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ref. 9190Four brush & black ink drawings in the text. 21 folding leaves. 8vo 237 x 165 mm. orig. decorated semi-stiff wrappers manuscript title on label on upper cover new stitching. Japan: on final leaf in trans.: “Copied May 1814 by Toba.” An attractive manuscript copy of the first Japanese text on shiitake cultivation written in 1796; it has remained unpublished. The beginning of our manuscript is entitled “Kyoshin roku” “Amazing Shiitake Mushroom Knowledge”. This is followed by “Onkosai mitsuki” “Sato’s Tips on Honey Production” and “Satsuma imo kono sho narabini tsukuri yo no den” “On the Health Benefits & Cultivation of Sweet Potatoes”. The illustrations depict how to dry the mushrooms along with a wooden beehive box and a sharp utensil to scrape the honey. Sato 1762-1848 was a leading honzo scholar and writer on agricultural matters. He advised a number of fiefdoms throughout Japan on modern agricultural techniques. Fine copy. A bit of worming on outer lower corner of first few leaves not touching text. unknown books
2004ref. C86708Watson-Guptill Publications. As New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 240 pages with many illustrations. Catalogue Raisonné Catalogue Raisonne Catalog Raisonnee Complete Works -- with a bonus offer-- - May be EITHER: out of print OOP and extremely rare in this pristine condition; signed by author or contributor; or a first or special edition; inquire for details; In 1961 Mel Ramos emerged on the international art scene along with Warhol Liechtenstein Oldenburg Wesselmann and Rosenquist as part of the second post-war American art movement to gain historical importance: pop art. More than 470 of Ramos' greatest paintings and drawings are reproduced in this comprehensive survey. Ramos is among the most vigorously American and most strikingly "pop" of all the pop art artists. Ramos' indentification with pop art began with his portraits of the great costumed heroes of pre-Code comics books. From Batman and others Ramos went on to explore the world of the pinup and nudes derived from men's magazines such as Playboy Penthouse and "girlie" calendars. His well-known series of nudes comment ironically on the picture of women projected by the mass media and consumer advertising and at the same time wittily suggest its antecedents in the tradition of the nude in Western art. . 2004. 0823040933 . Watson-Guptill Publications hardcover
1995ref. C129186University of Pennsylvania Press. As New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - FLAWLESS COPY BRAND NEW PRISTINE NEVER OPENED -- - 92 pages. Catalogue Raisonne Catalog Raisonné Complete Works Life and Work Raisonnee -- with a bonus offer-- - May be EITHER: out of print OOP and extremely rare in this pristine condition; signed by author or contributor; or a first or special edition; inquire for details . 1995. 0962402176 . University of Pennsylvania Press hardcover
1989ref. Q-1854370162Tate Gallery 1989-01-01. Paperback. New. In shrink wrap. Looks like an interesting title! Tate Gallery paperback
2011ref. SBBIH-VNOVYZUJB2KPI Love Mel 2011. paperback. Good. Our good condition books are generally good for reading but not for gifting or collecting. They could have imperfections such as creasing fanning inscriptions margin notes yellowing staining on edge or cover or pages bumps scuffs etc etc sometimes multiple of these. It's a wide category that encompasses anything that isn't almost-new down to anything that is slightly better than poor. We would NOT recommend gifting Good books - these should be considered reading copies. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order at least not without checking with us first although we don't always have time to check. We aim to dispatch prompty the service used will depend on order value and book size. We can ship to most countries see our shipping policies. Payment is via Abe only. I Love Mel paperback
2004ref. 86708Watson-Guptill Publications. New. 2004. Hardcover. 0823040933 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 240 pages with many illustrations. Catalogue Raisonné Catalogue Raisonne Catalog Raisonnee Complete Works Watson-Guptill Publications hardcover
1995ref. 129186University of Pennsylvania Press. New. 1995. Hardcover. 0962402176 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - FLAWLESS COPY BRAND NEW PRISTINE NEVER OPENED -- - 92 pages. Catalogue Raisonne Catalog Raisonné Complete Works Life and Work Raisonnee -- with a bonus offer . University of Pennsylvania Press hardcover
ref. awd-1157Important tirage photographique en couleurs monté dans un encadrement carré en bois, ajouré en cercle au centre. Très rare épreuve, peut-être tirée pour un essai de couleurs lors de la commercialisation d’une affiche en 1969. Mentions Mati Klarwein, Grain of Sand, Robert Crandall Assoc., 1968 sur le côté avec échelles chromatiques, petits manques de pigmentation dans la partie basse (111,5/117,2 cm dans un cadre de 122/122 cm).
