DALI, SalvadorBiblio.com
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ref. 117889Paris Editions Surréalistes 1930. . Limited edition numbered 2/9 'auteur' on the justification seemingly out of series inscribed by Dali on the half-title in ink 'hommage de l'auteur Salvador Dali'; 4to 19 x 22 cm; 8 illustrations hors-texte of which one is a photo-lithographed portrait of Gala one an original etching three reproductions of Dali's drawings and three photographic prints; loose as issued in the original aluminium foil paper wrappers covered in red printed glassine very minor loss of wrappers to spine a very good copy. The first edition of Dali's first surrealist work inscribed. The first edition of Dali's first surrealist work. The 'femme visible' refers to Dalí's wife Gala who inspired him to create the book and to whom the work is dedicated. Her portrait is placed opposite the metallic covers to provide a reflection of her. It is Dali's manifesto for the paranoiac-critical method a surrealist technique which consists of the artist invoking a paranoid state resulting in a deconstruction of the psychological concept of identity subjectivity thereby becoming the primary aspect of the artwork. The present example is numbered '2/9 auteur' on the justification and signed by the artist on the half-title. The fragile red and metallic jacket which is often found damaged and torn is in remarkably fresh and unrestored condition. Michler-Lapsinger 4; Launay 288. Paris, Editions Surréalistes, 1930. unknown
ref. EXE-738Genève, Graphik Europa Anstalt, 1969. In-folio en feuilles, chemise et étui de l’éditeur illustrés. Édition Originale. Illustrée de 21 gravures originales, dont 11 pointe-sèches à pleine page, toutes avec la signature gauffrée. Tirage à 293 exemplaires, celui-ci le numéro 84 des 50 sur Arches teinté, signé par l’artiste, et comprenant une suite des 11 gravures hors-texte. Référence: Michler et Löpsinger 298 - 318.
ref. 74865Salvador Dalí Bird of Paradise from Hawaii: California Suite 1973 Lithograph Image size: 55 x 39 cm Sheet size: 64 x 49.5 cm Reference: Fields 73-3A
1969ref. NE 2Maecenas Press 1969. Book. Fine. Hardcover. Signed by Authors. FIRST. First edition. Maecenas Press/Random House New York 1969. Illustrations by Salvador Dali.of a signed limited edition of 2500 copies issued as a portfolio containing 12 color wood engravings and a color etching. Signed by the illustrator on the title page. Signed by Dali on the title page with an original etched frontispiece in four colors signed in the plate and 12 color heliogravures each with an original remarque. Press/Random House New York 1969. Illustrations by Salvador Dali. 1147 of a signed limited edition of 2500 copies issued as a portfolio containing 12 color wood engravings and a color etching. Signed by the illustrator on the title page. twelve full page color heliogravures. Interior contents bright clean and fresh. Spine of morocco case lovely copy to beige cloth of folding case. Loose as issued in original brown cloth chemise quarter morocco folding case original bone closures . Maecenas Press Hardcover
ref. B-25-010007Dali Salvador - Malraux André. Geneva: Albert Skira 1973 First edition. Copy 22 of 150 from a total edition of 160 copies printed in Rive wove paper watermarked with Dali design. Signed by Salvador Dali André Malraux and Albert Skira on the justification page. The portfolio contains: 12 drypoints printed on sheep-skin parchment paper signed and numbered in pencil by Dali each collected in a Rive paper folder with captions inside; two etchings of which one in text and one full page; text in French index of prints colophon and justification page. Loose as published in original paper wrappers with dali's design collected in hard chemise with parchment and black morocco boards with black embossed design gilded title on the spine all guarded in matching black morocco slipcase Ref: Field 73-8 Albert Skira
ref. B-25-010007Dali Salvador - Malraux André. Geneva: Albert Skira 1973 First edition. Copy 22 of 150 from a total edition of 160 copies printed in Rive wove paper watermarked with Dali design. Signed by Salvador Dali André Malraux and Albert Skira on the justification page. The portfolio contains: 12 drypoints printed on sheep-skin parchment paper signed and numbered in pencil by Dali each collected in a Rive paper folder with captions inside; two etchings of which one in text and one full page; text in French index of prints colophon and justification page. Loose as published in original paper wrappers with dali's design collected in hard chemise with parchment and black morocco boards with black embossed design gilded title on the spine all guarded in matching black morocco slipcase Ref: Field 73-8 Albert Skira books
ref. 42598Paris, Editions Argillet, 1968. In-folio, non paginé, en feuilles, sous couverture gaufrée, chemise de et emboîtage illustré.
