2.154 resultados
1978ref. 108756Paris Centre Culturel de Paris 1978 1 vol. broché gr. in-4, en feuilles, couverture dorée ornée d'un collage, emboîtage d'éditeur demi-basane et soie moirée bordeaux avec la signature dorée de l'artiste sur le premier plat, XVII + 68 pp. Édition illustrée de ce scénario surréaliste d'abord paru en 1932 comprenant en frontispice un cuivre en couleurs gravé au diamant, 8 bois gravés en noir à pleine page et le collage de couverture. Tirage limité 395 exemplaires, celui-ci numéroté sur vélin d'arches, avec la justification, le frontispice, le collage et six des gravures signés au crayon à papier par Dali. Emboîtage un peu frotté, sinon exemplaire en belle condition.
1978ref. 108756Paris Centre Culturel de Paris 1978 1 vol. broché gr. in-4, en feuilles, couverture dorée ornée d'un collage, emboîtage d'éditeur demi-basane et soie moirée bordeaux avec la signature dorée de l'artiste sur le premier plat, XVII + 68 pp. Édition illustrée de ce scénario surréaliste d'abord paru en 1932 comprenant en frontispice un cuivre en couleurs gravé au diamant, 8 bois gravés en noir à pleine page et le collage de couverture. Tirage limité 395 exemplaires, celui-ci numéroté sur vélin d'arches, avec la justification, le frontispice, le collage et six des gravures signés au crayon à papier par Dali. Emboîtage un peu frotté, sinon exemplaire en belle condition.
1973ref. 86530Nouvelles Editions Françaises | Paris 1973 | 24.50 x 32.50 cm | reliure de l'éditeur
1981ref. 18690Salvador Daili. Very Good with no dust jacket. Non-Book. SALVADOR DALI: "LE VOYAGE FANTASTIQUE". This eleven color lithograph is in very good condition and comes in its original frame. It has its details on the reverse of the frame and measures 18" x 26" picture size 27" x 34" overall size. This is a genuine signed Dali and we guarantee the authenticity if this lithograph. The world edition numbered 545made up of batches and this No. 50 of the 195 edition that was printed on hand-made arches paper.; 18" X 26" . 1981. Salvador Daili unknown
1973ref. 005539New York: Felicie Inc. 1973 OVERSIZED. 322pp printed on fine glossy paper bound in color illustrated cloth with binding and hinges tight. The dust jacket is in a protective mylar cover and is NOT price clipped. Illustrated with color photographs and Dali's art throughout. THREE ORIGINAL 8 X 10" PHOTOGRAPHS LAID-IN. 1 b/w photo of the book with its dust jacket has small edge stain. 2 b/w photo of Dali standing above a spread of food photo used in the book. 3 b/w photo of Dali and a woman both seated and relaxed with the woman holding a striped cat Dali's wife Gala photo not used in the book. COOKBOOK WITH RECIPES THROUGHOUT. Felicie, Inc. hardcover
ref. 74809Salvador Dali Jude from The Twelve Apostles 1977 Lithographs in colors with embossment on Arches paper Hand signed lower right Edition EA lower left Sheet size 64.5 x 47.5 cm Published by Wajntrob Moore Lancel & Carpentier LITERATURE: Field 72-14A
1926ONE OF ONLY 20 LARGE-PAPER COPIES OF THE SECOND BOOK ILLUSTRATED BY SALVADOR DALI. 182 pp. Illustrated throughout with drawings by DalÌ. The trade edition of this book is printed on cheap wood-pulp paper, but this is ONE OF ONLY 20 COPIES PRINTED ON EXTREMELY FINE GUARRO LAID PAPER AND SIGNED BY THE AUTHOR (this copy is number 8). 4to. Attractively bound in contemporary Valencian calf. Tiny traces of wear to extremities of binding, otherwise FINE AND BRIGHT. A rare and important DalÌ incunable, in a contemporary Spanish binding.
