Silver, EricBiblio.com
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1992réf. Q-0802113478Grove Pr 1992-09-01. Hardcover. New. New. In shrink wrap. Looks like an interesting title! Grove Pr hardcover
1992réf. 58440Grove Press 1992. 1st U.S. . Soft cover. Good. 4to - over 9¾" - 12" tall. A typewritten copy in two columns in landscape format double-column on light green 8 by 11 paper title handwritten on first page 159 pages with large metal clip at top middle front edges. On top sheet on left is pubishing data as on a proof on right side a printed dedication age title and author's name. Tiny tears and crease along top front left. Near Very Good. Grove Press paperback
1929No added marks or inscriptions. No creasing to covers or to spine. Mainly clean pages with marked boards and lower page edges, hinges slightly shaken, dusty page edges and rubbing to edges and corners. 160pp. Extensive advice to the collector of antiques across a wide range of collectibles. Well illustrated with some coloured tipped-in paintings.
2025réf. 212091New York / Raleigh NC / New Haven CT: Jewish Museum / North Carolina Museum of Art / Yale University Press 2025. Hardcover. VG. A few light touches of exterior wear otherwise clean and unmarked. Quarto. Hardcover. Bound in pink and green cloth with color plate mounted to the center front board. No jacket as issued. 157 pages : color illustrations ; 29 cm. "An exploration of how the biblical heroine Queen Esther a symbol of resilience and a figure of immense popularity was portrayed in seventeenth-century Dutch art. In the age of Rembrandt van Rijn the biblical Book of Esther was a popular source of inspiration for diverse communities in the Netherlands both Jewish and Christian. Traditionally the Esther story is read annually on the Jewish holiday of Purim. For immigrant Jewish communities living with new freedom in more tolerant Amsterdam celebrating Purim--notably through finely produced Esther scrolls and theater productions-became a meaningful expression of Jewish culture. For the Dutch Queen Esther's heroism came to represent their emerging nation's identity. Rembrandt and his contemporaries depicted essential scenes of Esther's story in paintings prints drawings and decorative arts. Examining how Esther was represented in art and popular culture in Rembrandt's time this beautifully illustrated volume includes essays that discuss the visual culture and ceremonial art of Purim and examine the queen's status as a heroine in seventeenth-century Netherlands. A postscript reveals Esther's continued appeal through a close look at work by contemporary American artist Fred Wilson who reimagines the biblical heroine as the abolitionist Harriet Tubman. Published in association with the Jewish Museum New York and the North Carolina Museum of Art Raleigh"-- Provided by publisher. Jewish Museum / North Carolina Museum of Art / Yale University Press hardcover books
2025réf. 213804New York / Raleigh NC / New Haven CT: Jewish Museum / North Carolina Museum of Art / Yale University Press 2025. Hardcover. New. In shrinkwrap. Quarto. Hardcover. Bound in pink and green cloth with color plate mounted to the center front board. No jacket as issued. 157 pages : color illustrations ; 29 cm. "An exploration of how the biblical heroine Queen Esther a symbol of resilience and a figure of immense popularity was portrayed in seventeenth-century Dutch art. In the age of Rembrandt van Rijn the biblical Book of Esther was a popular source of inspiration for diverse communities in the Netherlands both Jewish and Christian. Traditionally the Esther story is read annually on the Jewish holiday of Purim. For immigrant Jewish communities living with new freedom in more tolerant Amsterdam celebrating Purim--notably through finely produced Esther scrolls and theater productions-became a meaningful expression of Jewish culture. For the Dutch Queen Esther's heroism came to represent their emerging nation's identity. Rembrandt and his contemporaries depicted essential scenes of Esther's story in paintings prints drawings and decorative arts. Examining how Esther was represented in art and popular culture in Rembrandt's time this beautifully illustrated volume includes essays that discuss the visual culture and ceremonial art of Purim and examine the queen's status as a heroine in seventeenth-century Netherlands. A postscript reveals Esther's continued appeal through a close look at work by contemporary American artist Fred Wilson who reimagines the biblical heroine as the abolitionist Harriet Tubman. Published in association with the Jewish Museum New York and the North Carolina Museum of Art Raleigh"-- Provided by publisher. Jewish Museum / North Carolina Museum of Art / Yale University Press hardcover books
1973réf. ABE-1567695511146Private Libraries Association 1973 This gorgeous limited edition - one of only 350 copies with an original Rex Whistler bookplate tipped in - is a prime example of fine small press editions. Smooth acid free paper elegantly designed by David Cambers with a superb text by Brian North Lee. It is contained in a black slipcase the book itself is protected in stiff acetate and the binding is in sewn sections. A great and scholarly tribute to a very great designer and artist. What a loss to British Art! RW was killed during a tank battle in the second world war at only 39 years old. There is an attractive blind stamp of a former owner on the front endpaper. Limited Edition. Hardcover. Fine/Fine. Private Libraries Association hardcover
réf. 1538491311.GaudioCD. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. unknown
réf. 153849132X.Gmp3_cd. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. unknown
1878large 8vo [26 x 18 cm]; [iv], 231, 8 [ads] pp, 42 fine hand colored plates (#167-208), most plates with 5 illustrations, blank versos, index. original pictorial gilt cloth, corners worn, spine chipped at ends, the plates are clean and bright, free of foxing, very good. A picture of this book is available upon request by email. Originally published in 13 volumes in 1825-1851, there were a number of other printings, this one published in six volumes, this being volume V. Each plant is described in detail including history, culture etc. The plates are detailed and well-colored. Cleveland Herbal Collection 905. Dunthorne 198. Nissen 2222. Pritzel 6004. Great Flower Books p. 160.