1969ref. 147228New York: Maecenas Press & Random House 1969. Limited illustrated edition of Lewis Carroll's beloved children's classic signed by and with twelve illustrations by Salvador Dali. Folio loose portfolio as issued in original brown silk chemise decorated in gilt illustrated with an original three-color etching as a frontispiece and 12 striking full-page color photogravures heliogravures after Dalí's original gouache paintings. One of 2500 numbered copies signed by Salvador Dali on the title page. Housed in the original tan leather-backed clamshell case lacking imitation bone clasps. In very good condition. “Dalí’s images have become icons of the fantastic signposts not maps that point the way inward to that realm” Clute & Grant 246. This magnificent production printed on Mandeure paper contains an original three-color etching as a frontispiece and 12 striking full-page color photogravures heliogravures after Dali’s original gouache paintings Michler & Löpsinger. Maecenas Press & Random House hardcover
1927ref. 2199Paris, Éditions surréalistes, 1927. In-8 (22,8 x 16,8 cm), box crème, sur les plats décor de grandes lettres (DORMIR) en relief de même box, ponctué d'étoiles stylisées de différentes tailles en box vert, rouge et ivoire, titre à l'œser violine au premier plat, auteur et artiste au second, dos muet, tête rognée, doublures bord à bord de box crème, boîte de peau velours gris perle, couvertures et dos conservés, coffret avec le dos en box crème titré à l'œser (F. Brindeau - 2010). ÉDITION ORIGINALE illustrée de 14 dessins d'Yves Tanguy, dont la couverture reprise en page de titre et 3 hors-texte. - 14 DESSINS EN NOIR D'YVES TANGUY REPRODUITS, DONT LA COUVERTURE, LA PAGE DE TITRE ET LES 3 HORS TEXTE AQUARELLÉS PAR L'ARTISTE LUI-MÊME. Tirage à 210 exemplaires signés à l'encre par l'auteur et l'illustrateur Celui-ci un des 20 sur papier de Hollande (n° 26), second papier après 10 Japon, les seuls avec la couverture, la page de titre et les 3 hors-texte rehaussés à l'aquarelle par l'artiste (avec 5 Chine nominatifs). Élégante et virtuose reliure de François Brindeau. - Bibliographie : Monod, 8959. Peyré, Peinture et poésie, n° 28, p. 233. From Manet to Hockney 80. Castleman 179. Andel, Avant Garde Page Design 421. Superbe et très rare exemplaire. Photographies supplémentaires de l'ouvrage sur demande. ENGLISH DESCRIPTION :[TANGUY, Yves - PÉRET, Benjamin."Dormir dormir dans les pierres" (Sleeping sleeping in the stones). Paris, Éditions surréalistes, 1927. In-8 (22.8 x 16.8 cm), cream box, on the covers decorated with large embossed letters (DORMIR) from the same box, punctuated with stylized stars of different sizes in green, red and ivory box, title with a purple oeser on the first cover, author and artist on the second, blank spine, cropped head, edge to edge cream box linings, pearl gray velvet skin box, preserved covers and spine, box with cream box spine titled to the oeser (F. Brindeau - 2010). First edition illustrated with 14 drawings by Yves Tanguy, including the cover on the title page and 3 out of text. - 14 DRAWINGS IN BLACK BY YVES TANGUY, INCLUDING THE COVER, THE TITLE PAGE AND THE 3 IN-TEXT WATERCOLORED BY THE ARTIST HIMSELF. Edition of 210 copies signed in ink by the author and the illustrator. This one of 20 on Holland paper (n° 26), second paper after 10 Japan, the only ones with the cover, the title page and the 3 insets enhanced in watercolor by the artist (with 5 nominative China). First edition,first printing. Elegant and virtuoso binding by François Brindeau. Bibliography: Monod, 8959. Peyré, Painting and poetry, no. 28, p. 233. From Manet to Hockney 80. Castleman 179. Andel, Avant Garde Page Design 421. Superb and very rare copy. Additional photographs of the book on request.
