6.070 resultados
1974ref. 166113N.p.: N.p. 1974. Five vintage transparencies from the 1974 film. Mel Brooks' slapstick homage to the Western in which an escaped African-American railroad construction worker becomes the sheriff in an all-white town and must protect it from politicians and railroad tycoons looking to raze it. A satire on the racism and misogyny inherent in Hollywood's depiction of the American West among many other targets. Nominated for three Academy Awards. Set in the fictional frontier town of Rock Ridge shot on location in California. 5 x 4 inches. Near Fine. National Film Registry. N.p. unknown
1974ref. 161048N.p.: N.p. 1974. Vintage reference photograph of Cleavon Little talking with director Mel Brooks on the set of the 1974 film. Brooks' slapstick homage to the Western in which an escaped African American railroad construction worker becomes the sheriff in an all-white town and must protect it from politicians and railroad tycoons looking to raze it. A satire on the racism and misogyny inherent in Hollywood's depiction of the American West among many other targets. Nominated for three Academy Awards. Set in the fictional frontier town of Rock Ridge shot on location in California. 9.5 x 7 inches. Near Fine. National Film Registry. N.p. unknown
1983ref. 163345Universal City: Universal City Studios 1983. Third Draft script for the 1984 film. Copy belonging to an unidentified crew member with their job position "Electric" in manuscript ink on the front wrapper. A hardworking family in east Tennessee struggle to keep their farm afloat forcing the father to work as a strikebreaker in a steel mill. Nominated for four Academy Awards including Best Actress for Sissy Spacek and Best Cinematography. Orange titled Universal City Studios wrappers dated August 3 1983 noted as production No. 02161. Title page present dated August 3 1983 with credits for screenwriters Robert Dillon and Julian Barry and director Mark Rydell. Xerographic duplication on eye-rest green stock rectos only. 110 leaves with last page of text numbered 109. Pages Fine wrapper Near Fine bound with two gold brads. Universal City Studios unknown
1974ref. 162345Burbank CA: Warner Brothers 1974. Three vintage reference photographs from the 1974 film showing actor Count Basie on the set with Cleavon Little and Mel Brooks respectively. Two with stamps and labels of an Amsterdam photograph agency on the versos. Brooks' slapstick homage to the Western in which an escaped African American railroad construction worker becomes the sheriff in an all-white town and must protect it from politicians and railroad tycoons looking to raze it. A satire on the racism and misogyny inherent in Hollywood's depiction of the American West among many other targets. Nominated for three Academy Awards. Set in the fictional frontier town of Rock Ridge shot on location in California. 9.5 x 7 inches. Two Near Fine one Very Good plus with a light crease and discoloration at one corner. National Film Registry. Warner Brothers unknown
2000ref. 152580N.p.: Sunland Studios 2000. Revised Draft script for the 2001 film also seen here under the working title "One Last Heist." SIGNED by several actors on the title page including Lori Petty Dean Cain Richard Tyson David Beach John O'Hurley and Harry Van Gorkum. Copy belonging to actor Benjamin Lum with his manuscript ink and pencil annotations throughout and a call sheet laid in dated May 16 2000. A skilled burglar sets his sights on an advanced computer chip but his first attempt to steal the chip is foiled by a mysterious fire-potentially set by one of the company's disgruntled employees. Blue generic card wrappers. Title page present with credits for screenwriters Diane Fine and Richard Preston Jr. 100 leaves with last page of text numbered 95. Xerographic duplication rectos only with pink revision pages bound in before the script dated 5-6-00. Pages Near Fine wrapper Very Good plus bound internally with a silver prong. Sunland Studios unknown
1989ref. 141229Los Angeles: Carolco / IndieProd 1989. Draft script for the 1990 film. Based on the 1979 nonfiction novel by Christopher Robbins which chronicled the CIA's business of transporting weapons and supplies to Cambodia Laos and South Vietnam during the Vietnam War. A man loses his pilot's license but has a chance to get it back if he agrees to work for "Air America" a company soon revealed to be an arms-dealing front for the CIA. Set in Vietnam shot on location in Thailand California and England. White generic studio wrappers. Title page present dated May 16 1989 with credits for screenwriter John Eskow. 128 leaves with last page of text numbered 127. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with two gold brads. Carolco / IndieProd unknown
