FRANCE, Anatole - VAN DONGEN, KessLivre Rare Book
259 résultats
1951réf. 3128Scripta et Picta, Paris 1951. In-folio (365 x 275 mm), 230 pp. + fnch., en feuilles sous couverture rempliée, chemise-étui en percaline verte de l'éditeur. 58 LITHOGRAPHIES ORIGINALES EN COULEURS DE VAN DONGEN. Tirage limité à 210 exemplaires tous sur vélin de Lana. Van Dongen dessina les illustrations directement sur pierre (Une pierre par couleur !). Les lithographies ont été tirées par Mourlot Frères. L'ouvrage en feuilles tel que paru dans son emboîtage éditeur, en parfait état. (From Manet to Hockney n°126, Monod n°4944, Bailly-Herzberg p. 325, Juffermans)
1931réf. 3237Paris, Éditions M-P. Trémois, 30 mai 1931. 1 volume in-folio (457 x 323 mm) en feuilles sous couverture illustrée en couleurs, chemise cartonné de l'éditeur recouverte de papier glacé bleu imprimé, lacets (porfolio). Couverture illustrée en couleur et 10 AQUARELLES DE VAN DONGEN REPRODUITES AU POCHOIR (1 couverture, 5 HORS-TEXTE et 5 dans le texte). Tirage limité à 297 exemplaires numérotés, celui-ci justifié n°142 sur vélin d'Arches. Les planches hors-texte ont été gravées par Maccard et tirées chez Coulouma, la mise en couleur aux pochoirs de l'ensemble des 11 compositions a été réalisée par les ateliers Bergoll. La rare chemise présente quelques imperfections négligeables, couverture belle, le corps de l'ouvrage est en parfait état, les planches hors-texte superbes, l'ensemble parfaitement conservé
1967réf. C92036Pierre Cailler Editeur. As New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - 327 pages; 298 images including 32 in color. -- with a bonus offer-- - May be EITHER: out of print OOP and extremely rare in this pristine condition; signed by author or contributor; or a first or special edition; inquire for details . 1967. Pierre Cailler Editeur hardcover
1951réf. 18033Paris: Scripta Et Picta 1951. leather_bound. Full green morocco covers and spine inlaid with light green tan and gray morocco ruled in colors and gilt all edges gilt green suede doublures uniform morocco edged chemise. Fine in slightly nicked slipcase. 221 pages. Folio 47 x 29 cm. Fifty-eight colored lithographs by Kees Van Dongen. Text printed in red and black with red and green initials; lithographs editioned by Mourlot. Limited edition copy 210 of 210. Van Dongen a Dutch painter joined the fauvist movement in 1906 became a fashionable portraitist after World War I but even in that medium he gave up all constraint -- he left a pitiless interpretation of Anatole France our author here as well as others condemning a period and a class. Designer morocco binding by Madeleine Gras. Some foxing throughout binding particularly bright and sharp slight edge rubbing to chemise. Scripta Et Picta unknown
1951réf. 18033Paris: Scripta Et Picta 1951. leather_bound. Full green morocco covers and spine inlaid with light green tan and gray morocco ruled in colors and gilt all edges gilt green suede doublures uniform morocco edged chemise. Fine in slightly nicked slipcase. 221 pages. Folio 47 x 29 cm. Fifty-eight colored lithographs by Kees Van Dongen. Text printed in red and black with red and green initials; lithographs editioned by Mourlot. Limited edition copy 210 of 210. Van Dongen a Dutch painter joined the fauvist movement in 1906 became a fashionable portraitist after World War I but even in that medium he gave up all constraint -- he left a pitiless interpretation of Anatole France our author here as well as others condemning a period and a class. Designer morocco binding by Madeleine Gras. Some foxing throughout binding particularly bright and sharp slight edge rubbing to chemise. Scripta Et Picta unknown books
1967réf. 92036Pierre Cailler Editeur. As New. 1967. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - 327 pages; 298 images including 32 in color. Pierre Cailler Editeur hardcover