ref. 667xvi 312 pp. 8vo 19th cent. half-calf head of upper joint a bit worn some browning spine gilt contrasting leather lettering piece on spine. Paris: De Bure 1780. bound with: --. Catalogue des Livres rares et précieux de la Bibliothéque de M. Mel de Saint Ceran. xii 290 i.e. 300 42 pp. 8vo some browning. Paris: De Bure 1791. I. A rare catalogue priced throughout in a contemporary hand of the library of Mel de Saint Ceran receiver general of finances. "Catalogue curieux et qui peut trouver place à côté de celui de Gaignat. Il est fort bien raisonné; et plusieurs notes de l'éditeur corrigent très à propos quelques articles de la Bibliographie instructive."Peignot p. 112. 2295 lots with an author index at end. There are some fine early MSS. and bindings in this collection. II. The sale catalogue of Mel de Saint Ceran's second library which contained early MSS. books printed on vellum color plate natural history books and illustrated books. 3632. Complete with the 42-page "Supplément." Priced throughout in a contemporary hand. Very good copies. ⧠I. Grolier Club Printed Catalogues of French Book Auctions…1643-1830 290. Horne p. 713. II. Grolier Club Printed Catalogues of French Book Auctions…1643-1830 349. Horne p. 713. Peignot p. 112–“Ce dernier catalogue offre un choix de livres au moins équivalent au précédent.”. unknown
ref. 667xvi 312 pp. 8vo 19th cent. half-calf head of upper joint a bit worn some browning spine gilt contrasting leather lettering piece on spine. Paris: De Bure 1780. bound with: --. Catalogue des Livres rares et précieux de la Bibliothéque de M. Mel de Saint Ceran. xii 290 i.e. 300 42 pp. 8vo some browning. Paris: De Bure 1791. I. A rare catalogue priced throughout in a contemporary hand of the library of Mel de Saint Ceran receiver general of finances. "Catalogue curieux et qui peut trouver place à côté de celui de Gaignat. Il est fort bien raisonné; et plusieurs notes de l'éditeur corrigent très à propos quelques articles de la Bibliographie instructive."Peignot p. 112. 2295 lots with an author index at end. There are some fine early MSS. and bindings in this collection. II. The sale catalogue of Mel de Saint Ceran's second library which contained early MSS. books printed on vellum color plate natural history books and illustrated books. 3632. Complete with the 42-page "Supplément." Priced throughout in a contemporary hand. Very good copies. ⧠I. Grolier Club Printed Catalogues of French Book Auctions…1643-1830 290. Horne p. 713. II. Grolier Club Printed Catalogues of French Book Auctions…1643-1830 349. Horne p. 713. Peignot p. 112–“Ce dernier catalogue offre un choix de livres au moins équivalent au précédent.”. unknown books
1998ref. CNAP056bSan Francisco: The Arion Press 1998. Hardcover. New. KendrickMel. 10 inches square 106 pages including 42 unnumbered pages for the 21 leaves bearing the prints. The types are Stymie Bold for the text and Franklin Gothic for display in Monotype and hand composition. The paper is German mouldmade Zerkall. Proofs of the woodblock prints were photographically reduced to approximately 62% and made into photopolymer plates. The type and plates were printed by letterpress in black ink. Red ink is used on the title page. The binding is a black goatskin spine with title stamped in red with boards covered with laser-cut veneer replicas of woodblocks by Kendrick inked in black. Numbered and signed by the artist. Edition of 300. This item includes the woodblock "Sperm" which was limited an edition of 20 copies plus 5 artist's proofs and 5 publisher's proofs and is accompanied by a copy of the book. Williams one of the most important poets of this century wrote this book of prose-poetry in 1917. He reflects on daily events over the course of a year his readings thoughts observations. To these statements made in language plain-spoken yet rising to the beauty and imagination of his poetry he appended further comments or interpretations to make them more intelligible to others. An essay in which Williams explains himself as a figure within the modern movement was added as a prologue. The critic Lawrence Kart claims that the great poetry Williams achieved "would not have been possible without the eruptive prose of 'Kora in Hell'." The book includes prints by contemporary artist Mel Kendrick whose own work is in the modernist lineage. Twenty-one images from three series of woodblock prints each involving seven separate blocks in the form of long vertical sheets that can be rolled up like scrolls have been separated and each occupy the recto