(DALI, Salvador)Biblio.com
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réf. 11570One color illus. reproducing a work by the artist. Single folded sheet forming 4 pp. New York: Julien Levy Gallery 1934. The exhibition catalogue for Dali's second solo exhibition with influential gallerist Julien Levy 1906-81 adorned on the first page with imagery designed by the artist. It opens with a short body of text presumably by the artist: "'Snap-Shot Photographs in Color' of subconscious images surrealist extravagant paranoiac hypnagogical extra-pictorial phenomenal super-abundant super-sensitive etc.of Concrete Irrationality." A total of 22 paintings are listed two with notes on the lenders Joseph Cornell and Frank Crowninshield. Near fine; faint vertical creases. Manuscript note to the fourth page. I. Schaffner & L. Jacobs eds. Julien Levy: Portrait of an Art Gallery 1998 p. 177. unknown
réf. 11570One color illus. reproducing a work by the artist. Single folded sheet forming 4 pp. New York: Julien Levy Gallery 1934. The exhibition catalogue for Dali's second solo exhibition with influential gallerist Julien Levy 1906-81 adorned on the first page with imagery designed by the artist. It opens with a short body of text presumably by the artist: "'Snap-Shot Photographs in Color' of subconscious images surrealist extravagant paranoiac hypnagogical extra-pictorial phenomenal super-abundant super-sensitive etc.of Concrete Irrationality." A total of 22 paintings are listed two with notes on the lenders Joseph Cornell and Frank Crowninshield. Near fine; faint vertical creases. Manuscript note to the fourth page. I. Schaffner & L. Jacobs eds. Julien Levy: Portrait of an Art Gallery 1998 p. 177. unknown books
1970réf. 78140Paris 1970. Fine. Paris 1970 14.90 x 20.20 cm une photographie Photographic portrait of Salvador Dalí Paris 1970 149 x 202 cm one photographPhotographic portrait of Salvador Dalí contemporary silver print in black and white. Interpress stamp at the bottom of the photograph and handwritten annotations in pencil. Roneotyped sticker: « Service spécial page radio TV FR3 Dimanche 6 avril 20 heures. Une certaine idée de la Correra avec Salvador Dalí » Special service radio TV page FR3 Sunday 6 April 8 pm ""A certain idea of the Correra with Salvador Dalí"". A very beautiful photograph taken at a press conference given by Salvador Dali at the Gustave Moreau Museum in Paris on 1st April 1970 about the creation of the Dalí Theatre-Museum in Figueras. The artist poses cane in hand behind a wax reproduction of his head placed on a giant chocolate bar. It was indeed at this time that the painter advertised for Lanvin chocolates. unknown
1931réf. 014802Paris José Corti 1931 In-12 Agrafé Ed. originale
réf. 2480Garden City, N. Y., Doublebay & Company, 1946. In-16 (23.9 cm) (4) feuillets, 442 pages, (2) feuillets, illustré d'un frontispice, de 15 dessins hors-texte en couleurs et de 27 encres in-texte. Reliure toile bleue d'édition, plat supérieur orné par Dali et imprimé or, tête dorée. Dos passé au bleu vert, autrement très bel état. Boîtier noir d'édition légèrement frotté. Édition originale tirée à 1,000 exemplaires (no 850), signé à la justification : « Salvador Dali 1945 ». [sic ; année qui précède la date de publication].
FIRST EDITION of this bizarre look at the work and persona of Salvador Dali. The author, Miquel Utrillo, was the son of an important Catalan artist (also named Miquel Utrillo) and the stepbrother of far better-known French artist Maurice Utrillo. ONE OF ONLY 50 NUMBERED COPIES ON SPECIAL PAPER, SIGNED BY DALI (very boldly, with a brush and black ink wash) AND UTRILLO. Numerous photographs of Dali and his work. 4to. Original wraps, Wrap-around band preserved. Light wear to wraps, otherwise fine and bright. An important book, and very rare in this pristine state.
