3 454 résultats
1975réf. 137579N.p.: N.p. 1975. Archive of 15 single weight and 20 double weight vintage press photographs of Maria Schneider at the 1975 Cannes Film Festival there to promote Michelango Antonioni's Palme d'Or nominated "The Passenger" in which she starred opposite Jack Nicholson. Eight photographs with stamps of photographers Leo Mirkine Prisco de Majo and Daniel Angeli four two and two photographs respectively on the verso. The archive shows three distinct events during the festival as well as other candid and posed images of Schneider. These include the premiere of the film a press conference and a party on a boat. Numerous photographs also feature Antonioni and co-star Jenny Runacre. Sadly Nicholson is nowhere to be found we assume because he was too busy hanging out with Ken Russell and The Who as "Tommy" was screening out of competition. Other photographs show Schneider with Bernardo Bertolucci who had directed her to instant stardom three years earlier in "Last Tango in Paris" as well as a single photograph of Schneider with Dustin Hoffman starring in the also Palme d'Or nominated "Lenny" directed by Bob Fosse. Also included in the archive are four large negatives of photographs from the archive a strip of five negatives of a beach and two strips of color negatives containing four and five images respectively as well as three large negative of what appears to be a photoshoot of Schneider at the beach. These images are distinct from the photographs in the archive and we can find no corresponding images online. Photograph sizes vary between 9.5 x 7.25 and 8 x 12 inches with most being 10 x 8 inches. Near Fine. N.p. unknown
1975réf. 137579N.p.: N.p. 1975. Archive of 15 single weight and 20 double weight vintage press photographs of Maria Schneider at the 1975 Cannes Film Festival there to promote Michelango Antonioni's Palme d'Or nominated "The Passenger" in which she starred opposite Jack Nicholson. Eight photographs with stamps of photographers Leo Mirkine Prisco de Majo and Daniel Angeli four two and two photographs respectively on the verso. The archive shows three distinct events during the festival as well as other candid and posed images of Schneider. These include the premiere of the film a press conference and a party on a boat. Numerous photographs also feature Antonioni and co-star Jenny Runacre. Sadly Nicholson is nowhere to be found we assume because he was too busy hanging out with Ken Russell and The Who as "Tommy" was screening out of competition. Other photographs show Schneider with Bernardo Bertolucci who had directed her to instant stardom three years earlier in "Last Tango in Paris" as well as a single photograph of Schneider with Dustin Hoffman starring in the also Palme d'Or nominated "Lenny" directed by Bob Fosse. Also included in the archive are four large negatives of photographs from the archive a strip of five negatives of a beach and two strips of color negatives containing four and five images respectively as well as three large negative of what appears to be a photoshoot of Schneider at the beach. These images are distinct from the photographs in the archive and we can find no corresponding images online. Photograph sizes vary between 9.5 x 7.25 and 8 x 12 inches with most being 10 x 8 inches. Near Fine. N.p. unknown books
réf. 9781634856898NOVA SCIENCE PUBLISHERS INC
2003réf. Q-0226503380University of Chicago Press 2003-01-01. Hardcover. New. In shrink wrap. Looks like an interesting title! University of Chicago Press hardcover
réf. 9781608761739NOVA SCIENCE PUBLISHERS INC
1984réf. 196261984. Guaflex editorial. unknown
réf. 185645Rome, s.n., 1837 2 tomes en un vol. in-8, [2]-140-252 pp., avec un frontispice gravé sous serpente, demi-veau bleu, dos lisse orné de filets et de doubles caissons dorés, souligné de filets à froid, tranches mouchetées (reliure de l'époque). Qques rousseurs sur les premières pages.
