DALI, SalvadorBiblio.com
2 121 résultats
réf. 180554New York: Transworld Art 1974. One of 12 plates from the After 50 Years of Surrealism portfolio. Transworld blind stamp lower left. Publisher's copyright printed to verso. Edition of 195 on Rives paper from a total edition of 460. Signed in pencil lower right by Dalí numbered lower left. Drypoint etching with pochoir stencil on Rives wove paper. Plate size: 40 x 30 cm. Sheet size: 66 x 50 cm. Excellent condition. Field 74-8K. Michler & Lopsinger 676. unknown
réf. 23567London: Peter Owen 1973. Hardcover. Orig. quarter vellum and marbled boards spine gilt lettered. Fine in fine publisher's red cloth slipcase. Dali Salvador. 318 pages. 22 x 14.5 cm. Limited edition copy 61 of 100 signed by Dali. Laid in with the 19-pp. pamphlet “Postface to Hidden Faces” comprising of “Objective Chance” and “Reverie”. His first and only novel. Hidden Faces was originally written in French in 1943 two years after Dali had published his autobiography to great success. Chevalier a professor at Berkeley University spent several weeks with Dalí translating directly into English as Dalí wrote. The novel was completed in two weeks on the estate of the Marquis de Cuevas in Franconia a mansion in the mountains of New Hampshire next to the Canadian border. Numerous black and white reproductions of paintings after Dali. Peter Owen hardcover
réf. 74899Salvador Dali Hommage to Leonardo da Vinci 1975 Hand signed lower right Numbered 288/450 Sheet size 76 x 56 cm Printed by Ateliers Rigal Paris Published by Transworld Art New York. Reference Michler/Löpsinger 808-819; Field 75-8
1965réf. 695-LParis Maeght éditeur, 1965. In-folio (380 x 280 mm) en feuilles. 26 PAGES DE LITHOGRAPHIES ORIGINALES EN COULEURS dont 4 à double page. 1 lithographie en noir à double page. Texte de Jacques Dupin. Exposition à la Galerie Maeght de 32 peintures récentes sur carton. Édition originale. Exemplaire du tirage de luxe tiré à 150 exemplaires numérotés sur papier Arches et signés par Miro. Deluxe edition with 26 original lithographs in color by Joan Miro. The book is numbered 149/150 on Arches paper and signed by Miro.
1957réf. 13119Paris: Les Editions Du Chene 1957. 1st Edition. Dali. Dali. 1st Edition. Signed by Author. A very uncommon Dali monograph with an extraordinary two page Dali presentation inscription. First edition. 4to. 14 1/2' x 11" French style wrap-a-round stiff paper covers with a mounted colour illustration on the front panel. 11pp Tapie introduction in French; 16 exquisite full colour plates each mounted on the recto of each page; & a 5 pp biography at the rear. All of the mounted illustrations are of excellent quality and include: "La Harpe Invisible Fine Et Moyenne" "Spectre De La Libido" "Le Severage Du Meuble Aliment" "Le Chevalier De La Mort" "Les Atavismes Ce L'Angelus De Millet" "Pain" "Leda Atomica" "Madone De Port-Lligat" "Paysage De Port-Lligat" "Assumpta Corpuscularia Lapislazulina" "Persistance De La M emoi re" "Le Christ En Croix" "Vitesse Supersonique Staique De La Madone De Raphael" "La Cene" a detail of "La Cene" & "Nature Morte Vivante". On the front endpapers is a large & bold Dali inscription that read "Pour Comte Du Liege / Dali / 1958 . The Comte Du Liege is a Regal title of the Belgian Royal Family and is akin to the rank of a Duke. The best Dali inscriptions are noted for their flare & elaborate Daliesque design - this one is no exception. A superb example from perhaps the greatest artist of this past century - we know he would agree. Les Editions Du Chene unknown
réf. 74808Salvador Dali James the Greater from The Twelve Apostles 1977 Lithographs in colors with embossment on Arches paper Hand signed lower right Edition EA lower left Sheet size 64.5 x 47.5 cm Published by Wajntrob Moore Lancel & Carpentier LITERATURE: Field 72-14L
