703 résultats
1998réf. 46201Köln : DuMont, 1998. 143 S. : überw. Ill. ; 21 cm broschiert
Roma, l'Unità, 1991, 8vo brossura editoriale con copertina illustrata a colori, pp. 63 con numerose illustrazioni e tavole (anche a doppia pagina) a colori (edizione fuori commercio riservata ai lettori de L'Unità).
In-8 (cm. 23), cartonato editoriale, sovracoperta editoriale illustrata, pp. 212, (10), con alcune illustrazioni in bianco e nero nel testo. Prima edizione. In ottimo stato (nice copy). Il volume raccoglie molti degli articoli che Zeri pubblicò sui quotidiani, dalla fine del 1990 alla morte. La "memoria" del titolo fa riferimento a persone ed eventi che il noto critico ebbe modo di conoscere nel corso della sua esistenza. Città, istituzioni e ambienti offrono a Zeri lo spunto per divagazioni anche bizzarre, espressione di una cultura onnivora, senza preclusioni. Lo "sguardo" è quello dello Zeri critico d'arte. Accanto a pagine su Tiziano e sulle "fughe" di quadri dall'Italia si trovano escursioni severe o divertite intorno a restauri, oggetti e dimore di ogni tempo e luogo, dove, mobili, abiti e cibi sono spie importantissime per "leggere" il gusto e i sapori di un'epoca.
réf. 125700753X.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
ill., br. Tiziano e il nostro punto di vista sulla sua opera e la sua straordinaria vicenda. Nostro punto di vista, il luogo del secolo ventesimo che andiamo attraversando. Il luogo: il brano di un secolo sbranato come mai altro secolo fu; sbranato al punto da ritrovare lacerati i tessuti connettivi di quegli organismi che, nati nel quinto secolo avanti Cristo, avevano imposto un corso (non torrentizio ma fluviale) alla storia dell'uomo, fino a ieri. Se il quinto secolo, colmo di spiriti determinanti (Confucio, Buddha, Platone, Pitagora), vide Lao-Tzû gettare il seme del Tâo col Tâo-tê-king, il nostro secolo, il ventesimo dopo Cristo, assiste nei suoi primi decenni alla fine del taoismo, anzi al suo oblio. La storia colloca il nostro punto di vista su Tiziano in un luogo del tempo lacerato da sismi profondi, illuminato dal tramonto apparente dei soli metafisici preesistenti.
ill., br. Nel sensuale gineceo all'aperto del Bagno di Diana e delle Ninfe di Palma il Vecchio (Kunsthistorisches Museum), in primo piano Diana indirizza le dita a forbice della mano sinistra verso il basso, nella cavità terrena che cela la preziosa sostanza dell'acqua sorgiva. A volte basta un gesto per far comprendere qualcosa a un interlocutore. Le dita a V capovolta qui segnalano un luogo o una sorgente di natura iniziatica. Che il segno a V abbia una relazione con la verginità artemidea e con le corna (a volte sostituisce l'attributo di Diana, ovvero il crescente lunare che porta sopra il capo) pare confermato nella Nymphe de Fontainebleau di Benvenuto Cellini, ora al Louvre. Nell'altorilievo in bronzo la ninfa abbraccia la testa di un cervo, mentre con la mano sinistra rivolge le dita a V nel flusso ondoso dell'acqua che fuoriesce da vasi. La presenza dei cani, del cervo e dell'acqua indurrebbe a vedere nella figura della ninfa anche l'immagine di Artemide/Diana, dea lunare che sovrintende le fonti, le maree e la caccia, dove il cervo è un animale sacro alla dea, un rimando ad Atteone, ovvero all'uomo che ha visto la dea nuda ed è stato trasformato in preda e divorato dai propri cani.
2012réf. 97940Prestel Publishing. New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 144 pp. ; 151 illus. 147 in color. -- with a bonus offer--; Now available in a flexi-cover edition this book offers a multi-dimensional exploration of Titian's life and art. One of the original celebrity artists Titian was famous for his beguiling personality as he was for his masterful paintings. This book introduces readers to the Venetian artist with an innovative format that marries Titian's voice with his works allowing the artist's own words to deepen the appreciation of his achievements. An illustrated timeline and a pictorial tour of the galleries where his works now reside reveal how this contemporary of Michelangelo and Raphael broke new ground in nearly every genre of painting: portraiture altar pieces the rendering of mythological themes frescoes and pastoral landscapes. Numerous superb reproductions illuminate not just the breadth of his oeuvre but also the mastery with which he employed light and color to lend his paintings the sensuous energy for which he is so admired. Norbert Wolf's engaging text unlocks many of the mysteries surrounding Titian's celebrity making this journey into the artist's world as intriguing as it is informative. . 2012. 3791346970 . Prestel Publishing paperback
In 8, pp. 38. Br. ed. Manca la tavola raff. il mausoleo.