1950ref. 160937Los Angeles: RKO 1950. Vintage mini-banner poster for the 1950 film noir. Claudette Colbert stars as a woman who is accused of bigamy by an intruder during her wedding ceremony to David McLean. The two then must travel to a small seaside village to investigate the claim where villagers claim to have remembered her previous nuptials. Shot on location in Santa Monica California. 4.75 x 28 inches. Very Good plus with light creasing at the extremities. Grant US. Selby Master List. Silver and Ward US. Spicer US. RKO unknown
ref. 160816N.p.: Crossbow Productions 1980. Three vintage oversize printed set illustrations and one original graphite set illustration from the 1981 film. Two printed illustrations stamped with a Crossbow Productions title block crediting production designer Harold Michelson and art director Norm Newberry on the bottom right corners of the rectos. The oversize printed illustrations depict two grand designs for the Roman Empire sequence and one for the French Revolution sequence while the graphite illustration depicts a design for the Temple of Eros sequence. An ambitious sprawling historical farce made by Mel Brooks in the heat of his success as a film director. Brooks plays Moses Tomas de Torquemada King Louis XVI and "Jacques le gar on de pisse." Part I begins of course with the Dawn of Man and covers The Old Testament The Roman Empire The Spanish Inquisition and The French Revolution ending with a "preview" of Part II never made in keeping with Sir Walter Raleigh who was beheaded before he could write his Part II. The preview includes Hitler on Ice a Viking funeral and "Jews in Space." Printed illustrations: 42.5 x 26 inches to 44.25 x 28.25 inches. Folded horizontally and vertically. About Near Fine overall. Graphite illustration: 16.5 x 11.75 inches. Very Good plus with a chip at the top left corner. Rosenbaum 1000. Crossbow Productions unknown
ref. 0872279979.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1949ref. 156690Burbank CA: Warner Brothers 1949. Vintage reference photograph from the 1949 film a special effects shot showing director David Butler watching from the left as he makes his cameo in the film. From the archive of film historian and author Joel Finler. A musical comedy set and shot on location on the Warner Brothers lot with a number of cameos: Gary Cooper Joan Crawford Edward G. Robinson Ronald Reagan Jane Wyman Danny Kaye Patricia Neal Raoul Walsh and of course director David Butler. 10 x 8 inches. Very Good plus lightly worn at the corners. Warner Brothers unknown
1957ref. 155850Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1957. Vintage studio still photograph from the 1957 film showing actors Eleanor Parker and Richard Boone. Based on the 1954 novel "The Bird's Nest" by Shirley Jackson about a young woman with dissociative identity disorder who undergoes hypnosis therapy. 10 x 8 inches. Near Fine. Metro-Goldwyn-Mayer [MGM] unknown
1957ref. 153967Los Angeles: Twentieth Century-Fox 1957. Vintage borderless reference photograph of producer Darryl F. Zanuck with a camera crew on the set of the 1957 film. Printed mimeo snipe affixed to the verso. A fairly faithful adaptation of Ernest Hemingway's 1926 novel about a group of British and American expatriates in Paris who travel to Pamplona to watch the running of the bulls. Featuring a career revitalizing performance from Errol Flynn as a hedonistic hard living drunk which would lead to him being cast as an alcoholic in several more films-roles he had a literal lifetime of experience preparing for. Set in Spain and France shot on location in Spain France and Mexico the latter much to the consternation of Hemingway who said "You're meant to be in Spain and all you see walking around are nothing but Mexicans. It looked pretty silly" and reportedly walked out after 25 minutes. 9.5 x 7 inches. Near Fine. Twentieth Century-Fox unknown
1979ref. 152252Los Angeles: T.A.T. Communications Inc 1979. Second Draft script of the pilot episode "The Initiation" of "Joe's World" which aired on December 28 1979 on NBC. The short-lived family sitcom from screenwriters Larry Rhine and Mel Tolkin about Joe Ramon Bieri the owner of house painting business trying to support his wife K Callan and five children ranging in age from 9 to 23. Joe wants his eldest son Steve Christopher Knight to carry on the family business but Steve has other plans. Self wrappers integral with title page dated 3/3/79 noted as SECOND DRAFT with credits for screenwriters Larry Rhine and Mel Tolkin and director Alan Rafkin. 37 leaves with last page of text numbered II-IV-36. Xerographic duplication rectos only. Pages Near Fine bound with two gold brads. T.A.T. Communications, Inc unknown