1878large 8vo [26 x 18 cm]; [viii], 248, 8 [ads] pp, 42 fine hand colored plates (#1-42), most plates with 5 illustrations, blank versos, index. original pictorial gilt cloth, corners worn, spine with large section lacking at top but not loss to title lettering, rear front joint of spine is split, the plates are clean and bright, free of foxing, interior is very good and clean. A picture of this b Originally published in 13 volumes in 1825-1851, there were a number of other printings, this one published in six volumes, this being volume I. Each plant is described in detail including history, culture etc. The plates are detailed and well-colored. Cleveland Herbal Collection 905. Dunthorne 198. Nissen 2222. Pritzel 6004. Great Flower Books p. 160.
réf. 1560532548.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1998réf. DADAX1560532548Hanley & Belfus 1998-05-29. 1. paperback. New. 6.25x0.75x9.25. Buy with confidence. Excellent Customer Service & Return policy. Hanley & Belfus paperback
185812mo [19 x 13.5 cm]; xii, 288, [iii, ads including one for author's earlier book] pp, 8 fine hand colored engraved plates including frontis, engraved headpieces for each chapter, with the half title page, endpaper ads. original cloth, gilt title lettering on spine and on cover in decorative gilt border, all edges gilted, cover rubbed, rebacked preserving original spine & endpapers, interior clean and near fine in very good cover, solid and tight binding. A picture of th Freeman 1836. An attractively produced book by author of other high-class natural history books, one being an early work on aquariums done at the beginning of the aquarium craze in Victorian England. The work translates the aquarium, a habitat for fish and other marine animals, to one of insects where the enthusiastic nature lover could collect various insects and watch them grow and reproduce in the comfort of their own home. The plates, including many of butterflies, beetles, etc, are beautifully done, the frontis being one of the vivarium itself, an ornate Victorian aquarium with plants, water, butterflies, etc, that could have been found in a typical parlor of the time.
185812mo [19 x 13.5 cm]; xii, 288, [iii, ads including one for author's earlier book] pp, 8 fine hand colored engraved plates including frontis, engraved headpieces for each chapter, with the half title page. original cloth, gilt title lettering on spine and on cover in decorative gilt border, all edges gilted, cover rubbed and expertly re-set in binding, interior clean and near fine in very good cover, sound and tight binding. A picture of this book is availa Freeman 1836. An attractively produced book by author of other high-class natural history books, one being an early work on aquariums done at the beginning of the aquarium craze in Victorian England. The work translates the aquarium, a habitat for fish and other marine animals, to one of insects where the enthusiastic nature lover could collect various insects and watch them grow and reproduce in the comfort of their own home. The plates, including many of butterflies, beetles, etc, are beautifully done, the frontis being one of the vivarium itself, an ornate sort of aquarium with plants, water, butterflies, etc that could have been found in a typical parlor of the time.
1951A guide to collecting buttons, with 600 buttons illustrated. 143 pages. Index. Red cloth covers; black title on spine. Dust jacket heavily faded on spine and with surface wear and rubbing.
18238vo [23 x 14.5 cm]; iv, [5] - 32 pp, 3 foldout plates including hand colored frontis, being three states of the same view, one in outline, one in aquatint, and the third a hand-colored aquatint. later boards with title label on front cover, spine a little faded, some minor foxing in a few margins, a near fine copy with good-sized margins. A picture of this book is available upon request by email. The author, a master engraver and artist, presents a method for drawing, using a rural scene as example at different stages, with the outline plate showing perspective lines, up to the coloring including directions for compounding and using colors, sepia, Indian ink, bister, etc. Hardie (English Coloured Books) p. 121: 'He was one of the first to apply colour to aquatint'. BMC II:876.330.
1990réf. Q-1555971296Graywolf Pr 1990-07-01. Hardcover. New. In shrink wrap. Looks like an interesting title! Graywolf Pr hardcover
2012réf. Q-0811219593New Directions 2012-09-25. Paperback. New. New. In shrink wrap. Looks like an interesting title! New Directions paperback
réf. 50923806like new. unknown
réf. 50923806-nnew. unknown
2025réf. x-1966214561Common Ground Research Networks 2025. Hardcover. New. 240 pages. 6.14x0.56x9.21 inches. Common Ground Research Networks hardcover
réf. K104-110925-S-208Knopf 2015-10-27. hardcover. Ships same or next business day . 7x1x9. Knopf hardcover
réf. mon0000032540Knopf 10/27/2015 12:00:01. hardcover. New. 1.4961 in x 9.5276 in x 7.4803 in. This is a hardcover book with a dust jacket. Knopf hardcover
1985302 pages including index. A comprehensive guide to investment opportunities in gold, silver, platinum and palladium. A fact-filled sourcebook, complete with lists of dealers and other financial organizations that handle every kind of metals transaction. Book clean, bright and unmarked. Appears unread. Modest rubbing and light wear to dust jacket. Very nice copy. Buy now at the early stages of this bull market! :-) Book
