DALI, SalvadorBiblio.com
2100 risultati
rif. 189074Saint Raphael: Editions Des Maitres Contemporains 1974. One of 12 plates from Le Bestiaire de la Fontaine Dalinesé portfolio. Artist's proof aside from the edition of 250. Drypoint etching with hand coloured pochoir stencil on Arches paper upper and lower edges deckled. Signed in pencil lower right by Dalí A.E to lower left. Plate size: 40.5 x 58.5 cm. Sheet size: 56.5 x76 cm. Unframed. Light spotting to lower edge affecting the margins image in excellent condition. Field 74-1 B. Michler & Lopsinger 654. unknown
rif. 189084Saint Raphael: Editions Des Maitres Contemporains 1974. One of 12 plates from Le Bestiaire de la Fontaine Dalinesé portfolio. Artist's proof aside from the edition of 250. Drypoint etching with hand coloured pochoir stencil on Arches paper left and right edges deckled. Signed in pencil lower right by Dalí A.E to lower left. Plate size: 58.5 x 40.5 cm. Sheet size: 76 x 56.5 cm. Unframed. Light spotting to lower edge affecting the margins image in excellent condition. Field 74-1 K. Michler & Lopsinger 664. unknown
rif. 189079Saint Raphael: Editions Des Maitres Contemporains 1974. One of 12 plates from Le Bestiaire de la Fontaine Dalinesé portfolio. Artist's proof aside from the edition of 250. Drypoint etching with hand coloured pochoir stencil on Arches paper left and right edges deckled. Signed in pencil lower right by Dalí A.E to lower left. Plate size: 58.5 x 40.5 cm. Sheet size: 76 x 56.5 cm. Unframed. Light spotting to lower edge affecting the margins image in excellent condition. Field 74-1 F. Michler & Lopsinger 659. unknown
rif. 189075Saint Raphael: Editions Des Maitres Contemporains 1974. One of 12 plates from Le Bestiaire de la Fontaine Dalinesé portfolio. Artist's proof aside from the edition of 250. Drypoint etching with hand coloured pochoir stencil on Arches paper upper and lower edges deckled. Signed in pencil lower right by Dalí A.E to lower left. Plate size: 40.5 x 58.5 cm. Sheet size: 56.5 x 76 cm. Unframed. Light spotting to lower edge affecting the margins image in excellent condition. Field 74-1 E. Michler & Lopsinger 655. unknown
rif. 189081Saint Raphael: Editions Des Maitres Contemporains 1974. One of 12 plates from Le Bestiaire de la Fontaine Dalinesé portfolio. Artist's proof aside from the edition of 250. Drypoint etching with hand coloured pochoir stencil on Arches paper left and right edges deckled. Signed in pencil lower right by Dalí A.E to lower left. Plate size: 58.5 x 40.5 cm. Sheet size: 76 x 56.5 cm. Unframed. Light spotting to lower edge affecting the margins image in excellent condition. Field 74-1 H. Michler & Lopsinger 661. unknown
rif. 189077Saint Raphael: Editions Des Maitres Contemporains 1974. One of 12 plates from Le Bestiaire de la Fontaine Dalinesé portfolio. Artist's proof aside from the edition of 250. Drypoint etching with hand coloured pochoir stencil on Arches paper lower and upper edges deckled. Signed in pencil lower right by Dalí A.E to lower left. Plate size: 40.5 x 58.5 cm. Sheet size: 56.5 x 76 cm. Unframed. Light spotting to lower edge affecting the margins image in excellent condition. Field 74-1 D. Michler & Lopsinger 657. unknown
1971rif. 17598Paris, Les Cent Une, 1971. In-folio en feuilles, sous couverture rempliée, chemise, étui.
1954rif. 10590Barcelona, Ediciones Omega, 1954 In-8, 53 pp. de texte et 48 illustrations. Demi-toile, auteur, titre et éditeur au dos, titre sur le premier plat, jaquette imprimée et illustrée, traces de pliures et déchirures avec deux petits manques de papier à la jaquette (reliure de l'éditeur).