1978ref. 152248Los Angeles: Tandem Productions 1978. Final Draft script for the season 9 episode 4 "What'll We Do with Stephanie" of the classic television series which aired on October 15 1978. Script preceded by a "Rehearsal and Tape Schedule" a two page "Rundown" and a "Cast" and "Sets" page. Archie and Edith must decide what to do when Stephanie's father fails to return for his daughter. Winner of 22 Primetime Emmy Awards it was nominated 55 times and is one of the few shows in which all the leads won Emmys. The show is credited with having the most spin-offs for a prime time television series directly spawning "Maude" "The Jeffersons" "Archie Bunker's Place" "Gloria" and "704 Hauser." Yellow titled self wrappers integral with title page dated September 14 1978 noted as FINAL DRAFT with credits for screenwriters Larry Rhine and Mel Tolkin and director Paul Bogart. 39 leaves with last page of text numbered II-II-33. Mimeograph duplication rectos only. Pages Near Fine unbound attached with metal clip to top left. Tandem Productions unknown
1956ref. 150324N.p.: N.p. 1956. Vintage oversize borderless reference photograph of actress Ingrid Bergman filing her nails on the set of the 1956 film. With the stamps of Match magazine Photo Garofalo and Gamma picture agency on the verso. In turn-of-the-century France a young Polish princess agrees to marry a wealthy older man to save her family from the poorhouse but finds herself falling in love with a handsome stranger despite her engagement. The third film in director Jean Renoir's romance trilogy preceded by "The Golden Coach" 1953 and "French Cancan" 1955. Set and shot on location in France. 9 x 11.25 inches. Near Fine. N.p. unknown
1959ref. 151243N.p.: N.p. 1959. Vintage borderless reference photograph from the set of the 1959 film showing actor Anthony Perkins balancing a folding chair on his chin. With the stamps of Globe Photos and Pictorial Press on the verso and a printed mimeo snipe. A Venezuelan man flees his home country to avoid a revolution traveling to the Amazon forest where he meets and falls in love with a young orphan named Rima. Shot on location in Santa Clarita California and in Venezuela Guyana and Colombia. 8 x 10 inches. Very Good plus lightly edgeworn and faintly toned. N.p. unknown
1947ref. 151519Los Angeles: Republic Pictures 1947. First Draft script for the 1952 film. The script's development history began in the US with Vanguard Films and this draft by Dinelli and was ultimately produced by Republic Pictures in conjunction with Herbert Wilcox Productions in the UK. Script credit was ultimately given to Pamela Bower. Based on the 1913 novel by E. C. Bentley. A reporter is assigned to cover the case of an international businessman in town who was found dead. He poses as a member of the family to gain access to the businessman's house and information from the lead detective on the case who suspects the death was a suicide. Set in Hampshire England. Blue titled wrappers noted as First Draft on the front wrapper rubber-stamped copy No. 12 dated May 22 1947 with credits for novelist E.C. Bentley and screenwriter Mel Dinelli. Distribution page present with receipt intact. 110 leaves with last page of text numbered 109. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with three silver brads. Republic Pictures unknown
1956ref. 151415N.p.: Franco-London Film 1956. Vintage borderless reference photograph of director Jean Renoir listening while composer Joseph Kosma plays the organ on the set of the 1956 film. With a mimeo snipe on the verso along with a stamp specific to the film's French release. In turn-of-the-century France a young Polish princess agrees to marry a wealthy older man to save her family from the poorhouse but finds herself falling in love with a handsome stranger despite her engagement. The third film in director Jean Renoir's romance trilogy preceded by "The Golden Coach" 1953 and "French Cancan" 1955. Set and shot on location in France. 7 x 5.25 inches. Near Fine. Franco-London Film unknown