page of a leaf in the book with pages of text in between. "Sperm" the long woodblock print as originally conceived by Kendrick in the scroll format measures 91 1/2 by 20 inches and was printed by hand by Stacy Petty and Robert Fisher at the artist's studio in New York City using black ink on Kozo natural a Japanese paper. The print is in a tube covered in oak veneer inked in black with a black goatskin cap stamped with titling in red. ___POSTAGE: International customers please note that additional postage may apply as the standard does not always cover costs; please inquire for details. ___Swan's Fine Books is pleased to be a member of the ABAA ILAB and IOBA and we stand behind every book we sell. Please contact us with any questions you may have we are here to help. The Arion Press hardcover
1998ref. CNAP056cSan Francisco: The Arion Press 1998. Hardcover. New. KendrickMel. 10 inches square 106 pages including 42 unnumbered pages for the 21 leaves bearing the prints. The types are Stymie Bold for the text and Franklin Gothic for display in Monotype and hand composition. The paper is German mouldmade Zerkall. Proofs of the woodblock prints were photographically reduced to approximately 62% and made into photopolymer plates. The type and plates were printed by letterpress in black ink. Red ink is used on the title page. The binding is a black goatskin spine with title stamped in red with boards covered with laser-cut veneer replicas of woodblocks by Kendrick inked in black. Numbered and signed by the artist. Edition of 300. This item includes the woodblock "Helmet" which was limited an edition of 20 copies plus 5 artist's proofs and 5 publisher's proofs and is accompanied by a copy of the book. Williams one of the most important poets of this century wrote this book of prose-poetry in 1917. He reflects on daily events over the course of a year his readings thoughts observations. To these statements made in language plain-spoken yet rising to the beauty and imagination of his poetry he appended further comments or interpretations to make them more intelligible to others. An essay in which Williams explains himself as a figure within the modern movement was added as a prologue. The critic Lawrence Kart claims that the great poetry Williams achieved "would not have been possible without the eruptive prose of 'Kora in Hell'." The book includes prints by contemporary artist Mel Kendrick whose own work is in the modernist lineage. Twenty-one images from three series of woodblock prints each involving seven separate blocks in the form of long vertical sheets that can be rolled up like scrolls have been separated and each occupy the recto page of a leaf in the book with pages of text in between. "Helmet" the long woodblock print as originally conceived by Kendrick in the scroll format measures 92 1/4 by 19 1/2 inches and was printed by hand by Stacy Petty and Robert Fisher at the artist's studio in New York City using black ink on Kozo natural a Japanese paper. The print is in a tube covered in oak veneer inked in black with a black goatskin cap stamped with titling in red. ___POSTAGE: International customers please note that additional postage may apply as the standard does not always cover costs; please inquire for details. ___Swan's Fine Books is pleased to be a member of the ABAA ILAB and IOBA and we stand behind every book we sell. Please contact us with any questions you may have we are here to help. The Arion Press hardcover
1998ref. CNAP056bSan Francisco: The Arion Press 1998. Hardcover. New. KendrickMel. 10 inches square 106 pages including 42 unnumbered pages for the 21 leaves bearing the prints. The types are Stymie Bold for the text and Franklin Gothic for display in Monotype and hand composition. The paper is German mouldmade Zerkall. Proofs of the woodblock prints were photographically reduced to approximately 62% and made into photopolymer plates. The type and plates were printed by letterpress in black ink. Red ink is used on the title page. The binding is a black goatskin spine with title stamped in red with boards covered with laser-cut veneer replicas of woodblocks by Kendrick inked in black. Numbered and signed by the artist. Edition of 300. This item includes the woodblock "Sperm" which was limited an edition of 20 copies plus 5 artist's proofs and 5 publisher's proofs and is accompanied by a copy of the book. Williams one of the most important poets of this century wrote this book of prose-poetry in 1917. He reflects on daily events over the course of a year his readings thoughts