1994FRANCO COSIMO PANINI; TESTI DI A. CHIGGIATO, R. FERRI, C. FRANZONI, L. GAMBI, P. LIVERANI, M. MILANESI, A. PINELLI, F. PRONTERA, P. SERENO; FOTOGRAFIE DI A. ANGELI, D. PIVATO; VOLUME PRIMO: ATLANTE FOTOGRAFICO PP. 612, 795 ILLUSTRAZIONI A COLORI; VOLUME SECONDO: SAGGI E SCHEDE PP. 511, 120 ILLUSTRAZIONI IN BIANCO E NERO. LUNGA 120 METRI, LA GALLERIA DELLE CARTE GEOGRAFICHE È LA PIÙ VASTA RAPPRESENTAZIONE GEOGRAFICA MAI REALIZZATA, CON UNA RICCHEZZA DI TOPONIMI STRAORDINARIA, IMPREZIOSITA DA PIANTE E PROSPETTI DI CITTÀ E ANIMATA DA GRANDIOSE SCENE DI BATTAGLIA. UNA DECORAZIONE STRAORDINARIA, PROPOSTA PER LA PRIMA VOLTA IN TUTTI I SUOI PARTICOLARI. LA DECORAZIONE DELLE PARETI DI EDIFICI MONUMENTALI CON RAPPRESENTAZIONI GEOGRAFICHE È UNA PRATICA ARTISTICA CHE TROVÒ UNA NUOVA FORTUNA NELLA SECONDA METÀ DEL XVI SECOLO. LA GALLERIA DELLE CARTE GEOGRAFICHE IN VATICANO, VOLUTA DA PAPA GREGORIO XIII NEL 1580, È L’ESEMPIO PIÙ ESTESO DI QUESTO TIPO DI RAFFIGURAZIONE PITTORICA. SONO INFATTI BEN 40 LE CARTE GEOGRAFICHE AFFRESCATE SULLE PARETI DEL CORRIDOIO CHE DAI MUSEI VATICANI PORTA ALLA CAPPELLA SISTINA, REALIZZATE SUI DISEGNI DEL COORDINATORE SCIENTIFICO DELL’IMPRESA, EGNAZIO DANTI, MATEMATICO E CARTOGRAFO GIÀ ATTIVO ALLA CORTE DEI MEDICI E A BOLOGNA. FU INVECE L’UMANISTA TEDESCO LUCA HOLSTENIO, CINQUANT’ANNI DOPO, A CURARE IL RESTAURO DI MOLTI DEGLI AFFRESCHI, FORTE ANCHE DEI PROGRESSI COMPIUTI NEL CAMPO DELLA CARTOGRAFIA, CHE IN QUEGLI ANNI AVEVA SVILUPPATO TECNICHE DI MISURAZIONE PIÙ ACCURATE. LE CARTE, CHE RAFFIGURANO L’INTERA PENISOLA ITALIANA CON LE ISOLE MAGGIORI E MINORI, RAGGIUNGONO COSÌ UN LIVELLO DI DETTAGLIO SPESSO SORPRENDENTE, SOPRATTUTTO QUANDO RITRAGGONO AREE COME LO STATO PONTIFICIO, LA LIGURIA O LA TOSCANA, IN CUI DANTI AVEVA COMPIUTO RILIEVI CARTOGRAFICI. I DIPINTI SI PRESENTANO ALL’OSSERVATORE COME UN LUNGO SUCCEDERSI DI MARI E FIUMI, VALLI E PIANURE, BOSCHI E STRADE, ACCOMPAGNATI DA TARGHE, PIANTE E VEDUTE DI CITTÀ RACCHIUSE IN CARTIGLI SVOLAZZANTI ED EPISODI STORICI, MITOLOGICI O ANEDDOTICI CHE CORREDANO LE LOCALITÀ PRINCIPALI O I MARI, UNENDO ALLA RICERCA DI RIGORE SCIENTIFICO IL GUSTO PER IL BELLO E IL SORPRENDENTE. SULLA VOLTA, UNA