Expressionism poems Stramm, AugustBiblio.com
11 résultats
1919réf. 18786AB1919. Third edition. Berlin Verlag Der Sturm 1919 245 : 16 cm. 35 pages 2 leaves Original boards. Expressionist love poems. Copy of the third edition most likely title edition of the first edition from 1915 and as rare as this one. With editionla three leaves of advertising. - W.-G. 5; Raabe 2957. hardcover
1984réf. 2090502113712585Not Available 1984. Soft Cover. Fine. The book is in fine condition. Not Available paperback
1992réf. 2090502113718182Not Available 1992. Soft Cover. Fine. The book is in fine condition. Not Available paperback
1921réf. 2092902137303652Japan Academy of Art 1921. Soft Cover. Fine. The book is in fine condition. Japan Academy of Art paperback
réf. S0-6TBK-BDVIPUBLIFOLHA. New. PUBLIFOLHA unknown
réf. 03260463.31C6Good. DJ shows light surface and light-to-moderate edge wear. Boards show onlyh light shelf wear. Light spine lean. Text remains clean and unmarked. hardcover
1918réf. 10135Jena: Eugen Diederichs 1918. First edition no. 119 of 250 signed copies. Portfolio of seven woodcuts and three text leaves title introduction and colophon loose in the publisher's orange paper portfolio with gilt vignette on front. Handmade paper sheets 32x26" with the images approx. 22x18" each signed in pencil by Wolf. Some light foxing to plates more pronounced on title leaf and plate VII. Portfolio with wear and a few stains. Very good. German-Jewish artist Gustav Wolf 1887-1947 is best remembered for his powerful Expressionist woodcuts exploring spiritual and philosophical themes. He fled Nazi Germany and settled in Massachusetts where he taught and continued to produce expressionist prints about the Holocaust and rural American life until his death in 1947. Published by the influential house of Eugen Diederichs in 1918 Die Blätter vom lebendigen Sein Leaves of Living Being is Wolf's monumental visual meditation on creation existence and transcendence through a mystical vision of the cosmos. A truly visionary production and in a striking elephant folio from the prolific printmaker and artist Wolf. Eugen Diederichs unknown
1903réf. 134611903. Rouault Georges. whose work is often associated with Fauvism and Expressionism. Autograph Letter Signed circa 1903 a significant early document from the formative years of a central figure in modern French art that illuminates his transition from student of Symbolism to institutional guardian of Gustave Moreau's artistic legacy. Written on the eve of his departure from Paris and addressed to an unnamed correspondent the letter situates Rouault directly within the intellectual and pedagogical world of the École des Beaux-Arts and in close association with his mentor Gustave Moreau under whom he studied and to whom he remained profoundly devoted. Rouault writes with urgency "Dear sir I am leaving and I wanted to make absolutely sure that this will reach you and your cousin. Your cousin I am sure will be happy to have it" and refers explicitly to "the souvenirs you requested regarding the École des Beaux-Arts and on Gustave Moreau and others" requesting confirmation "before the end of the day so I can give them to you personally. I am leaving Paris for a while." Composed during a period of personal and artistic crisis between roughly 1902 and 1904 the letter documents Rouault at a pivotal juncture as he withdrew from Parisian life while consolidating his intellectual inheritance from Symbolism. Rouault Georges. Autograph Letter Signed. No place no date circa 1903. One page written on recto and verso approximately 8 1/4 x 10 5/8 inches entirely in Rouault's hand and signed "Georges Rouault." On the verso Rouault adds a revealing postscript that sheds light on his early curatorial and editorial concerns: "If you would prefer to keep the originals you can do this on the condition that it would be very exact copies and reviewed very carefully even if the brochure seems not in order as far as the syntax. aside from the spelling mistakes that you are authorized to correct." This language acquires particular historical weight in light of Rouault's appointment in 1902 as the first curator of the Musée Gustave Moreau established in Moreau's former residence and bequeathed to the French nation. The references to "originals" "exact copies" and an imperfect "brochure" strongly suggest his involvement in preparing or reviewing early institutional materials associated with the museum's formative years decades before his later publication Souvenirs Intimes in 1926. The letter therefore functions not merely as personal correspondence but as documentary evidence of Rouault's active role in shaping the posthumous reception of Moreau and the institutional consolidation of French Symbolism at the turn of the twentieth century. Minor handling wear and light natural aging to the paper; text remains fully legible with a clear well-preserved signature. Overall condition: very good. unknown
1920réf. 29467AB1920. München Phantasus-Verlag 1920. Quarto. 4 58 3 Seiten. Mit elf 11 ganzseitigen Original-Bleischnitten und vier 4 kolorierten Bleischnitt-Initialen von Otto Nückel. Hardcover / Originales Halbpergament. Einband minimal fleckig. Sonst in sehr gutem Zustand mit nur geringen Gebrauchsspuren. References: Bürgin I 1a / Potempa E 4 2 / Rodenberg S. 457 / Schauer II 99 Erste Einzelausgabe des Erstlingswerkes. Nummer 98 von nur 150 numerierten und signierten Exemplaren der Ausgabe Gesamtauflage 220. Auf handgeschöpftem Bütten gedruckt und in Halbpergament gebunden. Druckvermerk von Thomas Mann und von Otto Nückel einem der bedeutenden Vertreter des Expressionismus signiert. hardcover
1914réf. 10322AB1914. Year I issue 1 - 23/24 year II issue 1 - 12. Munich and Berlin Graphik Verlag 1914 - 1916. 24 : 165 cm and 23 : 16 cm. 368; 198 pages With 138 original prints 126 full-page. Original cloth and half cloth. Complete first and almost complete second year of Zeit-Echo. With original prints by variou artist: R. Beeh W. Geiger Klee Kokoschka 5 Wingler-W. 69-73 Kubin 2 Raabe 79 W. Nowak A. Schinnerer R. Seewald 4 Jentsch I 791011 Max Unold and others. With contributions by a considerable representation of the expressionist literary tradition including Brod buber Edschmid Hofmannsthal Klabund Scheerbart Wassermann and others. The magazin was published for a third year in Switzerland as its anti-militaristic editorial tone forced hte magazine's publisher into exile in neutral Switzerland. - The second year contains issues 1 to 12 three more issues were published. - Raabe Zeitschriften 22. hardcover
1960réf. ABSTRACT013461Tiber Press New York. 1960. First editions. Folio. The Poems by John Ashbery illustrated by Joan Mitchell; Odes by Frank O'Hara illustrated by Michael Goldberg; Permanently by Kenneth Koch illustrated by Alfred Leslie; Salute by James Schuyler illustrated by Grace Hartigan. Each volume has four screenprints by the respective artist and is one of 200 copies numbered in the press and signed by both the author and the artist. Cloth-backed illustrated boards. All the poets and artists were based in New York and had known each other for several years. The publisher left the choice of partners to the individuals themselves.A fine set in the original acetate dustwrappers and cloth slipcase. Tiber Press, New York. hardcover