rif. ANAIS-3791316028Prestel Pub. hardcover. Good. 0x0x0. Buy with confidence. Excellent Customer Service & Return policy. Prestel Pub hardcover
1948rif. SDAL003New York: Doubleday & Company 1948 Translated by John Addington Symonds. Illustrated by Salvador Dalí with full-page color plates and black-and-white drawings. First trade edition. Signed by Dalí with an original drawing of a horse on verso of half-title page. Publisher's red cloth with horse illustration in gilt to front board and black label lettered in gilt to spine. Very good with some fading to spine some rubbing to spine label and dimming to spine gilt front board gilt bright and a hint of offsetting to endpapers. Overall an attractive copy scarce signed. The Autobiography of Benvenuto Cellini was written by the Italian sculptor and draftsman in the sixteenth century although it was not published until 1728. This work detailing the personal life of a well-known artist has become perhaps the most important autobiography of the Italian Renaissance giving readers a glimpse into the lives of historical figures like Michelangelo and the Medici family. In his writing Cellini is unconcerned with maintaining a proper image of himself and uses humor and exaggerations to embellish his story even describing violent attacks he supposedly committed and otherworldly experiences he endured. This trade edition was preceded by a 1946 limited edition of 1000 numbered copies signed by Dalí. Signed. First Edition. Hard Cover. Very Good. New York: Doubleday & Company hardcover
rif. 36073Barcelona: Editorial Mediterrania 1985. Near Fine. Barcelona: Editorial Mediterrania 1985. First Edition Limited to 500 sets of which this is no. 349. Three volumes; large square quartos 31.5cm; publisher's blue gilt-lettered moiré silk all edges gilt housed in two-piece clear acrylic slipcase; Vol. I: 228pp.; Vol. 2: Three 33 1/3 vinyl audio discs in original gilt card chemises; Vol. 3: Laid in color print "Autoretrat" by Dali. Vinyl chemises all show some finger-soiling scratches to acrylic slipcase with some cracks crudely tape-repaired; overall slipcase in Good condition contents Near Fine. Editorial Mediterrania unknown
1933rif. 22613New York: Julien Levy Gallery 1933. Single sheet. Very Good. A wonderful piece of Surrealist ephemera and one of the great early Julien Levy catalogues. The scarce historic November-December 1933 catalogue/announcement of Salvador Dali's first solo exhibition in America. 26 listed paintings followed by a Dali essay and 2 Dali illustrations. All on a single purple sheet folded into thirds. Light creasing at all 3 panels renders this copy a VG to VG rather than a Near Fine but happily the fragile catalogue remains bright and very presentable. This copy also boasts superb provenance having come directly from the family of artist --and Julien Levy patron-- Joseph Cornell and before that from his house itself famously on Utopia Parkway in Flushing Queens New York. Julien Levy Gallery unknown
1948rif. SDAL003New York: Doubleday & Company 1948 Translated by John Addington Symonds. Illustrated by Salvador Dalí with full-page color plates and black-and-white drawings. First trade edition. Signed by Dalí with an original drawing of a horse on verso of half-title page. Publisher's red cloth with horse illustration in gilt to front board and black label lettered in gilt to spine. Very good with some fading to spine some rubbing to spine label and dimming to spine gilt front board gilt bright and a hint of offsetting to endpapers. Overall an attractive copy scarce signed. The Autobiography of Benvenuto Cellini was written by the Italian sculptor and draftsman in the sixteenth century although it was not published until 1728. This work detailing the personal life of a well-known artist has become perhaps the most important autobiography of the Italian Renaissance giving readers a glimpse into the lives of historical figures like Michelangelo and the Medici family. In his writing Cellini is unconcerned with maintaining a proper image of himself and uses humor and exaggerations to embellish his story even describing violent attacks he supposedly committed and otherworldly experiences he endured. This trade edition was preceded by a 1946 limited edition of 1000 numbered copies signed by Dalí. Signed. First Edition. Hard Cover. Very Good. New York: Doubleday & Company hardcover books
1933rif. 22613New York: Julien Levy Gallery 1933. Single sheet. Very Good. A wonderful piece of Surrealist ephemera and one of the great early Julien Levy catalogues. The scarce historic November-December 1933 catalogue/announcement of Salvador Dali's first solo exhibition in America. 26 listed paintings followed by a Dali essay and 2 Dali illustrations. All on a single purple sheet folded into thirds. Light creasing at all 3 panels renders this copy a VG to VG rather than a Near Fine but happily the fragile catalogue remains bright and very presentable. This copy also boasts superb provenance having come directly from the family of artist --and Julien Levy patron-- Joseph Cornell and before that from his house itself famously on Utopia Parkway in Flushing Queens New York. Julien Levy Gallery unknown books
