. Seul texte véritable et complet. 2020 no. 9 of 69 copies --- --- --- --- Caceres Spain Javier Martin Santos 2020 no. 9 of 69 copies one of only 13 copies where the metallic inks were hand-painted with a very fine brush. Text in FRENCH. --- --- --- The following description of the 1929 original corresponds to the data for the reprint : The book with George Barbier's tamed illustrations was first published in 1922. This new 2020 print with more explicit texts and bolder Barbier illustrations is based on a copy of the 1929 edition in the Bibliothèque Nationale de France reference RES G YA-18. Only 25 copies were printed of the 1929 edition for the 'Les Amis de Bilitis' in Mytylène Greece Pierre Loüys- George Barbier : LES CHANSONS DE BILITIS. Seul texte véritable et complet. Imprimé à Mitylène pour les amis de Bilitis 1929. Small 4to. 9.75 x 7.5 inches 24.6x19cm. pp. iv 56 i i. Wood-engraved color frontispiece printed title page in various colors with color wood-engraved vignette and Louÿs text in three sections 'Bucoliques en Pamphylie' 'Elegies à Lesbos' and 'Epigrammes dans lIle de Chypre' leaf with justification and 'achevé d'imprimer'; illustrated with 60 wood-engraved illustrations by Pierre Bouchet after George Barbier 54 in color seven full-page 24 decorating the text the remainder culs-de-lampes or vignettes as well as numerous head- and tail-pieces and initial letters verse numbering in gilt in Roman numerals text in capitals ruled throughout and two additional wood-engravings for the wrappers. There is currently one copy of the 1929 edition being offered by a French bookseller for EURO 24000.00. --- --- --- This 2020 edition has in addition to the 1929 edition also the 2-page menu for '18. Novembre 1929' and "Chansons de Bilitis Inedites'. It is bound in full crushed morocco with front board ruled in gilt and vertical decoration down the middle the wrappers with gilt illustrations are bound in marbled endpapers. Matching morocco-edged marbled board slipcase. --- --- --- Included is a 12-page prospectus for the reprint in Spanish and French. --- --- --- Javier Martin Santos has published several books from the 1920s by Francois Louis Schmied and George Barbier in very well done very limited editions. He also published editions of two books by Schmied that were not published during his lifetime: "Chansons de Tanger." The book with the original illustrations tempera is in the Bibliothèque Nationale de France reference RES G YA-18. The second on is Vol de Nuit by Saint-Exupéry. F.-L. Schmied began the illustrations shortly before his death leaving the work unfinished. His son Théo continued it in 1947 completing the illustrations but not the edition. They produced 38 pages distributed as follows: 20 full-page illustrations 10 smaller illustrations most with typographic design one sheet with the decorated initial "L" one illustration for the end three pencil portraits one of them of Saint-Exupéry based on the photograph that appears in the January 1932 issue of the magazine l'Aérophile and three sheets with typographic design. For the design of this edition Santos followed these pages. Five full-page illustrations are signed by F.-L. Schmied who also created the initial and two pages with typographic layout; the rest of the illustrations are by Théo as can be seen from the difference in style. --- --- --- Bilitis First published in Paris in 1894 this purports to be translations of poems by a woman named Bilitis a contemporary and acquaintance of Sappho. This caused a sensation not only because finding an intact cache of poems from a completely unknown Greek poet circa 600 B.C. would be a miracle but because of its open and sensitive exploration of lesbian eroticism. Actually Bilitis never existed. The poems were a clever forgery by Pierre Louÿs -- the "translator"; to lend weight he had even included a bibliography with bogus supporting works. Louÿs actually did have a good command of the classics and he salted Bilitis with a number of quotations from real poets including Sappho to make it even more convincing. J. B. Hare. They Barbier's Les Chansons de Bilitis and Aphrodite are celebrations of the ancient gods and their freedom from taboo. Barbier's illustrations reveal this world in full flower . When reality and imagination fused not only was it possible to travel freely wherever you liked it was also possible to encounter ancient gods and fairies. Art Deco mixed old and new in previous unseen ways . In his glass Barbier mixed an uncanny cocktail of neoclassic and modern. Hiroshi Unno Carteret Illustrés IV 251. Javier Martin Santos hardcover
1834rif. 002750Paris, Vimont, 1834
1928rif. 3859Paris, G. Govone éditeur, 1928. Un volume in-4 (339 x 250 mm) 337 pp., reliure en plein maroquin gris, plats et dos ornés en continue de filets ondulés noirs parallèles, encadrant au centre du premier plat un losange de maroquin noir orné de bandes de motifs ovales mosaïqués bronze et dorés, dos lisse titré or, doublures avec un large encadrement de maroquin gris, orné de filets ondulés parallèles à froid et gardes de soie moirée bronze, doubles gardes, tête dorée, non rogné, couverture et dos conservés, étui bordé (Lefranc). Édition limitée à 353 exemplaires, ornée de la reproduction d’un autoportrait de Baudelaire et d’une page autographe de l’auteur en fac-similé, contrecollées à pleine page. 10 EAUX-FORTES ORIGINALES DE MARIETTE LYDIS TOUTES EN HORS-TEXTE. L'exemplaire est l'un des 290 exemplaires numérotés sur Hollande Pannekoek (n° 92). Il est exceptionnellement enrichi de LA SUITE COMPLÈTE DES DIX EAUX-FORTES TIRÉES EN COULEURS ET SIGNÉES AU CRAYON PAR MARIETTE LYDIS. Il s’agit ici de l’une des 75 en couleurs sur vélin de Hollande Pannekoek. Cette suite, considérée comme l’une des meilleures productions de l’artiste, a été publiée séparément par l’éditeur à 125 exemplaires seulement. À noter qu’en 1937, l’éditeur publiera une autre suite très différente de 33 compositions lithographiées en couleurs de Mariette Lydis pour illustrer ce même texte.