1969réf. 74784Salvador Dali Miserable Flat from Marquis de Sade Suite 1969 Lithograph Edition XXVI / XC Hand-signed lower right Image size: 52.5 X 42.5 cm Frame size: 76.5 x 62.5 x 2.5 cm Published by Shorewood Publishers New York It is framed with a wood-style aluminum frame an acid-free mat and an acid-free back and UV-protected acrylic glass
réf. 74778Salvador Dali Peter Keeper of the Keys from The Twelve Apostles 1977 Lithographs in colors with embossment on Arches paper Hand signed lower right Edition EA lower left Sheet size 64.5 x 47.5 cm Published by Wajntrob Moore Lancel & Carpentier LITERATURE: Field 72-14G
réf. 74805Salvador Dali Phillip from The Twelve Apostles 1977 Lithographs in colors with embossment on Arches paper Hand signed lower right Edition EA lower left Sheet size 64.5 x 47.5 cm Published by Wajntrob Moore Lancel & Carpentier LITERATURE: Field 72-14
1969réf. 74860Salvador Dali Tancreds Oath from Marquis de Sade Suite 1969 Lithograph Edition 110/160 Hand signed lower right Image size: 53 X 42.5 cm Sheet size: 65 x 50 cm Published by Shorewood Publishers New York Reference: Field 69-1 X Unframed
1969réf. 74785Salvador Dali The Death of Clorinda from Marquis de Sade Suite 1969 Lithograph Edition XXVI / XC Hand-signed lower right Image size: 52.5 X 42.5 cm Frame size: 77 x 64.5 x 3.5 cm Published by Shorewood Publishers New York It is framed with a purple-golden aluminum frame an acid-free mat and an acid-free back and UV-protected acrylic glass
1969réf. 74787Salvador Dali The Prison from Marquis de Sade Suite 1969 Lithograph Edition XXVI / XC Hand-signed lower right Image size: 52.5 X 42.5 cm Frame size: 75.5 x 62.5 cm Published by Shorewood Publishers New York It is framed with the wood style aluminum frame the acid-free mat and the acid-free back and UV-protected acrylic glass
réf. 74779Salvador Dali The Watcher from The Twelve Apostles 1977 Lithographs in colors with embossment on Arches paper Hand signed lower right Edition EA lower left Sheet size 64.5 x 47.5 cm Published by Wajntrob Moore Lancel & Carpentier LITERATURE: Field 72-14K
réf. 74777Salvador Dali Thomas Lancelot healing Sir Urre from The Twelve Apostles 1977 Lithographs in colors with embossment on Arches paper Hand signed lower right Edition EA lower left Sheet size 64.5 x 47.5 cm Published by Wajntrob Moore Lancel & Carpentier LITERATURE: Field 72-14J
1970réf. DALISALV001705Harry N. Abrams. New York. 1970. First U.S. edition. Translated by Eleanor R. Morse. Octavo. pp viii 157. Copiously illustrated. Full linen cloth.Inscribed extravagantly by Dali in pencil on the copyright page: ''OWEN - Dali 1973''. The recipient is the publisher Peter Owen who published the revised U.K. edition of Dali's novel Hidden Faces in 1973. Owen made three visits to Dali in Spain to discuss the novel's copyright and this copy was no doubt signed during one of these visits.Fine in very good dustwrapper rubbed and nicked at the top edge. Harry N. Abrams. New York. hardcover
1969réf. 74880Salvador Dali The Siege of Jerusalem The Arrival of Dumont from the Marquis de Sade 1969 Lithograph Edition: EA lower left Hand signed lower right Image size: 53 x 43 cm Sheet Size: 65 x 50 cm Publisher: Shorewood Publishers New York Reference: Field 69-1 M
réf. 74900Salvador Dali A plate from Les Songes drolatiques de Pantagruel 1973 Lithograph on Japanese paper Hand signed lower right Numbered 72/250 Printed by Grapholith Published by Carpentier Geneva with margins Sheet 76 x 56cm Reference: Field 73-7-H; M&L 1418a
1973réf. 86530Paris: Nouvelles Editions Françaises 1973. Fine. Nouvelles Editions Françaises Paris 1973 24.50 x 32.50 cm reliure de l'éditeur Illustrated edition with 48 color plates reproducing works by Salvador Dalí. Leaves slightly warped at upper margin. Publisher's binding in full olive green skyvertex smooth spine minor rubbing traces to joints. Rich iconography. Large and beautiful signature with a shooting star drawing in blue felt-tip pen by Salvador Dalí covering the half-title page and the facing page. Nouvelles Editions Françaises unknown