rif. 36073Barcelona: Editorial Mediterrania 1985. Near Fine. Barcelona: Editorial Mediterrania 1985. First Edition Limited to 500 sets of which this is no. 349. Three volumes; large square quartos 31.5cm; publisher's blue gilt-lettered moiré silk all edges gilt housed in two-piece clear acrylic slipcase; Vol. I: 228pp.; Vol. 2: Three 33 1/3 vinyl audio discs in original gilt card chemises; Vol. 3: Laid in color print "Autoretrat" by Dali. Vinyl chemises all show some finger-soiling scratches to acrylic slipcase with some cracks crudely tape-repaired; overall slipcase in Good condition contents Near Fine. Editorial Mediterrania unknown books
rif. 120921New York Transworld Art 1974. . Etching with hand-colouring 1974 on BFK Rives paper signed inscribed 'F' and numbered from the French edition of 195 there was also an edition of 195 on Arches with text in English inscribed 'A' published by Transworld Art New York 655 x 508 mm. 25¾ x 20 in. Field 74-8 H. New York, Transworld Art, 1974. unknown
rif. 120922New York Transworld Art 1974. . Etching with hand-colouring 1974 on BFK Rives paper signed inscribed 'F' and numbered from the French edition of 195 there was also an edition of 195 on Arches with text in English inscribed 'A' published by Transworld Art New York 655 x 508 mm. 25¾ x 20 in. Field 74-8 I. New York, Transworld Art, 1974. unknown
rif. C73350London 2016. Limited Edition Of 750 Copies. . Near fine. Contents unmarked sound and bright. Some slight bumping at corners of clamshell box with very slight soiling mark at front towards bottom edge. Slight creases at back and head of spine of larger folio volume. . Folio; 8vo. Pp: Unpaginated; xvi 512. Limited edition of 750 copies numbered copy 418 in blue clamshell box with white and gold lettering at front. Publisher's blue and gold folio boards with stylised debossed Dali signature at front and gilt lettering at spine. Illustrated throughout in colour. Publisher's original blue boards with gilt at spine. Includes one volume containing 50 Salvador Dali illustrations and another smaller edition of the text to accompany them translated by Malcolm C. Lyons. This is a large and heavy set and may require extra postage. hardcover
rif. 120918New York Transworld Art 1974. . Etching with hand-colouring 1974 on BFK Rives paper signed inscribed 'F' and numbered from the French edition of 195 there was also an edition of 195 on Arches with text in English inscribed 'A' published by Transworld Art New York 655 x 508 mm. 25¾ x 20 in. Field 74-8 E. New York, Transworld Art, 1974. unknown
rif. 120923New York Transworld Art 1974. . Etching with hand-colouring 1974 on BFK Rives paper signed inscribed 'F' and numbered from the French edition of 195 there was also an edition of 195 on Arches with text in English inscribed 'A' published by Transworld Art New York 655 x 508 mm. 25¾ x 20 in. Field 74-8 J. New York, Transworld Art, 1974. unknown
rif. 7163London: The Folio Society. Near Fine. 2016. Hardcover. No. 173 of 750 copies. One quarter navy leather binding over brown silk-textured boards gilt titles on spine and front. Large volume with beautiful color illustrations by Dali. Smaller companion volume is an abridged text of the tales translated by Lyons. In a large blue clamshell box with white printed titles box has light scuffing. ; Elephant Folio . The Folio Society hardcover
rif. 21813Paris, éditions Kra, 1930. In-4, 103 pp., broché, couverture originale imprimée (minuscules rousseurs notamment en début et fin de volume, deux décharges au dos du faux-titre et du frontispice).
rif. 16942Paris, Centre culturel de Paris, 1978. In-folio, 68 pp, basane lie-de-vin de l'éditeur, filets dorés et à froid en encadrement sur le premier plat, une composition estampée à froid et doré en son centre, une signature de Dali, couronnée et datée 1978 dorée au second, dos à nerfs orné de filets, frises et fleurons dorés, couverture originale dorée ornée d'un collage conservée, étui de soie moirée rubis (petits manques de toile de l'étui, dos insolé, petits frottements).
1973rif. 1533Au Pont des Arts, Galerie Lucie Weill, Paris 1973. 1 volume in-4 (225 x 255 mm), 84 pages en feuilles, couverture illustrée rempliée, emboitage éditeur recouvert de toile rose. 16 LITHOGRAPHIES ORIGINALES EN COULEURS D'ANDRÉ MASSON, toutes en hors-texte pour illustrer la longue nouvelle de Patrick Waldberg qui paraît ici pour la première fois Tirage : 174 exemplaires numérotés tous sur vélin d'Arches, signés par l'auteur et l'artiste. Celui-ci : 1 des 21 hors-commerce réservés accompagné d'UNE SUITE COMPLÈTE DES 16 LITHOGRAPHIES TIRÉES SUR JAPON NACRÉ. La suite est insérée dans une chemise imprimée et CHAQUE ÉPREUVE EST SIGNÉE ET JUSTIFIÉE AU CRAYON PAR L'ARTISTE. L'ouvrage est également signé par Patrick Waldberg et André Masson.
rif. 8278Paris, Fasquelle, Coll. "Libelles", 1956. In-8° (17,5 x 11,5 cm), 155 pp. Reliure plein maroquin janséniste lie de vin, doublures de box jonquille et gardes de papier japon bleu ciel, dos lisse, auteur et titre dorés, toutes tranches dorées sur témoins, couvertures et dos conservés, sous étui bordé [L. Gérard]. Très bel exemplaire. Un des 50 exemplaires numérotés sur papier du Marais Crèvecoeur (premier papier). Nombreuses illustrations en noir, certaines hors-texte. Sobre reliure signée Liliane Gérard mais dans un style inhabituel pour lartiste. Provenance : Liliane Gérard (Bibliothèque personnelle).