SERIE DI CINQUANTUNO AFFRESCHI RAFFIGURA EPISODI MIRACOLOSI O EDIFICANTI LEGATI ALLE LOCALITÀ SOTTOSTANTI, MENTRE UN’ALTRA SERIE DI DIPINTI A MONOCROMO RIPORTA EPISODI DELL’ANTICO TESTAMENTO. IL LIBRO, DEL QUALE FA PARTE UN COFANETTO CON LE RIPRODUZIONI, SU FOGLI SCIOLTI, DELLE SINGOLE CARTE GEOGRAFICHE, DOCUMENTA, ANALIZZA E COMMENTA L’INTERO PATRIMONIO ARTISTICO DELLA GALLERIA. LE FOTOGRAFIE DELL’ATLANTE RIPRODUCONO, CON ATTENZIONE AI PIÙ PICCOLI PARTICOLARI, TUTTE LE CARTE GEOGRAFICHE E GLI AFFRESCHI DEL SOFFITTO, OLTRE ALLE SCULTURE CHE DECORANO IL CORRIDOIO. I SAGGI DEL VOLUME DEI TESTI, CHE CONTIENE LE SCHEDE CHE COMMENTANO LE FOTOGRAFIE, STUDIANO IN DETTAGLIO GENESI E SIGNIFICATI DELLA GALLERIA, A PARTIRE DAL SAGGIO DI ANTONIO PINELLI CHE INQUADRA NEL CONTESTO STORICO E POLITICO L’IMPRESA VOLUTA DA PAPA GREGORIO XIII, OGGETTO ANCHE DI UN ANONIMO POEMETTO COEVO IN LATINO, L’AMBULATIO GREGORIANA, QUI STUDIATO DA ROLANDO FERRI. LA FIGURA DI EGNAZIO DANTI E IL SUO LAVORO NELLA GALLERIA COSTITUISCONO INVECE L’OGGETTO DEL SAGGIO DI LUCIO GAMBI, SEGUITO DALL’INTERVENTO DI MARICA MILANESI CHE AFFRONTA NELLO SPECIFICO LE RAGIONI DEL CICLO DELLE CARTE. IL PROGRAMMA ICONOGRAFICO DELLA VOLTA E IL SUO RAPPORTO CON LE CARTE SOTTOSTANTI SONO ANALIZZATI NEL SECONDO CONTRIBUTO DI ANTONIO PINELLI, MENTRE PAOLA SERENO TRACCIA UNA STORIA DELLA FORTUNA DEL CICLO PITTORICO NEL CORSO DEI SECOLI E CLAUDIO FRANZONI RICOSTRUISCE LA STORIA DEI RESTAURI CHE L’HANNO INTERESSATO. VOLUME TERZO: CARTE 40 CARTE GEOGRAFICHE IN COFANETTO; INDICI TOPONOMASTICI.
1976réf. 89948Novara Istituto Geografico de Agostini 1976 3 vol. relié 4 vol. in-folio, cartonnage demi-basane de l'éditeur, plats toilés, sous étuis, pagination multiple, nombreuses reproductions en couleurs des dessins de l'artiste. Série complète de cette belle publication italienne, en excellente condition.
1976réf. 89948Novara Istituto Geografico de Agostini 1976 3 vol. relié 4 vol. in-folio, cartonnage demi-basane de l'éditeur, plats toilés, sous étuis, pagination multiple, nombreuses reproductions en couleurs des dessins de l'artiste. Série complète de cette belle publication italienne, en excellente condition.