1935ref. 33031Paris.: Editions Guy. Lévis. Mano. 1935. Original publisher's cream printed wrappers with titles in black to front cover. 8vo. 189 x 142 mm. Half-title printed title leaf with Eluard's preface recto and Penrose's verse final leaf with achevé d'imprimer and justification; the errata leaf is also included loosely inserted. Salvador Dali's copy with a presentation from Penrose.From the edition limited to 320 copies with this unopened copy one of 300 on 'Hélio' and with a presentation from Penrose in blue ink to the half-title: 'à Salvador Dalí / admiratif hommage de / V. Penrose'.Also included loosely inserted is the errata slip for the publication.Valentine Penrose 1898 - 1988 née Marcelle Bouée was the glamorous wife of the English Surrealist poet painter and photographer Roland Penrose. Muse to the Surrealists model for Man Ray Valentine Penrose also appeared in Bunuel's L'Age d'Or as a spirit. Profoundly influenced by Eastern spiritual thought Penrose was also a talented poet and collagist. This her first collection was followed in 1937 by Sorts de la Lueur and Poèmes and in 1951 by Dons des Féminines also with a preface by Eluard. In 1936 she left her husband to live on an ashram in India with fellow poet and Surrealist Alice Paalen. Editions G[uy]. L[évis]. M[ano]. unknown
ref. 186948Paris: Simon Wajntraub Peter Moore Ariane Lancel and Jacques Carpentier 1977. One of 12 plates from the Twelve Apostles portfolio also known as the Knights of the Round Table portfolio printed by Atelier Lithographique in Paris. Edition of 350. Original lithograph in 3 colours with gold embossing on Arches watermarked paper right and lower edges untrimmed. Signed in pencil lower right by Dalí numbered lower left. Plate size: 49.5 x 45.7 cm. Sheet size: 65 x 47.8 cm. Framed size: 78.3 x 66.5 cm. Presented in a handmade gold leaf frame with conservation acrylic glazing. Excellent condition. Field 72-14J. Michler & Lopsinger 1514. unknown
ref. 22346London: Peter Owen. 1973. Signed limited edition. Signed limited edition. Publisher's quarter vellum over marbled paper covered boards with titles in gilt to the spine. Top edge gilt. White silk ribbon. Illustrated with black and white plates by Salvador Dali. 'Postface to Hidden Faces' in publisher's white paper covers printed in black. Housed in a red cloth slipcase. A fine copy the binding square and tight the contents clean throughout and without previous owner's marks. Limited edition of 100 copies both the book and 20 page 'Postface' pamphlet hand numbered 51 the book signed by Salvador Dali on the limitation page as issued. Translated by Haakon Chevalier Hidden Faces is Dali's only novel. Further details and images for any of the items listed are available on request. All items are catalogued by humans. Lucius Books welcomes direct contact with our customers. London: Peter Owen. 1973 hardcover
1977ref. 189775Paris: Simon Wajntraub Peter Moore Ariane Lancel and Jacques Carpentier 1977. One of 12 plates from the Twelve Apostles portfolio also known as the Knights of the Round Table portfolio. Printed by Atelier Lithographique in Paris France. Edition of 350. Original lithograph in 3 colours with gold embossing on Arches watermarked paper right and lower edges deckled. Signed in pencil lower right by Dalí numbered lower left. Plate size: 49.5 x 45.7 cm. Sheet size: 65 x 47.8 cm. Framed size: 79 x 66.8 cm. Presented in a handmade gold leaf frame with conservation acrylic glazing. Small stray ink marks to extreme upper edge of sheet hidden behind mount. Otherwise excellent condition. Field 72-14G. Michler & Lopsinger 1513. unknown