ref. 74788Salvador Dalí Jack of Clubs from Playing Cards 1972 Lithograph Hand-signed lower right Edition 43 / 150 Image size: 36.2 x 23.5 cm Sheet size: 65.5 x 51 cm Reference Field 72-4
1968ref. 39447Paris: Draeger 1968. Salvador Dalí. First edition. A PRESENTATION COPY FOR DR. ROUCAUTE Dalí's personal physician with a SIGNED AND DEDICATED INDIA INK DRAWING BY DALI ON A PRELIMINARY BLANK. Most of Dalí's presentation drawings were done on the spur of the moment in ballpoint or felt-tip pen and are rather simple compositions. This one however is in India ink with Dalí's characteristic carefully-planned spatter: it was obviously prepared ahead of time for presentation to a close friend the doctor. The drawing measures 27.5 x 30 cm and features several typical elements of Dalí's iconography: a knight on horseback an angel a dedicatory phrase a signature with a crown and a date. They are arranged in an absolutely wonderful apparent chaos--making it impossible to know what to look at first or what to focus on--and yet there is perfect harmony. Large 4to. Publisher's cloth with dustjacket. An excellent copy of the book WITH THE INDIA INK DRAWING IN PERFECT CONDITION. Draeger hardcover
ref. EXE-737S.l. [Lausanne], A L’Érotitiade, 1969. In-folio en feuilles, chemise et étui de l’éditeur. Édition Originale. Illustrée de nombreux dessins reproduits dans le texte. L'ouvrage comprend, dans une suite à part, " 10 planches extraites d'un traité des systèmes érotiques et des mille façons masturbatoires des Romains à Dali. " Tirage à 300 exemplaires, celui-ci UN DES 7 EXEMPLAIRES SUR CHIFFON DE MANDEURE, signé par l’artiste (après 3 de tête). Notre exemplaire est enrichi d’une pointe sèche originale et de trois suites de la gravure: un tirage sur Richard le Bas aquarellé par Dali, un tirage sur Japon ancien, ainsi qu’un tirage sur Jardin Richard améthyste. Toutes les gravures sont signées.
1972ref. 021298New York and Fribourg: Pamela Verlag and Transworld Art 1972. First Edition. Hardcover. Fine in a Near Fine case. Salvador Dali. Portfolio with loose sheets 12-1/4" x 17-1/2" laid in a paper cover and cloth portfolio lettered in silver on the backstrip as issued. Copy #26 of 150 with English text and 10 ORIGINAL DRYPOINT ENGRAVINGS in color image size 5" x 7-1/4" on 12-1/4" x 17-1/2" sheets each SIGNED by the illustrator. (Pamela Verlag) and (Transworld Art) hardcover books
1970ref. 156803Beverley Hills: Vanguard Studios 1970. Artist's proof of XVIII of XXV on Japon paper aside from the edition of 150 on Rives paper. Each print signed in pencil lower right by Dalí numbered lower left. Titles of the prints are Tete L'Ange Le Dragon Le Cheval La Fourme and Don Quichotte. Quarto. Six loose original etchings from ink drawings printed in brown on Japon paper. Sheet sizes: 24.8 x 32.2 cm. Original white boards Dalí embossed to front cover. Light rubbing to boards otherwise a bright set in excellent condition. Field 70-112. hardcover
1955ref. 1911Paris, Maeght, 1955. Un volume in-folio en feuilles, couverture illustrée d'une gravure en couleurs à l'aquatinte et carborundum, vernie par l'artiste lui-même, étui-chemise éditeur décoré de collages de papiers de couleur. - 20 EAUX-FORTES ORIGINALES DE GEORGES BRAQUE : 16 gravures hors-texte exécutées en 1932 pour Ambroise Vollard, et 4 gravures réalisées en 1953 : la couverture en 5 couleurs vernie au pinceau par l'artiste, le frontispice en 2 couleurs, la tête de chapitre et le cul-de-lampe. - Tirage à 150 exemplaires numérotés sur Auvergne et signés par l'artiste. Celui-ci le n° 23 signé par Braque. Tirage unique - Conservé en parfait état. - Note historique : En 1931, Braque illustre la Théogonie du poète grec Hésiode (VIIe siècle av. J.