6 034 résultats
2019réf. 018479This copy signed by McLean on title page. Accompanies exhibition held: Bernard Jacobson Gallery London 26 April - 29 June 2019. 1 volume unpaged : illustrations some colour ; 25 cm. Minimal shelf wear to edges no inscriptions tight and square binding. Photographs available on request. All books dispatched same or next working day in robust packaging. Bernard Jacobson Gallery paperback
1929réf. 36952ABLeipzig, Hirzel, 1929. XII, 280 S. Original-Leinenband mit goldgeprägtem Rückentitel. Im Original-Schutzumschlag (angerändert). Vorsatz mit hs. Besitzeintragung, sonst innen sauber und gut erhalten.
2004réf. Q-0939510898Mystic Seaport Museum 2004-01-01. Paperback. New. In shrink wrap. Looks like an interesting title! Mystic Seaport Museum paperback
2004réf. E11620BMystic CT 2004. First edition. Hardcover. As New/as new. AS NEW IN DUST JACKET. First edition. Hardcover xxix191 with glossary appendix of transcriptions of annual Christmas card "pilot reminiscences " sent by Winters to correspondents beginning in 1948. Illustrated. Quite scarce a rare look at the experiences of some of New York harbor's unsung heroes the "Sandy Hook Pilots" who navigate ships in and out of the busy port. Captain Winters began his career in the sail-powered schooners before 1910 and continued as senior pilot through World War II. hardcover
1959réf. 37295ABBerlin, Volk und Wissen, 1959. 256 S. Halbleinenband (leicht berieben und bestoßen). Altersbedingt etwas gebräunt, sonst innen sauber und gut erhalten.
1891réf. 44624HBBreslau, E. Trewendt, 1891. Gr.-8°. 297 Abb. im Text, 2 Bl., II, 1 Bl., 878 S. Halblederband der Zeit mit Rückenvergoldung (mäßig berieben, hinteres Außengelenk von oben angeplatzt). Vortitel verso mit blassem Namenszug. Vereinzelt Anstreichungen mit Bleistift. Sonst innen in sehr schöner Erhaltung.
2015réf. 113641Gallery. New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened - -- with a bonus offer-- . 2015. 174174105X . Gallery paperback
1999réf. RO40097666Simon Spotlight - Nickelodeon. 1999. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 63 pages. Illustré de dessins en noir et blanc.. . . . Classification Dewey : 420-Langue anglaise. Anglo-saxon
1945réf. 8482BBNew York, Editions for the Armed Services, 1945. Quer-12°. 1 Karte, 479 S. Illustrierte Original-Broschur (knickspurig). Durchgehend leicht gebräunt. Sonst innen sauber und gut erhalten.
1972réf. 447974Odarkai Books. Fair/Fair. 1972. Worn Condition. Hard Cover. 0893880426 Ex-Library B171 . Odarkai Books hardcover
1998réf. CNAP056aSan Francisco: The Arion Press 1998. Hardcover. New. Kendrick Mel. 10 inches square 106 pages including 42 unnumbered pages for the 21 leaves bearing the prints. The types are Stymie Bold for the text and Franklin Gothic for display in Monotype and hand composition. The paper is German mouldmade Zerkall. Proofs of the woodblock prints were photographically reduced to approximately 62% and made into photopolymer plates. The type and plates were printed by letterpress in black ink. Red ink is used on the title page. The binding is a black goatskin spine with title stamped in red with boards covered with laser-cut veneer replicas of woodblocks by Kendrick inked in black. Numbered and signed by the artist. Edition of 300. Williams one of the most important poets of this century wrote this book of prose-poetry in 1917. He reflects on daily events over the course of a year his readings thoughts observations. To these statements made in language plain-spoken yet rising to the beauty and imagination of his poetry he appended further comments or interpretations to make them more intelligible to others. An essay in which Williams explains himself as a figure within the modern movement was added as a prologue. The critic Lawrence Kart claims that the great poetry Williams achieved "would not have been possible without the eruptive prose of 'Kora in Hell'." The book includes prints by contemporary artist Mel Kendrick whose own work is in the modernist lineage. Twenty-one images from three series of woodblock prints each involving seven separate blocks in the form of long vertical sheets that can be rolled up like scrolls have been separated and each occupy the recto page of a leaf in the book with pages of text in between. ___POSTAGE: International customers please note that additional postage may apply as the standard does not always cover costs; please inquire for details. ___Swan's Fine Books is pleased to be a member of the ABAA ILAB and IOBA and we stand behind every book we sell. Please contact us with any questions you may have we are here to help. The Arion Press hardcover books