1847réf. 89754Paris: Librairie scientifique française et orientale de A. Larue 1847. Fine. Librairie scientifique française et orientale de A. Larue Paris 1847 16.2 x 24.5 cm Broché First edition illustrated at the end of the volume with four hors-texte plates printed on chamois paper.Not recorded by Brunet who lists the authors principal works.Scattered foxing including to the boards.The orientalist Michelangelo Lanci 17791867 produced a fascinating blend of genuine erudition and improbable conjectures shaped by the pre-critical and broadly concordist mindset then prevailing without challenge in the learned circles of pontifical Rome Lanci being a subject of the Pope.This largely accounts for the profound neglect into which most of his works have since fallen.Prisse dAvennes 18071879 who had worked with Champollion on the decipherment of hieroglyphic script must have received with some surprise these observations drawn essentially from personal interpretations of Old Testament texts. Librairie scientifique française et orientale de A. Larue hardcover
1865réf. 39251Milano Milan: Autografia G. Daelli lithography by G. Baroffio 1865. FIRST AND ONLY EDITION of this lithographed compilation of 46 PREVIOUSLY UNPUBLISHED notes and letters by to and about Michelangelo. IV 84 pp. Printed on good wove paper. Léon Dorez author of "Nouvelles recherches sur Michel-Ange et son entourage" 1918 complained that while researching his book he was unable to find a copy of the "Carte Michelangiolesche inedite" in Paris Florence or Milan because it was already "introuvable". Folio. In publisher's beautiful color patterned wraps with paper label affixed to front cover. Minor wear to extremities else UNCUT FINE AND BRIGHT. A PRISTINE COPY OF A LEGENDARY RARITY WITH TEXTS BY MICHELANGELO IN FIRST EDITION. Autografia G. Daelli (lithography by G. Baroffio) paperback
1850réf. 189700Torino: A. Fontana 1850. Hardcover. Fair-. All covers have wear discoloration significant corner/edge damage. Bookblocks have age toning staining. Interior pages have age toning and some foxing. Tape repair on spines. Italian language text. Marbled boards. Gilt lettering and design elements on spine. Each volume individually paginated heavily illustrated. A. Fontana hardcover
1850réf. 189700Torino: A. Fontana 1850. Hardcover. Fair-. All covers have wear discoloration significant corner/edge damage. Bookblocks have age toning staining. Interior pages have age toning and some foxing. Tape repair on spines. Italian language text. Marbled boards. Gilt lettering and design elements on spine. Each volume individually paginated heavily illustrated. A. Fontana hardcover books
réf. 23081903Berkeley California: Peter Koch Printer 2015. Limited Edition. Hardcover. Fine. Goldyne Joseph; Hugill-Fontanel Amelia. One of 126 copies two volumes complete quarto size 60 pp. signed or initialled by Robert Bringhurst Joseph Goldyne and Peter Koch. Michelangelo 1475-1564 one of the major figures in the Italian Renaissance who created monumental works of painting and sculpture such as the paintings on the ceiling of the Sistine Chapel and the marble sculpture of David was also a poet composing works in the sonnet form as well as the madrigal. According to Peter Koch Michelangelo was ". . .the greatest lyric poet of his time in the Italian language. . . .He treated his poems casually -- very much like sketches rather than finished works of art -- and they remained uncollected and unpublished for seventy years after his death." In the volume "Hard High-Country Poems" ten of Michelangelo's poems addressed to or about Vittoria Colonna a woman he formed a relationship with later in his life are collected. "The Typographic Legacy of Ludovico Degli Arrighi" is an essay by Canadian poet and typographer Robert Bringhurst b. 1946 about the work of Ludovico Degli Arrighi 1475-1527 a prominent type designer in Renaissance Italy. Bringhurst also provides the translations of Michelangelo's poems for this publication. This set is comprised of two volumes; one of poetry and the second about the type. Included in the volume of poems is a drypoint portrait of Michelangelo by Joseph Goldyne b. 1942 a printmaker whose soft line work and subtle shadows are reminiscent of Italian Renaissance engravings and drypoints. In "Typographic Legacy" there are two photographs