-C) pour le marchand, éditeur et passionné de gravure, Ambroise Vollard. Le récit, consacré à la naissance de l’univers et à l’origine des dieux, est considéré comme l’un des grands textes de la mythologie grecque. Entre 1932 et 1935, l’artiste exécute une série de seize eaux-fortes qui seront publiées par Maeght en 1955 : ligne noire imprimée sur fond blanc pour les gravures et, en négatif, ligne blanche découpée sur fond noir pour les plâtres peints et gravés que Braque crée en parallèle. Comme les figures mythologiques et les natures mortes de l’époque, ces œuvres possèdent un style curvilinéaire et propice à la métamorphose. (The Artist and the Book 38). --- ENGLISH DESCRIPTION: GEORGES BRAQUE (1882-1963). THEOGONIA - the complete set of twenty (20) etchings, title paper, text in Greek by Hesiod, justification, and index of plates on Auvergne paper, watermark Montval, 1932-1955, one of the 150 (n. 23), signed in pencil on the the justification, published by Maeght Editeur, Paris, 1955, in mint good condition, loose (as issued), with paper wrappers, within black paper-covered boards and slipcase, with collage design on front and back, title, artist's and author's name on spine. Overall: 18 x 13 7/8 in. (457 x 352 mm.) Condition : near mint, a beautiful copy with the editor decorated slipcase in near mint condition too.
1942ref. DALISALV001703Dial Press New York. 1942. First U.S. edition. Translated by Haakon Chevalier. Quarto. 400 pages. Black and white illustrations by the author. Buckram covers with pictorial labels on front and spine.From the library of publisher Peter Owen flamboyantly inscribed to him in blue ink on the half-title page by the author: ''Pour Peter OWEN Hommage de Dali 1972''. A line from the inscription carries over to the facing page where Dali has drawn a stylised Don Quixote in a desert landscape. The prelims of the book are mocked up by use of printed slips and Tippex for Peter Owen's edition of the book which appeared under his family's Vision Press imprint in 1948 this copy was evidently also used for the second and third editions. The inscription and drawing are most likely to have been made when Owen made one of his three visits to Dali in Spain to discuss copyright of the revised English edition of Dali's novel Hidden Faces which Owen published in 1973.Good only - has received some rough handling see above. No dustwrapper. Dial Press, New York. hardcover
1965ref. 74820Salvador Dali Fantastic Voyage 1965 Lithograph Hand Signed lower right Numbered: 177/300 lower left Image size: 60 x 46 cm Sheet size: 76 x 56 cm Published by Sidney Lucas New York and with their ink stamp lower left with Peter Lucas authentication signature and date 3/12/98 in pencil verso REFERENCE: Field 65-4
1964ref. 74864Salvador Dalí Pegasus from The Mythology suite 1960-1964 Etching and engraving with color aquatint. Hand Signed lower right Numbered 28/150 Image size: 52 x 61 cm Sheet size: 55 x 76 cm Published by Argillet Paris Reference Field 63-3 B
ref. 74868SALVADOR DALÃ Don Quichotte 1971 Color drypoint Hand signed lower right Numbered 16/100 Image size: 51 x 39 cm Sheet size: 78.5 x 58.5 cm Printed by Ateliers Rigal Fontenay-aux-Roses. Published by De Fracony Paris. Reference: Michler/Löpsinger 451; Field 71-7 A.
