Möbel

Manuel du Tourneur. Ouvrage dans lequel on enseigne aux amateurs la manière d'exécuter sur le tour à pointes à lunettes en l'air à guillocher à carré à portraits . tout ce que l'art peut produire d'utile et d'agréable .

1816 · Best.-Nr. 315888 — Paris: Hamelin-Bergeron 1816. Second expanded edition. xxxii-50 i.e. 509; xi-1-542 pp. Atlas: first 8 plates with 9 hand-coloured figures per plate of wood grains; IX-XXXIX; Atlas Tome II LVII plates some folding. 96 plates in all. 3 vols. 4to atlas; 8vo text. Contemporary quarter tan calf rubbed. Signed by the publisher opposite opposite title page of volume 1 and along title page margin as receipt of purchase for 60 fr. Text and plates clean and fresh. Atlas vol. rebacked preserving spine. Second expanded edition. xxxii-50 i.e. 509; xi-1-542 pp. Atlas: first 8 plates with 9 hand-coloured figures per plate of wood grains; IX-XXXIX; Atlas Tome II LVII plates some folding. 96 plates in all. 3 vols. 4to atlas; 8vo text. Second edition of the definitive contemporary work on the lathe originally published in 1792-96. The illustrations show wood turning machinery and tools finished products and hand-colored depictions of 72 varieties of wood grain. Brunet I-785; Ogden Bibliography of Turning item 27 Hamelin-Bergeron unknown

Manuel du Tourneur. Ouvrage dans lequel on enseigne aux amateurs la manière d'exécuter sur le tour à pointes à lunettes en l'air à guillocher à carré à portraits . tout ce que l'art peut produire d'utile et d'agréable .

1816 · Best.-Nr. 315888 — Paris: Hamelin-Bergeron 1816. Second expanded edition. xxxii-50 i.e. 509; xi-1-542 pp. Atlas: first 8 plates with 9 hand-coloured figures per plate of wood grains; IX-XXXIX; Atlas Tome II LVII plates some folding. 96 plates in all. 3 vols. 4to atlas; 8vo text. Contemporary quarter tan calf rubbed. Signed by the publisher opposite opposite title page of volume 1 and along title page margin as receipt of purchase for 60 fr. Text and plates clean and fresh. Atlas vol. rebacked preserving spine. Second expanded edition. xxxii-50 i.e. 509; xi-1-542 pp. Atlas: first 8 plates with 9 hand-coloured figures per plate of wood grains; IX-XXXIX; Atlas Tome II LVII plates some folding. 96 plates in all. 3 vols. 4to atlas; 8vo text. Second edition of the definitive contemporary work on the lathe originally published in 1792-96. The illustrations show wood turning machinery and tools finished products and hand-colored depictions of 72 varieties of wood grain. Brunet I-785; Ogden Bibliography of Turning item 27 Hamelin-Bergeron unknown books

Porte-feuille XVIIIe

1750 · Best.-Nr. 70246 — 1750 | 19.50 x 28 cm | relié

[CATALOGUE DE TISSUS] Hautes nouveautés, soieries & lainages. IRC Paris. 1933 - Hiver - 1934.

1933 · Best.-Nr. 90892 — s. n. | Paris 1933-1934 | 30.8 x 36.8 cm | Reliure de l'éditeur

Abraham und David Roentgen das noch aufgefundene Gesamtwerk ihrer Möbel- und Uhrenkunst in Verbindung mit der Uhrmacherfamilie Kinzing in Neuwied. Leben und Werk, Werkverzeichnis der Werke, Quellen. Bad Neustadt 1996. 4to. 422 Seiten. Mit 1391 teils farbigen Abbildungen. Orig.-Leinenband.

Mit dem Werkverzeichnis der heute noch existierenden Möbel von Abraham und David Roentgen. Von dem auf ca. 2000 Möbelstücken geschätzten Gesamtwerk ließen sich noch 622 Exemplare mit Bildern, Daten und Fakten belegen. Mit insgesamt ca. 1400 teils farbigen Abbildungen und 482 Quellen.