Wivel, Matthias, and Paul Hills: Titian: Love, Desire, Death. Exhibition: Boston, Isabella Stewart Gardner Museum; Edinburgh, National Galleries of Scotland and London, National Gallery, 2020. 232 pages,165 colour and black & white illustrations. Hardback. 28 x 23cms. A detailed study of the cycle Titian produced for Philip II of Spain, depicting scenes from Ovid's 'Metamorphoses'. Reuniting the complete series - Danae, Venus and Adonis, Perseus and Andromeda, Diana and Actaeon, Diana and Callisto, the Rape of Europa and the Death of Actaeon. A detailed study of the cycle Titian produced for Philip II of Spain, depicting scenes from Ovid's 'Metamorphoses'. Reuniting the complete series - Danae, Venus and Adonis, Perseus and Andromeda, Diana and Actaeon, Diana and Callisto, the Rape of Europa and the Death of Actaeon. Text in English
Wethey, Harold E.: The paintings of Titian. I. The Religious Paintings. London: Phaidon, 1969. 390pp with 1 colour plate and 238 monochrome illustrations. Cloth. 31x23.5cms. First volume of the catalogue raisonné. With biography, bibliography and critical catalogue of the artist's religious paintings including lost, attributed and wrongly attributed works. First volume of the catalogue raisonné. With biography, bibliography and critical catalogue of the artist's religious paintings including lost, attributed and wrongly attributed works. Text in English
Wethey, Harold E.: The paintings of Titian. II. The Portraits. London: Phaidon, 1971. Cloth. 31x23cms. Catalogue raisonné of the portraits. Volume II of the complete 3 volume edition. Catalogue raisonné of the portraits. Volume II of the complete 3 volume edition
Wethey, Harold E.: The paintings of Titian. III. The Mythological and Historical paintings. Oxford: Phaidon, 1975. Volume 3 of Wethey's great work on Titian; a catalogue raisonné of The Mythological & Historical paintings. Cloth. 31x23cms.
Wethey, Harold: Titian and his drawings : with reference to Giorgione and some close contemporaries. Princeton: Princeton University Press, 1987. Series: National Gallery of Art Kress Foundation studies in the history of European art; No. 8. 268 pages, with 225 plates. Hardback. 31 x 24cms.
Das massgebliche Werkverzeichnis der Gemälde über Tizian. Band 1: The religious paintings. Band 2: The portraits. Band 3: The mythological and historical paintings.
1969réf. 028252Wethey, Harold E.: The paintings of Titian. I. The Religious Paintings. London: Phaidon, 1969. 390pp with 1 colour plate and 238 monochrome illustrations. Cloth. 31x23.5cms. First volume of the catalogue raisonnÃ. With biography, bibliography and critical catalogue of the artist's religious paintings including lost, attributed and wrongly attributed works.
1969réf. 028252Wethey, Harold E.: The paintings of Titian. I. The Religious Paintings. London: Phaidon, 1969. 390pp with 1 colour plate and 238 monochrome illustrations. Cloth. 31x23.5cms. First volume of the catalogue raisonnÃ. With biography, bibliography and critical catalogue of the artist's religious paintings including lost, attributed and wrongly attributed works.
1971réf. 034539Wethey, Harold E.: The paintings of Titian. II. The Portraits. London: Phaidon, 1971. Cloth. 31x23cms. Catalogue raisonnà of the portraits. Volume II of the complete 3 volume edition.
1971réf. 034539Wethey, Harold E.: The paintings of Titian. II. The Portraits. London: Phaidon, 1971. Cloth. 31x23cms. Catalogue raisonnà of the portraits. Volume II of the complete 3 volume edition.
1969réf. 038861Wethey, Harold E: The paintings of Titian. Complete edition. I: The religious paintings; II: The portraits; III: The mythological and historical paintings. 3 vols. London: Phaidon, 1969-1975. I. viii, 390pp with 1 colour plate and 240 monochrome illustrations;. II. xi, 425pp with 4 colour plates and 275 monochrome illustrations;. III. vii, 480pp with 7 colour plates and 240 monochrome illustrations. Cloth. 31x23cms. Standard reference work. Catalogue raisonnà of the paintings, including school pieces, doubtful and wrong attributions, and lost works. With chronological list of paintings, bibliography.
1969réf. 038861Wethey, Harold E: The paintings of Titian. Complete edition. I: The religious paintings; II: The portraits; III: The mythological and historical paintings. 3 vols. London: Phaidon, 1969-1975. I. viii, 390pp with 1 colour plate and 240 monochrome illustrations;. II. xi, 425pp with 4 colour plates and 275 monochrome illustrations;. III. vii, 480pp with 7 colour plates and 240 monochrome illustrations. Cloth. 31x23cms. Standard reference work. Catalogue raisonnà of the paintings, including school pieces, doubtful and wrong attributions, and lost works. With chronological list of paintings, bibliography.
1987réf. 026591Wethey, Harold: Titian and his drawings : with reference to Giorgione and some close contemporaries. Princeton: Princeton University Press, 1987. Series: National Gallery of Art Kress Foundation studies in the history of European art; No. 8. 268 pages, with 225 plates. Hardback. 31 x 24cms.
1987réf. 026591Wethey, Harold: Titian and his drawings : with reference to Giorgione and some close contemporaries. Princeton: Princeton University Press, 1987. Series: National Gallery of Art Kress Foundation studies in the history of European art; No. 8. 268 pages, with 225 plates. Hardback. 31 x 24cms.
1997réf. 230022Leipzig : Seemann, 1997. 211 S. : zahlr. Ill. 31 cm. Bibliothekseinband, gebundene Ausgabe.
Book is in excellent condition. Binding is solid and square, oversize format in bright orange heavy cloth with gilt letting at cover and spine. Covers have sharp corners, exterior shows no blemishes, text/interior is clean and free of marking of any kind. Dust jacket shows moderate wear with chipping at top spine, two very small tears and one 1" closed tear near spine. 244 illustrations, including 190 full page plates in full color, with descriptions/commentary at end of book. Plates are impressively large and from the collection of Italian paintings in the Leningrad Hermitage. Artists include Simone Martini, Campigli, Morandi, Guttuso, Leonardo da Vinci, Raphael, Giorgione, Tintoretto, Titian, Veronese, Carracci, Tiepolo, Guardi, Canaletto, 307 pp.
réf. 1805920979.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