réf. CNAP056dSan Francisco: The Arion Press 1998. Hardcover. New. KendrickMel. 10 inches square 106 pages including 42 unnumbered pages for the 21 leaves bearing the prints. The types are Stymie Bold for the text and Franklin Gothic for display in Monotype and hand composition. The paper is German mouldmade Zerkall. Proofs of the woodblock prints were photographically reduced to approximately 62% and made into photopolymer plates. The type and plates were printed by letterpress in black ink. Red ink is used on the title page. The binding is a black goatskin spine with title stamped in red with boards covered with laser-cut veneer replicas of woodblocks by Kendrick inked in black. Numbered and signed by the artist. Edition of 300. This item includes the woodblock "Coupling" which was limited an edition of 20 copies plus 5 artist's proofs and 5 publisher's proofs and is accompanied by a copy of the book. Williams one of the most important poets of this century wrote this book of prose-poetry in 1917. He reflects on daily events over the course of a year his readings thoughts observations. To these statements made in language plain-spoken yet rising to the beauty and imagination of his poetry he appended further comments or interpretations to make them more intelligible to others. An essay in which Williams explains himself as a figure within the modern movement was added as a prologue. The critic Lawrence Kart claims that the great poetry Williams achieved "would not have been possible without the eruptive prose of 'Kora in Hell'." The book includes prints by contemporary artist Mel Kendrick whose own work is in the modernist lineage. Twenty-one images from three series of woodblock prints each involving seven separate blocks in the form of long vertical sheets that can be rolled up like scrolls have been separated and each occupy the recto page of a leaf in the book with pages of text in between. "Coupling" the long woodblock print as originally conceived by Kendrick in the scroll format measures 99 1/2 by 27 1/2 inches and was printed by hand by Stacy Petty and Robert Fisher at the artist's studio in New York City using black ink on Kozo natural a Japanese paper. The print is in a tube covered in oak veneer inked in black with a black goatskin cap stamped with titling in red. ___POSTAGE: International customers please note that additional postage may apply as the standard does not always cover costs; please inquire for details. ___Swan's Fine Books is pleased to be a member of the ABAA ILAB and IOBA and we stand behind every book we sell. Please contact us with any questions you may have we are here to help. The Arion Press hardcover books
1998réf. CNAP056bSan Francisco: The Arion Press 1998. Hardcover. New. KendrickMel. 10 inches square 106 pages including 42 unnumbered pages for the 21 leaves bearing the prints. The types are Stymie Bold for the text and Franklin Gothic for display in Monotype and hand composition. The paper is German mouldmade Zerkall. Proofs of the woodblock prints were photographically reduced to approximately 62% and made into photopolymer plates. The type and plates were printed by letterpress in black ink. Red ink is used on the title page. The binding is a black goatskin spine with title stamped in red with boards covered with laser-cut veneer replicas of woodblocks by Kendrick inked in black. Numbered and signed by the artist. Edition of 300. This item includes the woodblock "Sperm" which was limited an edition of 20 copies plus 5 artist's proofs and 5 publisher's proofs and is accompanied by a copy of the book. Williams one of the most important poets of this century wrote this book of prose-poetry in 1917. He reflects on daily events over the course of a year his readings thoughts observations. To these statements made in language plain-spoken yet rising to the beauty and imagination of his poetry he appended further comments or interpretations to make them more intelligible to others. An essay in which Williams explains himself as a figure within the modern movement was added as a prologue. The critic Lawrence Kart claims that the great poetry Williams achieved "would not have been possible without the eruptive prose of 'Kora in Hell'." The book includes prints by contemporary artist Mel Kendrick whose own work is in the modernist lineage. Twenty-one images from three series of woodblock prints each involving seven separate blocks in the form of long vertical sheets that can be rolled up like scrolls have been separated and each occupy the recto page of a leaf in the book with pages of text in between. "Sperm" the long woodblock print as originally conceived by Kendrick in the scroll format measures 91 1/2 by 20 inches and was printed by hand by Stacy Petty and Robert Fisher at the artist's studio in New York City using black ink on Kozo natural a Japanese paper. The print is in a tube covered in oak veneer inked in black with a black goatskin cap stamped with titling in red. ___POSTAGE: International customers please note that additional postage may apply as the standard does not always cover costs; please inquire for details. ___Swan's Fine Books is pleased to be a member of the ABAA ILAB and IOBA and we stand behind every book we sell. Please contact us with any questions you may have we are here to help. The Arion Press hardcover books