1972ref. 021298New York and Fribourg: Pamela Verlag and Transworld Art 1972. First Edition. Hardcover. Fine in a Near Fine case. Salvador Dali. Portfolio with loose sheets 12-1/4" x 17-1/2" laid in a paper cover and cloth portfolio lettered in silver on the backstrip as issued. Copy #26 of 150 with English text and 10 ORIGINAL DRYPOINT ENGRAVINGS in color image size 5" x 7-1/4" on 12-1/4" x 17-1/2" sheets each SIGNED by the illustrator. (Pamela Verlag) and (Transworld Art) hardcover
1930ref. 2476Paris: Éditions Surréalistes 1930. First edition. 72 pp. Original aluminum foil paper wrappers covered by red tissue paper title printed in black on the cover. Unbound sheets as this variant was issued. Photo-lithographed portrait of Gala heliogravure frontispiece retouched with a burin and six heliographic plates. A bit of wear to the extremities else a beautiful copy of a very fragile production. Of an edition of 204 copies one of the very few on Rodingold vellum in sheets justified on the colophon by the Service de Presse stamp. With Dalí’s autograph dedication on the half-title “Hommage de l’auteur. Salvador Dali.” Laid in is the prière d’insérer announcement with text by André Breton and Paul Eluard. This issue of La Femme Visible is unbound sheets laid into the foil and red wrappers. For these few copies Dali apparently often added a simple autograph homage. The book did not meet with great success as Eluard reveals in a letter to Gala on January 27 1931: “La Femme visible a une presse immonde. Pourquoi Dali n’a-t-il pas mis dans ses dédicaces le nom des gens. Comme cela on n’en parlera pas ou en mal.” La Femme Visible is receiving dreadful publicity. Why didn’t Dali put people’s names in his dedications That way people won’t talk about it or talk about it badly. Georges Sebbag in his bibliography of Editions Surréalistes does not mention these press copies nor the printing of the book in sheets. One of Dalí’s earliest books containing four texts: “L’Âne Pourri” “La Chèvre Sanitaire” “L’Amour” and “Le Grand Masturbateur.” In these writings inspired by Freudian and post-Freudian theories Dalí’s aim is to upset the frontiers between dream and reality and to break down the convictions that form the basis of so-called “bourgeois values.” He later spoke of it as “a spontaneous method of irrational knowledge based on the critical and systematic objectification of delirious associations and delirious interpretations.” References: Michler and Löpsinger. Salvador Dalí: Catalogue Raisonné of Etchings and Mixed-Media Prints 1924-1980 no. 4. Cowling. The Magic Mirror. Dada and Surrealism from a Private Collection Scottish National Gallery of Modern Art 1988 no. 92. Mundy ed. Surrealism: Desire Unbound. pp. 131-33; 148-49. Eluard. Letters to Gala 1989 trans. p. 98. Sebbag Les Editions Surréalistes 1993. pp. 63-64. Éditions Surréalistes unknown
1930ref. 2476Paris: Éditions Surréalistes 1930. First edition. 72 pp. Original aluminum foil paper wrappers covered by red tissue paper title printed in black on the cover. Unbound sheets as this variant was issued. Photo-lithographed portrait of Gala heliogravure frontispiece retouched with a burin and six heliographic plates. A bit of wear to the extremities else a beautiful copy of a very fragile production. Of an edition of 204 copies one of the very few on Rodingold vellum in sheets justified on the colophon by the Service de Presse stamp. With Dalí’s autograph dedication on the half-title “Hommage de l’auteur. Salvador Dali.” Laid in is the prière d’insérer announcement with text by André Breton and Paul Eluard. This issue of La Femme Visible is unbound sheets laid into the foil and red wrappers. For these few copies Dali apparently often added a simple autograph homage. The book did not meet with great success as Eluard reveals in a letter to Gala on January 27 1931: “La Femme visible a une presse immonde. Pourquoi Dali n’a-t-il pas mis dans ses dédicaces le nom des gens. Comme cela on n’en parlera pas ou en mal.” La Femme Visible is receiving dreadful publicity. Why didn’t Dali put people’s names in his dedications That way people won’t