1963ref. 150996Paris: Jean-Jacques Pauvert 1963. Inscribed by Dali First edition inscribed by the artist across the title page "Pour Christine Vaclasmy Dali 1963" with a loose sketch of a figure possibly a girl skipping a common motif in Dalí's work. The Angelus by Jean-Francois Millet is an oil painting completed between 1857 and 1859. It depicts two figures in a field heads bowed over a basket of potatoes in their recitation of the Catholic devotional prayer. It had a significant impact on Dali who saw a print of the painting early in life and insisted that it did not depict a prayer but a funeral scene. The Louvre at his request had the painting examined by x-ray and showed that there was originally a small coffin-shaped object painted in place of the basket. This discovery is included in the prologue and much of the text depends upon Dalí's interpretation of The Angelus as a tragic image of American folklore. Dalí created several paintings inspired by the titular work: The Architectural Angelus of Millet and Gala 1933 and Gala and the Angelus of Millet Preceding the Imminent Arrival of the Conical Anamorphoses 1933. These were followed two years later by a similar pair of paintings which included a partial reproduction of Millet's Angelus called The Angelus of Gala and Archaeological Reminiscence of Millet's Angelus. Quarto. Illustrated throughout by Salvador Dali 33 plates tipped in. Original beige cloth with woven strap and buckle titles to front cover on octagonal plate in red and black black and white illustration of The Angelus to front cover on rectangular plate. Housed in a custom box illustrated with photographs of this copy. Lightly foxed with a few marks and one small scratch to covers a little shelfwear a few slight bumps to head of front board a touch of foxing to end matter and occasionally toned box a little rubbed and tips lightly bumped else bright and clean. A very good copy indeed square and firm. hardcover
ref. 186950Paris: Simon Wajntraub Peter Moore Ariane Lancel and Jacques Carpentier 1977. One of 12 plates from the Twelve Apostles portfolio also known as the Knights of the Round Table portfolio printed by Atelier Lithographique in Paris. Edition of 350. Original lithograph in 3 colours with gold embossing on Arches watermarked paper right and lower edges untrimmed. Signed in pencil lower right by Dalí numbered lower left. Plate size: 49.5 x 45.7 cm. Sheet size: 65 x 47.8 cm. Framed size: 78.3 x 66.5 cm. Presented in a handmade gold leaf frame with conservation acrylic glazing. Excellent condition. Field 72-14B. Michler & Lopsinger 1510. unknown
ref. 189774Paris: Simon Wajntraub Peter Moore Ariane Lancel and Jacques Carpentier 1977. One of 12 plates from the Twelve Apostles portfolio also known as the Knights of the Round Table portfolio. Printed by Atelier Lithographique in Paris France. Edition of 350. Original lithograph in 3 colours with gold embossing on Arches watermarked paper right and lower edges deckled. Signed in pencil lower right by Dalí numbered lower left. Plate size: 49.5 x 45.7 cm. Sheet size: 65 x 47.8 cm. Framed size: 78.3 x 66.5 cm. Presented in a handmade gold leaf frame with conservation acrylic glazing. Small stray ink mark to upper edge of sheet hidden behind mount. Otherwise excellent condition. Field 72-14K; Michler & Lopsinger 1512. unknown
ref. 172292Paris: Simon Wajntraub Peter Moore Ariane Lancel and Jacques Carpentier 1977. One of 12 plates from the Twelve Apostles portfolio also known as the Knights of the Round Table portfolio printed by Atelier Lithographique in Paris. Edition of 250. Original lithograph in 3 colours with gold embossing on Arches watermarked paper right and lower edges deckled. Signed in pencil lower right by Dalí numbered lower left. Plate size: 49.5 x 45.7 cm. Sheet size: 65 x 47.8 cm. Framed size: 78.3 x 66.5 cm. Presented in a handmade gold leaf frame with conservation acrylic glazing. Excellent condition. Field 72-14C; Michler & Lopsinger 1504. unknown