1998réf. CNAP056cSan Francisco: The Arion Press 1998. Hardcover. New. KendrickMel. 10 inches square 106 pages including 42 unnumbered pages for the 21 leaves bearing the prints. The types are Stymie Bold for the text and Franklin Gothic for display in Monotype and hand composition. The paper is German mouldmade Zerkall. Proofs of the woodblock prints were photographically reduced to approximately 62% and made into photopolymer plates. The type and plates were printed by letterpress in black ink. Red ink is used on the title page. The binding is a black goatskin spine with title stamped in red with boards covered with laser-cut veneer replicas of woodblocks by Kendrick inked in black. Numbered and signed by the artist. Edition of 300. This item includes the woodblock "Helmet" which was limited an edition of 20 copies plus 5 artist's proofs and 5 publisher's proofs and is accompanied by a copy of the book. Williams one of the most important poets of this century wrote this book of prose-poetry in 1917. He reflects on daily events over the course of a year his readings thoughts observations. To these statements made in language plain-spoken yet rising to the beauty and imagination of his poetry he appended further comments or interpretations to make them more intelligible to others. An essay in which Williams explains himself as a figure within the modern movement was added as a prologue. The critic Lawrence Kart claims that the great poetry Williams achieved "would not have been possible without the eruptive prose of 'Kora in Hell'." The book includes prints by contemporary artist Mel Kendrick whose own work is in the modernist lineage. Twenty-one images from three series of woodblock prints each involving seven separate blocks in the form of long vertical sheets that can be rolled up like scrolls have been separated and each occupy the recto page of a leaf in the book with pages of text in between. "Helmet" the long woodblock print as originally conceived by Kendrick in the scroll format measures 92 1/4 by 19 1/2 inches and was printed by hand by Stacy Petty and Robert Fisher at the artist's studio in New York City using black ink on Kozo natural a Japanese paper. The print is in a tube covered in oak veneer inked in black with a black goatskin cap stamped with titling in red. ___POSTAGE: International customers please note that additional postage may apply as the standard does not always cover costs; please inquire for details. ___Swan's Fine Books is pleased to be a member of the ABAA ILAB and IOBA and we stand behind every book we sell. Please contact us with any questions you may have we are here to help. The Arion Press hardcover books
1998réf. 212710San Francisco CA: Arion Press 1998. First edition thus. Hardcover. Number 230 from an edition of 300 copies that were designed and produced under the direction of Andrew Hoyem and printed on German mouldmade paper. Originally published in 1920 this is a new edition of Williams' writings from an entire year. Features a new introduction by Lawrence Kart. Includes 21 printed by Mel Kendrick. A near fine copy with wood veneer covered boards with a leather spine with a couple of small spots to the bottom edge of the pages. No dust jacket as issued. Signed by Kendrick on the colophon page. A very attractive edition. Arion Press unknown books
2002réf. 27165Norwalk CT: AIRtime Publishing 2002. Hardcover. Fine/Near Fine. Hardcover. 4to. Fine in near fine blue illustrated dust jacket with white title to front and spine panels. Pristine interior with full color photographic illustrations throughout. 144 pages. AVI/102113. AIRtime Publishing hardcover books
1950réf. 555j0189Nashville Tennessee: Acuff-Rose Publications. Good. 1950. First Edition. Paperback. Includes piano sheet music lyrics and guitar chords for these songs: A House of Gold; A House Without Love; Alabama Waltz The; Dear Brother; Everything's Okay; I Just Don't Like This Kind of Livin'; I'm So Lonesome I Could Cry; I've Just Told Mama Goodbye; Jesus Remembered Me; Long Gone Lonesome blues; Lost Highway; May You Never Be Alone; Mind Your Own Business; My Son Calls Another Man Daddy; 'Neath A Cold Gray Tomb of Stone; There'll Be No Teardrops Tonight; They'll Never Take Her Love From Me; Why Don't You Love Me; Why Should We Try Anymore; You're Gonna Change Or I'm Gonna Leave. 48 pages including six pages of nice black and white photos. Average wear with a few small pencil markings to contents. Binding intact. A sound vintage copy of this great Hank Williams compilation.; 4to . Acuff-Rose Publications paperback
2007réf. 054815Westport CT: AIRtime Publishing 2007. Paper Back. Near Fine/No Jacket. 4to - over 9¾" - 12" tall. 173pp.index; SC silver w/blue-photocover; slight rub w/cleantight pgs. Air Power Intelligence; Debrief; Mission Profile; Photo Feature; Type Update; etc.b/w & color photos. AIRtime Publishing unknown
1998réf. 212710San Francisco CA: Arion Press 1998. First edition thus. Hardcover. Number 230 from an edition of 300 copies that were designed and produced under the direction of Andrew Hoyem and printed on German mouldmade paper. Originally published in 1920 this is a new edition of Williams' writings from an entire year. Features a new introduction by Lawrence Kart. Includes 21 printed by Mel Kendrick. A near fine copy with wood veneer covered boards with a leather spine with a couple of small spots to the bottom edge of the pages. No dust jacket as issued. Signed by Kendrick on the colophon page. A very attractive edition. Arion Press unknown
