15.121 Ergebnisse
1904Best.-Nr. 42640BBLondon, New York, Lawrence & Bullen, G. P. Putnam's Sons, 1904-1908. Groß-4°. 39 cm. VII, 243, 247, 271, 260 Seiten. Original-Leinenbände mit goldgeprägtem Rücken- und Deckeltitel und Kopfgoldschnitt.
1908Best.-Nr. 512London, Lawrence & Bullen, 1908. 2°. 260 S., mit 243 Abbildungen im Text + 15 Farbtafeln. Goldgeprägtes Orig.-Leinen mit Deckelvignette und Kopfgoldschnitt.
1991Best.-Nr. 132341Studio Editions, London, 1991. 416 S. ; 36 x 25,5 cm ; Pp. ;
1906Best.-Nr. 14148London, Lawrence & Bullen, 1906. 271 SS., mit 267 Schwarz-Weiß-Abbildungen, sowie 15 Farbtafeln nach Zeichnungen von Shirley Slocombe. Fol., Orig.- Leinwandband mit goldgepr. Rücken -u. Deckeltitel, Deckelillustration.
1906Best.-Nr. 1089London, Lawrence, 1906. 271 S., mit 267 sw-Abbildungen, sowie 15 Farbtafeln nach Zeichnungen von Shirley Slocombe. OLeinen. Folio./271 pp, with 267 illustrations in black and white and 15 colour plates. Orig. cloth. Folio.
1933Best.-Nr. 2562-04London., Medici Society/Lawrence & Bullen 1933. 2°. 271 S. Mit 254 teils ganzs. photogr. Abb. u. 15 farb. Taf. mit Erläuterungen auf Beilagbenll. OLn. m. goldgepr. Titel. Kopfgoldschn. Bibl.-Etikett am Rü. Frontisp. lose u. randrissig. Stellenw. fingerfl.
1923Best.-Nr. 2563-04Ldn., Medici Society/Lawrence & Bullen 1923. Fol. 243 S. Mit 215 tlw. ganzs. photogr. Abb. u. 15 farb. Taf. mit Erläuterungen auf Beilagbenll. OLn. m. goldgepr. Titel. Bibl.-Etikett am Rü. Stellenw. fingerfl.
1988GRAND IN 4. REL TOILE EDIT AVEC JAQ [BE]. 416 PP. ENV 500 ILL EN NOIR ET EN COULEURS. [BE]
1989Best.-Nr. 37607Bracken Books, London, 1989. Reprinted. 416 Seiten / pp., mit zahlreichen Abbildungen / richly illustrated; 4°, 36 x 25 cm, Pappeinband mit Schutzumschlag / Hardcover with Jacket
Folio. 4 vols set. Orig. cloth bindings. *Good condition. - High weight: Higer shipping costs for international shipping. Bücher en
1923Best.-Nr. 3383-01London, Medici Society/Lawrence & Bullen 1923. Fol. 260 S. Mit 243 tlw. ganzs. photogr. Abb. u. 15 farb. Taf. mit Erläuterungen auf Beilagbenll. OHLn. mit Kopfgoldschnitt.
1984Soft cover in a very good condition with light wear to corners, edges and spine. Tiny chip to spine tail. Contents very good, text and illustrations bright and tight. Clean Copy
1931français Grand in-8 oblong de 80 pp.; broché avec agrafes de l'éditeur (première de couverture illustrée par A. R. Lataste). Catalogue illustré. Rare.