Les tapisseries décoratives du Garde-Meuble (Mobilier National).

1910 — This is a very good hardcover copy in brown marbled paper covered boards and a red leatherette spine. Long ago released from a university reference library and bearing a bookplate and small handstamps to the margins of plates. Text by Alfred Darcel in French. Textile examples chosen by Ed. Guichard. 100 full-page plates, including 6 chromolithographs. Each plate with descriptive text. No date on title-page, but ca. 1910. No photographic plates of the pieces of furniture, just close-up detailed plates showing the decorative fabrics that cover the furniture. Massive reference work weighs 15 lbs. 19" high X 13" wide, 13 text pages + plates. This book will be securely wrapped and packed in a sturdy box and sent with tracking. Ex-Library

Le MAGASIN DE MEUBLES. Meubles BOULLE.

Best.-Nr. 7895 — Paris, Eugène Bigot, s.d. grand in-4 en feuilles sous portefeuille de l'éditeur (122 planches en chromolithographie). Très belles planches.

A remarkable salesman sample photo archive of reed & rattan wicker furniture with 11 cabinet photographs by Spettel and Perkins together with 25 sepia-tinted linen-backed photographs; Together With: The Ford & Johnson Co. Fiber-Rush and Malacca furniture 1907-1908; The Wolverine Reed Company catalogue; Fibre furniture Blawnox 1923; Catalogue of books and materials for basket-making; Book of designs and materials for art-fibre weaving 1925-1926 Grand Rapids Fibre Cord Company; The ABC of reed work by Needlecraft Magazine. . . .