of punches used for cutting type by Amelia Hugill-Fontanel an art historian and editor who is associate curator at the Cary Graphic Arts Collection at Rochester Institute of Technology. This lovely publication by the inimitable Peter Koch has a stunning attention to detail as the typefaces used are based on italics designed in the 1520s by Arrighi and the slipcase is covered in a reproduction of an Arrighi type specimen sheet; a fascinating combination of poetry and typography from the Italian Renaissance. ___DESCRIPTION: Both volumes are bound in quarter blue leather with decorative paper boards with images of standing type "Poems" with grey printed on beige paper "Typographic Legacy" with red printed on beige paper both with gilt lettering on the spines red-brown endpapers "Poems" with a frontispiece being a tipped-in drypoint portrait of Michelangelo by Joseph Goldyne initialled in pencil by the artist below the plate title page in red and black; Vicenza and Arrighi types Amalfi Amatruda handmade paper quarto size 9 1/2" by 5 3/4" pagination: 27 unnumbered pages one of 126 copies this number 67 signed by Robert Bringhurst and Peter Koch at the colophon. "Typographic Legacy" with the frontispiece being a tipped-in photograph of type punches by Amelia Hugill-Fontanel title page with printer's device in red a second tipped-in photograph of type punches by Hugill-Fontanel following the title page; Monotype Arrighi and Centaur types Hahnemuhle Biblio paper quarto size 9 1/2" by 5 3/4" pagination: 1-2 3-31 32 1 colophon one of 126 copies unnumbered. Both volumes are encased in a chemise covered with beige paper which is inside a slipcase covered in matching beige paper wrapped in a reproduction of an Arrighi type specimen sheet with title and ruled borders in black and red printer's device on the spine. ___CONDITION: Both volumes are fine; the covers clean the corners straight and unrubbed the bindings tight with solid hinges the interiors clean and bright and free of prior owner markings; clean crisp as new. The chemise is fine also sturdy clean and without wear. The slipcase is fine strong and sturdy clean and without wear. A stunning example. ___CITATION: Peter Koch Catalogue. ___POSTAGE: International customers please note that additional postage may apply as the standard does not always cover costs; please inquire for details. ___Swan's Fine Books is pleased to be a member of the ABAA ILAB and IOBA and we stand behind every book we sell. Please contact us with any questions you may have we are here to help. Peter Koch Printer hardcover
réf. 23081903Berkeley California: Peter Koch Printer 2015. Limited Edition. Hardcover. Fine. Goldyne Joseph; Hugill-Fontanel Amelia. One of 126 copies two volumes complete quarto size 60 pp. signed or initialled by Robert Bringhurst Joseph Goldyne and Peter Koch. Michelangelo 1475-1564 one of the major figures in the Italian Renaissance who created monumental works of painting and sculpture such as the paintings on the ceiling of the Sistine Chapel and the marble sculpture of David was also a poet composing works in the sonnet form as well as the madrigal. According to Peter Koch Michelangelo was ". . .the greatest lyric poet of his time in the Italian language. . . .He treated his poems casually -- very much like sketches rather than finished works of art -- and they remained uncollected and unpublished for seventy years after his death." In the volume "Hard High-Country Poems" ten of Michelangelo's poems addressed to or about Vittoria Colonna a woman he formed a relationship with later in his life are collected. "The Typographic Legacy of Ludovico Degli Arrighi" is an essay by Canadian poet and typographer Robert Bringhurst b. 1946 about the work of Ludovico Degli Arrighi 1475-1527 a prominent type designer in Renaissance Italy. Bringhurst also provides the translations of Michelangelo's poems for this publication. This set is comprised of two volumes; one of poetry and the second about the type. Included in the volume of poems is a drypoint portrait of Michelangelo by Joseph Goldyne b. 1942 a printmaker whose soft line work and subtle shadows are reminiscent of Italian Renaissance engravings and drypoints. In "Typographic Legacy" there are two photographs of punches used for cutting type by Amelia Hugill-Fontanel an art historian