1846Hardcover in good condition. No jacket. Boards are lightly marked. Light creases throughout foxed, rough-cut pages. Text is clear throughout. HCW Used
1939Best.-Nr. 8366BBBudapest, A Királyi Magyar Egyetemi Nyomda. [KMNy]., [1939]. 8°. [20,5 x 15 cm]. 303 Seiten. Frontispiz - Montierte farbige Abbildung: Nágykövet Szalónja. Genf, Népszovetségi Palota. Tervezte: Szablya-Frischauf Ferenc. - Mit 88 Schwarz-Weiß-Photographien auf 74 Tafeln, einigen Zeichnungen im Text und einem Faltblatt in Hinterdeckeltasche. - Originalhalblederband mit goldgeprägtem Rückentitel und Deckelillustration. - (Kapitale leicht bestoßen. Überzugpapier am Voderdeckel im Anstoß an den Lederrücken minimal wellig. Schnitt partiell schwach fleckig. Exlibris "Witzmann" auf Vortitel. Seite 169/170 mit kleinem reparierten Randeinriss.). - Ansonsten ein gut bis sehr gut
2002Best.-Nr. 029326New York NY: Chambers Fine Art 2002. 99 pages; furniture section at front printed on glossy stock & Illustrated in color. Yun Gee's work in second section printed on matte paper and in color & black and white. Text in Chinese & English; this is the fully-described catalog for this exhibition at Chambers Fine Art in New York. Approx. 9" x 11 1/2" size; bound in glossy stiff illustrated softcovers; light wear; in very good condition. First Edition. Soft Cover. Very Good. Illus. by Yun Gee. Chambers Fine Art paperback
1893Best.-Nr. 56869Salem OR: Buren & Hamilton 1893-1904. 4to. 90 mylar sleeve leaves unnumbered. containing 403 invoices shipping & waybills TLS ALS TL copy letters and more many of which appear on steel-engraved letterhead many printed on colour-tinted paper often shipping and weight bills still retaining original stamps a few mailing envelopes a number of check receipts many w/ manuscript and stamped autographs others w/ corrections and/or annotations in ink or pencil; also included are actual samples of velvet fabrics wallpapers and textured colour sample papers printing sample for perforated business card. All preserved in recent 3-ring cloth binder stamping on front cover. An exceptional archive of original letters invoices waybills business cards and receipts all documenting the thriving business of Buren & Hamilton at the end of the Gilded Age and beginning of the Progressive Era in Salem Oregon in the aftermath of the 1893 economic crash. Drawing from suppliers in California just a few years before the San Francisco Earthquake & Fire the company also sourced from Seattle WA New York and Chicago. Portland was the manufacturing and industrial hub of Oregon as can be seen in these invoices and receipts: such companies as The Columbia Chair Company Dealers who sold chairs office chairs and rockers from 309-311 Front St. shipped rocking chairs and office chairs to Salem in 1903; Henry Jenning & Sons located at 172-174 First St. shipped a load of leather oak chairs in 1903; J.G. Mack & Co. located at 86 & 88 Third St. in Portland supplied velvet rugs oil cloths and lamp shades in 1903; while the A. Merle Co. and McCord & Work located on Water St. supplied brass and iron bed frames the same year. Buren & Hamilton also sourced mattresses and sacks of recycled denim cotton “Shoddy” from Peters & Roberts Furniture Co. for mattresses; and purchased often from the Portland Mattress & Upholstery Co. at 18-20 Front St. which supplied wool-combed coverings mattresses mattress tops from 1900-1904 -- their factory would be gutted by fire in 1907. Many of the items were shipped down the Willamette River on the Oregon City Transportation Co. ships with a note from 1904 indicating the company had completed a sale of odd sized mattresses to them; numerous Southern Pacific Oregon Division freight bills; as well as a shipment on the SS Oregonian via the American-Hawaiian Steamship Co. of five crates of chair seats from Marshall Field & Co.In addition it appears that Oregonians in and around Salem purchased heavily from the store luxury goods such as beveled mirrors framed artwork sleek wallpapers velvet fabrics tapestries oriental rugs and more. Many of the invoices letters waybills and documents record many items supplied by the storied W.P. Fuller & Co. of San Francisco & Sacramento CA as well as their subsidiary in Portland OR. They were main suppliers of beveled and mirrored glass on the Pacific Coast which often had to be imported from England into the U.S. and several of the orders in 1899-1901 note that the company was having issues supplying such pieces to Buren & Hamilton due to labor difficulties finally sourcing mirrors from Pilkington Bros. English Picture Glass. They occasionally canceled orders and the Fuller Co. writes in 1901 over a canceled order of “deadening felt.” The W.P. Fuller Co. explain that “your reasons for wishing to cancel your order are not considered sufficient to justify us in doing so . . . ” and that they were aware that “some of our competitors are circulating unjust and untrue reports