DALI, SALVADORBiblio.com
1.920 resultados
ref. 5054Dali's Mustache Salvador Dali & Philippe Halsman Signed "Dali" with Original Drawing of an ant expanding across inside cover to first end paper. Full title "Dali's Mustache: A Photographic Interview by Salvador Dali and Philippe Halsman" New York Simon and Schuster 1954. Halsman 1906-79. Dali ends the Preface about his view of his mustache "Some day perhaps one will discover a truth almost as strange as this mustache - namely that Salvador Dali was possibly also a painter." Halsman captioned photographs of Dali throughout interspersed with bold face questions some obvious "What is beauty" some comical "Dali What makes You Tick" Condition: Cover shows wear and chipping to boards and spine break to spine following two second page of preface with all pages in tact. unknown
ref. 5054Dali's Mustache Salvador Dali & Philippe Halsman Signed "Dali" with Original Drawing of an ant expanding across inside cover to first end paper. Full title "Dali's Mustache: A Photographic Interview by Salvador Dali and Philippe Halsman" New York Simon and Schuster 1954. Halsman 1906-79. Dali ends the Preface about his view of his mustache "Some day perhaps one will discover a truth almost as strange as this mustache - namely that Salvador Dali was possibly also a painter." Halsman captioned photographs of Dali throughout interspersed with bold face questions some obvious "What is beauty" some comical "Dali What makes You Tick" Condition: Cover shows wear and chipping to boards and spine break to spine following two second page of preface with all pages in tact. unknown books
1963ref. 1371Les Heures Claires, Paris 1959-1963. 6 volumes in-folio (34 x 26 cm) en feuilles sous couvertures imprimées rempliées, chemises et étuis décorés de l'éditeur. 100 AQUARELLES ORIGINALES HORS-TEXTE DE SALVADOR DALI GRAVÉES SUR BOIS EN COULEURS par Raymond Jacquet. - Exemplaire : 1 des 3900 ex. numérotés sur pur chiffon de Rives filigrané. Les 6 ouvrages sont en excellent état et bien complets des 100 gravures et des 3 doubles-feuillets de justification numérotés. Les planches belles aux couleurs lumineuses. Les emboîtages sont en excellent état de conservation.
1963ref. 1060821963 6 [Rome – Florence] Arti e scienze Salani, (octobre 1963 – avril 1964).6 volumes in-folio (334 x 263 mm). Vol. 1 : [ii] 158 [4] p. et 17 planches. Vol. 2 : p. [x] 173-326 [8], planches 18-34. Vol. 3 : [ii] 162 [4] p. et 17 planches. Vol. 4 : p. [x] 173-328 [8], planches 18-33. Vol. 5 : [ii] 163 [3] p. et 17 planches. Vol. 6 : p. [x] 173-320 [8], planches 18-33. Au total, 100 planches xylographiques en couleurs. Feuillets libres conservés dans des chemises et des étuis cartonnés, ornés d’un motif abstrait en rouge et or (Enfer), fuchsia et or (Purgatoire), bleu et or (Paradis). Reliure réalisée par l’atelier Torriani de Milan. Les trois colophons définitifs numérotés sont inclus dans l’enveloppe de l’éditeur.
1987ref. 32496Paris, Editions d'art Les Heures claires / [Joseph Foret], (1963). 6 vol. au format pt in-folio (348 x 278 mm) de 183, 189, 182; 204, 188 et 193 pp., en feuilles, sous couverture titrée à rabats rempliés et étui-chemise de plein cartonnage crème, plats ornés de jeux de filets dorés et frappés à l'oser se prolongeant sur les dos, lisses, titre frappé en long à l'oser, tomaison frappée.
1959ref. 118735Heures claires 1959-1963 6 Paris, Editions d'Art Les Heures Claires, 1959-1963, 3 parties en 6 volumes in-folio de 345x280 mm environ, en feuillets libres sous couvertures rempliées, chemise et emboîtages décorés de l'éditeur. Un des 3900 exemplaires numérotés sur vélin pur chiffon de Rives, complet des 100 compositions de Salvador Dali gravées sur bois en couleurs par Raymond Jacquet, bien complet du "Catalogue des 100 illustrations [...]" rarement présent habituellement. L'Enfer, Tome I. 183 pages, 17 planches - Tome II. 189 pages, 17 planches - Le Purgatoire, Tome I. 182 pages, 16 planches - Tome II. 204 pages, 17 planches - Le Paradis, tome I. 188 pages, 16 planches - Tome II. 193 pages, 17 planches. Quelques discrets frottements sur les étuis, petites taches sur trois feuillets, rares rousseurs, sinon intérieur frais, bon état général, bel ensemble.