ref. 109294Garden City N.Y. Doubleday Doran and Co. 1945. . First edition first printing signed by the illustrator; 8vo; frontispiece and 12 black and white full-page plates by Dali internally clean and bright; publisher's blue-grey cloth stylised maze design in blind centre square in red with gilt lettering gilt titles to spine on red ground minor bumping to spine ends with the price-clipped pictorial dust-jacket by Dali some toning loss to head and foot of spine minor loss and nicks to extremities tear to foot of spine at joint small repair to reverse of front panel; housed in a custom brown cloth clamshell box lined with attractive geometric patterned paper titles to spine gilt. An attractive first edition signed by Salvador Dali on the front free endpaper. A macabre tale by the pioneering Swiss fantasy author Maurice Sandoz and later the basis for a 1953 horror film of the same name. Its surrealist overtones are perfectly matched by the illustrations by Dali whom the author had met in Rome in the late 1930s. Garden City, N.Y., Doubleday, Doran and Co., 1945. hardcover
1944ref. 3117Paris, Robert-J. Godet, 1944. Un volume in-4 (280 x 190 mm), 62 pages, broché, couverture rempliée. Édition originale. Exemplaire n° 74 sur vélin pur fil de Lafuma. 1 feuillet volant (287 x 194 mm) avec l'eau-forte originale (245 x 131 mm) signée et datée inversement sur le cuivre : "Picasso 23.D.43". 1 des 200 épreuves sur vélin Lafuma. (Atelier Lacourière pour le tirage de la gravure). Picasso grave en décembre 1943 la planche pour le recueil "Contrée" dédié à Youki qui partageait la vie du poète depuis 1930. L'ouvrage, achevé d'imprimer le 31 Mai 1944, a paru après l'arrestation de Robert Desnos par la Gestapo survenue le 22 février. Desnos mourra en déportation le 8 juin 1945 au camp de Térézine en Tchécoslovaquie. Exceptionnelle gravure "surréaliste" de Picasso. L'artiste combine procédés cubistes (l'architecture est identique à la 3ème planche de Saint-Matorel - 1911) et surréalistes avec des réminiscences de gravures précédentes (voir le buste pour l'Anthologie de l'Humour Noir de Breton - 1938-1940)… Réferences : Baer-Geiser 689; Bloch 362; Cramer 39. - ENGLISH DESCRIPTION : - First edition, first printing. 1 loose leaf (287 x 194 mm) with the original etching "Femme assise" (245 x 131 mm) signed and dated on the copper: "Picasso 23.D.43". 1 of 200 proofs on Lafuma vellum (n° 74). (Atelier Lacourière for the printing of the engraving). Historical notice: Picasso engraved this plate in December 1943 for the collection "Contrée" dedicated to Youki who shared the life of the poet since 1930. The work, printed on May 31, 1944, was published after the arrest of Robert Desnos by the Gestapo occurred on February 22. Desnos died in deportation on June 8, 1945 at the Terezine camp in Czechoslovakia. Exceptional "surrealist" etching by Picasso. The artist combines here cubist (the architecture is identical to the 3rd plate of Saint-Matorel - 1911) and surrealist processes with reminiscences of previous engravings (see the bust for the Anthologie de l'Humour Noir de Breton - 1938-1940 )… - Edition: Paris, Robert-J. Godet, 1944. A 4° volume (280 x 190 mm), 62 pages, paperback, folded cover, (n°183 on pur fil Lafuma wove paper). References: Baer-Geiser 689; Block 362; Cramer 39. More pictures on request. Right mouse click for a full screen picture. In mint condition.
1976ref. 1716Le bouquet (Gaston Puel), Veilhes 1976. 1 volume petit in-4 (17 x 13 cm) en feuilles sous couverture imprimée rempliée et chemise de papier cristal moiré de l'éditeur. Édition originale en catalan du poème de Jordi de Sant Jordi avec la version française de René Nelli en regard. UNE GRAVURE ET AQUATINTE DE JOAN MIRÓ SIGNÉE AU CRAYON Tirage : 50 exemplaires + quelques H.C. signés par le traducteur et l'éditeur. La gravure signée par l'artiste. Celui-ci 1 des exemplaires justifiés H.C. Imprimeur : Atelier Morsang. (Références : P. Cramer "les livres illustrés par Miro" n° 220 ; P. Dupin "Miro graveur IV" n° 935).
