DALI, Salvador and BOCCACCIO, GiovanniBiblio.com
863 résultats
1972réf. 021298New York and Fribourg: Pamela Verlag and Transworld Art 1972. First Edition. Hardcover. Fine in a Near Fine case. Salvador Dali. Portfolio with loose sheets 12-1/4" x 17-1/2" laid in a paper cover and cloth portfolio lettered in silver on the backstrip as issued. Copy #26 of 150 with English text and 10 ORIGINAL DRYPOINT ENGRAVINGS in color image size 5" x 7-1/4" on 12-1/4" x 17-1/2" sheets each SIGNED by the illustrator. (Pamela Verlag) and (Transworld Art) hardcover
1930réf. 2476Paris: Éditions Surréalistes 1930. First edition. 72 pp. Original aluminum foil paper wrappers covered by red tissue paper title printed in black on the cover. Unbound sheets as this variant was issued. Photo-lithographed portrait of Gala heliogravure frontispiece retouched with a burin and six heliographic plates. A bit of wear to the extremities else a beautiful copy of a very fragile production. Of an edition of 204 copies one of the very few on Rodingold vellum in sheets justified on the colophon by the Service de Presse stamp. With Dalí’s autograph dedication on the half-title “Hommage de l’auteur. Salvador Dali.” Laid in is the prière d’insérer announcement with text by André Breton and Paul Eluard. This issue of La Femme Visible is unbound sheets laid into the foil and red wrappers. For these few copies Dali apparently often added a simple autograph homage. The book did not meet with great success as Eluard reveals in a letter to Gala on January 27 1931: “La Femme visible a une presse immonde. Pourquoi Dali n’a-t-il pas mis dans ses dédicaces le nom des gens. Comme cela on n’en parlera pas ou en mal.” La Femme Visible is receiving dreadful publicity. Why didn’t Dali put people’s names in his dedications That way people won’t talk about it or talk about it badly. Georges Sebbag in his bibliography of Editions Surréalistes does not mention these press copies nor the printing of the book in sheets. One of Dalí’s earliest books containing four texts: “L’Âne Pourri” “La Chèvre Sanitaire” “L’Amour” and “Le Grand Masturbateur.” In these writings inspired by Freudian and post-Freudian theories Dalí’s aim is to upset the frontiers between dream and reality and to break down the convictions that form the basis of so-called “bourgeois values.” He later spoke of it as “a spontaneous method of irrational knowledge based on the critical and systematic objectification of delirious associations and delirious interpretations.” References: Michler and Löpsinger. Salvador Dalí: Catalogue Raisonné of Etchings and Mixed-Media Prints 1924-1980 no. 4. Cowling. The Magic Mirror. Dada and Surrealism from a Private Collection Scottish National Gallery of Modern Art 1988 no. 92. Mundy ed. Surrealism: Desire Unbound. pp. 131-33; 148-49. Eluard. Letters to Gala 1989 trans. p. 98. Sebbag Les Editions Surréalistes 1993. pp. 63-64. Éditions Surréalistes unknown
1962réf. 166410Paris: Bibliothéque des Arts 1962. Inscribed with a drawing to a childhood friend First edition first printing presentation copy inscribed by Dalí across the verso of the front free endpaper and the facing page in Catalan "Per en Josep Xirau qui un del primer xicits de Tudela con abraçades den one of the first children of Tudela with hugs from Dalí 1962" and with two ink sketches: one of Don Quixote and the other of Dalí and Josep walking into the mountainous landscape of Tudela in the Cap de Creus national park. This copy is also inscribed by Descharnes on the half-title in French "Pour Monsieur Joseph Xirau hommage te 'amical de a friendly tribute from Robert Descharnes". The recipient was the Catalan lawyer and politician Josep Xirau i Palau who founded the Socialist Union of Catalonia. Dalí was a childhood friend of the Xirau family and painted portraits of several family members including Josep's brothers the philosopher Joaquim and the chemist Joan. Quarto. Text in French. Colour illustrations throughout many images tipped in. Original grey cloth front cover and spine lettered in brown. With dust jacket. Spine lightly bumped; price-clipped dust jacket with light wear at corners small tape repair at head of spine panel: a very good copy in good dust jacket. hardcover