1978réf. 1668Maeght, Paris 1978. Grand in-folio (515 x 408 mm), en feuilles sous couverture illustrée rempliée gaufrée, emboitage illustré toilé de l'éditeur. Édition originale de la traduction française, illustrée par Antoni TÀPIES (1923-2012) de 8 GRAVURES ORIGINALES À L'EAU-FORTE, AQUATINTE ET CARBORUNDUM AVEC GAUFRAGES dont une signée en frontispice et 6 hors-texte dont une remarquable double-page. Tirage : 175 + XX HC tous sur papier d'Auvergne à la main du Moulin de Larroque, celui-ci un des 175, signé par l'artiste et l'auteur au colophon.
1930réf. 2647Paris: Éditions Kra 1930. First edition. 103 2 pp. Printed boards. Boards very slightly splayed; slight toning to spine; browning to extremities of front and rear endpapers; a bit of spotting to some leaves. One of 50 Roman-numeraled copies reserved for Librairie José Corti of a total of 110 copies of the edition de tête. Frontispiece by Salvador Dali colored in pochoir at the ateliers Jacomet only present in the edition de tête copies. The printed boards appear to be the publisher's although most copies were issued in wrappers. Laid in is the priere d'inserer the document announcing the publication for March 1930 of the book with texts by Roger Vitrac Robert Desnos Georges Ribemont-Dessaignes Georges Limbour Jacques Baron. Written during a turbulent time in Breton's life "although the text's general thrust is towards philosophical optimism there is no question that it is also the angriest and most bitter of Breton's major works." Surrealism "was no longer a state of mind unto itself but a moral imperative" Polizzotti. Éditions Kra unknown
1933réf. 5493171933. Unbound. Fine. Broadside. Yellow quarto sheet printed recto only. Folded twice and with a very tiny stain else fine. A statement prepared by Salvador Dali before his arrival in New York in anticipation of his first solo exhibition at the Lucien Levy Gallery from November 21 to December 8 1933. The statement quotes fellow surrealist and later antagonist Andre Breton includes Dali's denial as to the meaning of his works: "I never have the slightest idea what my pictures mean"; how after painting his wife one autumn afternoon he was "finally able to attain images sufficiently lucid and 'appetizing' for exhibition in New York"; and ending with a final question; "New York: why why did you erect my statue long ago long before I was born higher than another more desperate than another" Confusion about this statement abounds with some claiming the broadside was distributed at the 1939 World's Fair where Dali had a pavilion or later in 1941 calling it a response to criticism from a statement by Breton. Our research - and Dali's own printed words "I have never been to America" - supports Dali biographer Ian Gibson's belief that this broadside was issued in late 1933 as advance publicity for the painter's first solo American exhibition close on the heels of increased interest in the artist following the Surrealist show the year before that debut his icon painting The Persistence of Memory. Rare. OCLC locates two copies and we have located at third the Queen's Public Library in New York. unknown