1956ref. 1745Guy Lévis Mano, Paris 1966. Un volume petit in-4 (195 x 130 mm) broché sous couverture blanche imprimée rempliée. ÉDITION ORIGINALE. Poèmes de Guy Lévis Mano. UNE EAU-FORTE ET AQUATINTE EN COULEURS SIGNÉE AU CRAYON PAR MIRÓ. Tirage : 15 + 60 ex sur vélin d'Arches avec la gravure. L'exemplaire est, de plus, personnalisé, sur le faux-titre, d'une dédicace autographe signée de l’auteur à G.D. « qui sait regarder le dedans ? ».
1995ref. 86349Prestel Publishing. New. 1995. Hardcover. 3791316028 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 192 pages; 693 illustrations. Catalogue Raisonné Catalogue Raisonne Catalog Raisonnee Complete Lithographs and Wood Engravings Prestel Publishing hardcover
2000ref. 93363CSIC. New. 2000. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Corresponds to ASIN: B003TL83FG. Text in Spanish. 77 pages. Época Catalogue Raisonne Catalog Raisonné Complete Works Catálogo Razonado Obra Completa Raisonnee -- with a bonus offer . CSIC paperback
2000ref. 93364CSIC. New. 2000. Paperback. 8400074521 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Corresponds to ISBN: 8400074521. Text in Spanish. 77 pages. Época Catalogue Raisonne Catalog Raisonné Complete Works Catálogo Razonado Obra Completa Raisonnee -- with a bonus offer . CSIC paperback
ref. 74869Salvador Dalí Dan from the series Twelve Tribes of Israel 1973 Sheet size: 65 x 50 cm Hand signed lower right Numbered 31/195 lower left Printed by Atelier Rigal Fontenay-aux-Roses Published by Transworld Art S.A. Fribourg Reference Fields 72-6
1930ref. 2647Paris: Éditions Kra 1930. First edition. 103 2 pp. Printed boards. Boards very slightly splayed; slight toning to spine; browning to extremities of front and rear endpapers; a bit of spotting to some leaves. One of 50 Roman-numeraled copies reserved for Librairie José Corti of a total of 110 copies of the edition de tête. Frontispiece by Salvador Dali colored in pochoir at the ateliers Jacomet only present in the edition de tête copies. The printed boards appear to be the publisher's although most copies were issued in wrappers. Laid in is the priere d'inserer the document announcing the publication for March 1930 of the book with texts by Roger Vitrac Robert Desnos Georges Ribemont-Dessaignes Georges Limbour Jacques Baron. Written during a turbulent time in Breton's life "although the text's general thrust is towards philosophical optimism there is no question that it is also the angriest and most bitter of Breton's major works." Surrealism "was no longer a state of mind unto itself but a moral imperative" Polizzotti. Éditions Kra unknown
1933ref. 5493171933. Unbound. Fine. Broadside. Yellow quarto sheet printed recto only. Folded twice and with a very tiny stain else fine. A statement prepared by Salvador Dali before his arrival in New York in anticipation of his first solo exhibition at the Lucien Levy Gallery from November 21 to December 8 1933. The statement quotes fellow surrealist and later antagonist Andre Breton includes Dali's denial as to the meaning of his works: "I never have the slightest idea what my pictures mean"; how after painting his wife one autumn afternoon he was "finally able to attain images sufficiently lucid and 'appetizing' for exhibition in New York"; and ending with a final question; "New York: why why did you erect my statue long ago long before I was born higher than another more desperate than another" Confusion about this statement abounds with some claiming the broadside was distributed at the 1939 World's Fair where Dali had a pavilion or later in 1941 calling it a response to criticism from a statement by Breton. Our research - and Dali's own printed words "I have never been to America" - supports Dali biographer Ian Gibson's belief that this broadside was issued in late 1933 as advance publicity for the painter's first solo American exhibition close on the heels of increased interest in the artist following the Surrealist show the year before that debut his icon painting The Persistence of Memory. Rare. OCLC locates two copies and we have located at third the Queen's Public Library in New York. unknown