ref. 324961987. Paris Editions d'art Les Heures claires / Joseph Foret 1963. 6 vol. au format pt in-folio 348 x 278 mm de 183 189 182; 204 188 et 193 pp. en feuilles sous couverture titre rabats remplis et tui-chemise de plein cartonnage crÂme plats orns de jeux de filets dors et frapps l'oser se prolongeant sur les dos lisses titre frapp en long l'oser tomaison frappe. Ensemble complet des 6 volumes le constituant ; ainsi que de ses 100 compositions pleine-page et en couleurs d'aprÂs les aquarelles de Salvador Dali ; ici en premier tirage. Un des exemplaires du tirage numrot du tirage sur vlin pur-chiffon de Rives. Ces ''100 aquarelles graves sur bois ont ncessit 3.500 bois''. in Monod. ''Les cent gravures sur bois en couleur comptent parmi les plus excitantes et les plus suggestives de l'histoire des illustrations de Dante". in Wnschel. "Dal himself saw this work as one of the peaks of his creative powers''. ''Dali travailla prÂs de 10 annes sur la ralisation de l'illustration et il fallut encore l'diteur 4 ans pour graver les 3500 bois capables de restituer les couleurs des illustrations originales''. L'Ãuvre narre le voyage imaginaire du narrateur qui se retrouve brusquement plong dans une forÂt sombre. L il rencontre Virgile qui l'invite pntrer dans le monde de l'au-del. Dante le suit et c'est par la visite de l'enfer et de ses neuf cercles que commence son priple. Monod I Manuel de l'amateur de livres illustrs modernes 3398 - Wnschel/Tuchel III 1-100. LgÂres altrations superficielles affectant les coffrets ; dont un prsente un dbut de fente sur deux coupes. Prsence de quelques rares et claires rousseurs dans les corps d'ouvrages ; dont 4 feuillets sont toutefois davantage pourvus. Du reste ensemble en belle condition. b42961 unknown
1947ref. 1758Collection le Quadrangle. K éditeur., Paris, 1947. 1 volume in-8 (247 x 195 mm) broché. 100 pp. + fnch sous couverture jaune façon parchemin imprimée du titre en rouge et chemise de papier gris, décorée au pochoir, avec découpe laissant apparaitre le titre sur le premier plat (Pierre Faucheux d'après un dessin d'Yves Tanguy), rhodoïd. ÉDITION ORIGINALE illustrée de 4 gouaches reproduites en phototypie en hors-texte. 1/30 ex. de tête sur vélin pur fil de Johannot, les seuls accompagnés d' UNE EAU-FORTE ORIGINALE D'YVES TANGUY, celle-ci justifiée XXV. La gravure est tirée en noir sur un feuillet volant (papier : 238 x 188 mm, cuivre : 175 x 135 mm). De même, l'exemplaire est numéroté XXV au colophon et paraphé à l'encre par l'éditeur. "Feu Central" regroupe les textes surréalistes "Immortelle Maladie" (1924), "Dormir, Dormir dans les Pierres" (1927), "Je Sublime" (1935), "Un Point C'est Tout" (1946) et "À Tatons", ce dernier publié ici pour la première fois. ENGLISH DESCRIPTION : Collection le Quadrangle. K éditeur., Paris, 1947. 4to. (247 x 195 mm). 100 pp. + fnch. First edition and first printing illustrated with 4 hors-texte phototypie plates reproducing gouaches by Tanguy, inserted loose (as issued) is Tanguy's original etching (leaf : 238 x 188 mm, plate : 175 x 135 mm). Original publisher's printed wrappers as issued : a grey jacket with illustration after Tanguy in white with excised section to front cover and beneath a yellow patterned wrapper with printed text in red. A mint copy of the 30 from the édition de tête on pur fil Johannot numbered XXV in Roman numerals and with Tanguy's original etching also numbered XXV by ink. Only these one have the etching. The original wrappers for the book were designed especially for the first 230 'exemplaires de luxe' of the book, were executed after the maquette by Pierre Faucheux after Tanguy's original drawing.