1962ref. 149644Los Angeles: Twentieth Century-Fox 1962. Vintage reference photograph from the set of the 1962 film showing a group of Allied troops storming Pegasus Bridge with a camera crew in the foreground. With manuscript pencil annotations on the verso regarding layout along with the stamp of Marine films. Based on screenwriter Cornelius Ryan's 1959 book. A star-studded dramatization of the events of D-Day from both the Allied and Axis perspectives with many scenes such as the aforementioned storming of Pegasus Bridge filmed at their corresponding real-life French locations. Set and shot on location in France. 10 x 8 inches. Near Fine. Twentieth Century-Fox unknown
1990ref. 093249London: John Taylor & Lund Humphries. An unused Fine copy in a Fine dust jacket. 192 pages illustrated with 80 large colour plates plus some other bw reproductions. . Fine. Hardcover. 1990. John Taylor & Lund Humphries hardcover
1956ref. 144496Burbank CA: Warner Brothers 1956. Vintage photograph of Jean Renoir and Ingrid Bergman on the set of the 1956 French film. Agency stamps on the verso. A romantic-comedy set in 1890 Paris starring Ingrid Bergman as Elena Sokorowskaa Polish princess who has a reputation for bringing good luck to her lovers. While scheduled to be married to a wealthy family friend with plans to bring new money to the family's dwindling fortune she meets Count de Chevincourt Mel Ferrer the aide to General Rollan Jean Marais. Both men are taken by her charm and find themselves in a romantic knot with repercussions for all of France. Shot on location in and around Paris. 5 x 7 inches. Near Fine with single bottom margin. 244 Criterion Collection. Godard Histoires du cinema. Rosenbaum 1000. Warner Brothers unknown
1967ref. mon0000033584Moody Press 1967. Unknown Binding. Good. in x in x in. Paperback. Moody Press unknown
1957ref. 141568Los Angeles: Twentieth Century-Fox 1957. Four British front-of-house cards from the 1957 film. The story of a motley assortment of expatriates who travel to Pamplona to attend the running of the bulls it reflected Hemingway's own abiding fascination with bullfighting. Featuring a standout performance by Errol Flynn as the hedonistic hard-drinking burned-out Mike Campbell.in other words himself. Though considered one of the most honest "big" film adaptations of its era due mainly to the screenplay by novelist and Hemingway acolyte Peter Viertel the author is said to have walked out only 25 minutes into the premier. Zanuck's first independent production after his departure from Fox. The snipe on this photograph's verso suggests that Zanuck also had a hand in directing certain Parisian scenes as is depicted here. Shot on location in France Mexico and Spain. 8 x 10 inches. Near Fine. Twentieth Century-Fox unknown
1981ref. 139023London: Twentieth Century-Fox 1981. Original British "bus stop" poster for the 1981 US film. Printed in England by Lonsdale & Bartholomew. An ambitious sprawling historical farce made by Mel Brooks in the heat of his success as a film director. Brooks plays Moses Tomas de Torquemada King Louis XVI and Jacques "Jacques le garcon de pisse." Part I begins of course with the Dawn of Man and covers The Old Testament The Roman Empire The Spanish Inquisition and The French Revolution ending with a "preview" of Part II never made in keeping with Sir Walter Raleigh who was beheaded before he could write his Part II. The preview includes Hitler on Ice a Viking funeral and "Jews in Space." 40 x 60 inchesfolded folded as issued. Faint foxing and brief annotations in ink and pencil to the verso light creasing else Near Fine. Twentieth Century-Fox unknown
1956ref. 114996Franco London Films 1956. Original French program for the 1956 film the third entry in a trilogy directed by Jean Renoir the others being "The Golden Coach" and "French Cancan" starring Ingrid Bergman at the peak of her career in which the director envisioned a very lush and stylized version of eighteenth-century France. A rare program from Jean Renoir's brief and fascinating exploration of historical drama. An interestingly designed program with a lovely illustration of "Elena" Ingrid Bergman with her "men" hanging from the ties of her bodice. Two-color informational leaves are interspersed with pairs of bound-in full-color matte stills from the film with a clear Mylar protector as issued on the front panel and a gold comb binding. Laid in are three two-color French foldouts all specifically advertising the film. 5 leaves with 8 smaller photo-llustrated leaves interspersed throughout all bound in. 16 pages. 12 x 9.5 inches. Near Fine. Criterion Collection 241. Rosenbaum 1000. Franco London Films unknown
