Salvador DaliBiblio.com
873 risultati
rif. 74875Salvador Dalí Terpsichore from Les Muses 1971 Etching Hand signed lower right Numbered: 136 / 145 Image size: 40.5 x 32.5 cm Sheet size: 65.5 x 50.5 cm Publisher: Les Heures Claires Reference M/L 510
rif. 74876Salvador Dalí Terpsichore from Les Muses 1971 Etching Hand signed lower right Numbered: 136 / 145 Image size: 40.5 x 32.5 cm Sheet size: 65.5 x 50.5 cm Publisher: Les Heures Claires Reference M/L 510
1967rif. 003131Paris : Cercle du Livre Precieux 1967. Book. Fine. Hardcover. 1st Edition. Loose sheets in illustrated wrappers. In gray silk covered chemise and matching slipcase with both sides decorated with a velvet floral design. Artist book comprising 14 full-page color engravings and 7 engraved vignettes at the beginning of each story. All full page engravings are signed in the plate and protected by tissue guards. Text by Giacomo Casanova. This is number 262 of a limited edition of 390 copies. Printed on Rives paper. Tiny tear in the bottom edge of the wrapper otherwise in very fine collectible condition. . Cercle du Livre Precieux Hardcover
rif. 74789Salvador Dalí Winter from Four Seasons 1972 Signed lower right Edition 58 / 195 and the blindstamp lower left Image size 41.5 x 55 cm Sheet size 54 x 67 cm Published by Les Heures Claires Paris with their blindstamp Reference M. & L. 1362
rif. 123056Editions Graphiques Internationales 1972 . Lithograph in colours 1972 on heavy Arches paper signed in pencil numbered from the edition of 350 there were also 25 artist's proofs printed by Draeger published by Editions Graphiques Internationales 74.7 × 55.0 cm. 29½ x 21¾ in. Playfully reinterpreting floral forms Salvador Dalí blended classical botanical illustration with surrealistic themes for his renowned Florals series. Drawing over original lithographs from previous centuries he used his Paranoiac-Critical Method to create whimsical double images and transform traditional flora into dreamlike imaginings. Tulips bloom into human lips tiger lilies morph into moustaches and narcissi turn into phones in the series. Published by Editions Graphiques Internationales as a series of 15 lithographs each print is individually signed and numbered by Dalí in pencil. Field 72-7 O Editions Graphiques Internationales 1972 unknown
rif. 74790Salvador Dali Le Cheval De La Mort from Les Chevaux Daliniens 1970 Lithograph with embossing Hand-signed lower right Edition EA lower left Image Size: 54 x 39.5 cm. Sheet Size: 65 x 50 cm. Printer: Wolfensberger Publisher: Carpentier/Waintrop Literature: ML. 1268
rif. 149870New York: Ballantine Books 1974. First edition second printing of this illustrated work by Salvador Dali. Quarto original pictorial wrappers illustrated with 40 glossy color plates. Presentation copy boldly inscribed by Salvador Dali in black felt tip on the verso of the front cover and half-title page with his enormous signature and a large drawing of a woman's head wearing a conical hat to the bottom left. In fine condition. Edited by David Larkin. Introduction by J.G. Ballard. The infamous Surrealist in full colour and in his own words Picasso called Dali "an outboard motor that's always running." Dali thought himself a genius with a right to indulge in whatever lunacy popped into his head. Painter sculptor writer and film maker Salvador Dali 1904-1989 was one of the century's greatest exhibitionists and eccentrics -- and was rewarded with fierce controversy wherever he went. He was one of the first to apply the insights of Sigmund Freud and psychoanalysis to the art of painting. He brought extraordinary sensitivity imagination and concern for precision to bear upon submerged levels of consciousness. Ballantine Books unknown
1967rif. 163543Paris & New York: Leon Amiel 1967. Edition of 250 on Arches paper. Signed in pencil lower right by Dali and numbered lower left. One of 12 prints from The Twelve Signs of the Zodiac portfolio. Coloured lithograph after an original gouache on Arches paper. Sheet size: 72.8 x 51.8 cm. Framed size: 90.7 x 70 cm. Presented in a white gold leaf frame with conservation acrylic glazing. Excellent condition. Field 67-6. unknown