concerning us all the time.” Included amongst these letters are samples of cotton backing for carpets and even three original samples of wallpaper. There are also present a number of letters and invoices from the firm of Tozer & Son which took over the W.P. Fuller Wallpaper division about 1901 with letters present making that announcement. Of additional interest are the many invoices letters and waybills back and forth with the storied Schussler Bros. on 119-121 Geary St. Star King Building in San Francisco detailing many of the popular framed and matted photographs and images for Salem shoppers. These encompassed the “Lone Indian” which were often reproductions of the iconic End of the Trail sculpture by James Earle Fraser; Athletes Dutch Windmills Shakespeare prints of assorted types and sizes Lone Arab a Chinese print a boxing series of matted “Deal of a Fellow” Madonna Artotypes -- typically reproductions of Raphael’s Madonna and Taber art photos. Many of the letters bill heads and invoices sport steel engraved architectural vignettes documenting buildings which would be destroyed in the 1906 San Francisco Earthquake & Fire as well as many of the business records for those companies. One of the freight bills bears the photographic letterhead of the Chicago & North-Western Railway Co. dated 1904. Another significant supplier was the D.N. & E. Walter & Co. of San Francisco which supplied linoleum flooring fabrics and more for Buren & Hamilton from 1899-1904 and even includes in one of the letters a piece of the red velvet fabric they no longer carried.Buren & Hamilton was originally founded in the late 1880’s by A.T. Yeaton as a furniture/undertaker business later sold to A.B. Buren and finally sold to Max O. Buren and Clarence Hamilton who operated at three locations along Commercial St. including Greenbaum’s Building at 298 Commercial the building at 136 Commercial 340 Court St. now Sid’s Furniture. Clarence bought out Max Buren’s shares in 1916 becoming the C.S. Hamilton Furniture Co. and operating until it was sold to Rubenstein’s in the 1960’s. See: Norma Hamilton Cochran Historic Businesses -- Hamilton Furniture Salem History Matters March 17 2017; New Stationery Department of Schussler Brothers San Francisco The American Stationer Vol. LIV 1903 pp. 4-5; John Caldbick Panic of 1893 and its Aftermath HistoryLink Essay 20874 Oct. 1 2019. Buren & Hamilton, hardcover
1989Best.-Nr. 1212057Hudson Hills Press; New York / Museum of Fine Arts, Houston, 1989. 366 Seiten; zahlr. farbige, zumeist großformatige Illustrationen; 31 cm; fadengeh. Orig.-Leinenband m. farb. illustr. Orig.-Umschlag.
1989Gutes Exemplar; der Umschlag etwas berieben u.m. kl. Aufkleber. - Englisch. - The Museum of Fine Arts, Houston, is one of America's great museums, with an encyclopedic collection of more than 20,000 works of art in which all cultures and all periods are represented by numerous masterpieces. The collection has exceptional strength and depth in such areas as Renaissance art, English and early American decorative arts (the latter at a noted adjunct facility, Bayou Bend, formerly Ima Hogg's private estate), late nineteenth- and twentieth-century European and American art, and fine-art photography. This magnificent volume, the very first to cover the full range of the museum's riches, presents 150 masterworks in full-page colorplates, each facing an individual essay about the artist, the work, and its cultural and historical contexts. The volume is organized by departments of the museum: Art of the Americas and Tribal Arts, Near and Far Eastern Art, Ancient and Early European Art, Later European Art, Prints and Drawings, Decorative Arts, American Art, Photography, and Twentieth-Century Art. In all, six continents and four millennia are represented, including treasures by many of the most acclaimed artists in history: old masters Giovanni di Paolo, Fra Angelico, van der Weyden, Memling, Claude, Dürer, Fragonard, and Canaletto; nineteenth-century Europeans Chardin, Delacroix, Corot, Renoir, Cassatt, Cezanne, van Gogh, Gauguin, Gericault, Redon, and Degas; Americans Copley, Peale, Stuart, Hicks, Kensett, Church, Whistler, Homer, and Sargent; photographers Steichen, Weston, Kertesz, and Stieglitz; and twentieth-century masters Modigliani, Picasso, Klee, Brancusi, Braque, Matisse, Kandinsky, Mondrian, Leger, O'Keeffe, Pollock, Giacometti, Rothko, Diebenkorn, Baselitz, and Johns. An introduction by museum director Peter C. Marzio details the history of the institution, its building (including portions designed by Mies van de Rohe as part of his master plan), its collections, and its leading patrons. (Verlagstext) ISBN 1555950221
1913425p. +Plus frontispiece and color illustrations and photos. 8vo. 220mm. Original publisher's full cloth pictorial binding in green. Cover stamped in Cream and color illustration. Spine lettered in cream. Mylar dust jacket. A clean, tight binding. Hardbound. Very Good. NW67