William B CarpenterBiblio.com
10.886 risultati
rif. B9783375177997Hardback. New. hardcover
rif. B9783752557800Paperback / softback. New. paperback
2015rif. x-3319214152Springer Verlag 2015. Paperback. New. 265 pages. 9.25x6.25x0.75 inches. Springer Verlag paperback
rif. 8120612337.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
2009rif. DADAX0071621113McGraw-Hill Education 2009-07-28. 1. paperback. New. 7.40x1.09x9.10. Buy with confidence. Excellent Customer Service & Return policy. McGraw-Hill Education paperback
rif. 48538538-nnew. unknown
rif. 46371158-nnew. unknown
2004rif. DADAX1403965455St. Martin's Press 2004-12-17. First Edition. hardcover. New. 6.64x0.73x9.35. Buy with confidence. Excellent Customer Service & Return policy. St. Martin's Press hardcover
2019rif. 2-0367882043Taylor & Francis Ltd 2019. Paperback. New. 231 pages. 9.00x6.00x0.50 inches. Taylor & Francis Ltd paperback
rif. 0470290471.Gloose_leaf. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. unknown
rif. 3743390108.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
rif. B9781108005289Paperback / softback. New. In Principles of Mental Physiology published in 1874 Carpenter demonstrates the arguments for and against two models of psychology - automatism which assumed that the mind operates under the control of the physiology of the body for all human activity and free will 'an independent Power controlling and directing that activity.' paperback
rif. 6938156University of Oklahoma Press uop . Hardback. New. pp. 248 University of Oklahoma Press uop hardcover
2005rif. 1-0743277473Free Pr 2005. Hardcover. New. 480 pages. 9.75x8.50x1.25 inches. Free Pr hardcover
1985rif. GB0014ZYYFWI2N00PAPA: Grand Lodge F.&A.M. Of Pennsylvania 1985. Hardcover. Like New. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More Spend Less.Dust jacket quality is not guaranteed. PAPA: Grand Lodge F.&A.M. Of Pennsylvania, hardcover
rif. B9783382302382Paperback / softback. New. paperback
2010rif. x-0691141800Princeton Univ Pr 2010. Paperback. New. 1st edition. 856 pages. 9.00x6.00x2.00 inches. Princeton Univ Pr paperback
rif. 654497758University of North Carolina Press . Papeback. New. pp. 264 University of North Carolina Press unknown
rif. 28118838like new. unknown
rif. ING9780801890024Johns Hopkins University Press. New. Special order direct from the distributor Johns Hopkins University Press unknown
1992rif. USD_9780387545653Springer 1992. 3rd. Unknown Binding. Used - Like New/Used - Like New. _ Springer unknown
1992rif. AME_9780387545653Springer 1992. 3rd. Unknown Binding. New/New. _ Springer unknown
1892rif. 29454Paris: Choudens Fils PN A.C. 8922 1892. Large octavo. Quarter grey cloth with marbled boards manuscript titling to spine. 1f. recto decorative title verso blank 1f. recto dedication verso blank 1f. recto cast list and list of acts verso blank xi libretto i blank 1f. recto notes on first performances named cast lists and contents verso blank 147 i blank pp. Named cast for the Conservatoire National performance includes Tarquini d'Or Cossira Grimaud and Wyns and for the Théâtre National performance Fiérens Vaguet Renaud and Héglon. Binding worn rubbed stained and shaken; hinges split. Occasional light foxing; some signatures split; title soiled and mostly detached; handstamps throughout; old plastic tape to inner margin of two leaves. First Edition. First performed in Paris at the Conservatoire National on 18 May 1892 and at the Théâtre National de l'Opéra on 17 June 1892. "Charpentier carried his spirit of revolt to the Villa Medici and like Debussy before him escaped from Rome to Paris on several occasions. He managed however to write the nucleus of his life's work there: the orchestral suite Impressions d'Italie the symphonie-drame La vie du poète a latterday Lélio and most of the libretto and the first act of his most famous work Louise. Charpentier's growing success in the 1890s with La vie du poète and open-air extravaganzas like the Sérénade à Watteau and La couronnement de la muse coupled with the expected scandal attached to the opera's promiscuous theme and the excitement of the Paris Exhibition led to a box-office triumph in February 1900 though the composer had nearly starved during the previous year. The vociferous young left wing hailed him as the saviour of French music though it was undoubtedly the sociological ideals of this first opera of women's liberation rather than its music which appealed." Robert Orledge in Grove Music Online. Choudens Fils [PN A.C. 8922] unknown
1892rif. 29454Paris: Choudens Fils PN A.C. 8922 1892. Large octavo. Quarter grey cloth with marbled boards manuscript titling to spine. 1f. recto decorative title verso blank 1f. recto dedication verso blank 1f. recto cast list and list of acts verso blank xi libretto i blank 1f. recto notes on first performances named cast lists and contents verso blank 147 i blank pp. Named cast for the Conservatoire National performance includes Tarquini d'Or Cossira Grimaud and Wyns and for the Théâtre National performance Fiérens Vaguet Renaud and Héglon. Binding worn rubbed stained and shaken; hinges split. Occasional light foxing; some signatures split; title soiled and mostly detached; handstamps throughout; old plastic tape to inner margin of two leaves. First Edition. First performed in Paris at the Conservatoire National on 18 May 1892 and at the Théâtre National de l'Opéra on 17 June 1892. "Charpentier carried his spirit of revolt to the Villa Medici and like Debussy before him escaped from Rome to Paris on several occasions. He managed however to write the nucleus of his life's work there: the orchestral suite Impressions d'Italie the symphonie-drame La vie du poète a latterday Lélio and most of the libretto and the first act of his most famous work Louise. Charpentier's growing success in the 1890s with La vie du poète and open-air extravaganzas like the Sérénade à Watteau and La couronnement de la muse coupled with the expected scandal attached to the opera's promiscuous theme and the excitement of the Paris Exhibition led to a box-office triumph in February 1900 though the composer had nearly starved during the previous year. The vociferous young left wing hailed him as the saviour of French music though it was undoubtedly the sociological ideals of this first opera of women's liberation rather than its music which appealed." Robert Orledge in Grove Music Online. Choudens Fils [PN A.C. 8922] unknown books
rif. 44396620like new. unknown