1898 · Best.-Nr. 52137 — North La Crosse WI; Chicago IL; Detroit MI; Blawnox PA; Cambridge MA; Grand Rapids MI; Augusta ME: A.F. Spettel 806 Caledonia St.; Perkins 125 South 4th Street for the North La Crosse Reed & Rattan Works La Crosse Reed Furniture Works; Ford & Johnson Co.; Wolverine Reed Co.; Fibre Furniture; J.L. Hammett Co.; Grand Rapids Fibre Cord Company; Needlecraft Publishing Co. 1898-1929. First -- 11 sepia-tinted cabinet photos 2 albumen 9 photos of printed images embossed photographer’s name at lower edge of cabinet card a few w/ pencil & ink pricing & inventory information on backs minor dustsoiling edgewear; 2nd -- 25 original linen-backed photographs some sepia-tinted sized from 5 x 7 in. up to 6.5 x 8.5 in. nearly all the larger size nearly all w/ pencil & ink pricing annotations furniture descriptions and a few w/ La Crosse Reed Furniture Work stamp on verso soiling edgewear some creasing minor fraying; 3rd -- Oblong 8vo. 95 1 pp. photo plates throughout burgundy-coloured softcovers gilt lettering stamped on front chipping head & foot of spine soiling edgewear wear to corners preserving part of original mailing envelope dated 1910 to North La Crosse Reed & Rattan Works; 4th -- 8vo. 78 pp. Photo-illustrated throughout w/o self-printed softcovers some soiling edgewear; 5th -- Oblong 8vo. 64 pp unpaginated with photo illustrations throughout beige printed softcovers lettering in gray & black on front cover soiling edgewear rubbing wear to corners; 6th -- 8vo. 40 pp. photo plates & text illustrations beige softcovers printed in decorative red black & orange on front cover minor dustsoiling edgewear thumbing; 7th -- 4to. 48 pp. Photo-illustrated title photo text illustrations throughout decorative printed borders Beige softcovers yapp edges Arts & Crafts cover art in gray green & brown on front cover lettering in black silver & red minor shelfwear rubbing preserving original price list and order forms in rear; 8th -- 4to. 23 1 pp. text and photo illustrations throughout self-printed colour-illustrated softcovers minor tear head of spine edgewear creasing still G copy stapled as issued all from the collection of Erma Wilson Multhauf of Cedar Falls IA and noted rattan furniture restorer who purchased the material from the La Crosse Reed Furniture Works when it went out of business after World War II. This amazing salesman sample photo archive for the North La Crosse Reed & Rattan Works and the La Crosse Reed Furniture Works provide an indispensable visual record of reed and rattan wicker furniture produced and sold in Wisconsin during the Arts & Crafts era. Wicker furniture experienced a tremendous rise in popularity during the last decades of the 19th century with many manufacturers producing items in Wisconsin and other Midwest States and the domestic reeds used by American manufacturers proved especially flexible and were more capable of being painted or stained while Rattan was harder to weave and could only be shellacked. The cabinet photos by Spettel and Perkins include images of high-backed fancy Victorian rockers a foot stool magazine rack sewing basket a Turkish chair a round table and several other wicker rocking chairs. Spettel 1866-1935 was brought into his brother Clement Spettel’s photography studio in 1886 because his business was so popular and they would thrive in North La Crosse WI until 1906 when Aloysius moved his business to North Dakota. The business location on 806 Caledonia was established by the brothers in 1888 and was initially called the New Gallery then the National Art Studio and sometime around 1897-98 it was simply A.F. Spettel while Clement worked at 320 North 4th on the City’s south side. Of particular interest is the “Perkins” Studio Cabinet photo as there is no known other example of a Perkins photographer at that location although that studio location served eight other known photographers between 1888 and 1900. The collection of factory linen-backed photographs depict a wide variety of Victorian rattan furniture including wing-back chairs & rockers stacking children’s stools children’s high chair rocker sewing baskets waste baskets and more. Nearly all of them have inventory numbers and prices on verso some individually priced others priced by the dozen ranging from $ 2.75 to $ 8.50. The Ford & Johnson Fiber-Rush and Malacca furniture catalogue includes a wide range of Mission-style and Arts & Crafts period furnishings including tables library tables settees rockers and more. The Art Fibre Weaving catalogue not only includes excellent photographic images of wicker furniture but also images of fibre art weaving classes schools and equipment. See: Edwin L. Hill A History of Photography in La Crosse Wisconsin 1853-1930 pp. 160-170 175; Raether Wisconsin Family Albums & Photographers’ Imprints and Biographies 1800s to early 1900s pp. 315-316; George M. Brown The White Directory of Manufactures of Furniture and Kindred Goods of the United States pp. 20-21; Tracing the Trends of Wicker Furniture Through History Patio Productions 2014. A.F. Spettel, 806 Caledonia St.; Perkins, 125 South 4th Street for the North La Crosse Reed & Rattan Works, La Crosse Reed Furni paperback

Planches aquarellées décoration - ébinisterie

1935 — Sans lieu, sans date vers 1935-1945. Un ensemble de 49 dessins projets d'ébéniste ou décorateur (+2 petits). Planches sur carton, aquarellées de modéles de meubles mis en situations. Dimensions 39 x 27 cm hors marges - 50 x 32 cm avec marges, la plupart sous serpentes. Salons, salle à manger, bureaux, chambres. Certains meubles ont été inspirés de l'ébéniste suédois MEWESEN. Quelques rousseurs dans certaines marges néanmoins très bon ensemble.

Histoire de l'orfèvrerie française.

1896 — français Fort et grand in-4 de 472 pp. + table; demi-chagrin rouge, dos à cinq nerfs, tranche de tête dorée (reliure de l'époque). Edition originale. Un des 20 exemplaires de tête numérotés sur papier du Japon, celui-ci n. 20 grand de marges. Riche illustration en noir et chromolithographie. Bel exemplaire.