réf. 74890Salvador Dali Femmes fleurs 1970 Color lithograph Hand signed lower right Numbered 94/150 Image size 51.5 x 66 cm Sheet size 56.5 x 76 cm Printed by Desjobert Paris. Published by Musée de l'Athénée Geneva. Reference: Michler/Löpsinger 1329; Field 70-2
1969réf. 18586New York: Maecenas Press / Random House 1969. Limited Edition. Original wraps. Fine. Signed limited edition of Alice's Adventures in Wonderland featuring twelve illustrations with woodcuts and an original etching by Salvador Dalí. Folio 150pp 6. Full set measures 22" x 16" x 3.5". Portfolio of loose leaves held in brown cloth wraps. "Dalí" stamped in gilt on front cover. Leaves are gathered in signatures of 6 with each centerfold featuring an illustration. All in fine condition. Complete with twelve vibrant full-page color illustrations and one frontispiece etching. One of 2500 portfolios printed on Mandeure paper. This set is numbered 1860. Each portfolio features an original colored etching signed by the artist Salvador Dalí. Housed in the matching cloth clamshell title in gilt on orange morocco spine brown silk interior. Small orange stain to bottom right corner. Held shut with leather straps along fore-edge lacking one latch. Includes the publisher's original shipping box with the matching limitation number. A truly exceptional piece combining classic literature with modern art. Salvador Dalí 1904-1989 illustrated a number of limited edition works throughout his artistic career. In addition to Alice's Adventures in Wonderland Dalí was commissioned to illustrate Macbeth 1946 Don Quixote De La Mancha 1946 The Divine Comedy 1960 Arabian Nights 1964 and The Bible 1967. Maecenas Press / Random House unknown
1972réf. 74901Salvador Dalí "Le Decameron" suite Portfolio 10 prints A set of ten drypoints with color engraving The English text and engravings are enclosed in a green slipcase with cover. Each signed in pencil Numbered 71/125 Sheet size: 45 x 31.5 cm Case size: 47 x 34 cm Publisher: Transworld Art New York Fribourg Switzerland Reference Field 72-8; ML552-561.
1935réf. Dali2DALÃ Salvador 1904-198 Original drawings and autograph poem charcoal on paper N.p.n.d c. 1935 1 p. in-8° 16 x 205 cm Some spots Unpublished poem with superb pencil studies representing surrealist shapes faces as well as a masturbation scene Superb pencil drawings some of surrealist shapes others representing faces or a scene of masturbation and fellatio. The Catalan painter has added an exquisite corpse which he calls "descriptive poem" which to our knowledge remained unpublished to this day. Dalí titled the poem "imperceptible outbreak of nutrition" he writes as usual in phonetic French: " ge pique ta nuque ge coupe ton pique ge nuque ta coupe ge vide mon mal J'avale ta male … " 1935 is a turning point in the creation process for the Catalan master. Dalí found the surrealist works too limited the impossibility of going further in the exploration of this world led him to proceed to a work of introspection leading to paranoia. He worked on this aspect of himself and studied the behavior of the mentally ill especially people with paranoid tendencies. It will result from this research a method to open one's mind to the things of the invisible of the unconscious through the use of the paranoid character present in each of us; it is called the Paranoia-Critical Method or M.P.C. In painting this will result in the double or even multiple image to which he will remain attached for most of his life. Provenance : – Paul Eluard collection – Georges Hugnet collection acquired from the above – Jacques Desbrière collection acquired from the above – Galerie Marignan Paris acquired from the above – Private collection acquired from the above This work is recorded in the archives of Nicolas Descharnes under the reference d7065_1935