1963réf. 28715Envoi signé de Dali à Max-Pol Fouchet Paris, Pauvert, (15 octobre) 1963. 1 vol. (215 x 275 mm) de 166 p. Cartonnage éditeur, 33 planches hors-texte dont 3 en couleurs, 2 illustrations dans le texte de Dali dont l'une d'après Millet. Édition originale. Envoi signé : « Monsieur Max-Pol Fouchet, Dali, 1963 ».
réf. 28715Paris Pauvert 15 octobre 1963. 1 vol. 215 x 275 mm de 166 p. Cartonnage éditeur 33 planches hors-texte dont 3 en couleurs 2 illustrations dans le texte de Dali dont l'une d'après Millet. . Édition originale. Envoi signé : « Monsieur Max-Pol Fouchet Dali 1963 ». . Analysant l’œuvre de Jean-François Millet à coup d’associations personnelles irrationnelles et on ne peut plus obsessionnelles Salvador Dali en vint à des interprétations dont on ne résiste pas à donner ici un aperçu : la fourche fichée en terre par le paysan signifie la pénétration sexuelle mais aussi un scalpel de dissection ; le chapeau que ce même homme tient contre lui « essaie de cacher son état d’érection » tandis que les poignées de la brouette derrière la femme répondent à la prière d’une mante religieuse. La suite et l’ensemble de cette interprétation « paranoïaque-critique » selon la définition de l’auteur figure dans un texte écrit en 1938 que Dali laissera longtemps de côté avant de l’éditer chez Jean-Jacques Pauvert en 1963. Les exemplaires dédicacés sont peu fréquents. Parfait état. Paris, Pauvert, (15 octobre) 1963. 1 vol. (215 x 275 mm) de 166 p. Cartonnage éditeur, 33 planches hors-texte dont 3 en couleur unknown
1966réf. 22958PRIMERA EDICION DE BIBLIOFILO.- Milano: Rizzoli Editore 1966.- 26 hojas sin numerar: 9 láminas a todo color; Gran Folio 41 x 34 cm.; Magnífica impresión en grandes caracteres de color gris diferentes para cada idioma y con bellísimas letras capitales todo ello sobre excelente papel verjurado con filigrana transparente de Rizzoli Editore con todas sus barbas; Enc. Editorial en seda azul con el mismo diseño de la portada dorado estampado en la tapa anterior y camisa plástica transparente.- BELLISIMA EDICION DE BIBLIOFILO SIN DUDA DE CORTA TIRADA AUNQUE NO LO INDICA. PINTURA DIBUJO Y GRABADO ESPAÑOLES Libro in italiano Rizzoli Editore paperback
réf. 83212aafDraeger, France, 1970, 62 x 99 cm.
réf. 18812Paris, Librairie José Corti, Juillet 1930 à mai 1933. 6 volumes reliés, demi-maroquin parme à coins, non rognés, couvertures conservées.
1930réf. 12578Paris, Editions Surréalistes, chez José Corti, 1930. Petit in-4 broché de [4]-125-[6] pages, couverture de papier rouge décoré d'une petite vignette répétée au titre d'après un dessin au trait de Salvador Dali. Partiellement non coupé, menues rousseurs.
1963réf. 10188Paris, Jean-Jacques Pauvert, 1963. Cartonnage illustré d'éditeur, toile écrue, étiquette de titre et vignette illustrée, ruban et boucle d'attache à la manière d'un dossier d'archives.