talk about it or talk about it badly. Georges Sebbag in his bibliography of Editions Surréalistes does not mention these press copies nor the printing of the book in sheets. One of Dalí’s earliest books containing four texts: “L’Âne Pourri” “La Chèvre Sanitaire” “L’Amour” and “Le Grand Masturbateur.” In these writings inspired by Freudian and post-Freudian theories Dalí’s aim is to upset the frontiers between dream and reality and to break down the convictions that form the basis of so-called “bourgeois values.” He later spoke of it as “a spontaneous method of irrational knowledge based on the critical and systematic objectification of delirious associations and delirious interpretations.” References: Michler and Löpsinger. Salvador Dalí: Catalogue Raisonné of Etchings and Mixed-Media Prints 1924-1980 no. 4. Cowling. The Magic Mirror. Dada and Surrealism from a Private Collection Scottish National Gallery of Modern Art 1988 no. 92. Mundy ed. Surrealism: Desire Unbound. pp. 131-33; 148-49. Eluard. Letters to Gala 1989 trans. p. 98. Sebbag Les Editions Surréalistes 1993. pp. 63-64. Éditions Surréalistes unknown books
1962ref. 166410Paris: Bibliothéque des Arts 1962. Inscribed with a drawing to a childhood friend First edition first printing presentation copy inscribed by Dalí across the verso of the front free endpaper and the facing page in Catalan "Per en Josep Xirau qui un del primer xicits de Tudela con abraçades den one of the first children of Tudela with hugs from Dalí 1962" and with two ink sketches: one of Don Quixote and the other of Dalí and Josep walking into the mountainous landscape of Tudela in the Cap de Creus national park. This copy is also inscribed by Descharnes on the half-title in French "Pour Monsieur Joseph Xirau hommage te 'amical de a friendly tribute from Robert Descharnes". The recipient was the Catalan lawyer and politician Josep Xirau i Palau who founded the Socialist Union of Catalonia. Dalí was a childhood friend of the Xirau family and painted portraits of several family members including Josep's brothers the philosopher Joaquim and the chemist Joan. Quarto. Text in French. Colour illustrations throughout many images tipped in. Original grey cloth front cover and spine lettered in brown. With dust jacket. Spine lightly bumped; price-clipped dust jacket with light wear at corners small tape repair at head of spine panel: a very good copy in good dust jacket. hardcover
ref. 74890Salvador Dali Femmes fleurs 1970 Color lithograph Hand signed lower right Numbered 94/150 Image size 51.5 x 66 cm Sheet size 56.5 x 76 cm Printed by Desjobert Paris. Published by Musée de l'Athénée Geneva. Reference: Michler/Löpsinger 1329; Field 70-2
1969ref. 18586New York: Maecenas Press / Random House 1969. Limited Edition. Original wraps. Fine. Signed limited edition of Alice's Adventures in Wonderland featuring twelve illustrations with woodcuts and an original etching by Salvador Dalí. Folio 150pp 6. Full set measures 22" x 16" x 3.5". Portfolio of loose leaves held in brown cloth wraps. "Dalí" stamped in gilt on front cover. Leaves are gathered in signatures of 6 with each centerfold featuring an illustration. All in fine condition. Complete with twelve vibrant full-page color illustrations and one frontispiece etching. One of 2500 portfolios printed on Mandeure paper. This set is numbered 1860. Each portfolio features an original colored etching signed by the artist Salvador Dalí. Housed in the matching cloth clamshell title in gilt on orange morocco spine brown silk interior. Small orange stain to bottom right corner. Held shut with leather straps along fore-edge lacking one latch. Includes the publisher's original shipping box with the matching limitation number. A truly exceptional piece combining classic literature with modern art. Salvador Dalí 1904-1989 illustrated a number of limited edition works throughout his artistic career. In addition to Alice's Adventures in Wonderland Dalí was commissioned to illustrate Macbeth 1946 Don Quixote De La Mancha 1946 The Divine Comedy 1960 Arabian Nights 1964 and The Bible 1967. Maecenas Press / Random House unknown