Printed Furniture Designs Before 1650

1974 — x, 54, [449 plates] pages. Index of proper names. "A very important contribution to the history of early European furniture." - Foreword. "The printed furniture designs illustrated here constitute perhaps the most accessible, cohesive, and valuable body of visual evidence for the aspirations and achievements of both furniture designer and cabinet-maker during the period which begins with the sixteenth century and ends, in England, with the execution of Charles I, in France with the Fronde, and in Germany with the Peace of Westphalia." - Introduction. Minor soiling to top edge, otherwise clean, bright and unmarked with light wear. A quality copy of this treasured reference. Please note: isbn on copyright page, 0901286052, is apparently incorrect. Book

Art Deco Modernist tubular steel furniture miniature sample set ca. 1930

1930 · Best.-Nr. 1930SSoff — Czechoslovakia: UP manufacturing 1930. n/a. n/a. n/a. Czechoslovakia ca. 1930. Tubular steel wood artificial leather Bakelite. --- --- Art Deco Halabala Jindrich 1903-1978. Furniture sample set Czechoslovakia ca. 1930. Tubular steel wood artificial leather Bakelite. Chairs all very similar in size but slightly unique due to the nature of their handmade construction 3.5 wide 5" deep 4" tall Sofa: 10" wide 5" deep 5" tall Table: 5.5" diameter 3.5 tall A handmade four piece suite of Jindrich Halabala miniature furniture consisting of a pair of matching arm chairs a sofa and table. Made of bent tubular steel with painted canvas 'upholstery' these pieces are quite charming. The couch has piping detail in a contrasting red. The tabletop is made of bakelite. The metal does have some light pitting as shown in the images but overall this very unique and rare collection is in good condition. Jindrich Halabala 1903-1978 was one of the most prominent Czech furniture designers. Between 1930 and 1946 he worked as head designer for UP manufacturing company in Brno. Some wear still in good condition. total 4. UP manufacturing unknown

Ensembles Mobiliers. Exposition internationale de 1937.

1937 · Best.-Nr. 10007AB — Paris, Moreau, 1937. 34 : 24 cm. Titel, Inhaltsverzeichniss, Einführung 32 doppelblattgroße Lichtdrucktafeln. Leinenmappe mit Rückentitel und Deckelschildchen.

Early Neo-Classicism in France. The creation of the Louis Seize style in architectural decoration, furniture and ormolu, gold and silver, and Sèvres porcelain in the mid-eighteenth century. London 1974, 4to. 432 S. u. 499 Abb. a. Taf. Orig.-Leinenbd.

Hartausgeschwemmte massive Galvanobeschläge der Firma J. Gasterstaedt, Wien, VII, Zieglergasse 69 Massive, hart ausgeschwemmte, galvanoplastische Beschläge im Stil - Elektro-chemische Plattir-Anstalt J. Gasterstaedt, Wien

1900 · Best.-Nr. 11706 — Anstalt J. Gasterstaedt, Wien ca. 1900. 106 Tafeln mit 2804 Abbildungen in Hälfte der Naturgrösse dunkelgrüner Kaliko - Einband, gebundene Ausgabe, goldgeprägter Deckel, Exemplar in guten Erhaltungszustand

L'art dans la maison. Grammaire de l'ameublement

1884 · Best.-Nr. 994 — Couverture rigide 1ère Édition Ed. Rouveyre et G. Blond 1884 Paris 32x22,5 cm

Hennie Interiors

2009 · Best.-Nr. 24684 — Oslo: H. Aschehoug & Co 2009. 1st. Hardcover. New/New. 13.4x11.1x1.2in. Helene Hennie is one of Norway's most successful interior architects. In 2007 she was elected Designer of the Year by the internationally renowned magazine Andrew Martin Interior Design Review. 6.03lb 13.4x11.1x1.2in EXTRA SHIPPING CHARGES NECESSARY H. Aschehoug & Co hardcover

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Best.-Nr. DADAX0891451668 — New unknown

Le magasin de meubles No. 2. Album complet & reference de tous les meubles qui se fabriquent a Paris. Contenant environ 300 modeles dessines en perspective.

