Salvador Dali; Igor WakhevitchBiblio.com
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Best.-Nr. 2446Number 87 of only 500 copies printed. Contents measure to 12.5 x 12 in. Housed within two-part gilt-decorated acrylic case 13 3/4 x 14 in. Contains 3 different parts. All pieces are numbered 87/500 in pencil; case numbered the same in gilt. 1/3: Color lithograph of Dali's "Mao-Marilyn" painting housed in matching blue moire portfolio. 2/3: Etre Dieu book bound in blue moire; gilt title to cover. 3/3: 3 phonograph records each in gold paper slipcase. Dali's six-part poem opera "Etre Dieu" based on a libretto by Manuel Vazquez Montalban with music by French avant-garde artist Igor Wakhevitch features Dali as God and Brigitte Bardot as an artichoke. ; All shipments through USPS insured Priority Mail. Editorial Mediterrania hardcover
1967Best.-Nr. 183321Paris & New York: Leon Amiel 1967. The frontispiece from the Twelve Signs of the Zodiac portfolio. The 12 individual plates were signed the frontispiece was never signed. There was also an edition of 250 on Arches paper. Edition of 50. Coloured lithograph after an original gouache on Japon paper. Sheet size: 72.8 x 51.8 cm. Unframed. Excellent condition. Field 67-6; Michler & Lopsinger 1181-1192. unknown
Best.-Nr. 189073Saint Raphael: Editions Des Maitres Contemporains 1974. One of 12 plates from Le Bestiaire de la Fontaine Dalinesé portfolio. Artist's proof aside from the edition of 250. Drypoint etching on Arches paper left and right edges deckled. Signed in pencil lower right by Dalí A.E to lower left. Plate size: 58.5 x 40.5 cm. Sheet size: 76 x 56.5 cm. Unframed. Light spotting to lower edge affecting the margins image in excellent condition. Field 74-1 A. Michler & Lopsinger 653. unknown
1936Best.-Nr. 006872Paris Chez Charles Ratton 1936 In-8 Agrafé Edition originale
1969Best.-Nr. 3236Paris, Galerie Lucie Weill et New York, Léon Amiel,1969. Un portfolio (47 x 39 cm), en feuilles, couverture illustrée, emboitage éditeur toilé bleu et titré au dos. Édition illustrée de 11 LITHOGRAPHIES ORIGINALES EN COULEURS ET À PLEINE PAGE DE MAX ERNST dont la couverture, portant la signature et la date '63 gravées dans la composition. Les poèmes de René Char sont tirés de Dehors la nuit est gouvernée (1938). Tirage à 290 exemplaires sur Arches, NUMÉROTÉS ET SIGNÉS AU CRAYON PAR René CHAR et Max ERNST au colophon (celui-ci n° 115). L'ouvrage est en parfait état, complet, bien numéroté et signé par le poète et l'artiste sur un folio volant in fine. L'emboitage est beau avec de légers frottements usuels.
1952Best.-Nr. 44460Paris La Table Ronde 1952 1 vol. Broché in-8, broché, 310 pp., 32 planches de reproductions. Édition originale française enrichie au verso du frontispice (sur papier couché) d'un très bel envoi autographe signé de l'artiste à l'encre bleu, avec un petit dessin original de fourmi en regard.
1952Best.-Nr. 44460Paris La Table Ronde 1952 1 vol. Broché in-8, broché, 310 pp., 32 planches de reproductions. Édition originale française enrichie au verso du frontispice (sur papier couché) d'un très bel envoi autographe signé de l'artiste à l'encre bleu, avec un petit dessin original de fourmi en regard.
1993Best.-Nr. SONG3791312790Brand: Prestel Publishing 1993-11-01. hardcover. Used: Good. 10.00x1.25x12.25. Buy with confidence. Excellent Customer Service & Return policy. Brand: Prestel Publishing hardcover
Best.-Nr. 8278Paris, Fasquelle, Coll. "Libelles", 1956. In-8° (17,5 x 11,5 cm), 155 pp. Reliure plein maroquin janséniste lie de vin, doublures de box jonquille et gardes de papier japon bleu ciel, dos lisse, auteur et titre dorés, toutes tranches dorées sur témoins, couvertures et dos conservés, sous étui bordé [L. Gérard]. Très bel exemplaire. Un des 50 exemplaires numérotés sur papier du Marais Crèvecoeur (premier papier). Nombreuses illustrations en noir, certaines hors-texte. Sobre reliure signée Liliane Gérard mais dans un style inhabituel pour lartiste. Provenance : Liliane Gérard (Bibliothèque personnelle).