1998réf. CNAP056aSan Francisco: The Arion Press 1998. Hardcover. New. Kendrick Mel. 10 inches square 106 pages including 42 unnumbered pages for the 21 leaves bearing the prints. The types are Stymie Bold for the text and Franklin Gothic for display in Monotype and hand composition. The paper is German mouldmade Zerkall. Proofs of the woodblock prints were photographically reduced to approximately 62% and made into photopolymer plates. The type and plates were printed by letterpress in black ink. Red ink is used on the title page. The binding is a black goatskin spine with title stamped in red with boards covered with laser-cut veneer replicas of woodblocks by Kendrick inked in black. Numbered and signed by the artist. Edition of 300. Williams one of the most important poets of this century wrote this book of prose-poetry in 1917. He reflects on daily events over the course of a year his readings thoughts observations. To these statements made in language plain-spoken yet rising to the beauty and imagination of his poetry he appended further comments or interpretations to make them more intelligible to others. An essay in which Williams explains himself as a figure within the modern movement was added as a prologue. The critic Lawrence Kart claims that the great poetry Williams achieved "would not have been possible without the eruptive prose of 'Kora in Hell'." The book includes prints by contemporary artist Mel Kendrick whose own work is in the modernist lineage. Twenty-one images from three series of woodblock prints each involving seven separate blocks in the form of long vertical sheets that can be rolled up like scrolls have been separated and each occupy the recto page of a leaf in the book with pages of text in between. ___POSTAGE: International customers please note that additional postage may apply as the standard does not always cover costs; please inquire for details. ___Swan's Fine Books is pleased to be a member of the ABAA ILAB and IOBA and we stand behind every book we sell. Please contact us with any questions you may have we are here to help. The Arion Press hardcover
réf. CNAP056dSan Francisco: The Arion Press 1998. Hardcover. New. KendrickMel. 10 inches square 106 pages including 42 unnumbered pages for the 21 leaves bearing the prints. The types are Stymie Bold for the text and Franklin Gothic for display in Monotype and hand composition. The paper is German mouldmade Zerkall. Proofs of the woodblock prints were photographically reduced to approximately 62% and made into photopolymer plates. The type and plates were printed by letterpress in black ink. Red ink is used on the title page. The binding is a black goatskin spine with title stamped in red with boards covered with laser-cut veneer replicas of woodblocks by Kendrick inked in black. Numbered and signed by the artist. Edition of 300. This item includes the woodblock "Coupling" which was limited an edition of 20 copies plus 5 artist's proofs and 5 publisher's proofs and is accompanied by a copy of the book. Williams one of the most important poets of this century wrote this book of prose-poetry in 1917. He reflects on daily events over the course of a year his readings thoughts observations. To these statements made in language plain-spoken yet rising to the beauty and imagination of his poetry he appended further comments or interpretations to make them more intelligible to others. An essay in which Williams explains himself as a figure within the modern movement was added as a prologue. The critic Lawrence Kart claims that the great poetry Williams achieved "would not have been possible without the eruptive prose of 'Kora in Hell'." The book includes prints by contemporary artist Mel Kendrick whose own work is in the modernist lineage. Twenty-one images from three series of woodblock prints each involving seven separate blocks in the form of long vertical sheets that can be rolled up like scrolls have been separated and each occupy the recto page of a leaf in the book with pages of text in between. "Coupling" the long woodblock print as originally conceived by Kendrick in the scroll format measures 99 1/2 by 27 1/2 inches and was printed by hand by Stacy Petty and Robert Fisher at the artist's studio in New York City using black ink on Kozo natural a Japanese paper. The print is in a tube covered in oak veneer inked in black with a black goatskin cap stamped with titling in red. ___POSTAGE: International customers please note that additional postage may apply as the standard does not always cover costs; please inquire for details. ___Swan's Fine Books is pleased to be a member of the ABAA ILAB and IOBA and we stand behind every book we sell. Please contact us with any questions you may have we are here to help. The Arion Press hardcover
