8065 risultati
1940rif. 42021New York: D. Silver Hardware Co 1940. First Edition. Near fine. Catalog from the D. Silver Hardware Company in New York City containing primarily wholesale keys locks and related items for locksmiths. A large portion of the catalog related to automobiles including door handles hub cap and gas cap locks etc. with information regarding compatibility with specific makes and models. Almost all items illustrated from detailed line drawings. Wraps. 8.5" x 11" catalog saddle-stapled in wraps. Mild toning throughout with light edge-wear. Near fine. 40pp. D. Silver Hardware Co unknown books
1907rif. 236281907. Silver City and southwestern New Mexico real photo postcard group circa 1907 depicting Indigenous community life beside the mining civic medical and commercial infrastructure reshaping the territory five years before statehood. Images of Indigenous women preparing tortillas families gathered near frame buildings a camp of conical shelters and two children riding a burro record Native presence in a region increasingly represented through mining towns tourist landmarks and expanding institutions. The postcards belong to a period when Silver City founded as a mining settlement in 1870 had become the principal commercial center of Grant County while New Mexico continued its protracted campaign for admission to the Union. New Mexico entered the United States as the forty seventh state on January 6 1912. Photo archive of 13 silver gelatin real photo postcards each approximately 5.5 x 3.5 inches Silver City and southwestern New Mexico circa 1907. Four cards depict Indigenous people: women kneeling around metates and shaping tortillas in a view captioned "Tortilla makers Silver City N. Mex."; a larger gathering of adults and children beside a small frame building with several figures wrapped in blankets and goats standing nearby; an encampment of conical shelters and rectangular tents with horses and wagons dispersed across open ground; and two children riding together on a burro along an unpaved road. The remaining views describe the developing territorial city and its surrounding landscape. They include the smokestacks processing buildings ore piles and elevated works of the "Silver City Reduction Works"; the Grant County courthouse; South Bullard Street with two story commercial buildings and a footbridge crossing the roadway; the St. Joseph Sanitarium and its grounds; and a card identifying the Santa Rita copper mine with the caption noting that an Indigenous settlement formerly occupied the site. Additional cards show bronco riding the Gila Cliff Dwellings and the rock formations captioned "City of Rocks Silver City N. Mex." Several bear printed numbers and location captions one is credited in the negative to "The Arts Shop Silver City N. Mex." and two carry manuscript dates of 1907. The Indigenous scenes were made during a period shaped by the dispossession confinement and surveillance of Apache peoples across the Southwest but they direct attention away from the military imagery that had dominated nineteenth century representations. Women grind corn and prepare food families congregate in domestic spaces children travel by burro and people maintain mobile settlements within the same regional economy that produced reduction works hospitals courthouses and commercial streets. Silver City itself had developed near a traditional Warm Springs Apache camping place after mineral discoveries drew settlers and former soldiers into the district making the growth recorded here inseparable from the displacement of Native communities. The cards also show how early postcard publishers made Indigenous life industrial production archaeological sites ranch spectacle and geological scenery into a public image of territorial New Mexico presenting Native people as visible markers of regional identity while civic and mining views advertised material progress. Overall good condition with staining and toning on the versos and slight silvering to several images. A concentrated visual record of Indigenous presence and industrial development in southwestern New Mexico during the final years of territorial rule. unknown books