1946réf. 140948363Garden City NY: Doubleday & Comany Inc 1946. Signed Limited Edition. Near Fine. First edition thus limited issue #786 of 1000 copies. Signed and dated by the illustrator Salvador Dali on the limitation page at front. iv 442 1 pp illustrated with color plates and full page line drawings. Bound in publisher's blue buckram stamped in gilt and blocked in black on the spine top edge gilt; lacking the slipcase. Near Fine with light toning covers and contents trivial mottling to rear cover. Binding square and strong plates clean and bright. The Renaissance sculptor and master goldsmith Benvenuto Cellini is known as much for his Autobiography as for his art. Self-aggrandizing and partly invented the memoir is a well-written and highly entertaining addition to the Western canon. Both Cellini's artwork and his posthumously published autobiography influenced the Surrealist artist Salvador Dali who more than matched the Renaissance man in bravado famously writing in his own autobiography: "Every morning upon awakening I experience supreme pleasure: that of being Salvador Dali and I ask myself wonderstruck what prodigious thing will he do today this Salvador Dali. Doubleday & Comany, Inc unknown
1946réf. 140948363Garden City NY: Doubleday & Comany Inc 1946. Signed Limited Edition. Near Fine. First edition thus limited issue #786 of 1000 copies. Signed and dated by the illustrator Salvador Dali on the limitation page at front. iv 442 1 pp illustrated with color plates and full page line drawings. Bound in publisher's blue buckram stamped in gilt and blocked in black on the spine top edge gilt; lacking the slipcase. Near Fine with light toning covers and contents trivial mottling to rear cover. Binding square and strong plates clean and bright. The Renaissance sculptor and master goldsmith Benvenuto Cellini is known as much for his Autobiography as for his art. Self-aggrandizing and partly invented the memoir is a well-written and highly entertaining addition to the Western canon. Both Cellini's artwork and his posthumously published autobiography influenced the Surrealist artist Salvador Dali who more than matched the Renaissance man in bravado famously writing in his own autobiography: "Every morning upon awakening I experience supreme pleasure: that of being Salvador Dali and I ask myself wonderstruck what prodigious thing will he do today this Salvador Dali. Doubleday & Comany, Inc unknown books
réf. 1411858Limited Edition #66/75. Offset lithograph in colors on paper depicting a surrealist composition with classical figural imagery set before a Moorish-style archway opening onto a distant coastal landscape. The composition incorporates Dalí's characteristic dreamlike symbolism perspectival tiled flooring and biomorphic linear forms. Marked lower left "A.P. 66/75". Signed in graphite to lower right. Print: 21 in. x 29 in. In Good overall condition. Print exhibits moderate overall toning scattered creasing handling wear and waviness throughout. Corners with bends and soft creases including a small tear with minor loss at the lower left corner. Minor scattered surface soiling and foxing and edge wear visible. Unframed. Shelved at Rockville Room E. 1411858. Special Collections - Upstairs. unknown
réf. 1411858Limited Edition #66/75. Offset lithograph in colors on paper depicting a surrealist composition with classical figural imagery set before a Moorish-style archway opening onto a distant coastal landscape. The composition incorporates Dalí's characteristic dreamlike symbolism perspectival tiled flooring and biomorphic linear forms. Marked lower left "A.P. 66/75". Signed in graphite to lower right. Print: 21 in. x 29 in. In Good overall condition. Print exhibits moderate overall toning scattered creasing handling wear and waviness throughout. Corners with bends and soft creases including a small tear with minor loss at the lower left corner. Minor scattered surface soiling and foxing and edge wear visible. Unframed. Shelved at Rockville Room E. 1411858. Special Collections - Upstairs. unknown books
réf. 55085Barcelona: Documents 1933. Octavo 18.5 × 12.5 cm. Original printed wrappers; 238 2 pp. with frontispiece and 5 illustrations by Salvador Dalí. About very good; light wear and soil to wrappers; text evenly toned due to stock. Rare first and only edition of Salvador Dalí's illustrations for this communist publication by Jaume Miravitlles chairman of the Communist Workers' and Peasants' Bloc BOC. Since his studies in engineering the young Catalan was committed to the independence of his home region from Spain. After being threatened with a prison sentence for distributing leaflets he fled to Paris where he completed his studies and began to move in the circle of the Surrealists. Together with Dalí he appeared as an actor in Luis Buñuel's film "Un perro andaluz" in which he played a clergyman sitting at the piano alongside his eccentric countryman. He also had a role in "La edad de oro". After his return he joined the Catalan Communist Party. During the Civil War he served as a propaganda officer for the Generalitat de Catalunya. As of March 2025 KVK and OCLC do not list any copy worldwide. unknown