Best.-Nr. 8278Paris, Fasquelle, Coll. "Libelles", 1956. In-8° (17,5 x 11,5 cm), 155 pp. Reliure plein maroquin janséniste lie de vin, doublures de box jonquille et gardes de papier japon bleu ciel, dos lisse, auteur et titre dorés, toutes tranches dorées sur témoins, couvertures et dos conservés, sous étui bordé [L. Gérard]. Très bel exemplaire. Un des 50 exemplaires numérotés sur papier du Marais Crèvecoeur (premier papier). Nombreuses illustrations en noir, certaines hors-texte. Sobre reliure signée Liliane Gérard mais dans un style inhabituel pour lartiste. Provenance : Liliane Gérard (Bibliothèque personnelle).
Best.-Nr. 21813Paris, éditions Kra, 1930. In-4, 103 pp., broché, couverture originale imprimée (minuscules rousseurs notamment en début et fin de volume, deux décharges au dos du faux-titre et du frontispice).
Best.-Nr. 16942Paris, Centre culturel de Paris, 1978. In-folio, 68 pp, basane lie-de-vin de l'éditeur, filets dorés et à froid en encadrement sur le premier plat, une composition estampée à froid et doré en son centre, une signature de Dali, couronnée et datée 1978 dorée au second, dos à nerfs orné de filets, frises et fleurons dorés, couverture originale dorée ornée d'un collage conservée, étui de soie moirée rubis (petits manques de toile de l'étui, dos insolé, petits frottements).
1973Best.-Nr. 1533Au Pont des Arts, Galerie Lucie Weill, Paris 1973. 1 volume in-4 (225 x 255 mm), 84 pages en feuilles, couverture illustrée rempliée, emboitage éditeur recouvert de toile rose. 16 LITHOGRAPHIES ORIGINALES EN COULEURS D'ANDRÉ MASSON, toutes en hors-texte pour illustrer la longue nouvelle de Patrick Waldberg qui paraît ici pour la première fois Tirage : 174 exemplaires numérotés tous sur vélin d'Arches, signés par l'auteur et l'artiste. Celui-ci : 1 des 21 hors-commerce réservés accompagné d'UNE SUITE COMPLÈTE DES 16 LITHOGRAPHIES TIRÉES SUR JAPON NACRÉ. La suite est insérée dans une chemise imprimée et CHAQUE ÉPREUVE EST SIGNÉE ET JUSTIFIÉE AU CRAYON PAR L'ARTISTE. L'ouvrage est également signé par Patrick Waldberg et André Masson.
Best.-Nr. 7163London: The Folio Society. Near Fine. 2016. Hardcover. No. 173 of 750 copies. One quarter navy leather binding over brown silk-textured boards gilt titles on spine and front. Large volume with beautiful color illustrations by Dali. Smaller companion volume is an abridged text of the tales translated by Lyons. In a large blue clamshell box with white printed titles box has light scuffing. ; Elephant Folio . The Folio Society hardcover
Best.-Nr. 120921New York Transworld Art 1974. . Etching with hand-colouring 1974 on BFK Rives paper signed inscribed 'F' and numbered from the French edition of 195 there was also an edition of 195 on Arches with text in English inscribed 'A' published by Transworld Art New York 655 x 508 mm. 25¾ x 20 in. Field 74-8 H. New York, Transworld Art, 1974. unknown
Best.-Nr. 120922New York Transworld Art 1974. . Etching with hand-colouring 1974 on BFK Rives paper signed inscribed 'F' and numbered from the French edition of 195 there was also an edition of 195 on Arches with text in English inscribed 'A' published by Transworld Art New York 655 x 508 mm. 25¾ x 20 in. Field 74-8 I. New York, Transworld Art, 1974. unknown
Best.-Nr. 120918New York Transworld Art 1974. . Etching with hand-colouring 1974 on BFK Rives paper signed inscribed 'F' and numbered from the French edition of 195 there was also an edition of 195 on Arches with text in English inscribed 'A' published by Transworld Art New York 655 x 508 mm. 25¾ x 20 in. Field 74-8 E. New York, Transworld Art, 1974. unknown
Best.-Nr. 120923New York Transworld Art 1974. . Etching with hand-colouring 1974 on BFK Rives paper signed inscribed 'F' and numbered from the French edition of 195 there was also an edition of 195 on Arches with text in English inscribed 'A' published by Transworld Art New York 655 x 508 mm. 25¾ x 20 in. Field 74-8 J. New York, Transworld Art, 1974. unknown
1948Best.-Nr. SDAL003New York: Doubleday & Company 1948 Translated by John Addington Symonds. Illustrated by Salvador Dalí with full-page color plates and black-and-white drawings. First trade edition. Signed by Dalí with an original drawing of a horse on verso of half-title page. Publisher's red cloth with horse illustration in gilt to front board and black label lettered in gilt to spine. Very good with some fading to spine some rubbing to spine label and dimming to spine gilt front board gilt bright and a hint of offsetting to endpapers. Overall an attractive copy scarce signed. The Autobiography of Benvenuto Cellini was written by the Italian sculptor and draftsman in the sixteenth century although it was not published until 1728. This work detailing the personal life of a well-known artist has become perhaps the most important autobiography of the Italian Renaissance giving readers a glimpse into the lives of historical figures like Michelangelo and the Medici family. In his writing Cellini is unconcerned with maintaining a proper image of himself and uses humor and exaggerations to embellish his story even describing violent attacks he supposedly committed and otherworldly experiences he endured. This trade edition was preceded by a 1946 limited edition of 1000 numbered copies signed by Dalí. Signed. First Edition. Hard Cover. Very Good. New York: Doubleday & Company hardcover