1945rif. 608054New York: Readers' Press 1945. Hardcover. Very Good/Good. First edition. Octavo. 192pp. Illustrated by Russell Patterson. Cheap wartime paper is uniformly toned modest wear on the boards very good in good dust jacket that is clipped at bottom of front flap removing some text although the price is present. Inscribed by the author: "To Jennie Curtis A nice one - but definitely a wolf. Best wishes Abner Silver. Readers' Press hardcover books
1919rif. 600063Blairstown New Jersey: Blair Academy 1919. Hardcover. Good. First edition. Slim octavo. 104pp. Illustrated from photographs. Cloth and printed papercovered boards. Binding toned and worn topedge foxed and a bit of light internal foxing a sound good or better copy. A flawed but certainly still usable copy. Uncommon. Blair Academy hardcover books
2011rif. 535975Baton Rouge: Louisiana State University Press 2011. Softcover. Fine. First edition. Glossy wrappers. Fine. Inscribed by the author to fellow poet Daniel Hoffman on the title page with Hoffman's pencil marginalia on a few pages. Scarce Signed copy. Poetry. Louisiana State University Press unknown books
1923rif. 467605New York: M. Witmark & Sons 1923. Unbound. Very Good. Sheet music measuring 9" x 12". 5pp. Illustrated wrappers. Short tears creasing and toning else good only. "Written for and sung with great success by Al Jolson in Bombo. M. Witmark & Sons unknown books
1934rif. 468548New York: Leo. Feist 1934. Softcover. Very Good. Sheet music. Quarto wrappers featuring Tom Oakley. 4pp. Small chip on top edge of page three light sunning very good. Piano guitar. Leo. Feist unknown books
1964rif. 528318Rosemont Pennsylvania: Approach 1964. Softcover. Near Fine. First edition. Stapled wrappers with cover illustrated by David Bragdon. Wrappers age-toned near fine. Poetry art and stories by Philip Silver Dirk van Nouhuys James Hanes Charles Black Sanuel Hazo John Moffitt Ralph Luce Ruth Domino Leonid Martynov Charles Black Mother Mary Anthony Ronald B. Ribman and Albert Fowler. Approach unknown books
1977rif. 442350New York: St. Martins Press 1977. Hardcover. Near Fine/Very Good. First American edition. Quarto. Light foxing on endpapers near fine in a very good dustwrapper with internal foxing and short tears on edges. St. Martins Press hardcover books
1957rif. 371727Graz Wien Koln: Verlag Styria 1957. Hardcover. Very Good. First edition. Quarto. 251pp. Text in German. Illustrated with black and white photographs. Contemporary owner's name on front fly spine lightly faded corners bumped still very good. Verlag Styria hardcover books
1994rif. 371986New York: Dramatists Play Service 1994. Softcover. Fine. Acting edition. Wrappers. Fine. Dramatists Play Service unknown books
1994rif. 372026New York: Dramatists Play Service 1994. Softcover. Fine. Acting edition. Wrappers. Fine. Dramatists Play Service unknown books
1997rif. 372020New York: Dramatists Play Service 1997. Softcover. Fine. Acting edition. Wrappers. Fine. Dramatists Play Service unknown books
1895rif. 360406Baltimore: Johns Hopkins University Press 1895. Unbound. Good. Octavo. 61pp. Disbound wrappers thus good only. Part of the Johns Hopkins University Studies in Historical and Political Science series Thirteenth Series X. Johns Hopkins University Press unknown books
1972rif. 45552New York: Viking 1972. Hardcover. Near Fine/Near Fine. First edition. Near fine in a near fine dust jacket. Viking hardcover books
1800rif. 1008901800. London: T. Cadell and W. Davies 1800. Frontispiece a little browned around the edges. Engraved by Blake but not signed. § Blake's first and perhaps happiest collaboration with his patron William Hayley one that also included Blake's friend of many years John Flaxman. Bentley Blake Books 467. Essick Blake's Commercial Book Illustrations XXXIX. unknown books
1800rif. 1008921800. London: T. Cadell and W. Davies 1800. Plate facing p. 163 a little browned around the edges. Engraved by Blake signed. § Blake's first and perhaps happiest collaboration with his patron William Hayley one that also included Blake's friend of many years John Flaxman. This is Blake's only illustration of Hayley. The book has become very scarce and the prints are rarely if ever available separately. Bentley Blake Books 467. Essick Blake's Commercial Book Illustrations XXXIX. unknown books