1968ref. 84456Le Soleil Noir | Paris 1968 | 29 x 31 cm | reliure de l'éditeur
1933ref. 549298New York: Julien Levy Gallery 1933. Softcover. Near Fine. Program. Single sheet measuring 5½" x 12½". Purplish-pink foil on one side and white on the other printed in black folded twice to form a 5½" x 4¼" pamphlet with two illustrations. Near fine with crease to lower right corner and light edgewear. An original program to Salvador Dalí's first solo New York exhibition held at the Julien Levy Gallery from November 21 to December 8 1933. The announcement includes a list of the 26 paintings on exhibit and includes two illustrations; one of those being Dali's iconic painting The Persistence of Memory which debuted only the year before at Levy's Surrealist Exposition alongside other notable artist such as Max Ernst and Marcel Duchamp. Dali would embrace New York over the next decade staging a series of shows and attracting enormous attention with his works and outrageous persona cementing his place as one of the world's most influential artist of the 20th Century. Rare. OCLC locates no copies of this important program. Julien Levy Gallery unknown books
1959ref. 44671Les Heures Claires En feuilles, chemises titrées Paris 1959 Ed. numérotée
ref. 74863Salvador Dali Tancreds Oath from Marquis de Sade Suite 1969 Lithograph Hand signed lower right Edition EA lower left Image size: 53 X 42.5 cm Sheet size: 65 x 50 cm Published by Shorewood Publishers New York Reference: Field 69-1 X
1997ref. 93001Prestel Publishing. New. 1997. HARDCOVER. 3791312790 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- HARDCOVER. Corresponds to ISBN: 3791312790. Catalogue Raisonne Catalog Raisonné Complete Works Life and Work Raisonnee Prestel Publishing hardcover
ref. Dali3DALÃ Salvador 1904-1989 Period film print enriched with an autograph inscription Portlligat c. 1977 273 x 19 cm On the verso: red stamp "Exclusive / Radial Press" with an additional note by an unknown hand: " Una modelo de Dalí " Light ink smudge on the verso slightly visible on the surface of the print see second photo One of Dalí's models posing in his sculpture "Egg" in the garden of his summer house in Portlligat and enriched with a spectacular signature On this print featuring one of his most emblematic works Dalí enriched it in addition to his signature with a shooting star in the upper margin and then added "Mes hommages" in the lower margin. Is the young lady in profile on this print Christiana the daughter of the Albaretto couple Without certainty the resemblance remains striking. Dr. Guiseppe Albaretto was one of the artist's closest friends having built up over the years the most important private collection of Dalí's works. One of the most important Dalí's symbols: A Christian symbol of the resurrection of Christ and an emblem of purity and perfection the egg is one of the most significant symbols in the artist's work. Beyond its appearance and minerality so dear to Dalí it represents the previous life intrauterine and rebirth. Another "Egg" this one unbroken is placed on the turret of the artist's house in Portlligat.
1942ref. 15601942. DALI Salvador. The Secret Life of Salvador Dali. 400 pp. illustrated throughout. 4to 258 x 190 mm. cloth and illustrated dust jacket in a new cloth folding box. New York: Dial 1942. With an elaborate double page inscription cum drawing by Dali. From the library of the photographer Arnold Crane with his signature on the front endpaper. hardcover
1942ref. 15601942. DALI Salvador. The Secret Life of Salvador Dali. 400 pp. illustrated throughout. 4to 258 x 190 mm. cloth and illustrated dust jacket in a new cloth folding box. New York: Dial 1942. With an elaborate double page inscription cum drawing by Dali. From the library of the photographer Arnold Crane with his signature on the front endpaper. hardcover books
ref. 74881Salvador Dalí Deux nus Gémeaux 1970 Lithograph Sheet size: 77 x 57 cm. Hand signed lower right Numbered XI/XXV lower left Printed by Desjobert Published by Musee de L' Athenee Geneva Reference: Michler/Löpsinger 1285.