observations. To these statements made in language plain-spoken yet rising to the beauty and imagination of his poetry he appended further comments or interpretations to make them more intelligible to others. An essay in which Williams explains himself as a figure within the modern movement was added as a prologue. The critic Lawrence Kart claims that the great poetry Williams achieved "would not have been possible without the eruptive prose of 'Kora in Hell'." The book includes prints by contemporary artist Mel Kendrick whose own work is in the modernist lineage. Twenty-one images from three series of woodblock prints each involving seven separate blocks in the form of long vertical sheets that can be rolled up like scrolls have been separated and each occupy the recto page of a leaf in the book with pages of text in between. "Sperm" the long woodblock print as originally conceived by Kendrick in the scroll format measures 91 1/2 by 20 inches and was printed by hand by Stacy Petty and Robert Fisher at the artist's studio in New York City using black ink on Kozo natural a Japanese paper. The print is in a tube covered in oak veneer inked in black with a black goatskin cap stamped with titling in red. ___POSTAGE: International customers please note that additional postage may apply as the standard does not always cover costs; please inquire for details. ___Swan's Fine Books is pleased to be a member of the ABAA ILAB and IOBA and we stand behind every book we sell. Please contact us with any questions you may have we are here to help. The Arion Press hardcover books
1998ref. CNAP056cSan Francisco: The Arion Press 1998. Hardcover. New. KendrickMel. 10 inches square 106 pages including 42 unnumbered pages for the 21 leaves bearing the prints. The types are Stymie Bold for the text and Franklin Gothic for display in Monotype and hand composition. The paper is German mouldmade Zerkall. Proofs of the woodblock prints were photographically reduced to approximately 62% and made into photopolymer plates. The type and plates were printed by letterpress in black ink. Red ink is used on the title page. The binding is a black goatskin spine with title stamped in red with boards covered with laser-cut veneer replicas of woodblocks by Kendrick inked in black. Numbered and signed by the artist. Edition of 300. This item includes the woodblock "Helmet" which was limited an edition of 20 copies plus 5 artist's proofs and 5 publisher's proofs and is accompanied by a copy of the book. Williams one of the most important poets of this century wrote this book of prose-poetry in 1917. He reflects on daily events over the course of a year his readings thoughts observations. To these statements made in language plain-spoken yet rising to the beauty and imagination of his poetry he appended further comments or interpretations to make them more intelligible to others. An essay in which Williams explains himself as a figure within the modern movement was added as a prologue. The critic Lawrence Kart claims that the great poetry Williams achieved "would not have been possible without the eruptive prose of 'Kora in Hell'." The book includes prints by contemporary artist Mel Kendrick whose own work is in the modernist lineage. Twenty-one images from three series of woodblock prints each involving seven separate blocks in the form of long vertical sheets that can be rolled up like scrolls have been separated and each occupy the recto page of a leaf in the book with pages of text in between. "Helmet" the long woodblock print as originally conceived by Kendrick in the scroll format measures 92 1/4 by 19 1/2 inches and was printed by hand by Stacy Petty and Robert Fisher at the artist's studio in New York City using black ink on Kozo natural a Japanese paper. The print is in a tube covered in oak veneer inked in black with a black goatskin cap stamped with titling in red. ___POSTAGE: International customers please note that additional postage may apply as the standard does not always cover costs; please inquire for details. ___Swan's Fine Books is pleased to be a member of the ABAA ILAB and IOBA and we stand behind every book we sell. Please contact us with any questions you may have we are here to help. The Arion Press hardcover books
1968ref. 100144New York The Letter Edged in Black Press, 1968. 1968 6 17.8 x 27.9 cm. New York, The Letter Edged in Black Press, 1968. Six portefeuilles 178 x 279 mm, présentés dans leurs emballages postaux d’origine, contenant chacun un sommaire, pour un total de 73 multiples originaux.