1806rif. 1008951806. London: Richard Phillips 1806. Single sheet 123 x 189mm plate mark 114 x 172mm a little soiled. § Frontispiece titled "The Graphic Muse." "Sketched from the picture by Sir Joshua Reynolds on the ceiling of the Library of the Royal Academy" and engraved by Blake. This the only example of the frontispiece available as a separate plate that I have seen. Bentley 474. Essick William Blake's Commercial Book Illustrations XLVIII. unknown books
1800rif. 1008911800. London: T. Cadell and W. Davies 1800. Plate facing p. 126 a little browned around the edges. Engraved by Blake signed. § Blake's first and perhaps happiest collaboration with his patron William Hayley one that also included Blake's friend of many years John Flaxman. Bentley Blake Books 467. Essick Blake's Commercial Book Illustrations XXXIX. unknown books
1870rif. 346959New York 1870. Large mounted albumen photograph with the above text below the image. 16-1/2 x 10-3/4 inches image size; 21-1/2 x 16-1/2 inches overall. Minor toning. Large mounted albumen photograph with the above text below the image. 16-1/2 x 10-3/4 inches image size; 21-1/2 x 16-1/2 inches overall. The broadside advertises the times of Sunday services as well as Sunday school and prayer meetings. Constructed from white granite salvaged from the demolition Congregationalist Church of the Puritans on the northwest corner of Union Square the 53rd Street Baptist Church would open in 1870 suggesting the approx. date of the present image. However by the mid-1880s the building would be sold to the Mount Olivest Baptist Church the noted African American church. In 1925 the congregation moved to its present location on Lenox Avenue at 120th Street following the migration of African-Americans from midtown to Harlem. The photographer of this image William W. Silver best remembered for his historic mammoth plate panorama of New York 1874 taken from the top of the Post Office building. unknown books
1927rif. 255532Paris: Editions Albert Levy 1927. First Edition. Typographie L. Kaldor rue d'Hautville.Heliogravure de la Societe de Gravure et d'Impression d'Art a Cachan Seine. 72 Full page plates. 2 vols. Folio. Loose in he original cloth and board portfolios as issued. Fine. First Edition. Typographie L. Kaldor rue d'Hautville.Heliogravure de la Societe de Gravure et d'Impression d'Art a Cachan Seine. 72 Full page plates. 2 vols. Folio. Editions Albert Levy unknown books
1762rif. 249483Paris: de l'Imprimeries de H.L. Guerin & L.F. Delatour 1762. 42 pp. 7 full page engraved plates. 1 vols. Folio 18 x 12 inches. Contemporary drab wrappers uncut . Fine. 42 pp. 7 full page engraved plates. 1 vols. Folio 18 x 12 inches. From Description des arts et métiers. de l'Imprimeries de H.L. Guerin & L.F. Delatour] unknown books
1986rif. 47755Albany: State University of New York Press 1986. Hardcover. xi 251p. like new in the original shrinkwrap. State University of New York Press hardcover books
1978rif. 28123New York: Thomas Y. Crowell. Near Fine in Very Good dj. c.1978. 1st U.S. edition. Hardcover. nice clean book light shelfwear only; the jacket shows a little wear along the top and bottom edges with a tiny closed tear at the bottom of the front panel and a short diagonal crease at the upper corner of the front flap. B&W photographs INSCRIBED and SIGNED by both authors on the front endpaper: "For / Fil Perell - / With the hope for an / enjoyable read -- and / Happy New Year / Jesse L. Lasky Jr. / & / Pat Silver / December 1978." The love story of these two "supremely gifted and glamorous stars" whose romance stretched over the course of thirty years whether they were "together or apart married to each other or to other people." "They were inseparable the perfect pair idolized by millions for their idyllic relationship. But their love scene was doomed and inevitably the glorious partnership broke up and the players moved their separate ways." Signed by All Authors . Thomas Y. Crowell hardcover books
1973rif. 63077Lisbon Iowa: The Penumbra Press 1973. Edition limited to 75 copies printed by Bonnie O'Connell on Wooky Hole Mill's Cream Laid Book Paper this no. 9; 8vo pp. 8; self-wrappers printed in yellow and black; fine in a printed manila envelope as issued. From the library of Kim Merker. Issued as number 1 in the publisher's Manila Series. The Penumbra Press unknown books