1878 · Best.-Nr. 58315 — Paris: V.L. Quetin ca. 1878. Oblong 4to. 11.5 x 7.75 in. 1 leaf lithograph title 94 i.e. 110 lithographed plates 1 leaf of index on blue-tinted paper stock. Quarter-green leather over pebbled green cloth raised bands embossed borders in blind gilt lettering on spine minor scuffing & wear rubbing bumping & wear to couple corners w/o ffep. still VG- copy w/ bright plates from the library of Victor Colas 256 13d Voltaires Paris notation on front marbled pastedown. A well-illustrated printer’s specimen book issued to depict the varieties of Second Empire French furniture featuring styles such as Louis XV Louis XVI and the decorative styles of Napoleon III’s designers. Victor Joseph Quetin 1822-1877 was an entrepreneurial printer who began producing these Furniture style books for Parisian craftsmen cabinetmakers and would sell these volumes of specimen sheets to manufacturers to show their prospective clients. The furnishings shown in these leaves encompass tables chairs toilettes some with bidets built in many with attached mirrors bed frames armoires buffets desks and desks with built-in bookcases. The index which is often missing provides an excellent quick reference to the styles types of furnishings as well as the specific plate. Demand increased as Paris & France underwent tremendous renovations and progress during the Second Empire and many of the furnishings inspired by the designs of Carlin Weisweiler and Riesener were presented to the public at the 1867 Exposition Universelle. His son Victor Leon Quetin b. 1852 would later in the 1870’s take up the family business released the albums under a new imprint of “V.L. Quetin” and also began issuing colour chromolithograph specimen catalogues of elaborate draperies bed curtains window treatments and casements. Also issued was a newspaper Journal le magasin de meubles” which offered details of the specimen catalogues he would assemble subscriptions and pricing with details on colour lithography and hand-colouring as well. His designs were dependent upon using a specialized machine which would enlarge reduce or even alter lithographic designs for clients. See: Victor Quetin De la papeterie a la lithographie D’Avoise a Meung-sur-Loire en passan par les Moulins de Paillard 16e-18e siecle; Alfred Lemercier La lithographie francaise de 1796 a 1896 et les arts qui s’y rattachent: manuel pratique p. 344. V.L. Quetin, hardcover

Dictionnaire raisonné du mobilier français. Deuxième édition [6 volumes]

1874 · Best.-Nr. 86092 — Ve A. Morel et Cie 1874 6 volumes. In-8 24,5 x 17 cm. Reliures postérieures demi-chagrin rouge, dos à nerfs, 440-535-476-506-498-480 pp., 2154 figures dont LXXXI planches en chromolithographie.

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Best.-Nr. DADAX1568984057 — New unknown

Inventaire général du mobilier de la Couronne sous Louis XIV. 1663-1715. Publié pour la première fois sous les auspices de la Sociéé d'encouragement pour la propagation des livres d'art

Best.-Nr. 171556 — Paris, Au Siège de la Société, 1885-1886 2 vol. in-4, XIV-428 pp. et 480 pp. nbses ill. in-t. dt à pleine page, index, demi-chagrin rouge à coins, dos à nerfs, tête dorée, couv. cons. (rel. de l'époque).

Furniture and Decoration in England during the Eighteenth Century. Facsimile Reproductions of the Choicest Examples from the works of Chippendale, Adam, Richardson, Heppelwhite, Sheraton, Pergolesi and others.

1893 · Best.-Nr. 3369-01 — London, Bumpus 1890-1893. 2 Bde. in 4 geb. 2°. 21 S. VIII, 200 Taf. mit je 1 Textbl. OHLdr. mit Goldpräg. Ecken u. Kanten berieben, tlws. fingerfleckig.

LES LAQUES DU JAPON. Collections de Marie-Antoinette

Best.-Nr. 35939 — Paris Editions de la Réunion des Musées Nationaux 2001 in 4 (30x24) 1 volume broché, couverture à rabats illustrée en couleurs, 240 pages, avec de nombreuses illustrations en noir et blanc et en couleurs. Avec un essai de Christian Baulez, conservateur en chef au Musée national des châteaux de Versailles et de Trianon. Catalogue de 71 numéros décrits et reproduits, de la première présentation de cet ensemble unique de laques du Japon provenant des collections de la reine Marie-Antoinette. Catalogue publié à l'occasion de l'exposition au Musée national des châteaux de Versailles et de Trianon, du 15 octobre 2001 au 7 janvier 2002. Très bel exemplaire ( Photographies sur demande / We can send pictures of this book on simple request )