1967rif. 173254Paris & New York: Leon Amiel 1967. From Dali's "Twelve Signs of the Zodiac" portfolio Edition of 250 on Arches paper. Signed in pencil lower right by Dali and numbered lower left. This is one of 12 plates from the Twelve Signs of the Zodiac portfolio. Coloured lithograph after an original gouache on Arches watermaked paper. Sheet size: 72.8 x 51.8 cm. Framed size: 90.7 x 70.2 cm. Excellent condition. Presented in a white gold leaf frame with conservation acrylic glazing. Field 67-6. unknown
1967rif. 163542Paris & New York: Leon Amiel 1967. Edition of 250 on Arches paper. Signed in pencil lower right by Dali and numbered lower left. One of 12 prints from The Twelve Signs of the Zodiac portfolio. Coloured lithograph after an original gouache on Arches paper. Sheet size: 72.8 x 51.8 cm. Framed size: 90.7 x 70.2 cm. Presented in a white gold leaf frame with conservation acrylic glazing. Excellent condition. Field 67-6. unknown
1967rif. 173250Paris & New York: Leon Amiel 1967. One of 12 images from the Twelve Signs of the Zodiac portfolio. Edition of 250. Coloured lithograph after an original gouache on Arches watermaked paper. Signed in pencil lower right by Dali and numbered lower left. Sheet size: 72.8 x 51.8 cm. Framed size: 90.7 x 70.2 cm. Presented in a white gold leaf frame with conservation acrylic glazing. Excellent condition. Field 67-6. unknown
1968rif. 003145Paris: Editions Argillet 1968. Book. Fine. Hardcover. Signed by Illustrators. Loose sheets in wrapper chemise and clamshell box. Clamshell box with gilt embossed illustration on front cover and gilt titles on spine. Chemise with gilt signature of Dali on front cover. Wrapper repeating the illustration on the box in blindstamp. Clamshell box with light wear. With 18 original engravings in black and white by Salvador Dali of which 10 full page and 8 smaller etchings 7 out of tekst and 1 in text. The 10 full page engravings with the blindstamped signature of Dali in the margin. All etchings protected by tissue guards. Hand signed in pencil by Dali on the limitation page also containing the publisher's stamp and Dali's blindstamped signature. Limited edition of 299 copies printed by the Presses du Palais Royal. This is number 90 and one of the limited edition of 75 copies printed on Arches teinte. With an extra suite of 6 out of 10 etchings on loose sheets in wrapper. All engravings with strong impressions 1 etching with light crease to corner not affecting the print. Sheets measure 383 x 285 cm. Box 405 x 305 cm. Very fine collectible copy. Editions Argillet hardcover
1933rif. 88275Neuilly-sur-Seine: Le Phare de Neuilly 1933. Fine. One of the rarest and most iconic Surrealist magazines Le Phare de Neuilly Neuilly-sur-Seine S.d. 1933 18.20 x 25.10 cm 3 volumes brochés First edition of this important and very rare magazine complete with 4 issues in 3 volumes. Complete collection of this luxurious Surrealist magazine edited and funded by Lise Deharme and characterized by its emphasis on photography. Covers illustrated by Man Ray illustrations in black. Contributions by Salvador Dali Hans Arp Dora Maar Oscar Dominguez Brassaï Lee Miller Jacques Lacan James Joyce Georges Ribemont-Dessaignes Ilarie Voronca Nathalie Barney Benjamin Fondane Pierre Drieu La Rochelle Alejo Carpentier Eugène Jolas Lise Hirtz Lise Deharme Raymond Queneau Claude Sernet Roger Vitrac Robert Desnos Jean Follain Léon-Paul Fargue Pierre Keffer Jacques Baron Gottried Benn Céline Arnauld Monny de Boully Georgette Camille André de Richaud Jules Supervielle Claire Goll Paul Laforgue David Herbert Lawrence Marcel Jouhandeau Paul Dermée Jean Painlevé Nadar Pétrus Borel and Stendhal. Sunned spine on the No. 3/4 issue. Spine-ends and corners slightly rubbed otherwise a wonderfully preserved copy. A very fine example of this rare avant-garde magazine which ""came into being over the course of a few dinners that brought together the dissidents of Surrealism and other poets in this hospitable abode of Lise Deharme. Robert Desnos provided the title. Georges Ribemont-Dessaignes was the editor. Man Ray had designed the cover: a silhouette of a lighthouse against a photographic background of sailing boats. . It contains curiosities: a tale by Petrus Borel a photo by Nadar popular songs an investigation into the neurosis of war epitaphs taken from a cemetery of animals. Among other curiosities a sonnet by the famous psychoanalyst Jacques Lacan. It is entitled Hiatus irrationalis."" Jacques Baron Cahiers de l'Herne Raymond Queneau p. 333. Le Phare de Neuilly unknown