1934rif. 2026002512CHODERLOS DE LACLOS, Pierre. — Les Liaisons dangereuses. Tome I & II. Paris, Le Vasseur et Cie, 1934. 2 volumes (218 et 217p) in-4°, illustrés. Belle édition illustrée des Liaisons dangereuses, ornée de 20 planches hors-texte en couleurs et en noir de George Barbier ainsi que de frontispice, vignettes et encadrements de titre sur chaque volume, dans un style Art déco caractéristique et d’une grande élégance. L’ensemble constitue une interprétation visuelle remarquable de l’œuvre de Laclos. Tirage limité à 720 exemplaires numérotés ; celui-ci un des exemplaires sur vélin pur fil des Papeteries de Rives (n°629). Reliure postérieure non signée de qualité : demi-coins en cuir à finition veloutée (veau suédé ou basane poncée), dos en cuir orné de motifs et titre dorés, plats en papier marbré. Intérieur complet et bien conservé, avec une très bonne fraîcheur des couleurs. État : bon état général. Dos légèrement usés, présence d’une fragilité sur le 1er cahier du tome II. Quelques traces d’usure à la reliure. Ensemble complet en deux volumes, recherché pour la qualité de son illustration. (Translated with artificial intelligence) CHODERLOS DE LACLOS, Pierre. — Dangerous Liaisons. Volume I & II. Paris, Le Vasseur et Cie, 1934. 2 quarto volumes (218 et 217p), illustrated. Fine illustrated edition of Dangerous Liaisons, featuring 20 color and black full-page plates by George Barbier, along with frontispieces, vignettes, and decorative title borders in each volume, executed in a refined and characteristic Art Deco style. The whole forms a remarkable visual interpretation of Laclos’ work. Limited edition of 720 numbered copies; this is one of the copies on vélin pur fil paper from the Papeteries de Rives (no. 629). Later unsigned binding of good quality: half binding with corners in velvety-finished leather (suede calf or sanded sheepskin), leather spine decorated with gilt motifs and title, marbled paper boards. Complete and well-presed interior, with very fresh colors. Condition: overall good condition. Slight wear to the spines, with a fragility to the first gathering of volume II. Minor wear to the binding. Complete set in two volumes, sought after for the quality of its illustrations.
1922rif. 72002Tiré sur les bois originaux et pour les amis de l'auteur à 60 exemplaires sur hollande (exemplaire n° 58), bois gravés de Siméon, 1 vol. in-8 br., Aux Publications Lucien Vogel, Rue Saint-Florentin, 11, Paris, s.d. [1922 ], 14 ff. (y compris les gardes blanches)
rif. 20216Londres [Bruxelles], [ J.-L. de Boubers], 1774 - 1783. 12 volumes in-4 plein veau moucheté, dos à nerfs ornés de filets et fleurons dorés, pièces de titre et tomaison brun, tranches rouge.
rif. 22748S.l, s.n., s.d. (1948), in-folio en feuilles, 46 pp. et 12 eaux-fortes au même format, plus 1 eau-forte tirée à deux exemplaires, nombreux dessins et culs-de-lampe imprimés en ocre ou jaune, texte imprimé en couleurs terre-de-Sienne et ocre, écriture manuscrite, chemise cartonnée rigide, plats beiges marbrés à froid, dos de percaline rouge vif, 4 cordons de fermeture de soie rouge, centre décoré d'une pièce rectangulaire de chagrin rouge-sang (152x128mm), grand losange central découpé et remplacé par une scène collée au dos, représentant Jésus stylisé doré accompagné de l'Alpha et Oméga dorés également. Des têtes de clous bombées cuivrées entourent la pièce centrale et le losange en creux, titre en rouge juste au dessus (cartonnage probablement réalisé par Luc Barbier).
rif. 60170Paris: Meynial 1924. One volume only of 5. 8vo. 26 x 17cm. Original pictorial wrappers. Decorative pochoir title page 12 full page pochoir plates and front cover colour illustrations by George Barbier. Complete. Georges Barbier 1882-1932 was at the forefront of the Art Deco movement and his images have become icons of an era of unsurpassed glamour elegance and decadence. His Falbalas et Fanfreluches 1922-1926 graphically display the artist's intense interest in fashion both of his and earlier ages as well as his sharp sense of humour. The issue for 1923 features the essay 'Modes' by Colette; the remaining essays are by the Comtesse de Noailles Cécile Sorel Gérard d'Houville and the Baronne de Brimont. There seems to be no direct translation of "Falbalas & Fanfreluches" but perhaps "Frills and Fripperies" works quite well. Paris: Meynial, 1924. unknown