1950ref. 82183Hollywood:: Clyde Balsey Music Preparation Inc. June 29 1950. preserved in a custom cloth clamshell folding box. Excellent original condition. Folio. Seven leaves Production; large manila envelope lettered with contents and marked "Property of Mel Blanc" and separate scores for Bass Drums Guitar Violins Cello Woodwinds Trombone and Trumpet each with Mel Blanc's name in block letters presumably by Blanc himself. Clyde Balsey Music Preparation, Inc., hardcover
ref. CNAP056dSan Francisco: The Arion Press 1998. Hardcover. New. KendrickMel. 10 inches square 106 pages including 42 unnumbered pages for the 21 leaves bearing the prints. The types are Stymie Bold for the text and Franklin Gothic for display in Monotype and hand composition. The paper is German mouldmade Zerkall. Proofs of the woodblock prints were photographically reduced to approximately 62% and made into photopolymer plates. The type and plates were printed by letterpress in black ink. Red ink is used on the title page. The binding is a black goatskin spine with title stamped in red with boards covered with laser-cut veneer replicas of woodblocks by Kendrick inked in black. Numbered and signed by the artist. Edition of 300. This item includes the woodblock "Coupling" which was limited an edition of 20 copies plus 5 artist's proofs and 5 publisher's proofs and is accompanied by a copy of the book. Williams one of the most important poets of this century wrote this book of prose-poetry in 1917. He reflects on daily events over the course of a year his readings thoughts observations. To these statements made in language plain-spoken yet rising to the beauty and imagination of his poetry he appended further comments or interpretations to make them more intelligible to others. An essay in which Williams explains himself as a figure within the modern movement was added as a prologue. The critic Lawrence Kart claims that the great poetry Williams achieved "would not have been possible without the eruptive prose of 'Kora in Hell'." The book includes prints by contemporary artist Mel Kendrick whose own work is in the modernist lineage. Twenty-one images from three series of woodblock prints each involving seven separate blocks in the form of long vertical sheets that can be rolled up like scrolls have been separated and each occupy the recto page of a leaf in the book with pages of text in between. "Coupling" the long woodblock print as originally conceived by Kendrick in the scroll format measures 99 1/2 by 27 1/2 inches and was printed by hand by Stacy Petty and Robert Fisher at the artist's studio in New York City using black ink on Kozo natural a Japanese paper. The print is in a tube covered in oak veneer inked in black with a black goatskin cap stamped with titling in red. ___POSTAGE: International customers please note that additional postage may apply as the standard does not always cover costs; please inquire for details. ___Swan's Fine Books is pleased to be a member of the ABAA ILAB and IOBA and we stand behind every book we sell. Please contact us with any questions you may have we are here to help. The Arion Press hardcover
ref. CNAP056dSan Francisco: The Arion Press 1998. Hardcover. New. KendrickMel. 10 inches square 106 pages including 42 unnumbered pages for the 21 leaves bearing the prints. The types are Stymie Bold for the text and Franklin Gothic for display in Monotype and hand composition. The paper is German mouldmade Zerkall. Proofs of the woodblock prints were photographically reduced to approximately 62% and made into photopolymer plates. The type and plates were printed by letterpress in black ink. Red ink is used on the title page. The binding is a black goatskin spine with title stamped in red with boards covered with laser-cut veneer replicas of woodblocks by Kendrick inked in black. Numbered and signed by the artist. Edition of 300. This item includes the woodblock "Coupling" which was limited an edition of 20 copies plus 5 artist's proofs and 5 publisher's proofs and is accompanied by a copy of the book. Williams one of the most important poets of this century wrote this book of prose-poetry in 1917. He