and editor who is associate curator at the Cary Graphic Arts Collection at Rochester Institute of Technology. This lovely publication by the inimitable Peter Koch has a stunning attention to detail as the typefaces used are based on italics designed in the 1520s by Arrighi and the slipcase is covered in a reproduction of an Arrighi type specimen sheet; a fascinating combination of poetry and typography from the Italian Renaissance. ___DESCRIPTION: Both volumes are bound in quarter blue leather with decorative paper boards with images of standing type "Poems" with grey printed on beige paper "Typographic Legacy" with red printed on beige paper both with gilt lettering on the spines red-brown endpapers "Poems" with a frontispiece being a tipped-in drypoint portrait of Michelangelo by Joseph Goldyne initialled in pencil by the artist below the plate title page in red and black; Vicenza and Arrighi types Amalfi Amatruda handmade paper quarto size 9 1/2" by 5 3/4" pagination: 27 unnumbered pages one of 126 copies this number 67 signed by Robert Bringhurst and Peter Koch at the colophon. "Typographic Legacy" with the frontispiece being a tipped-in photograph of type punches by Amelia Hugill-Fontanel title page with printer's device in red a second tipped-in photograph of type punches by Hugill-Fontanel following the title page; Monotype Arrighi and Centaur types Hahnemuhle Biblio paper quarto size 9 1/2" by 5 3/4" pagination: 1-2 3-31 32 1 colophon one of 126 copies unnumbered. Both volumes are encased in a chemise covered with beige paper which is inside a slipcase covered in matching beige paper wrapped in a reproduction of an Arrighi type specimen sheet with title and ruled borders in black and red printer's device on the spine. ___CONDITION: Both volumes are fine; the covers clean the corners straight and unrubbed the bindings tight with solid hinges the interiors clean and bright and free of prior owner markings; clean crisp as new. The chemise is fine also sturdy clean and without wear. The slipcase is fine strong and sturdy clean and without wear. A stunning example. ___CITATION: Peter Koch Catalogue. ___POSTAGE: International customers please note that additional postage may apply as the standard does not always cover costs; please inquire for details. ___Swan's Fine Books is pleased to be a member of the ABAA ILAB and IOBA and we stand behind every book we sell. Please contact us with any questions you may have we are here to help. Peter Koch Printer hardcover books
réf. 16-5110Paris: Bocchini 1808. Large folio. 54.5 x 39cm. Original 1/4 morocco and limp cloth covers unrestored and worn; bookblock loose.Plates lightly foxed. Stabilized tear on blank endpaper. Complete with the 17 engraved plates. Expertise by Yves Salmon Pénestin France. OCLC Number12417841. Paris: Bocchini, 1808 hardcover
2016réf. SBBI-mon0000104680Laluzenpapel 2016. paperback. Very Good. Most of our very good books have only minor imperfections such as shelf wear consistent with a new book that's sat on a bookshop shelf for a year or two. Occasionally we may miss other minor imperfections as we have to grade books at speed. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order at least not without checking with us first although we don't always have time to check. We aim to dispatch prompty the service used will depend on order value and book size. We can ship to most countries see our shipping policies. Payment is via Abe only. Laluzenpapel paperback
2012réf. SBBIH-4JJHGUHL5SQ2Laluzenpapel 2012. paperback. Good. Our good condition books are generally good for reading but not for gifting or collecting. They could have imperfections such as creasing fanning inscriptions margin notes yellowing staining on edge or cover or pages bumps scuffs etc etc sometimes multiple of these. It's a wide category that encompasses anything that isn't almost-new down to anything that is slightly better than poor. We would NOT recommend gifting Good books - these should be considered reading copies. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order at least not without checking with us first although we don't always have time to check. We aim to dispatch prompty the service used will depend on order value and book size. We can ship to most countries see our shipping policies. Payment is via Abe only. Laluzenpapel paperback