rif. 74877Salvador Dalí Don quichotte from the series Les Chevaux Daliniens 1970 Lithographs with embossing Image size: Sheet size: 65 x 50 cm Numbered 44/250 lower left Hand signed lower right Printed by Wolfensburger Zurich Published by Wajntraub & Carpentier Paris Reference Michler & Löpsinger 1279
rif. 74870Salvador Dalí Le chevalier Chretien from the series Les Chevaux Daliniens 1970 Lithographs with embossing Image size: Sheet size: 65 x 50 cm Numbered 44/250 lower left Hand signed lower right Printed by Wolfensburger Zurich Published by Wajntraub & Carpentier Paris Reference Michler & Löpsinger 1266
rif. 74879Salvador Dalí Neptune from the series Les Chevaux Daliniens 1970 Lithographs with embossing Image size: Sheet size: 65 x 50 cm Numbered 44/250 lower left Hand signed lower right Printed by Wolfensburger Zurich Published by Wajntraub & Carpentier Paris Reference Michler & Löpsinger 1266
rif. 149869New York: Harry N. Abrams Inc. Publishers 1974. The New Concise Nal Edition of this lavishly illustrated work by Salvador Dali. Quarto original pictorial wrappers with 98 illustrations in both black and white and color interspersed with text. Boldly signed and dated by Dali in thick felt tip purple marker on the verso of the front cover and the front free endpaper with his enormous signature and a large drawing of a flower “Dali 1975.” In near fine condition with creasing and rubbing. Text by Max Gérard. Introduction by Dr. Pierre Roumeguère. The infamous Surrealist in full colour and in his own words Picasso called Dali "an outboard motor that's always running." Dali thought himself a genius with a right to indulge in whatever lunacy popped into his head. Painter sculptor writer and film maker Salvador Dali 1904-1989 was one of the century's greatest exhibitionists and eccentrics -- and was rewarded with fierce controversy wherever he went. He was one of the first to apply the insights of Sigmund Freud and psychoanalysis to the art of painting. He brought extraordinary sensitivity imagination and concern for precision to bear upon submerged levels of consciousness. Harry N. Abrams, Inc., Publishers unknown
1967rif. 183326Paris & New York: Leon Amiel 1967. One of 12 images from the Twelve Signs of the Zodiac portfolio. There was also an edition of 250 on Arches paper. Edition of 50. Coloured lithograph after an original gouache on Japon paper. Signed in pencil lower right by Dali and numbered lower left. Sheet size: 72.8 x 51.8 cm. Framed size: 90.7 x 70.2 cm. Presented in handmade white gold frame with conservation acrylic glazing. Excellent condition. Field 67-6; Michler & Lopsinger 1185. unknown
1967rif. 183330Paris & New York: Leon Amiel 1967. One of 12 images from the Twelve Signs of the Zodiac portfolio. There was also an edition of 250 on Arches paper. Edition of 50. Coloured lithograph after an original gouache on Japon paper. Signed in pencil lower right by Dali and numbered lower left. Sheet size: 72.8 x 51.8 cm. Framed size: 90.7 x 70.2 cm. Presented in handmade white gold frame with conservation acrylic glazing. Excellent condition. Field 67-6; Michler & Lopsinger 1181. unknown
1967rif. 183327Paris & New York: Leon Amiel 1967. One of 12 images from the Twelve Signs of the Zodiac portfolio. There was also an edition of 250 on Arches paper. Edition of 50. Coloured lithograph after an original gouache on Japon paper. Signed in pencil lower right by Dali and numbered lower left. Sheet size: 72.8 x 51.8 cm. Framed size: 90.7 x 70.2 cm. Presented in handmade white gold frame with conservation acrylic glazing. Excellent condition. Field 67-6; Michler & Lopsinger 1186. unknown