reflects on daily events over the course of a year his readings thoughts observations. To these statements made in language plain-spoken yet rising to the beauty and imagination of his poetry he appended further comments or interpretations to make them more intelligible to others. An essay in which Williams explains himself as a figure within the modern movement was added as a prologue. The critic Lawrence Kart claims that the great poetry Williams achieved "would not have been possible without the eruptive prose of 'Kora in Hell'." The book includes prints by contemporary artist Mel Kendrick whose own work is in the modernist lineage. Twenty-one images from three series of woodblock prints each involving seven separate blocks in the form of long vertical sheets that can be rolled up like scrolls have been separated and each occupy the recto page of a leaf in the book with pages of text in between. "Coupling" the long woodblock print as originally conceived by Kendrick in the scroll format measures 99 1/2 by 27 1/2 inches and was printed by hand by Stacy Petty and Robert Fisher at the artist's studio in New York City using black ink on Kozo natural a Japanese paper. The print is in a tube covered in oak veneer inked in black with a black goatskin cap stamped with titling in red. ___POSTAGE: International customers please note that additional postage may apply as the standard does not always cover costs; please inquire for details. ___Swan's Fine Books is pleased to be a member of the ABAA ILAB and IOBA and we stand behind every book we sell. Please contact us with any questions you may have we are here to help. The Arion Press hardcover books
1964ref. 38831¢ LIFE. Written by Walasse Ting. Edited by Sam Francis. Published by E.Kornfeld, Berne, E.W. Kornfeld, 1964. In-folio en feuilles, sous chemise cartonnée, jaquette et étui en toile verte de l’éditeur. Jaquette par Machteld Appel. Couverture par Roy Lichtenstein et Pierre Alechinsky. Édition originale. - 62 LITHOGRAPHIES, la plupart en couleur, dont 29 sur doubles pages : Alan Davies (2 à double page), Alfred Jensen (3 dont 1 à double page), SAM FRANCIS (6 dont 1 à double page), WALASSE TING (6 dont 2 à double page), James Rosenquist (1 à double page), Pierre ALECHINSKY (5 dont 2 à double page), Kimber Smith (6), Alfred Leslie (2), Antonio Saura (1 à double page), Kiki O.K. (1 à double page ), Asger JORN (2 à double page), ROBERT INDIANA (2 dont 1 à double page), Jean-Paul Riopelle (2 à double page), Karel APPEL (5 dont 2 à double page), Tom Wesselmann (2 à double page), Bram Van Velde (1 à double page), Joan MITCHELL (1 à double page), Allan Kaprow (1 à double page), ANDY WARHOL (1 à double page), ROBERT RAUCHENBERG (1 à double page), K.R.H. Sonderborg (1 à double page), ROY LICHTENSTEIN (1 à double page), Öyvind Fahlström (1 à double page), Reinhoud (1 à double page), CLAES OLDENBURG (2 à double page), JIM DINE (1 à double page), MEL RAMOS (2 dont 1 à double page) et Enrico Baj (2), poèmes de Walasse TING, imprimés en noir et en couleurs, certains en calligrammes, accompagnés de 22 reproductions d’œuvres de Roy Lichtenstein, Pierre Alechinsky, Gustave Mignot, Walasse Ting ou Paul Loyer. - UN DES 2000 EXEMPLAIRES NUMÉROTÉS AVEC LA SIGNATURE DE WALASSE TING IMPRIMÉE. Très bel exemplaire, en parfait état, tel que paru et complet. Couverture par Roy Lichtenstein et Pierre Alechinsky, jaquette, étui d'origine. Bibliographie : Riva Castleman, A Century of Artists Books, New York, The Museum of Modern Art, 1994, pp. 208-209. - A. Coron, 50 livres illustrés depuis 1947, 1988, nº 32. Notes bibliographiques et historiques: Cette anthologie graphique et poétique a été mise en œuvre par l'éditeur bernois E.W. Kornfeld qui devait en assurer la diffusion et Sam Francis, qui en était l'editeur avec l'auteur Walasse Ting ; ils en partagèrent les frais. Le livre lui-même fut réalisé à Paris; les lithographies furent tirées chez Maurice Beaudet et la typographie par Georges Girard. Antoine Coron souligne le caractère de global book de “1¢ Life”, ses deux pôles étant New York, centre du pop art américain - une douzaine d'artistes se rattachent à ce mouvement - et Paris, mais un Paris peuplé d'Américains installés ou de passage, de Belges, de Néerlandais, de Danois... Dix nationalités sont représentées dans le livre où les seuls Français sont ses artisans imprimeurs. “1¢ Life” apparut comme le livre d'une génération de peintres américains et européens, dont certains (Walasse Ting et Sam Francis parmi les Américains) avaient vécu et s'étaient connus à Paris durant les années 50. [...] Livre de peintres par excellence, étonnant par la profusion de ses contributions graphiques, l'invention colorée de sa typographie, “1¢ Life”, comme “Poésie de mots inconnus”, fait tomber toute réticence face aux livres collectifs. Pourtant, à la différence du livre d’Iliazd, ce n’est pas la fermeté de sa construction qui en assure l’unité, mais la surprise que ménage le renouvellement constant de sa mise en pages (Antoine Coron). -- SHORT ENGLISH DESCRIPTION: A superb copy of Ting's collaborative masterpiece. The complete portfolio, comprising 62 lithographs, 59 printed in colors, 1964, from the regular edition is 2000, on regular wove paper, published by E.W. Kornfeld, Bern, Switzerland, contained in the original illustrated hard-cover and blue cloth-covered slipcase. - “1¢ LIFE” includes 62 works by the following artists: Pierre Alechinsky, Karel Appel, Enrico Baj, Alan Davie, Jim Dine, Oyvind Fahlstrom, Sam Francis, Robert Indiana, Alfred Jensen, Asger Jorn, Allan Kaprow, Kiki O.K., Alfred Leslie, Roy Lichtenstein, Joan Mitchell, Claes Oldenburg, Mel Ramos, Robert Rauschenberg, Reinhoud, Jean-Paul Riopelle, James Rosenquist, Antonio Saura, Kimber Smith, K.R.H. Sonderborg, Walasse Ting, Bram van Velde, Andy Warhol, Tom Wesselmann. - 62 LITHOGRAPHS, most in colour, including 29 on double pages: Alan Davies (2 double pages), Alfred Jensen (3 including 1 double page), SAM FRANCIS (6 including 1 double page), WALASSE TING (6 including 2 double-page), James Rosenquist (1 double-page), Pierre Alechinsky (5 including 2 double-page), Kimber Smith (6), Alfred Leslie (2), Antonio Saura (1 double-page), Kiki O.K. ( 1 double-page), Asger Jorn (2 double-page), ROBERT INDIANA (2 including 1 double-page), Jean-Paul Riopelle (2 double-page), Karel Appel (5 including 2 double-page), Tom Wesselmann (2 double-page), Bram Van Velde (1 double-page), Joan Mitchell (1 double-page), Allan Kaprow (1 double-page), ANDY WARHOL (1 double-page), ROBERT RAUCHENBERG (1 double-page page), K.R.H. Sonderborg (1 double page), ROY LICHTENSTEIN (1 double page), Öyvind Fahlström (1 double page), Reinhoud (1 double page), CLAES OLDENBURG (2 double page), JIM DINE (1 double page ), MEL RAMOS (2 including 1 double-page) and Enrico Baj (2), poems by Walasse Ting, printed in black and in color, some in calligrams, accompanied by 22 reproductions of works by Roy Lichtenstein, Pierre Alechinsky, Gustave Mignot, Walasse Ting or Paul Loyer. - ONE OF THE 2000 COPIES WITH WALASSE TING SIGNATURE PRINTED ON THE COLOPHON. Very beautiful, perfect copy, as published and complete. Cover by Roy Lichtenstein and Pierre Alechinsky, dust jacket, original slipcase. Literature: Riva Castleman, A Century of Artists Books, New York, The Museum of Modern Art, 1994, pp. 208-209. - A. Coron, 50 livres illustrés depuis 1947, 1988, nº 32.
1991ref. SBBIH-D34SWYD4NPIKTraining Education and Enterpri 1991. paperback. Good. Our good condition books are generally good for reading but not for gifting or collecting. They could have imperfections such as creasing fanning inscriptions margin notes yellowing staining on edge or cover or pages bumps scuffs etc etc sometimes multiple of these. It's a wide category that encompasses anything that isn't almost-new down to anything that is slightly better than poor. We would NOT recommend gifting Good books - these should be considered reading copies. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order at least not without checking with us first although we don't always have time to check. We aim to dispatch prompty the service used will depend on order value and book size. We can ship to most countries see our shipping policies. Payment is via Abe only. Training, Education and Enterpri paperback