1998réf. CNAP056bSan Francisco: The Arion Press 1998. Hardcover. New. KendrickMel. 10 inches square 106 pages including 42 unnumbered pages for the 21 leaves bearing the prints. The types are Stymie Bold for the text and Franklin Gothic for display in Monotype and hand composition. The paper is German mouldmade Zerkall. Proofs of the woodblock prints were photographically reduced to approximately 62% and made into photopolymer plates. The type and plates were printed by letterpress in black ink. Red ink is used on the title page. The binding is a black goatskin spine with title stamped in red with boards covered with laser-cut veneer replicas of woodblocks by Kendrick inked in black. Numbered and signed by the artist. Edition of 300. This item includes the woodblock "Sperm" which was limited an edition of 20 copies plus 5 artist's proofs and 5 publisher's proofs and is accompanied by a copy of the book. Williams one of the most important poets of this century wrote this book of prose-poetry in 1917. He reflects on daily events over the course of a year his readings thoughts observations. To these statements made in language plain-spoken yet rising to the beauty and imagination of his poetry he appended further comments or interpretations to make them more intelligible to others. An essay in which Williams explains himself as a figure within the modern movement was added as a prologue. The critic Lawrence Kart claims that the great poetry Williams achieved "would not have been possible without the eruptive prose of 'Kora in Hell'." The book includes prints by contemporary artist Mel Kendrick whose own work is in the modernist lineage. Twenty-one images from three series of woodblock prints each involving seven separate blocks in the form of long vertical sheets that can be rolled up like scrolls have been separated and each occupy the recto page of a leaf in the book with pages of text in between. "Sperm" the long woodblock print as originally conceived by Kendrick in the scroll format measures 91 1/2 by 20 inches and was printed by hand by Stacy Petty and Robert Fisher at the artist's studio in New York City using black ink on Kozo natural a Japanese paper. The print is in a tube covered in oak veneer inked in black with a black goatskin cap stamped with titling in red. ___POSTAGE: International customers please note that additional postage may apply as the standard does not always cover costs; please inquire for details. ___Swan's Fine Books is pleased to be a member of the ABAA ILAB and IOBA and we stand behind every book we sell. Please contact us with any questions you may have we are here to help. The Arion Press hardcover
1998réf. CNAP056cSan Francisco: The Arion Press 1998. Hardcover. New. KendrickMel. 10 inches square 106 pages including 42 unnumbered pages for the 21 leaves bearing the prints. The types are Stymie Bold for the text and Franklin Gothic for display in Monotype and hand composition. The paper is German mouldmade Zerkall. Proofs of the woodblock prints were photographically reduced to approximately 62% and made into photopolymer plates. The type and plates were printed by letterpress in black ink. Red ink is used on the title page. The binding is a black goatskin spine with title stamped in red with boards covered with laser-cut veneer replicas of woodblocks by Kendrick inked in black. Numbered and signed by the artist. Edition of 300. This item includes the woodblock "Helmet" which was limited an edition of 20 copies plus 5 artist's proofs and 5 publisher's proofs and is accompanied by a copy of the book. Williams one of the most important poets of this century wrote this book of prose-poetry in 1917. He reflects on daily events over the course of a year his readings thoughts observations. To these statements made in language plain-spoken yet rising to the beauty and imagination of his poetry he appended further comments or interpretations to make them more intelligible to others. An essay in which Williams explains himself as a figure within the modern movement was added as a prologue. The critic Lawrence Kart claims that the great poetry Williams achieved "would not have been possible without the eruptive prose of 'Kora in Hell'." The book includes prints by contemporary artist Mel Kendrick whose own work is in the modernist lineage. Twenty-one images from three series of woodblock prints each involving seven separate blocks in the form of long vertical sheets that can be rolled up like scrolls have been separated and each occupy the recto page of a leaf in the book with pages of text in between. "Helmet" the long woodblock print as originally conceived by Kendrick in the scroll format measures 92 1/4 by 19 1/2 inches and was printed by hand by Stacy Petty and Robert Fisher at the artist's studio in New York City using black ink on Kozo natural a Japanese paper. The print is in a tube covered in oak veneer inked in black with a black goatskin cap stamped with titling in red. ___POSTAGE: International customers please note that additional postage may apply as the standard does not always cover costs; please inquire for details. ___Swan's Fine Books is pleased to be a member of the ABAA ILAB and IOBA and we stand behind every book we sell. Please contact us with any questions you may have we are here to help. The Arion Press hardcover
2009réf. Q-1416989978Simon Pulse 2009-01-13. Paperback. New. New. In shrink wrap. Looks like an interesting title! Simon Pulse paperback
réf. 1848120672.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