1967rif. 183329Paris & New York: Leon Amiel 1967. One of 12 images from the Twelve Signs of the Zodiac portfolio. There was also an edition of 250 on Arches paper. Edition of 50. Coloured lithograph after an original gouache on Japon paper. Signed in pencil lower right by Dali and numbered lower left. Sheet size: 72.8 x 51.8 cm. Framed size: 90.7 x 70.2 cm. Presented in handmade white gold frame with conservation acrylic glazing. Excellent condition. Field 67-6; Michler & Lopsinger 1190. unknown
1967rif. 183324Paris & New York: Leon Amiel 1967. One of 12 images from the Twelve Signs of the Zodiac portfolio. There was also an edition of 250 on Arches paper. Edition of 50. Coloured lithograph after an original gouache on Japon paper. Signed in pencil lower right by Dali and numbered lower left. Sheet size: 72.8 x 51.8 cm. Framed size: 90.7 x 70.2 cm. Presented in handmade white gold frame with conservation acrylic glazing. Excellent condition Field 67-6; Michler & Lopsinger 1191. unknown
1936rif. 53047Paris: GLM 1936. Fine. Offered to the friend beyond words companion of all wars and of loves as well GLM Paris 1936 12.50 x 17 cm broché First edition one of 100 numbered copies on vellum ours unnumbered the only deluxe papers after 15 copies on Japon. Illustrated with a frontispiece drawing by Salvador Dalí. Precious signed autograph presentation from Paul Eluard to René Char : « Exemplaire de mon ami René Char. Paul Eluard. » It was in 1929 that René Char first discovered the verse of Paul Eluard. Captivated the young twenty-two-year-old poet from L'Isle decided to send him a copy of his collection Arsenal inscribing it with the following dedication: « à Paul éluard enfin. L'Isle 17 septembre 1929. » His elder responded kindly a few weeks later: « Cher Monsieur n'est-il pas possible que nous nous connaissions mieux Ne pensez-vous pas venir à Paris Je serais heureux de vous dire combien j'aime vos poèmes tout ce si beau livre. » The young Char elated set off for the first time to meet his « substitute brother » Laurent Greilsamer René Char Perrin 2012 and soon decided to move to Paris to join his new companions Aragon Breton and Eluard placing himself under the Surrealist banner. Eluard abandoned by Gala who left him for Dalí offered Char to live in his apartment on rue Becquerel. The two bachelors soon engaged Odette a young maid who was more than agreeable: « Char enjoyed this refined service but was nevertheless surprised by the marked kindness of this pretty brunette. One day he took her in his arms. The young beauty smiled yielded and proved herself expert. That evening René recounted his adventure to Eluard who the next morning had his breakfast served in bed and invited Odette to join him. A temporary trio was thus formed. » op. cit. Char and Eluard now inseparable shared a taste for revelry and frenetic seduction roaming the Parisian boulevards in search of adventure. Thus on the evening of 21 May 1930 they met a destitute actress and trapeze artist: Nusch. « Eluard decided to take her back like a precious parcel to rue Becquerel. But it would take all the friendship of Char and his powers of persuasion to convince the young woman to stay giving Eluard the timeall the timeto fall in love. » op. cit. Char thus played the role of mediator enabling Eluard to win the great love of his life who died prematurely in 1946 of a cerebral haemorrhage. Despite several passing quarrelsnever over women but always over ideasthe two poets maintained a strong bond of friendship and intellect until the end of Eluard's life. « Je suis vieux René par instants à force de ne plus aimer la vie. Je vis par devoir. Mais je t'aime profondément comme je t'ai toujours aimé : ne te choque de rien ; venant de moi tout est pour moi affection et admiration. . Quelle preuve de plus peux-tu en avoir que je te dise que tu es le seul homme à qui je pourrais avouer ce grand vide que je porte en moi et devant qui je pourrais pleurer autant que j'en ai toujours envie. » GLM hardcover
rif. 74913Salvador Dalí Dawn at Port Lligat Venus with drawers 1970 Lithograph Hand-signed lower right Edition 126/250 Sheet size: 90 x 61 cm Image size: 75.5 x 56 cm Published by Courtleigh Graphics Reference Michler/Löpsinger 1284 Field 78-1
rif. 74865Salvador Dalí Bird of Paradise from Hawaii: California Suite 1973 Lithograph Image size: 55 x 39 cm Sheet size: 64 x 49.5 cm Reference: Fields 73-3A
