DALI, SalvadorBiblio.com
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1967rif. 193881Milan: Rizzoli 1967. The magni luxus edition of 105 Dalí lithographs First edition signed by the publisher number XXXV from the deluxe magni luxus edition of 199 numbered I to CXCIX. Biblia Sacra is the largest and most ambitious of Dali's picture cycles. The series was commissioned by his close friend Guiseppe Albaretto. A devout Roman Catholic Albaretto hoped that the project and the close reading of the Bible it necessitated might strengthen Dali's own faith. Dalí took a tremendous amount of care with the project personally inspecting and ensuring the quality of the reproductions of the 105 paintings. Albert Field noted that when the original paintings were displayed alongside the prints "the prints are so like the originals that the only sure way to distinguish one from the other was that the paint on the originals made the surface uneven" p. 201. An extraordinary feat of printmaking presented in suitably beautiful fine bindings this is Dalí at his best. 5 vols folio. With 105 full-page offset lithographs on card after gouaches by Dalí. Text in Latin. Original dark green crushed morocco raised bands spines lettered in gilt with coloured morocco inlays outlined with gilt pale green moiré endpapers top edges gilt others untrimmed text printed on heavy laid paper with Dalí watermark. With original green moiré and morocco slipcases. Spines faded internally bright and clean; slipcases unevenly sunned edges lightly rubbed: a very good set. Albert Field The Official Catalog of the Graphic Works of Salvador Dali 1996. hardcover
rif. 21202Paris, Guy Lévis Mano, 1935 - 1937. Collection Repères publiée entre juillet 1935 et août 1937 à Paris par Guy Lévis Mano. 25 volumes in-4 en feuilles sous couvertures vermillon ou jaune. Série complète en parfaite condition, sous chemise et étui.
1984rif. 74914Salvador Dali "Nobility of Time" from "The Sculpture Collection" Conceived in 1977 first cast in 1984 Bronze and green patina Edition: 194/350 Inscribed "Dali" Dimensions: 60 x 38 x 29 cm Reference: D.635 "The Sculpture Collection" consists of the most iconic images from Dali's paintings in sculptural form. The epitome of Surrealism this body of work is a product of the artist's direct involvement that focused on ideas over
1931rif. 3114Paris, Ambroise Vollard Éditeur, 1931. Un volume in-4 (32 x 24 cm). Remarquable reliure "sculptéee de Paul Bonet en plein box bleu nuit et décor polychome en relief, chemise et étui (signée et datée de 1944). - 12 EAUX-FORTES ORIGINALES EN HORS-TEXTE et 1 EAU-FORTE pour la "table des eaux-fortes" GRAVÉES PAR PABLO PICASSO. - UNE SUITE COMPLÈTE DES 12 GRAVURES HORS-TEXTE SUR VÉLIN DE RIVES. - Dessins de l'artiste gravés sur bois par Georges Aubert et tirés en in-texte. Une "préface" de 16 pages de dessins composés de points et de traits dessinés par Picasso en 1924 également gravés sur bois par Aubert. Tirage : 340 exemplaires (65 Japon + 240 vélin de Rives + 35 H.C.). Celui-ci 1 DES 65 EXEMPLAIRES SUR JAPON IMPÉRIAL, LES SEULS SIGNÉS AU PINCEAU PAR PICASSO et monogramés à la plume par Vollard, avec UNE SUITE COMPLÈTE DES 12 GRAVURES HORS-TEXTE SUR VÉLIN DE RIVES. - Dans une extraordinaire reliure "sculptée" de Paul Bonet, datée 1944 : "box bleu corbeau, un grand caisson ovale occupe presque chaque plat, encadrant un grand motif abstrait sculpté et couvert de veau de différentes couleurs vives" (Carnets, n°692), couverture conservée, chemise, étui. Bonet n'a réalisé qu'une poignée de ces fameuses reliures sculptées qui sont très recherchées. Celle-ci étant l'une des plus réussies et des plus élégantes. —— ENGLISH DESCRIPTION: Paris, Ambroise Vollard Éditeur, 1931. Illustrated with 12 original etchings by Pablo Picasso (and 1 for the plate "Table des eaux-fortes") and numerous woodcuts by G. Aubert after the drawings by Picasso. One of 65 NUMBERED ON JAPAN PAPER SIGNED BY PICASSO AND VOLLARD with an EXTRA SUITE of the 12 original etchings on Rives paper. Only the 65 numbered on japan paper are signed by Picasso and Vollard. Mint condition. Outstanding "sculptural" binding by Paul Bonet, dated 1944: "raven blue box, a large oval box occupies almost each cover, framing a large abstract motif carved and covered with calfskin in different bright colors" (Carnets, n°692), cover preserved, folder, case.
