rif. 43058153like new. unknown
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rif. 51-5628San Francisco: Modernism 2004. Poster. 81 x 49.5cm. Following the Mel Ramos retrospective that traveled acrossseven major European museums in 2010-2011 to celebrateRamos’s 75th birthday and on the occasion of Batman’s 75thbirthday this year it seems only fitting that Magnolia Editionsrevisit the iconic superhero paintings that started Ramos on theroad to becoming one of Pop Art’s most recognizable figures.As curator Louis K. Meisel writes “In mid-1961 at thebeginning of what would be called ‘Pop Art’ Mel Ramosproduced what we would consider his first true mature image.That very well-known painting is Superman and it displaysa style and technique which Ramos has been identified withever since. Superman … was the first true Pop painting thatthe artist produced. Followed by Batman these paintings werestraight out of the comic books and in every way related tothe commercial images of Andy Warhol the cartoons of RoyLichtenstein and the word paintings of Ed Ruscha not tomention the few others all hitting stride in 1961 and 1962.” San Francisco: Modernism, 2004 unknown
rif. 51-5619San Francisco: Modernism 1986. Poster. 81 x 49cm. Following the Mel Ramos retrospective that traveled acrossseven major European museums in 2010-2011 to celebrateRamos’s 75th birthday and on the occasion of Batman’s 75thbirthday this year it seems only fitting that Magnolia Editionsrevisit the iconic superhero paintings that started Ramos on theroad to becoming one of Pop Art’s most recognizable figures.As curator Louis K. Meisel writes “In mid-1961 at thebeginning of what would be called ‘Pop Art’ Mel Ramosproduced what we would consider his first true mature image.That very well-known painting is Superman and it displaysa style and technique which Ramos has been identified withever since. Superman … was the first true Pop painting thatthe artist produced. Followed by Batman these paintings werestraight out of the comic books and in every way related tothe commercial images of Andy Warhol the cartoons of RoyLichtenstein and the word paintings of Ed Ruscha not tomention the few others all hitting stride in 1961 and 1962.” San Francisco: Modernism, 1986 unknown
rif. B9780988795570Paperback / softback. New. paperback
rif. 71-0970Paris: Galerie de Palais Royal Galerie del ducque de Orleans 1786-1808. Engraving. 37 x 24 cm. sheet. A proof before the text below the title. Sheet mounted at corners to support sheet. Very Good. Sheet trimmed. Light foxing throughout. Paris: [Galerie de Palais Royal [Galerie del ducque de Orleans], 1786-1808]. unknown
rif. 68-1285Madison WI : Madison Museum of Contemporary Art 2020. 4to. Pictorial Boards. 163 pp. As New still in publisher's shrink-wrap. Some color Plates. "Uncommon Accumulation: The Mark and Judy Bednar Collection of Chicago Imagism is a publication of the Madison Museum of Contemporary Art MMoCA created in conjunction with the exhibition Uncommon Accumulation: The Mark and Judy Bednar Collection of Chicago Imagism March 14 2020-July 19 2020"ISBN 9780913883440 Madison, WI : Madison Museum of Contemporary Art, [2020]. hardcover
rif. B9780991695744Paperback / softback. New. paperback
rif. B9780999765197Paperback / softback. New. paperback
rif. 70-0342New York : Madison Square Park Conservancy 2009. 4to. 21 pp. Very Good. Soft Cover. Illustrated stiff paper wraps. Staple binding. Color plates throughout. Extremely Scarce. New York : Madison Square Park Conservancy, 2009. paperback
rif. 17-1908Paris: Edition Sonnabend 1971. 12mo. 50 pp. Very Good. Soft Cover. Typographical paper wraps. Minor shelf wear else fine. Text in English and French.From the Collection of the Art Historian Peter Selz 1919-2019. Paris: Edition Sonnabend, 1971. paperback
rif. 18-9614New York NY: The Jewish Museum 2014. 32vo. 7 p. Stapled wraps. Very good very slight creasing on cover corner. Color illustrations throughout. New York, NY: The Jewish Museum, 2014. paperback
rif. 18-6794London: A. & C. Black 1934. 8vo. 223 pp. Hard Cover. Very Good. No DJ. Red cloth covered boards. Spine faded. Minor foxing on some pages. Well worn to spine. B&W plates throughout. Provenance: Ex-libris. Originally from the Oliver Collection of the Royal Holloway and Bedford New College Library. Library book plate and other library markings present on spine and inside front cover. London: A. & C. Black, 1934. hardcover
rif. 63-7561Minneapolis: Walker Art Center 1990. 4to. Folded Sheet. 8 pp. Very Good. Mostly Color Illustrations. Traveling exhibit organized by the Walker Art Center. Mostly English one piece titled in Arabic. Scarce. From the Peter Selz collection. Minneapolis: Walker Art Center, 1990. unknown
rif. 18-2299Valencia CA: International Ventures Incorporated. 1990. Xerox of original draft of book. 8vo. 230 pp. Typed double-sided sheets bound by two staples to left side. Very good with marginal staining from use. [Valencia, CA: International Ventures Incorporated., 1990]. unknown
rif. 18-3833Berkeley CA: Lancaster-Miller Publishers 1979. 8vo. 68 pp. Very Good. Hard Cover. White paper covered boards. Dust Jacket Very Good. Color plates throughout. Promotional copy sent to Peter Selz. Letter from publisher laid in. Invitation to exhibition laid in.From the Collection of the Art Historian Peter Selz. Berkeley, CA: Lancaster-Miller Publishers, 1979. hardcover
rif. 63-5311Steilacoom WA: Mel Waggoner 1979. Typed letter signed & 4 photocopied pages 11" x 8.5" 5 pp. Very Good. Provenance: Herb Yellin 1935-2014 was the highly respected publisher and founder of Lord John Press considered by many to be one of the most important small presses of the 20th century. [Steilacoom, WA]: Mel Waggoner, 1979. unknown
rif. 51-2590San Francisco: Collectors Press circa 1970. 4to. 17 loose pages with 106 prints described and reproduced with original price list. 8 additional pages with biographies of the artists.The de Soto Workshop originally founded in January 1967 as Editions Press specializes in contemporary Latin American and American lithographs fine prints and etchings by some of the best-known Latin American and American artists of our time San Francisco: Collectors Press, circa 1970 unknown