1969réf. CH22Maecenas Press 1969. Book. Fine. Hardcover. Signed by Authors. FIRST. THE ROLLING STONES BILL WYMAN'S COPY OF THE DELUXE EDITION OF SALVADOR DALI'S ILLUSTRATED "ALICE'S ADVENTURES IN WONDERLAND" Paris and New York 1969 4000/6000 New York: Random House Maecenas Press 1969. Copy CXXXI of 200 copies of the deluxe edition. The Deluxe Edition of Lewis Carroll's Alice in Wonderland is signed by Salvador Dali on both the title page and the original colored etching with double suites of the original etching and 12 mixed-media illustrations each overprinted with Dali's remarque. Large folio 18-1/2 by 13 inches with 16 loose gatherings as issued including an original four-color etched frontispiece signed by Dali and 12 full-page mixed-media illustrations on Rives and an extra suite of the etching and 12 illustrations on Japanese Nacre. Both suites are housed in black raw silk portfolios all contained in original full tan morocco clamshell box secured with black fore-edge toggles both detached one present. This deluxe edition distinguished from the more commonly found edition of 2500 includes the extra suite of illustrations and etching and it features hand signed and numbered original etching. 18 1/2 by 13 inches PROVENANCE Property From Bill Wyman and his Rolling Stones Archive The Rolling Stones Memorabilia WITH COA. Maecenas Press Hardcover
1966réf. 91822Paris: Jean Petithory 1966. Fine. Man Ray shoots Surrealist Mannequins Jean Petithory Paris 1966 26.5 x 30.2 cm Relié sous étui First edition one of 37 numbered copies ours one of a few hors commerce copies for collaborators and friends signed by Man Ray on the justification. 15 photographs on watermarked vélin Montgolfier mounted on guards each bearing Man Rays printed studio stamp Épreuve originale atelier Man Ray Paris. The copy exceptionally contains the original subscription prospectus and an invitation to the book launch exhibition opening night organised by Simone Loliée. Publishers binding by the renowned bookbinder Mercher bearing his signature in the negative of the photographic paper on each endpaper and pastedown flat black shagreen spine title author and date stamped in gilt lengthwise photographic boards with gilt background after an original composition by Man Ray specially designed for this work original wrappers preserved black paper slipcase. Illustrated with 15 original photographic prints of the mannequins photographed by Man Ray at the 1938 International Exhibition of Surrealism. The mannequins had been transformed by Man Ray himself Salvador Dalí Oscar Dominguez Marcel Duchamp Max Ernst Espinoza Maurice Henry Marcel Jean Léo Malet André Masson Sonia Mossé Joan Miró Wolfgang Paalen Kurt Seligmann and Yves Tanguy. They were presented within a Surrealist staging by Marcel Duchamp and lighting designed by Man Ray himself. During the 1930s the European Surrealists had a fetishistic interest in simulated woman-female mannequins that they transformed into playful sculptural works of art. In 1938 Man Ray photographed a series of their work at the Exposition Internationale du Surréalisme presented in the unsettling half-light of the Galerie des Beaux-Arts on the rue du Faubourg Saint-Honoré. Visitors walking down a corridor on the Rue Surréaliste saw a series of dressmakers mannequins inhabitants of a dreamlike Paris scantily clad or adorned with a jumble of incongruous objects and flanked by street signs bearing highly symbolic names: some real such as the Rue des Vieilles Lanternes where Gérard de Nerval took his own life or the Rue Vivienne where Lautréamont once lived alongside invented ones such as the Rue aux Lèvres the Rue de Tous-les-Diables and the Rue de la Transfusion-de-Sang. The installations of this first international Parisian Surrealist exhibition organised by André Breton and Éluard marked a decisive moment in the history of the movement. For the first time the event dispensed with a straightforward retrospective of individual artists in favour of a series of phantasmagorical stagings live performances and ephemeral artworks prefiguring the modern concepts of installation and happening. Nearly 3000 visitors are said to have thronged to this 1938 Paris exhibition by the light of electric torches: One has the feeling of leaning over certain exhumed walls and of being the first to decipher their signs. Jean Fraysse Le Figaro littéraire 29 January 1938. From Hausmanns sculpture and de Chiricos paintings to the works of Hans Bellmer the mannequin had long occupied a central place in the Dada and Surrealist artistic vocabulary and was cited in Bretons 1924 Manifeste. These woman-objects staged in the spirit of the Musée Grévin offered infinite possibilities for the transformation of the body and the exploration of the unconscious. Some have remained enduringly celebrated such as Le Bâillon vert à bouche de pensée André Massons mannequin enclosed in a birdcage or Duchamps considered the only three-dimensional version of his alter ego Rrose Sélavy taking the form of a man cross-dressed as a woman in the style of Claude Cahun. The mannequin of lesbian artist Sonia Mossé friend of Artaud and photographed by Man Ray with Nusch is her only known artwork and the sole mannequin in the installation created by a woman artist. Man Ray had incorporated Jean Petithory hardcover