Best.-Nr. 36073Barcelona: Editorial Mediterrania 1985. Near Fine. Barcelona: Editorial Mediterrania 1985. First Edition Limited to 500 sets of which this is no. 349. Three volumes; large square quartos 31.5cm; publisher's blue gilt-lettered moiré silk all edges gilt housed in two-piece clear acrylic slipcase; Vol. I: 228pp.; Vol. 2: Three 33 1/3 vinyl audio discs in original gilt card chemises; Vol. 3: Laid in color print "Autoretrat" by Dali. Vinyl chemises all show some finger-soiling scratches to acrylic slipcase with some cracks crudely tape-repaired; overall slipcase in Good condition contents Near Fine. Editorial Mediterrania unknown
1933Best.-Nr. 22613New York: Julien Levy Gallery 1933. Single sheet. Very Good. A wonderful piece of Surrealist ephemera and one of the great early Julien Levy catalogues. The scarce historic November-December 1933 catalogue/announcement of Salvador Dali's first solo exhibition in America. 26 listed paintings followed by a Dali essay and 2 Dali illustrations. All on a single purple sheet folded into thirds. Light creasing at all 3 panels renders this copy a VG to VG rather than a Near Fine but happily the fragile catalogue remains bright and very presentable. This copy also boasts superb provenance having come directly from the family of artist --and Julien Levy patron-- Joseph Cornell and before that from his house itself famously on Utopia Parkway in Flushing Queens New York. Julien Levy Gallery unknown
Best.-Nr. ANAIS-3791316028Prestel Pub. hardcover. Good. 0x0x0. Buy with confidence. Excellent Customer Service & Return policy. Prestel Pub hardcover
1954Best.-Nr. 10590Barcelona, Ediciones Omega, 1954 In-8, 53 pp. de texte et 48 illustrations. Demi-toile, auteur, titre et éditeur au dos, titre sur le premier plat, jaquette imprimée et illustrée, traces de pliures et déchirures avec deux petits manques de papier à la jaquette (reliure de l'éditeur).
1952Best.-Nr. 220031952. Large drawing by the caricaturist Jeff Sparks boldly signed by Salvador Dali "Dali 1952." Also signed by Sparks. The drawing measures 14 inches by 21 inches. Matted and framed entire piece measures 19 inches by 26.5 inches. In fine condition. Prominent Spanish surrealist painter Salvador Dali was a skilled draftsman best known for the striking images in his surrealist work. His painterly skills are often attributed to the influence of Renaissance masters. His best-known work The Persistence of Memory was completed in August 1931. Dali's expansive artistic repertoire included film sculpture and photography in collaboration with a range of artists in a variety of media. Dali attributed his "love of everything that is gilded and excessive my passion for luxury and my love of oriental clothes" to an "Arab lineage" claiming that his ancestors were descended from the Moors. hardcover books
1933Best.-Nr. 32705Paris.: Editions des Cahiers Libres. 1933. Original publisher's pink printed wrappers with titles in black to front cover within ruled borders title to spine and publisher's vignette to rear wrapper. 8vo. 172 x 112 mm. Half-title with 'Du Même Auteur' and list of works verso leaf with monochrome frontispiece portrait of Deharme by Valentine Hugo verso printed title with copyright verso leaf with quotation and Deharme's verse leaf with 'Table' recto and verso final leaf with justification and achevé d'imprimer. Salvador and Gala Dali's copy with a presentation from Lise Deharme.From the first edition limited to 310 copies with this unopened copy one of 300 on 'Ingres rose' paper and with a presentation in purple ink from Deharme to Salvador and Gala Dalí on front free endpaper: 'Pour le seul peintre / Dalí / Avec: l'admiration profonde / de son amie / Lise / Pour Gala tendrement'.Lise Deharme who published her first book 'Images dans le Dos du Cocher' in 1921 her second book 'Il Etait une Petite Pie' with illustrations by Joan Miró is often - erroneously - described as her first under her maiden name Lise Hertz was a muse to the Surrealists and editor of Le Phare de Neuilly a periodical published in the Paris suburb of Neuilly. Immortalised by Breton in 'Nadja' as 'la dame au gant' Deharme was a prolific poetess and novelist. 'Cahier d'une Curieuse Personne' was her third published book. Editions des Cahiers Libres. unknown
