8 014 résultats
réf. 0382326903.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. 1461268168.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. InstkSB-9789027931245The Netherlands Mouton & Co. Paperback. New. The Netherlands, Mouton & Co paperback
réf. InstkSB-9789027931245The Netherlands Mouton & Co. Paperback. New. The Netherlands, Mouton & Co paperback
réf. 8766767-6Prentice Hall PTR. Used - Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. Prentice Hall PTR unknown
réf. 6397067Lippincott Williams & Wilkins . Papeback. Used. xiii 449 4 of lates Lippincott Williams & Wilkins unknown
réf. 6323897276University of North Carolina Press . Papeback. New. pp. 210 Index University of North Carolina Press unknown
réf. B9780982368114Paperback / softback. New. paperback
2019réf. x-1498527981Lexington Books 2019. Paperback. New. reprint edition. 252 pages. 9.00x6.00x1.00 inches. Lexington Books paperback
1996réf. Q-1582840024Silver Strong & Associates 1996-01-01. Paperback. New. New. In shrink wrap. Looks like an interesting title! Silver Strong & Associates paperback
réf. 1506386814.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1979réf. 4iiiBa0018Woodstock NY: The Overlook Press 1979. Book. Very Good. Hardcover. 4to or 4° Quarto: over 9¾" x 12" tall. 393 pp. Over-sized and/or over weight book; may require extra postage. Please note that large and/or heavy items may incur an additional shipping charge. A great almost spotlessly clean copy and dust jacket! Solidly and tightly bound essentially and nearly flawless copy and dust jacket with minimal internal and external wear and use. Copy with crisp pages clean text and light shelf wear. Smooth covers. Dust jacket shows minimal wear around edges. The Overlook Press Hardcover
1999réf. Q-0811824152Chronicle Books 1999-06-01. Paperback. New. New. In shrink wrap. Looks like an interesting title! Chronicle Books paperback
1998réf. Q-1567187250Llewellyn Publications 1998-09-08. Paperback. New. New. In shrink wrap. Looks like an interesting title! Llewellyn Publications paperback
1998réf. SONG18853943301998-10-01. First Edition. miscellaneous. Used: Good. 6.00x1.50x9.00. Buy with confidence. Excellent Customer Service & Return policy. unknown
1998réf. Q-1857541472Carcanet Press 1998-09-01. Paperback. New. New. In shrink wrap. Looks like an interesting title! Carcanet Press paperback
2013réf. Q-1594486506Riverhead Books 2013-02-05. Paperback. New. New. In shrink wrap. Looks like an interesting title! Riverhead Books paperback
2010réf. Q-159420411XPenguin Press 2012-01-01. Hardcover. New. New. In shrink wrap. Looks like an interesting title! Penguin Press hardcover
réf. SONG1580931936Used: Good unknown
Hardcover, 271 pages ,+ appendix 36 pages in English , 27 x 19.5 x 2.5 cm., meer dan 200 fraaie kleurenfoto's, nieuw. NL/ ENGLISH . ISBN 9789082063004. LIEFTE VERWINDT AL DINCK is de randtekst van een vijzeltje uit 1597. Dit fraaie vijzeltje komt uit de vijzelcollectie Salentijn die in dit boek aan de hand van tweehonderd kleurenfoto?s wordt getoond: vijzels die uitgebreid hun geschiedenis vertellen: waar, wanneer en door wie en voor wie ze zijn gemaakt; en andere exemplaren die bar weinig loslaten over hun afkomst. Prachtige detailfoto?s geven een beeld van het vakmanschap en de aandacht waarmee de vijzels zijn gemaakt. Dit boek is bestemd voor de antiekliefhebber in het algemeen en de vijzelverzamelaar in het bijzonder. Een kloek naslagwerk waarin elke vijzel wordt beschreven met interessante historische details. De vijzels zijn ingedeeld op land van herkomst: niet alleen Nederlandse en Belgische vijzels en die uit landen als Duitsland, Engeland en Frankrijk, ook exemplaren uit Zuid-Europa, Midden-Oosten en een enkele uit Afrika staan in dit boek. Elk land of regio wordt vakkundig ingeleid voor de liefhebber en de connaisseur. Het register en de Engelse vertaling van de bijschriften maken het stijlvolle boek toegankelijk voor elke lezer. ---------------- LIEFTE VERWINDT AL DINCK is the border text of a mortar from 1597. This beautiful mortar comes from the mortar collection Salentijn, which is shown in this book on the basis of two hundred color photos: mortars that extensively tell their history: where, when and by whom and who they are made for; and other copies that reveal very little about their origin. Beautiful detail photos give an idea of the craftsmanship and the attention with which the jacks are made. This book is intended for the antique enthusiast in general and the mortar collector in particular. A bold reference book in which each mortar is described with interesting historical details. The mortars are classified by country of origin: not only Dutch and Belgian mortars and those from countries such as Germany, England and France, but also specimens from Southern Europe, the Middle East and a few from Africa. Each country or region is expertly introduced for the enthusiast and the connoisseur. The index and the English translation of the captions make the stylish book accessible to every reader.
Buenos Aires, Instituto de Investigaciones de Historia del Derecho, 1984 - 1991, volumi 3, in-8, brossura editoriale, pp. 382 - 340 - 322. Collezione completa, in ottime condizioni.
1792réf. aff-rev-2991792 50,5X40,5
1793réf. aff-rev-111793 48X37
Size: 290 mm x 237 mm Pages: 256 Illustrations: 216 colour, 64 b&w Hardback. ISBN 9781851498079. The stories behind the great celebrity jewellery collections Featuring the jewels of Grace Kelly, Marlene Dietrich, Jackie Kennedy and many more Chapters on the great collectors of old, and the new celebrity collectors of today Throughout the 20th century, jewellery revealed the behind-the-scenes stories and the plot twists and turns in the real lives of celebrities that will always be larger than life. Some of the world's most fabulous jewels not only illustrated power and status in society but these magical gems held tremendous sentimental value as they were linked to the most significant moments and memories of Hollywood royalty, international aristocracy and international icons of style. If These Jewels Could Talk offers a glimpse into the jewellery boxes of these celebrities - the personal tastes, heartfelt anecdotes and the true tales of the women who wore and collected the pieces. During the early- to mid-20th century, a majority of screen actresses requested to wear their own favourite pieces in films. This offered a peek into some of the great jewellers of the time who were designing for women who could choose anything. Actresses such as Merle Oberon, Paulette Goddard, Joan Crawford, Grace Kelly and Elizabeth Taylor as well as icons such as Jackie Kennedy and The Duchess of Windsor created signature styles for which they became known and which influenced generations of women, becoming part of our collective consciousness. The 20s through the 50s were a time when the renowned jewellery houses were also celebrities in their own right. They mixed with the socialites and royalty they bejewelled. In films, jewellery clearly developed and defined a character's personality - as it did in real life - whether it be a rags-to-riches story or those that figured into the plot: for example, a Cartier bracelet in Alfred Hitchcock's Lifeboat, or a Harry Winston necklace in Notorious. Whether on or off screen, worn by the famed and the legendary, and designed by the most revered houses of the day, all of these jewels take us on a narrative journey that provide fascinating insight into the intriguing worlds of early Hollywood and nobility from the 1920s through to today.
2001réf. 68121ABChemnitz., Chemnitzer Verlag., 2001. 23,6 x 23,5 cm. 235 S. Illustrierter OPappband mit illustriertem OUmschlag, in privatem Pergaminumschlag., 68121A Erste Auflage. Umschlag minimalst lichtschattig, sonst sehr gutes Exemplar. Privater Pergaminumschlag angegilbt.