1965ref. 74906Salvador Dalí Kronos from Mythologie 1960-1964 Hand signed lower right Edition 25/150 Image size: 60.5 49 cm Sheet size: 76.3 x 57 cm Published by Pierre Argillet Paris. Reference: Michler/Löpsinger 126; Field 63-3 N
ref. 74892Salvador Dali 1904-1989 Zebulun from Twelve Tribes of Israel 1973 Etching in colors on Rives BFK paper Sheet size: 65 x 50 cm Ed. SA 17/195 Signed and numbered in pencil along the lower edge LITERATURE: Field 72-6H
1963ref. 1406Les Heures Claires, Paris 1959-1963. 6 volumes in-folio (34 x 26 cm / 13.4 x 10.2 in.), en feuilles sous couvertures imprimées rempliées, chemises et étuis décorés de l'éditeur. 100 AQUARELLES ORIGINALES HORS-TEXTE DE SALVADOR DALI GRAVÉES SUR BOIS EN COULEURS par Raymond Jacquet. EXCEPTIONNEL EXEMPLAIRE COMPRENANT 33 PLANCHES SUR 100 SIGNÉES DU CACHET ROUGE DE LA SIGNATURE DE SALVADOR DALI IMPRIMÉ DANS LA COMPOSITION. l' un des 3900 ex. numérotés sur pur chiffon de Rives. (Références : Michler & Lopsinger, 1039 à 1138 ; Field pages 189 à 200).
1969ref. 173928Switzerland: Graphic Europa Anstalt 1969. Edition of 100 signed in pencil lower right by Dalí numbered lower left Dali blind stamp lower right. One of 11 plates from the Hippies portfolio. Hand coloured drypoint etching on Japon paper. Plate size: 39.4 x 31.5 cm. Sheet size: 66 x 51 cm. Framed size: 75.8 x 59.4 cm. Tape residue to extreme upper edge from previous hinging otherwise in excellent condition. Presented in a white gold leaf frame with conservation acrylic glazing. Field 69-13K. Michler & Lopsinger 381. unknown
1968ref. 84456Paris: Le Soleil Noir 1968. Fine. Le Soleil Noir Paris 1968 29 x 31 cm reliure de l'éditeur - Dali's famous snail drawing -First edition. Publisher's binding smooth spine with its illustrated dust jacket. Numerous illustrations. Outstanding signed and inscribed copy across the title page and facing endpaper by Salvador Dali to Ms Elisa Hanioti painter herself and close friend of Gen Paul. Dali's intial D takes the form of his famous ""snail drawing"". Former British officer Captain Moore alleged secret agent during WW2 and Dali's secretary from 1956 to 1974 added the words ""Paris 1969"" and signed at the bottom of the title page. Le Soleil Noir unknown
ref. 123471Paris: Jean Lavigne 1974. One of 25 artist's proofs aside from the edition of 195. Signed in pencil lower right by Dalí inscribed EA lower left. One of 12 prints from the La Conquête du Cosmos portfolio. Printed by Atelier Lithographique Paris. Although these were made in 1974 they were offered in two portfolios of six in 1974 and 1977. Drypoint etching over chromolithograph with embossing on Arches paper. Sheet size: 100 x 70 cm. Small vertical crease to top centre of image. Presented in a hand made white gold leaf frame with conservation acrylic glazing. Field 74-12K. Michler & Lopsinger 650. unknown
ref. 143123Paris & New York: Jean Lavigne Levine & Levine Graphics 1974. Edition of 195. Signed in pencil lower right by Dalí numbered in roman numerals lower left. One of 12 prints from the La Conquête du Cosmos portfolio printed by Atelier Lithographique Paris. Although these were made in 1974 they were offered as two portfolios of six in 1974 and 1977. Drypoint etching over chromolithograph with embossing on BFK Rives watermarked paper. Sheet size: 100 x 70 cm. Framed size: 111.6 x 78 cm. Light creasing to the margins hidden by the mount image extremely bright. Presented in a white gold leaf frame with conservation acrylic glazing. Field 74-12D; Michler & Lopsinger 647. unknown
ref. 195255Paris: Édition Art & Valeur. 1974. Bas-relief stamped from a wax maquette created by Dalí based upon Michelangelo's Moses housed in the Basilica of San Pietro Rome. Cretaed by Dali to form the front cover of the Moise et Monothéism portfolio which itself was inspired and issued as a hommage to Sigmund Freud's last work on religion published in 1939. The cover is still part of the burgundy suede clamshell box as issued. Edition of 300. Metal bas-relief over a wooden board. Signed lower right by Dalí. Sheet size: 70 x 54.3 cm. Not framed Minor rubbing otherwise in excellent condition. Field 75-2; Michler & Lopsinger 723-732. unknown