1967réf. 180354Milan: Rizzoli 1967. Dalí's illustrated Bible First Dalí edition number 1263 of 1499 copies signed by the publisher. Dalí created 105 paintings based on select passages from the Latin Vulgate Bible for this edition commissioned by his friend Guiseppe Albareto a publisher and devout Catholic. 5 vols folio. Illustrated with 105 full-page lithographs after gouaches on card by Dalí. Text in Latin. Original brown morocco raised bands spines lettered and decorated in gilt cream silk endpapers top edges gilt others untrimmed text printed on heavy laid paper with Dalí watermark. With original brown calf slipcases with cream silk spines and sides. Light rubbing to edges of slipcases otherwise a fine set. Field 69-3; Lopsinger 1600. hardcover
1969réf. 48500New York.: Maecenas Press - Random House. 1969. Loose as issued in original publisher's black cloth silk portfolios each with Dali to covers loose in original carrot morocco box with ties the ties lacking as usual. Folio. 430 x 285 mm. Carroll's text illustrated with an original frontispiece etching signed and numbered by Dali in pencil and twelve colour woodcut plates' this copy with the additional suite on Japon Nacré. The deluxe edition with the additional suite of Salvador Dali's illustrations for Lewis Carroll's proto-Surrealist masterpiece.From the edition de luxe limited to 200 signed and numbered copies on vélin de Rives with the additional suite of all the plates on Japon Nacré including the frontispiece etching which is signed in pencil by Dali; the full edition was 2500 copies on Mandeure paper.This copy is numbered from the edition of 200 Roman numbering CC. The number is LX no.70Michler & Löpsinger 321 - 333. Maecenas Press - Random House. hardcover
1967réf. 193881Milan: Rizzoli 1967. The magni luxus edition of 105 Dalí lithographs First edition signed by the publisher number XXXV from the deluxe magni luxus edition of 199 numbered I to CXCIX. Biblia Sacra is the largest and most ambitious of Dali's picture cycles. The series was commissioned by his close friend Guiseppe Albaretto. A devout Roman Catholic Albaretto hoped that the project and the close reading of the Bible it necessitated might strengthen Dali's own faith. Dalí took a tremendous amount of care with the project personally inspecting and ensuring the quality of the reproductions of the 105 paintings. Albert Field noted that when the original paintings were displayed alongside the prints "the prints are so like the originals that the only sure way to distinguish one from the other was that the paint on the originals made the surface uneven" p. 201. An extraordinary feat of printmaking presented in suitably beautiful fine bindings this is Dalí at his best. 5 vols folio. With 105 full-page offset lithographs on card after gouaches by Dalí. Text in Latin. Original dark green crushed morocco raised bands spines lettered in gilt with coloured morocco inlays outlined with gilt pale green moiré endpapers top edges gilt others untrimmed text printed on heavy laid paper with Dalí watermark. With original green moiré and morocco slipcases. Spines faded internally bright and clean; slipcases unevenly sunned edges lightly rubbed: a very good set. Albert Field The Official Catalog of the Graphic Works of Salvador Dali 1996. hardcover
1984réf. 74914Salvador Dali "Nobility of Time" from "The Sculpture Collection" Conceived in 1977 first cast in 1984 Bronze and green patina Edition: 194/350 Inscribed "Dali" Dimensions: 60 x 38 x 29 cm Reference: D.635 "The Sculpture Collection" consists of the most iconic images from Dali's paintings in sculptural form. The epitome of Surrealism this body of work is a product of the artist's direct involvement that focused on ideas over