1970réf. 5749New York: Harry N. Abrams In. 1970. First Edition. Hardcover. Near fine/very good. SIGNED by Dali in customary wild style: "Sinterklaas by Sinterklaas / / December 5 1970" Santa Claus by Santa Claus parodying the book title in Dutch. Dali was on a book tour in December 1970 and there is a famous photograph taken December 9. This copy was acquired from artist Chuck Close's personal library it may have been personally signed to Close or possibly given to him as a Christmas present. In New York in 1976 Dali painted "Gala Contemplating the Mediterranean Sea which at a distance of 20 meters is transformed into the portrait of Abraham Lincoln Homage to Rothko" in dialogue with Close's photorealistic paintings. Close selected a Dali portrait for his unconventional 1991 curated exhibition Head-On/The Modern Portrait at MOMA and spoke of his appreciation for Dali's "Gala's Back" in interviews. Several of Dali's Gala paintings are featured in this book.Near fine in very good dust jacket with short closed tears to the upper and lower edges. Harry N. Abrams, In. hardcover
1960réf. SAD0011960 Original 10 ¼" x 13" wood engraving in a 20 ¼" x 23" frame. Signed by Dalí in red and signed again in pencil. Original color wood engraving of the boatman Charon crossing the Acheron printed on BFK Rives paper with a deckled bottom edge blindstamp of the editor J. Estrade of Les Heures Claires to lower left matted in white and in a black frame. Fine. Overall a striking work by the great Spanish artist. In 1951 the Italian government commissioned Salvador Dalí to create 101 watercolor illustrations for Dante's The Divine Comedy to celebrate the 700th anniversary of the great Italian author's birth. The decision to hire Dalí who was Spanish and a self-proclaimed "Surrealist void of all moral values" was controversial and the government eventually dropped the commission. Nevertheless Dalí deeply inspired by Dante's masterpiece continued creating watercolors finally completing the project in 1959. Dalí struck a deal with his friend French publisher Joseph Forêt of Les Heures Claires to turn the watercolors into engravings for a lavish illustrated edition of The Divine Comedy. Two master engravers spent five years 1959 - 1964 reproducing the watercolors into wood engravings a process that required roughly 3500 wood blocks around 35 for each print. Three limited editions of Dalí's illustrated version of the Divine Comedy were ultimately released between 1960 and 1974: 4765 in French 3188 in Italian and 1000 in German. In all the project took more than a decade and is now recognized as one of Dalí's most towering achievements. Salvador Dalí 1904 - 1989 was an influential Spanish surrealist artist best known for paintings including The Persistence of Memory 1931 The Elephants 1948 and Cabaret Scene 1922. Dalí illustrated a number of famous literary works throughout his career including Dante's The Divine Comedy Cervantes' Don Quixote Lewis Carroll's Alice's Adventures in Wonderland and Shakespeare's Macbeth. The Divine Comedy Dante's allegorical masterpiece describes Dante's journey with the poet Virgil through Hell Purgatory and Heaven. The narrative poem is regarded as one of the greatest works of literature and helped standardize the Italian language as we know it today. Influential modernist poet T.S. Eliot wrote in an essay "Dante and Shakespeare divide the modern world between them; there is no third." Inferno Canto III opens with an inscription on the gates of hell: "Abandon all hope ye who enter." Dante and Virgil pass through the gate and encounter the boatman Charon who ferries souls to the opposite shore. . Fine. Illus. by Dalí Salvador. Lithograph. unknown
réf. 74869Salvador Dalí Dan from the series Twelve Tribes of Israel 1973 Sheet size: 65 x 50 cm Hand signed lower right Numbered 31/195 lower left Printed by Atelier Rigal Fontenay-aux-Roses Published by Transworld Art S.A. Fribourg Reference Fields 72-6
2000réf. 93363CSIC. New. 2000. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Corresponds to ASIN: B003TL83FG. Text in Spanish. 77 pages. Época Catalogue Raisonne Catalog Raisonné Complete Works Catálogo Razonado Obra Completa Raisonnee -- with a bonus offer . CSIC paperback