réf. 15155Paris Editions d'Art Les Heures Claires 1965 in folio (38x29) 1 fort volume broché en faux-feuillets sous couverture rempliée, 220 pages et 5 faux-feuillets non chiffrés, avec 19 planches hors-texte en couleurs et un portrait de A. Warnod en frontispice (phototypie), sous boitage de l'éditeur. Préface de Pierre Brisson. Lithographies de Derain, et Van Dongen (tirées par Lucien Détruit), lithographies de Dufy, Matisse, Chagall, Dunoyer de Segonzac, Cavaillès, Terechkovitch et Carzou. Lithographies de Picasso, et Buffet (tirées par P.-J. Ballon), Lithographies de Miro (tirée par l'atelier Arte), eaux-fortes de Villon et Zadkine (tirée par Manuel Robbe), eau-forte de Braque (tirée par A. et P. Crommelynck). Original etchings by Braque, Jacques Villon, Zadkine. Original woodcuts by Vlaminck, Rouault, Pascin, Utrillo. Original lithographs by Derain, Dufy, Matisse, Van Dongen, Picasso, Chagall (engraved by Sorlier), Dunoyer de Segonzac, Cavaillès, Terechkovitch, Bernard Buffet, Carzou, Miro. Tirage limité à 250 exemplaires numérotés sur grand vélin d'Arches (limited to 250 copies), et quelques exemplaires hors-commerce. Notre exemplaire imprimé sur grand vélin d'Arches est un exemplaire d'artiste, il porte sur la justification la mention imprimée: exemplaire d'artiste. Cet exemplaire est enrichi d'une importante suite de 33 planches de divers états de la décomposition des couleurs de la lithographie de Picasso (sous chemise). Collationné complet. Très bel et rare exemplaire d'artiste ( Photographies sur demande / We can send pictures of this book on simple request )
1929réf. 456148Paris: Imp. Marcel Picard 1929. Unbound. Near Fine. Large poster. Measuring approximately 47" x 62½" professionally linen-backed to 50" x 65½". A few almost imperceptible folds or creases a couple of tiny areas of loss and two tiny areas of restoration one short closed marginal tear all rendered almost invisible by the linen-backing. Bright and near fine signed by van Dongen in the print. A striking poster by Dutch-French artist and leading Fauve Kees van Dongen 1877-1968. The poster advertises the 1929 Salon d'Automn in Paris. Begun in 1903 by the art critic Frantz Jourdain the Autumn Exhibition showcased the latest trends in art. Over the following years the Autumn Exhibition would herald the arrivals of the Fauves 1905 the Cubists 1910 and the Montparnasse painters Chagall Braque Modigliani; following World War I. Van Dongen exhibited paintings at the Autumn Exhibition of 1905 where he and his compatriots were first labeled Fauves. Specifically "Donatello chez les fauves" coined by the art critic Louis Vauxcelles to contrast their "orgy of pure tones" with a Renaissance-style sculpture in the same room. Van Dongen made news during the Autumn Exhibition of 1913-14 when his nude "The Spanish Shawl Woman With Pigeons or the Beggars of Love" was ordered to be removed by police. It now hangs in the Centre Georges Pompidou . Here van Dongen is in full form showing a slender nude woman holding a comically oversized artist's palette in expressive strokes and that "orgy of pure tones" that so offended the critics just a few decades earlier. An excellent example of a van Dongen poster advertising an important art exhibition in lovely condition. Imp. Marcel Picard unknown
1929réf. 456148Paris: Imp. Marcel Picard 1929. Unbound. Near Fine. Large poster. Measuring approximately 47" x 62½" professionally linen-backed to 50" x 65½". A few almost imperceptible folds or creases a couple of tiny areas of loss and two tiny areas of restoration one short closed marginal tear all rendered almost invisible by the linen-backing. Bright and near fine signed by van Dongen in the print. A striking poster by Dutch-French artist and leading Fauve Kees van Dongen 1877-1968. The poster advertises the 1929 Salon d'Automn in Paris. Begun in 1903 by the art critic Frantz Jourdain the Autumn Exhibition showcased the latest trends in art. Over the following years the Autumn Exhibition would herald the arrivals of the Fauves 1905 the Cubists 1910 and the Montparnasse painters Chagall Braque Modigliani; following World War I. Van Dongen exhibited paintings at the Autumn Exhibition of 1905 where he and his compatriots were first labeled Fauves. Specifically "Donatello chez les fauves" coined by the art critic Louis Vauxcelles to contrast their "orgy of pure tones" with a Renaissance-style sculpture in the same room. Van Dongen made news during the Autumn Exhibition of 1913-14 when his nude "The Spanish Shawl Woman With Pigeons or the Beggars of Love" was ordered to be removed by police. It now hangs in the Centre Georges Pompidou . Here van Dongen is in full form showing a slender nude woman holding a comically oversized artist's palette in expressive strokes and that "orgy of pure tones" that so offended the critics just a few decades earlier. An excellent example of a van Dongen poster advertising an important art exhibition in lovely condition. Imp. Marcel Picard unknown books