2001réf. 182847Govern d'Andorra 2001. tapa dura. 2ª Mano - Bueno/2ª Mano. Govern d'Andorra. 2001. Ilustrado. Edicion bilungüe Catalá Ingles. El libro es una recopilación extensa de ilustraciones del artista catalán categorizado frecuentemente como libro de texto o catálogo de exposición. Detalla las ilustraciones que Dalí realizó para grandes clásicos de la literatura universal como La Divin Tapa dura tela roja con estampado en oro 30x25cm 543pp. Govern d'Andorra hardcover
réf. 863381968/69. 38 x 28 cm 37 x 24 cm Rückseitig etwas angeschmutzt. Montagespuren a. Rückseite. Rechts unten handsigniert u. Prägesignatur. Michler / Löpsinger 303K. Einzelblatt aus der Faust-Mappe 010 1968/69 unknown
1968réf. 7978New York: Harry N. Abrams 1968. Later printing . Hardcover. Good /Very good. Quarto 243pp. illustrated. Harry N. Abrams did not state first or later printings during this period but we presume this is a later printing as the Abrams logo on the front panel appears to be that of ca. 1970-74. A slightly shaken copy good or better with general scuffing to the edges especially the corners. Still a crisp sound copy. In a very good dust jacket showing mild edgewear and some scrapes/abrasions to the rear panel which is typical for this title. Nevertheless a fantastic copy SIGNED boldly in purple ink by Dali and dated 1976 on the blank leaf opposite the title page. Signed copies of this excellent volume are rather uncommon compared to some of other of Dali's books. Harry N. Abrams hardcover
1967réf. 1410662Phyllis Lucas Gallery 1967. Limited Edition #60/150. Numbered and signed to mat in pencil. "Phyllis Lucas" ink copyright stamp to top left border of plate. Plate measures 3.8in. x 4.8in; sheet measures 5.25in. x 8.75in. frame measures ~14.25in. x 18.5in. Shelved at Dupont Store. Original etching was gifted to the Lucas Family for Christmas in 1967 featuring a kneeling angel set in a Dalian landscape with two other figures. The inscription in the plate written by Dali reads: "Merry X-Mas and for Good Luck to the Luca's 1967." Sidney and Phyllis Lucas the directors of Phyllis Lucas Gallery were the first North American publishers of original Dali graphics. 1410662. Shelved Dupont Bookstore. Phyllis Lucas Gallery unknown
réf. 1411849Limited Edition #39/75. Color lithograph on paper depicting a stylized female torso surmounted by an abundant bouquet of flowers rendered in vivid tones of pink red yellow and blue against a pale green ground. Signed in pencil to lower right and numbered "A.P. 39/75" to lower left. Matted and presented under glass in a gilt frame. Print: Approx. 29 in. x 20.5 in.; Frame: 37.5 in. x 28 in. In Very Good condition. Print shows mild overall toning. Frame exhibits minor surface wear. Not examined out of frame. Shelved at Rockville Room B. Oversized item. Additional postage necessary for expedited/international orders. Economy International shipping unavailable due to size/weight restrictions. For international/expedited customers please inquire for rates. 1411849. Special Collections - Upstairs. unknown
1970réf. 1414484circa 1970. E.A. Color lithograph and drypoint etching on paper artist's proof E.A. pencil signed lower right. Matted and framed under glass. In Very Good condition with minimal wear to frame. Frame measures 29.6 x 37.2 in. Shelved at Rockville Room B. Oversized item. Additional postage necessary for expedited/international orders. Economy International shipping unavailable due to size/weight restrictions. For international/expedited customers please inquire for rates. 1414484. Special Collections - Upstairs. unknown
réf. 1411849Limited Edition #39/75. Color lithograph on paper depicting a stylized female torso surmounted by an abundant bouquet of flowers rendered in vivid tones of pink red yellow and blue against a pale green ground. Signed in pencil to lower right and numbered "A.P. 39/75" to lower left. Matted and presented under glass in a gilt frame. Print: Approx. 29 in. x 20.5 in.; Frame: 37.5 in. x 28 in. In Very Good condition. Print shows mild overall toning. Frame exhibits minor surface wear. Not examined out of frame. Shelved at Rockville Room B. Oversized item. Additional postage necessary for expedited/international orders. Economy International shipping unavailable due to size/weight restrictions. For international/expedited customers please inquire for rates. 1411849. Special Collections - Upstairs. unknown books