1997réf. SBBI-mon0000160800Société des Editions Mengès 1997. hardcover. Acceptable. Please see the condition note after this for details if this is missing please consider Acceptable to mean poor quality that could include major staining water damage writing missing dustjacket etc etc. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order at least not without checking with us first although we don't always have time to check. We aim to dispatch prompty the service used will depend on order value and book size. We can ship to most countries see our shipping policies. Payment is via Abe only. Société des Editions Mengès hardcover
2010réf. 073555Mexico D.F.: Presidencia de la Republica 2010. Hardcover. Fine in Fine dust jacket. Pages binding and jacket are as new bright and fresh; full black linen clamshell case bears a few scratches more tangible than visible and one softened corner but is otherwise glossy and attractive. 559pp; map facsimile and other color illustrations; 37cm 6.6kg. A splendid national bicentennial celebration depicting everything from historic documents to numismatics vexillology and old propaganda to visual performance and printing arts with essays on historic and cultural topics as well as current issues in urban and agricultural improvement. Published concurrently with the bicentennial museum exhibit at La Galería de Palacio Nacional September 2010 to July 2011.; Large Folio. Presidencia de la Republica hardcover
réf. 70351Paris Joubert 1803. Large Folio 59.5 x 41.5 cm. 4 pp. Four large engraved plates. Later mottled half roan over paper boards resembling tree calf. Black morocco label with gilt title. Original printed wrappers bound in. = This work shows two - probably life-size - designs for candlesticks designed by Renaissance artists Raphael and Michelangelo on the occasion of a contest organized by Popes Julius II and Leo X. Each leaf shows either the top or the foot of a candle. The wrapper text extensively describing the candlesticks is printed in French and in English in two columns Armorial bookplate on the front pastedown. Some mostly marginal spotting. Otherwise a very good copy. Rare. Not in Brunet. hardcover
réf. 51-5665Paris: Jean Mariette 1738. 4to. 21.5 x 28cm.2 f. XXXVIII p. 5 f. 408 pp. 20 f. contemporary glazed havana calf spine with 5 bands gilt title ornate caissons red edges ; binding restored by the artisan binder Sasha Mosalov.Frontispiece by J.P. Le Bas after E. Bouchardon 165 plates hors texte. OCLC Number 886430179. Paris: Jean Mariette 1738. unknown
1975Con 17 incisioni in rame di MARC DAUTRY; edizione critica delle poesie e delle lettere, note e prefazione di ENZO NOE' GIRARDI. 2 voll. di cm. 35 x 45; pp. 227,233 con numerose illustrazioni nel testo e 17 incisioni originali su rame su fogli sciolti protette da velina e firmate dall'artista, di cui una a doppia pagina (fissato al volume il ritratto di Michelangelo in antiporta); legatura in tutta pelle con rinforzi in cuoio e chiusura a portafoglio assicurata da legacci; titoli oro al dorso e al piatto; sguardie doppie in raso e con la riproduzione del manoscritto di Michelangelo con le "ricette per il mal d'occhi". La presente edizione con 17 tavv.incise in rame di Marc Dautry è stata stampata in 2000 esemplari su carta a mano Grand Velin d'Arches delle Cartiere Arches. Le incisioni in rame sono state stampate in torchio a mano dal maestro stampatore Manuel Robbe. Il carattere del testo Caslon Two Lines Pica è stato fuso appositamente per questa edizione dalla fonderia Caslon Radiguer di Parigi su matrici originali del 1734. La composizione a mano, l'impaginazione e la stampa tipografica sono state eseguite dai maestri tipografi Yvette e Jean Paul Vivert. La legatura è stata eseguita dalla Legatoria Conti Borbone di Milano. Dalla rubrica delle tiratura si evince che il nostro è una dei 1820 esemplari con incisioni stampate su carta d'Arches (il nostro n. 430) in cui però l'ex libris (asportato dai figli del precedente proprietario) era in argento. Il tutto in ottime condizioni: unico difetto da segnalare è un'ombra di umido sul lato della tavola VI.
1992réf. 260951992 - 2021. Insel, Frankfurt, Leipzig und Berlin, In kleiner Auflage erschienen. Originallederbände. Teils im Originalschuber (wenn Original vorhanden) und Originalverpackt. 19 x 12,5 cm.
